Autumn Leaves: Prints and Drawings
Tuesday 3 November 2026 at 14:00
9 rue de Provence, 75009 Paris
292 lots
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151 - LOUIS XIV - "Meeting between Louis XIV, King of France and Navarre, and PHILIP IV, King of Spain, on the Isle of the Pheasants in the year 1660, for the ratification of the peace and for the celebration of the marriage of His Most Christian Majesty to MARIE THERESE of Austria, Infanta of Spain." 1728. Etching and burin engraving by Edme JEAURAT (1688–1738), after Charles LE BRUN. Final state proof, with letter, on laid paper. Published by Jeaurat, in Paris. Narrow margins. This print reproduce
Estimate €250 - €400 -
152 - LOUIS XVI - INVITATION to the formal ball held in honor of the marriage of the Dauphin LOUIS (later LOUIS XVI) to MARIE-ANTOINETTE. 1770. Etching. Proof from a 19th-century print run, on vellum paper bearing a drystamp reading “Imperial Museums [... Louvre].” Margins. 25 x 35 cm. Condition B/C (weakened plate impression, trace of water damage on the right margin, rare foxing or small spots in the margins and on the reverse, subject in good condition).
Estimate €70 - €90 -
153 - WORLD WAR I - SATIRICAL PRINT - "And now, shut your beak, bird!" 1915. Lithographed by H. DUMAS. Signed and dated on the plate in the lower left corner. Print on vellum paper, numbered 50/175 and countersigned in pencil by the artist. Margins. 55 x 40 cm. Condition A/B (rare small spots or signs of handling in the margins, a short tear in the lower margin, good condition).
Estimate €100 - €200 -
154 - "Establishment of the Chamber of Commerce." Late 17th century. Etching and burin engraving. Proof bearing the address "In Paris, at Claude Robustel's, Rue St. Jacques, at the Image of St. John." Frontispiece from the book *Le Parfait Négociant*, published in 1675. 22 x 16 cm for the engraving. 28.5 x 20.5 cm for the backing. Condition A/B (cut from the copper plate and formerly mounted on laid paper).
Estimate €80 - €100 -
155 - CARICATURE - "Headquarters of the LITERARY COSSACKS." Etching by an anonymous artist, hand-colored in period colors. Print on laid paper. Caricature satirizing the print media and newspapers of the time. 28.2 x 34 cm. Condition C/D (cut inside the copper plate mark but before the square line; traces of water stains and foxing; reinforced tears and a small missing section on the left side of the subject; a wormhole under the number 2; sold as is).
Estimate €80 - €100 -
156 - PARIS SIEGE POSTER - "Authentic example of the infamous speculation resulting from the Siege of Paris, 1870–1871" (Verified price list for foodstuffs). At M. PIGEOL’s, in Paris. Vellum paper. 50 x 32.3 cm. Condition A/B (traces of old horizontal and vertical folds down the center; tear along this fold on the right and at the bottom; generally good condition).
Estimate €100 - €200 -
157 - PLACARD - "ESSAI de GEOMETRIE et de TRIGONOMETRIE, dedicated to Monsieur le Général de Division Charles FREGEVILLE, commandant de la Légion d'honneur, et de la 9è Division militaire". 1813. Typographed text and engraved border. A MONTPELLIER, de l'Imprimerie de BONNARIQ, Félix-Avignon et Migueyron, Rue Arc-d'Arène, n°56. AN XIII". 58.5 x 42.5 cm. Condition B (a few stains and scuffs, tears formerly restored, lined on japon).
Estimate €40 - €80 -
158 - PRESS & PRINTING - STATIONERY - 1869 promotional calendar from PAPETERIE DORVILLE, Yvonnet & Ramé, successor to Duchesne, 6 rue d'Aboukir in Paris. Color lithography and letterpress printing. Double-sided calendar on cardstock, illustrated with various machines and tools used in a stationery factory and for printing. 24 x 29 cm. Grade A (slight signs of handling, good overall condition).
Estimate €70 - €90 -
159 - AIRSHIP - KOLOSSAL! (ZEPPELIN 3006 - EIFFEL TOWER). 1914. Original lithograph by Henri Armengol (1884–1944), printed in color. Signed and dated on the plate. Vellum paper. Margins. German pride in its giant airships, the zeppelins, is mocked in this French poster, likely created after August 1914, the date of the first bombings of Liège and Antwerp against the Allies. Carrying a miniature representation of Emperor Wilhelm II and heading toward a group of soldiers in silhouette, the airship le
Estimate €200 - €300 -
160 - BALLOON - HOT-AIR BALLOON - POSTER for Aviation Week at the BELLERIVE RACETRACK, Monday, April 6, 1942. Preliminary proof, on glossy vellum paper. 49 x 32 cm. Grade A (excellent condition).
