Autumn Leaves: Prints and Drawings

Tuesday 3 November 2026 at 14:00

9 rue de Provence, 75009 Paris

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Lots (292) Information

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292 lots

51 - BOUCHES-DU-RHÔNE (13) - "MARSEILLE, view of the Old Port from the hills." 19th century. Original DRAWING (probably by Félix Benoist) in graphite and highlighted with white gouache, on brown vellum paper. Provenance: Collection of the Charpentier studio, directed by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 28 x 47 cm. Condition B (a few short tears along the edges of the sheet, a crease in the

Estimate €150 - €200
52 - BOUCHES-DU-RHÔNE (13) - MARSEILLE - "The Palais de Longchamps in Marseille." 1884. Original etching by Lucien GAUTIER (1850–1925). Ref.: I.F.F. After 1800, no. 11-2. Proof with letter, on cream laid paper. Printed by F. Liénard and published by L'Art. Margins. 29.5 x 43 cm. Condition A (rare small foxing in the margins; subject in good condition).

Estimate €80 - €100
53 - CALVADOS (14) - View of "La rue de l'Arche in FALAISE." Original drawing in black chalk by Louis ALLEAUME (1874–1949), mounted on cream-colored vellum paper. Included is the original etching engraved by Louis Alleaume. Print on cream-colored laid paper. Both the drawing and the engraving bear the artist’s studio stamp on the reverse. The drawing measures 39 x 28.5 cm; the engraving measures 45.3 x 32.5 cm. Condition A (good condition).

Estimate €120 - €150
54 - CALVADOS (14) - Emile Jean SULPIS (1856–1943) - [Woman at LUC-SUR-MER]. c. 1920. Original DRAWING on paper. Signed and dated by the artist in the lower left corner. 27 x 21 cm. Condition A (excellent condition).

Estimate €150 - €200
55 - CHARENTE-MARITIME (17) - "ROCHEFORT (Tonnai-Charente Suspension Bridge)." 19th century. Original DRAWING, likely by Félix Benoist (1818–1896), in graphite on vellum paper. Inscribed “A Rochefort” in the lower right corner in gray pencil. Provenance: Collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 23.5 x 31 cm. Condition A (rare small spots and slight

Estimate €120 - €150
56 - CHARENTE-MARITIME (17) - VIEW of "LA ROCHELLE." 18th century. Etching in period colors. Paris, published by Pierre Mariette. Framed piece. Bérain frame. 34 x 45 cm for the print. 44 x 54 cm for the frame. Condition A/B (not examined outside of its frame).

Estimate €60 - €80
57 - CÔTES D'ARMOR (22) - "Beaumanoir Chapel in LEHON." 19th century. Original DRAWING, likely by Félix Benoist (1818–1896), in graphite, highlighted with white gouache, on green vellum paper. Inscribed “Chapelle des Beaumanoir / in LEHON / near Dinan” in the lower right corner in gray pencil. Provenance: Collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 2

Estimate €150 - €200
58 - CÔTES D'ARMOR (22) - "PLEDELIAC - Ruins of the Château de LA HUNAUDAYE between LAMBALLE and PLANCOËT." 19th century. Original DRAWING, likely by Félix Benoist (1818–1896), in graphite on vellum paper. "La Hunaudaye" is written in gray pencil in the lower right corner, and annotated at the bottom with "middle tower much larger" and on the left with "left side / more [...] / base of the tower in the water" in pencil. Provenance: Collection of the Charpentier studio, directed by Pierre-Henri

Estimate €250 - €300
59 - CÔTES D'ARMOR (22) - "Village in the Côtes du Nord." 19th century. Original drawing (probably by Félix Benoist (1818–1896)) in graphite on vellum paper. Provenance: Collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 27 x 36.3 cm. Condition A (in good condition).

Estimate €180 - €200
60 - CÔTES D'ARMOR (22) - "Calvary near Beauport Abbey (Paimpol)." 19th century. Original DRAWING, likely by Félix Benoist (1818–1896), in graphite on unbleached vellum paper. Inscribed “near Beauport Abbey” in the lower left corner in gray pencil. Provenance: Collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 23 x 31.3 cm. Condition A (small crease at the

Estimate €200 - €300
61 - CÔTES D'ARMOR (22) - TREGUIER - "Farmer's Wife from the Tréguier Region (Côtes du Nord)." 19th century. Original lithograph by Hippolyte LALAISSE (1812–1884), in original colors. Signed on the plate. Print on vellum paper, printed and published by Charpentier in Nantes. Plate from the "Galerie Armoricaine" series. Margins. 39.5 x 28.5 cm. Condition B/C (foxing and sun damage in the margins and on the reverse).

Estimate €60 - €80
62 - EURE (27) - "TRIE-LA-VILLE, near GISORS." 1930. Original watercolor by Léon DESHAIRS (1874–1967), on laid paper. Located in “Tiercaville (?) near Gisors,” dated “1930” and signed in pencil by the artist. 24 x 31.5 cm. Condition A (excellent condition).

Estimate €100 - €200
63 - EURE (27) - ORNE (21) - "BERNAY near Ecouché." 19th century. Original DRAWING, likely by Félix Benoist (1818–1896), on fine vellum paper. Inscribed “BERNAY near Ecouché (ORNE)” in gray pencil in the lower left corner. Provenance: Collection of the Charpentier studio, directed by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 12.8 x 18.6 cm. Condition A (excellent condition).

Estimate €80 - €100
64 - EURE (27) - ARCHITECTURE - NORMANDY - (PLATE OF GAILLON CASTLE) - “GAILLON, Drawing of the Hermitage and the White House.” 1607. Etching after Jacques ANDROUET DU CERCEAU (Architect in Paris, Paris c. 1515 – Annecy 1585), on laid paper. Print with good margins. Plate from *The Most Excellent Buildings of France*. 41.5 x 55 cm. Condition A (trace of an original vertical fold down the center, trace of a second vertical fold on the right, in good condition).

Estimate €70 - €100
65 - EURE (27) - ARCHITECTURE - NORMANDY - (PLATE OF GAILLON CASTLE) - “GAILLON, Drawing of the elevation of the Gaillon building with the garden and the beginning of the park, as well as part of the large garden extending down to the riverbank.” 1607. Etching after Jacques ANDROUET DU CERCEAU (Architect in Paris, Paris c. 1515 – Annecy 1585), on laid paper. Print with good margins. Plate from *The Most Excellent Buildings of France*. 41.5 x 55 cm. Condition A (trace of original vertical center

Estimate €70 - €100
66 - EURE (27) - CHARLEVAL - ARCHITECTURE - NORMANDY - (PLATE OF THE CHARLEVAL CASTLE) - “Charleval.” 1607. Etching after Jacques ANDROUET DU CERCEAU (Architect in Paris, Paris c. 1515 – Annecy 1585), on laid paper. Print with good margins. Plate from *Les Plus excellents Bastiments de France*. 41.5 x 55 cm. Condition A (trace of original vertical center fold, slight discoloration from sun exposure along the center fold; otherwise in good condition).

Estimate €70 - €100
67 - FINISTÈRE (29) - [Breton village]. 19th century. Original DRAWING (probably by Félix Benoist) in graphite on vellum paper. Provenance: Collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 27 x 36.2 cm. Condition A (excellent condition).

Estimate €100 - €200
68 - FINISTÈRE (29) - "AUDIERNE." 19th century. Original drawing (probably by Félix Benoist) in graphite on cream-colored vellum paper. "Audierne" is written in gray pencil in the lower left corner. Provenance: Collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 22 x 28 cm. Condition A (excellent condition).

Estimate €250 - €300
69 - FINISTÈRE (29) - "LESPONT near FOUESNANT." 19th century. Original drawing (probably by Félix Benoist), on gray vellum paper. Signed in graphite pencil in the lower right corner. Provenance: Collection of the Charpentier studio, directed by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 23.5 x 31.6 cm. Condition A (excellent condition).

Estimate €250 - €300
70 - FINISTÈRE (29) - ROSCOFF - "Men of Roscoff & CARANTEC." 19th century. Original lithograph by Hippolyte LALAISSE (1812–1884), hand-colored. Signed on the plate. Print on vellum paper, printed and published by Charpentier in Nantes. Plate from the “Galerie Armoricaine” series. Margins. 39 x 28 cm. Condition B/C (marginal foxing and foxing on the reverse; a few rare instances extending into the subject).

Estimate €60 - €80
71 - GARD (30) - SAINT-PRIVAT-DES-VIEUX - "View of the Church of MAZAC." c. 1835–1840. Original lithograph by James Duffield HARDING (1798–1863). Print with letter, on mounted China paper. Printed by C. Hullmandel. Plate No. 5 for “Les Voyages pittoresques et romantiques.” Good margins. 38 x 55.2 cm. Condition A/B (rare foxing and rare short marginal tears; edges of the sheet slightly dusty; subject in good condition).