Estimate €150 - €200 -
161 - BALLOON - HOT-AIR BALLOON - DAUMIER - "The July Celebrations…. Views of Sainte-Pélagie." 19th century. Lithographed by Honoré DAUMIER (1808–1879). Ref.: Lois Delteil, no. 197. Printed by Delaunois and published in the "Charivari" by Aubert. 24 x 18.5 cm for the image. 36 x 27 cm overall. Condition A/B (slight trace of an old horizontal fold down the center, mounted on vellum paper).
Estimate €80 - €120 -
162 - BALLOON - HOT-AIR BALLOON - 19th century. Drawing on paper, unsigned. 44 x 25.5 cm. Condition B (trace of a former horizontal fold down the center, a few small stains and foxing spots on the dusty edges).
Estimate €200 - €300 -
163 - Louis Lucien FAURE DUJARRIC (1872–1943) – “The Curious Cow” (automobile). 1903. Color lithograph. Signed on the plate in the lower left corner. Beautiful print on vellum paper by Imprimeries Cerf. Full margins. 56 x 76 cm. Grade A (excellent condition).
Estimate €60 - €80 -
164 - AUTOMOBILE - Louis Lucien FAURE DUJARRIC (1872–1943) - “Broken Down.” 1903. Color lithograph. Signed on the plate in the lower left corner. Beautiful print on vellum paper by Imprimeries Cerf. Full margins. 56 x 76 cm. Grade A (excellent condition).
Estimate €60 - €80 -
165 - WHALE - REMONDINI / PROBST - "Navigating Through the Ice and Searching for Whales." RARE OPTICAL VIEW, circa 1760. Etching in original colors. Print on laid paper. Title in Latin and French. Margins. Polar seascape depicting whaling in Greenland. 35.5 x 46.5 cm. Condition A/B (traces of previous mounting and rare spots on the reverse, minor historical restorations, good overall condition).
Estimate €250 - €400 -
166 - 19th-Century Navy. DRANER. "France 1868 - Navy Officers, Dress Uniform." Original lithograph by DRANER (1833–1926), in original colors. Signed on the plate. Print on vellum paper, printed by Lemercier. Published by Dusacq & Cie, in Paris. Margins. 43.8 x 29.5 cm. Condition A/B (rare light foxing in the margins and on the slightly dusty reverse; subject in good condition).
Estimate €100 - €200 -
167 - HUNTING - Frédéric Puechmagre (Active in the late 19th century, died in 1914) - "The Departure" (on a HUNT). c. 1900. Color lithograph, printed on glossy vellum paper. Signed on the plate. Published by Sagot. Margins. Beautiful decorative print. 50 x 98.5 cm. Grade A (excellent condition).
Estimate €90 - €150 -
168 - HUNTING - Frédéric Puechmagre (Active in the late 19th century, died in 1914) - "The Return" (from the HUNT). c. 1900. Color lithograph, printed on glossy vellum paper. Signed on the plate. Published by Sagot. Margins. Beautiful decorative print. 50 x 98.5 cm. Grade A (excellent condition).
Estimate €90 - €150 -
169 - 19th-Century FIREFIGHTER. DRANER. "France 1864 - FIREFIGHTER, uniform." Original lithograph by DRANER (1833–1926), hand-colored. Signed on the plate. Print on vellum paper, printed by Lemercier. Published by Dusacq & Cie, in Paris. Margins. 40.5 x 29 cm. Condition A/B (a few small handling marks in the margins; subject in good condition).
Estimate €100 - €200 -
170 - ALLEGORY OF DEATH, 19th century. DRANER. "PRUSSIA. Hussar of Death." Original lithograph by DRANER (1833–1926), in original colors. Signed on the plate. Print on vellum paper, printed by Lemercier. Published by Dusacq & Cie, in Paris. Margins. 42.5 x 28.5 cm. Condition B (a few foxing spots in the margins and on the slightly dusty reverse; subject in good condition).
Estimate €150 - €200 -
171 - 19th-Century ZOUAVE. DRANER. "France - ZOUAVE PROVISION WOMAN". Original lithograph by DRANER (1833–1926), in original colors. Signed on the plate. Print on vellum paper, printed by Lemercier. Published by Dusacq & Cie, in Paris. Margins. 45 x 31.8 cm. Condition A/B (rare light foxing in the margins and on the slightly dusty reverse side; small, faint watermark in the upper right margin; subject in good condition).
Estimate €100 - €200 -
172 - LOT of 4 CHROMOLITHOGRAPHY CHILDREN. Approx. 33 x 42.5 cm each. Condition A (good condition). Set of 4 pl.
Estimate €50 - €80 -
173 - SAILBOAT DRAWING - Léon HAFFNER - [Sailboat on the Waves]. 1917. Original gouache by Léon HAFFNER (1881–1972), on paper. Signed and dated by the artist. Léon Haffner was a French painter, draftsman, and illustrator who specialized in seascapes and sailboats. Born in Paris, he discovered his passion for the sea during stays in Le Havre. In 1918, he was appointed Official Painter to the Navy thanks to the quality and precision of his works. He also illustrated numerous books on French maritim
Estimate €350 - €500 -
174 - SAILBOAT DRAWING - Léon HAFFNER - [Sailboat on the Waves]. c.1917. Original gouache by Léon HAFFNER (1881–1972), on paper. Signed by the artist. Léon Haffner was a French painter, draftsman, and illustrator who specialized in seascapes and sailboats. Born in Paris, he discovered his passion for the sea during stays in Le Havre. In 1918, he was appointed Official Painter to the Navy thanks to the quality and precision of his works. He also illustrated numerous books on French maritime histor
Estimate €400 - €600 -
175 - ARCHITECTURAL DRAWING - [Church interior]. 19th century. Original drawing (probably by Félix Benoist) in graphite on vellum. Provenance: Collection of the Charpentier studio, directed by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 39.5 x 31 cm. Condition B (a few short tears and small creases along the edges of the sheet, a few small stains and signs of handling).
Estimate €150 - €200 -
176 - CHARPENTIER DRAWING - [Village, Bridge, and Castle]. 19th century. Original drawing (probably by Félix Benoist) in graphite on vellum. A second pencil drawing on the reverse (unidentified). Provenance: Collection of the Charpentier studio, led by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 23.3 x 31.5 cm. Condition A/B (a few stains along the edges of the sheet and in the sky).
Estimate €100 - €200 -
177 - CHARPENTIER DRAWING - [CASTLE IN FRANCE]. 19th century. Original drawing (probably by Félix Benoist) in graphite on vellum. Provenance: From the collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris and later in Nantes (from 1854 onward). 24.8 x 32 cm. Condition A/B (very slight signs of sun fading, otherwise in good overall condition).
Estimate €100 - €200 -
178 - CHARPENTIER DRAWING - [VILLAGE IN FRANCE]. 19th century. Original drawing (probably by Félix Benoist) in graphite on vellum paper. Provenance: Collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 23.3 x 31 cm. Condition A (a short tear at the bottom, otherwise in good overall condition).
Estimate €100 - €200 -
179 - CHARPENTIER DRAWING - [CASTLE IN FRANCE]. 19th century. Original drawing (probably by Félix Benoist) in graphite on vellum. Provenance: Collection of the Charpentier studio, directed by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 29.2 x 46 cm. Condition A (one tear at the bottom, otherwise in good overall condition).
Estimate €200 - €300 -
180 - CHARPENTIER DRAWING - [VILLAGE IN FRANCE]. 19th century. Original drawing (probably by Félix Benoist) in graphite on vellum paper. Provenance: Collection of the Charpentier studio, directed by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 18 x 26 cm for the drawing. 26 x 34.8 cm overall. Condition A (excellent condition).
Estimate €200 - €300 -
181 - CARPENTER DRAWING - [Two peasants crossing a bridge (Southern Valley?)]. 19th century. Original drawing (probably by Félix Benoist) in graphite on vellum paper. Annotated “Southern Valley?” in pencil in the lower left corner. Provenance: Collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 16.3 x 22 cm (image dimensions). Condition A (excellent condition).
Estimate €80 - €100 -
182 - DRAWING - [LANDSCAPE, tree trunk]. 19th century. Drawing on paper, unsigned. 40 x 54.2 cm. Condition A/B (a short tear, reinforced, on the upper edge; otherwise in good condition).
Estimate €100 - €200 -
183 - [SITTING CAT]. 20th century. Anonymous watercolor on paper. 65 x 50.2 cm. Condition A (a few small sunspots on the edges of the sheet; otherwise in good condition).
Estimate €120 - €150 -
184 - ZOLA - [Portrait of Émile ZOLA]. Late 19th century. Charcoal DRAWING on paper, signed with the initials "WW" in the lower right corner. 54 x 42.7 cm. Condition A/B (previously mounted along the edges onto paper; small loss in the lower left and right corners; two small holes at the top; in good overall condition).
Estimate €600 - €800 -
185 - DRAWING - PORTRAIT of Michel CHEVALIER (1806–1879), politician, economist, leading advocate of economic liberalism, and advisor to Napoleon III. Original drawing circa 1840, on paper. Unsigned. 40.5 x 27.8 cm. Condition A (traces of previous mounting on the reverse; otherwise in good condition).
Estimate €200 - €300 -
186 - DRAWING - [Portrait of a Painter]. c. 1850. Original watercolor and gouache on paper. Signature (unidentified) and date in the lower right corner. 55 x 44.5 cm. Condition A (good overall condition).