Estimate €80 - €100
72 - HERAULT (34) - AGDE - GARNERAY - "View of the PORT OF AGDE, Taken from the Mouth of the LANGUEDOC Canal." Between 1823 and 1832. Drawn and engraved in aquatint by Ambroise Louis GARNERAY (Paris 1783–1857). Proof with letter, on vellum paper. Plate 61 from the work "Views of the Coasts of France on the Atlantic and the Mediterranean," one of the finest collections of plates ever produced on this subject. Margins. 31 x 48 cm. Condition B (a trace of water damage in the upper margin extending ver

Estimate €120 - €150
73 - ILLE-ET-VILAINE (35) - [Mouth of the Rance River]. 19th century. Original DRAWING (probably by Félix Benoist) in graphite on cream-colored vellum paper. Provenance: Collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 22.5 x 32 cm. Condition A (excellent condition).

Estimate €150 - €200
74 - ILLE-ET-VILAINE (35) - [REDON]. 19th century. Original drawing (probably by Félix Benoist) in graphite on cream-colored vellum paper. Provenance: Collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 29 x 39.5 cm. Condition A (slight signs of handling along the edges of the sheet; otherwise in excellent condition).

Estimate €200 - €300
75 - ILLE-ET-VILAINE (35) - "REDON, Beaumont." 19th century. Original DRAWING (probably by Félix Benoist) in graphite on unbleached vellum paper. Inscribed "Redon [...] Beaumont" in the lower right corner in gray pencil. Provenance: Collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 24 x 32 cm. Condition A (slight signs of handling along the edges of the sheet; ot

Estimate €250 - €300
76 - ILLE-ET-VILAINE (35) - "SAINT-MALO - SAINT-SERVAN." 19th century. Original DRAWING (probably by Félix Benoist) in graphite on vellum paper. Inscribed “St Servan” in the lower left corner in gray pencil. Bearing a dry stamp with the initials “E.B.” in the lower left corner. Provenance: Collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 23.5 x 32 cm. Co

Estimate €350 - €400
77 - ILLE-ET-VILAINE (35) - "DOL-DE-BRETAGNE." 19th century. Original drawing (probably by Félix Benoist) in graphite on vellum. Inscribed "à DOL" in the lower left corner in gray pencil. Provenance: Collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 26 x 35 cm. Condition A (excellent condition).

Estimate €180 - €200
78 - INDRE-ET-LOIRE (37)- TOURS - View of "Tours". c.1650. Etching engraved by François COLLIGNON (Nancy 1609 - Rome 1687), after Louis de Lincler (active in the 17th century). Printed on two joined leaves. Proof with artists' names, title and text in Latin and French, without Mariette's name, on watermarked laid paper (4-leaf clovers). Margins. RARE AND EXCEPTIONAL ENGRAVED PANORAMA FROM THE XVIIth CENTURY. 20.5 x 82.2 cm in copperplate. 28.8 x 86.4 cm per sheet. A/B condition (two slight traces of

Estimate €600 - €800
79 - ISERE (38) - "Monastery of the GRANDE CHARTREUSE." 19th century. Original DRAWING (probably by Félix Benoist) in graphite on vellum paper. Provenance: Collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 21 x 30 cm. Condition A (excellent condition).

Estimate €200 - €300
80 - ISÈRE (38) - "Monastery of the GRANDE CHARTREUSE." 19th century. Original DRAWING (probably by Félix Benoist) in graphite on vellum paper. Provenance: Collection of the Charpentier studio, directed by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 32 x 24 cm. Condition A (tiny pinhole in the corners, a tiny tear in the upper left angel, otherwise in good condition).

Estimate €200 - €300
81 - ISERE (38) - DRAWING - GRANDE CHARTEUSE - "Entrance to the Grande Chartreuse via St. Sauveur du Pont." 19th century. Drawing in ink and watercolor on paper, unsigned. Annotated in brown ink on the reverse: “No. 18 / Entrance to the Grande Chartreuse via St. Sauveur du Pont.” 73 x 53.7 cm for the drawing. 84.5 x 64.3 cm overall. Condition B/C (some foxing and stains, paper curling, formerly mounted on paper and under a mat, stains on the reverse).

Estimate €200 - €300
82 - LANDES (40) - "Village in the Landes." 19th century. Lithographed by Louis Marc Bacler d'Albe (1805–1887). Print on vellum paper. Printed by G. Engelmann. Good margins. 36.5 x 28 cm. Condition B (foxing in the margins and on the reverse).