Estimate €80 - €100 -
187 - DRAWING after G.B. PIRANESI - "The Pillar with Chains." 19th century. WATERCOLOR on paper, unsigned. Watercolor based on the 18th-century engraving by Giovanni Battista Piranesi for the series “Le Carceri d’Invenzione” (The Imaginary Prisons). 45 x 54.5 cm. Condition A/B (a few small holes in the margins, some stains on the reverse, slight indentation in the paper in the upper right corner, in good condition).
Estimate €200 - €300 -
188 - DRAWING - [Reclining Female Nude] (study for *The Awakening of a Nymph*). 1905. Anonymous pencil drawing on laid paper. Annotated in the upper left: “From the tip of the right foot to the top of the skull: 1.60 m life-size / November 8, 1905 / study for *The Awakening of a Nymph*.” Dated “Nov. 8, 1905” in pencil in the lower left. Annotated “sculptor’s drawing? Aldo Bartelleti (?)" in pencil on the reverse. 28.5 x 60 cm. Condition A/B (traces of previous mounting on the reverse, very
Estimate €80 - €100 -
189 - Léon BAROTTE (1863–1933) - [Landscape, Trees, and Lake]. Original pencil drawing on paper. Bears the artist’s stamp on the reverse. 23.5 x 30.5 cm. Condition A (in excellent condition).
Estimate €100 - €200 -
190 - Léon BAROTTE (1863–1933) - [Landscape]. Original pencil drawing on paper. Bears the artist’s stamp on the reverse. 22 x 16 cm. Grade A (in excellent condition).
Estimate €100 - €200 -
191 - Léon BAROTTE (1863–1933) – “Shores of Lake Daumesnil.” Original pencil drawing on paper. Dated and signed in ink by the artist. Bears the artist’s stamp on the reverse. 20.5 x 12.3 cm. Grade A (excellent condition).
Estimate €150 - €200 -
192 - Léon BAROTTE (1863–1933) – “The Abandoned Path.” 1886. Original ink drawing on paper. Signed and dated by the artist in the lower right corner. Bears the artist’s stamp on the reverse. Annotated on the reverse in pencil: “drawing after Camille BERNIER 1823–1902.” 22.5 x 31.5 cm. Condition A (good condition).
Estimate €150 - €200 -
193 - Thomas Shotter BOYS (1803–1874) — “Stairs of the New London Bridge and the Church of St. Magnus the Martyr” (The Church of St. Magnus the Martyr, London Bridge, with the Monument in the Background). 1833. Original watercolor on vellum. Signed and dated by the artist in the lower right corner. 30 x 26 cm. Condition A (residue of adhesive on the reverse, minor paper flaking along the lower edge, in good condition).
Estimate €200 - €300 -
194 - Georges BRILLOUIN (1817–1893) - [Landscape, study of trees]. 1841. Original pencil drawing on paper. Dated “[St?] July 12, 1841” in pencil in the lower left corner. Bears the stamp of the “Atelier G. Brillouin” in the lower right corner. 55.5 x 43 cm. Condition A (very slight horizontal crease; otherwise in good overall condition).
Estimate €80 - €100 -
195 - Alphonse BURETTE (1806–1873) - [Landscape, Couple in the Woods]. 1837. Charcoal drawing enhanced with gouache, on paper. Signed and dated lower right by the artist. 37.5 x 46.5 cm. Condition A (small crease at the lower left corner; otherwise in good condition).
Estimate €250 - €300 -
196 - Hubert CLERGET (1818–1899) - [View of Paris from the Banks of the Seine]. Original WATERCOLOR on paper. Signed in pencil by the artist in the lower right corner. 22.5 x 31.5 cm. Condition A (good condition).
Estimate €80 - €100 -
197 - Man COLLOT (1903–1962) - [Nude Woman, Seated]. Original ink drawing on cream-colored vellum paper. Unsigned. 43 x 33.8 cm. Condition A (edges of the sheet slightly sun-faded, otherwise in good condition).
Estimate €100 - €200 -
198 - Man COLLOT (1903–1962) - [Two Nude Women, One Having Her Hair Done]. Original ink drawing on cream-colored paper. Unsigned. 43 x 33.3 cm. Condition A (edges of the sheet slightly sun-faded, otherwise in good condition).
Estimate €150 - €200 -
199 - Henri DELAROZIERE (1877–1914) – “Fashion Interpreted by an Architect!” c. 1900. Original ink and watercolor drawing on paper. Signed by the artist. 49 x 26.8 cm. Condition B/C (slight sun damage in the margins, a few scattered foxing spots, and slightly dusty).
Estimate €150 - €200 -
200 - André HELLE (1871–1945) – [Nativity]. Original pencil drawing on paper. Unsigned. 25.3 x 18.5 cm. Condition A/B (small tear in the upper right corner, generally in good condition).
Estimate €80 - €100
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