Estimate €80 - €100
83 - LOIRE-ATLANTIQUE (44) - "CLISSON." 19th century. Original drawing (probably by Félix Benoist) in graphite on vellum. "Clisson" is written in gray pencil in the lower left corner. Provenance: Collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 26 x 42.6 cm. Condition B/C (a few stains and slightly dusty).

Estimate €80 - €100
84 - LOIRE-ATLANTIQUE (44) - "CLISSON." 19th century. Original drawing (probably by Félix Benoist) in graphite on vellum. Provenance: Collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 25.5 x 41.5 cm. Condition A (a few rare small spots on the edges of the sheet; otherwise in good condition).

Estimate €150 - €200
85 - LOIRE-ATLANTIQUE (44) - "CLISSON." 19th century. Original drawing (probably by Félix Benoist) in graphite on vellum. Provenance: Collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 22.3 x 30 cm. Condition A (a few rare small spots on the edges of the sheet; otherwise in good condition).

Estimate €80 - €100
86 - LOIRE-ATLANTIQUE (44) - "CLISSON." 19th century. Original drawing (probably by Félix Benoist) in graphite on vellum. "Clisson" is written in gray pencil in the lower left corner. Provenance: Collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 27 x 39.8 cm. Condition A/B (a few creases and two short tears along the edges, slight signs of handling).

Estimate €80 - €100
87 - LOIRE-ATLANTIQUE (44) - "CLISSON." 19th century. Original drawing (probably by Félix Benoist) in graphite on vellum paper. Provenance: Collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 19.5 x 37.5 cm. Condition A (good condition).

Estimate €200 - €300
88 - LOIRE-ATLANTIQUE (44) - "Ruins of the Château de MACHECOUL" (also known as the "Château de Gilles de Rais"). 19th century. Original DRAWING by Félix Benoist (1818–1896) in graphite on mounted China paper. PREPARATORY DRAWING for the lithograph titled “Ruins of the Château de Machecoul,” for the album “NANTES AND THE LOWER LOIRE” published in 1865 by Charpentier. Provenance: Collection of the Charpentier studio, directed by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806

Estimate €250 - €300
89 - LOIRE-ATLANTIQUE (44) - "Château de MACHECOUL" (also known as the "Château de Gilles de Rais"). 19th century. Original DRAWING by Félix Benoist (1818–1896) in graphite, enhanced with watercolor, on vellum paper. Inscribed “Ch.au de Machecoul” in the lower right corner in gray pencil. Provenance: Collection of the Charpentier studio, directed by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward).

Estimate €200 - €300
90 - LOIRE-ATLANTIQUE (44) - "The Tower of Oudon." 1836. Original drawing by Félix Benoist (1818–1896) in graphite on vellum paper. SIGNED and dated “F.B. 1836” in pencil by the artist in the lower left corner. Inscribed “La tour d’Oudon” at the bottom in gray pencil. Provenance: Collection of the Charpentier studio, directed by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 20 x 26.5 cm. Con

Estimate €300 - €400
91 - LOIRE-ATLANTIQUE (44) - "BATZ-SUR-MER (Saint-Michel Beach with Saint-Guénolé Church in the background)." 19th century. Original drawing by Félix Benoist (1818–1896) in graphite on vellum paper. PREPARATORY DRAWING for the lithograph titled “Bourg-de-Batz, view from the coast,” for the album “Nantes and the Lower Loire,” published by Charpentier. Provenance: Collection of the Charpentier studio, directed by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers

Estimate €300 - €400
92 - LOIRE-ATLANTIQUE (44) - "NANTES, Interior of the Cathedral of Saints Peter and Paul in Nantes." 19th century. Original DRAWING by Félix Benoist (1818–1896) in graphite on vellum paper. Provenance: Collection of the Charpentier studio, directed by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 49.5 x 35.7 cm. Condition B (a few short tears along the edges, one of which extends into the subject on t

Estimate €300 - €400
93 - LOIRE-ATLANTIQUE (44) - BATZ-SUR-MER - "Salt Worker from Bourg de Batz on a Journey (Lower Loire)". 19th century. Original lithograph by Hippolyte LALAISSE (1812–1884), in original colors. Signed on the plate. Print on vellum paper, printed and published by Charpentier in Nantes. Plate from the “Galerie Armoricaine” series. Margins. 39.8 x 28.2 cm. Condition B (marginal foxing and sun damage, as well as on the reverse).

Estimate €60 - €80
94 - LOIRE-ATLANTIQUE (44) - BATZ-SUR-MER - "Woman from the Village of Batz (Lower Loire) in Sunday Attire." 19th century. Original lithograph by Hippolyte LALAISSE (1812–1884), hand-colored in period colors. Signed on the plate. Print on vellum paper, printed and published by Charpentier in Nantes. Plate from the “Galerie Armoricaine” series. Margins. 39.8 x 28.5 cm. Condition B/C (marginal foxing and sun damage, and on the reverse, rare foxing extending into the subject).

Estimate €60 - €80
95 - LOIRE-ATLANTIQUE (44) - PONT-CHATEAU - "Calvary of La Madeleine, near PONT-CHÂTEAU (Loire-Inférieure)." 19th century. Original lithograph by Eugène Cicéri & Bayot, based on a drawing by Félix Benoist. Print on vellum paper, printed and published by Charpentier in Nantes. Plate from the series “La Bretagne contemporaine.” Margins. 29.5 x 38.2 cm. Condition A (good condition).

Estimate €80 - €100
96 - MAINE-ET-LOIRE (49) - "SAINT-AUBIN D'ANGERS." 1839. Original DRAWING (probably by Félix Benoist) in graphite on vellum paper. Dated "1839" in the lower left corner in gray pencil. Provenance: Collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 26 x 15.5 cm. Condition A (rare and minimal handling marks; otherwise in excellent condition).

Estimate €100 - €200
97 - MAINE-ET-LOIRE (49) - "Château de MONTSABERT." 1836. Original DRAWING (probably by Félix Benoist) in graphite on vellum paper. Inscribed and dated “Château de Montsabert / 1836” at the bottom in gray pencil. Provenance: Collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 12.8 x 18 cm. Condition A (good condition).

Estimate €80 - €100
98 - MAINE-ET-LOIRE (49) - "LOGIS BARRAULT in ANGERS, Facade and stair tower of the Logis Barrault in Angers, which today houses the Angers Museum of Fine Arts." 19th century. Original DRAWING (probably by Félix Benoist) in graphite on vellum paper. Provenance: Collection of the Charpentier studio, directed by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 24.2 x 17.5 cm. Condition A (rare small spots on

Estimate €120 - €150
99 - MORBIHAN (56) - "TAUMONT, SAINT-GOLVEN Church in Taupont, near Ploërmel." 19th century. Original DRAWING (probably by Félix Benoist) in graphite on cream-colored vellum paper. "Taumont Morbihan" written in pencil in the lower left corner. Small sketch in the lower right corner of the sheet. Provenance: Collection of the Charpentier studio, run by Pierre-Henri (1788–1854) and his son Henri-Désiré (1806–1883), printers and publishers based in Paris, then in Nantes (from 1854 onward). 31.5

Estimate €250 - €300
100 - MORBIHAN (56) - AURAY - "Woman from the Auray Area." 19th century. Original lithograph by Hippolyte LALAISSE (1812–1884), in original colors. Signed on the plate. Print on vellum paper, printed and published by Charpentier in Nantes. Plate from the “Galerie Armoricaine” series. Margins. 39.5 x 28.5 cm. Condition B (marginal foxing and sun damage, and on the reverse, rare foxing extending into the image).

Estimate €60 - €80

Lots 51 to 100 of 292

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Autumn Leaves: Prints and Drawings

292 lots

54 - CALVADOS (14) - Emile Jean SULPIS (1856–1943) - [Woman at LUC-SUR-MER]. c. 1920. Original DRAWING on paper. Signed and dated by the artist in the lower left corner. 27 x 21 cm. Condition A (excellent condition).

56 - CHARENTE-MARITIME (17) - VIEW of "LA ROCHELLE." 18th century. Etching in period colors. Paris, published by Pierre Mariette. Framed piece. Bérain frame. 34 x 45 cm for the print. 44 x 54 cm for the frame. Condition A/B (not examined outside of its frame).

62 - EURE (27) - "TRIE-LA-VILLE, near GISORS." 1930. Original watercolor by Léon DESHAIRS (1874–1967), on laid paper. Located in “Tiercaville (?) near Gisors,” dated “1930” and signed in pencil by the artist. 24 x 31.5 cm. Condition A (excellent condition).

82 - LANDES (40) - "Village in the Landes." 19th century. Lithographed by Louis Marc Bacler d'Albe (1805–1887). Print on vellum paper. Printed by G. Engelmann. Good margins. 36.5 x 28 cm. Condition B (foxing in the margins and on the reverse).

About the sale

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