Engravings & Drawings: Old and Modern Masters
Wednesday 23 September 2026 at 14:00
9 rue de Provence, 75009 Paris
330 lots
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253 - (19th century) ANONYMOUS - "Study of a bustier and portrait" - 19th century. Sketch in black pencil and white chalk on brown laid paper, circa 1800, with handwritten notes in German indicating the preparatory colors for a painting. (320 × 240 mm) - Condition A: Good overall condition.
Estimate €300 - €400 -
254 - (19th century) Honoré DAUMIER (1808–1879) — "German Unity" — 19th century. Lithograph by Honoré Daumier. (300 × 230 mm) — Grade A.
Estimate €100 - €200 -
255 - (19th century) Honoré DAUMIER (1808–1879) — “Grand Parade of the Army That Has Just Been Raised to Undertake the Famous Expedition from Rome Inward” — 19th century. Satirical lithograph by Honoré Daumier. (325 × 500 mm) - Grade B. Mounted on a flexible backing. Yellowed paper, pronounced and brittle central crease, tears along the edges. Stains.
Estimate €100 - €200 -
256 - (19th century) Max LIEBERMANN (1847–1935) — “Boys Bathing” — 19th century. Original engraving on vellum paper by Max Liebermann, 1896, signed in the lower right margin. (Subject: 230 x 290 mm // Sheet: 465 x 540 mm) - Grade A. Good condition. Good margins.
Estimate €400 - €600 -
257 - (19th century—EUROPE) Richard RANFT (1862–1931) — "Childe Harold’s Pilgrimage" — 19th century. Aquatint engraving on Arches laid paper, by Richard Ranft, after a painting by William Turner. Signed in pencil in the lower right corner and numbered 63 in the lower right corner. Inscription “After Turner, Richard Ranft” in black pencil within the image in the lower right corner. (500 x 800 mm) - Grade A-. Good overall condition, with a few creases. Fragility on the right side at the ed
Estimate €100 - €200 -
258 - (19th century) Adolphe APPIAN (1818–1898) – “Rural Landscape” – 19th century. Etching on fine laid paper, by Appian in 1884. Note in the lower margin. Lyon School. (290 x 420 mm) - Condition B: Sun-faded paper. Mounted on Marie-Louise paper.
Estimate €100 - €200 -
259 - (19th century) Hubert VON HERKOMER (1849–1914) - "The Woodcutters" - 19th century. Etching and aquatint on fine laid paper, by Hubert von Herkomer. Signed in the lower right corner. Dated 1880 on the plate. (310 x 535 mm) - Condition A-: Good overall condition. A few foxing spots and slight creases.
Estimate €100 - €200 -
260 - (19th century) André JACQUES (1880–1960) - “Saint Thecla and Saint John of Maurienne” - 19th century. Etching on laid paper by André Jacques, signed and numbered 37/75 in pencil. (250 x 200 mm) - Grade A. In good overall condition.
Estimate €100 - €200 -
261 - (19th century) Georges-Antoine ROCHEGROSSE (1859–1938) - "Poëmes chantés - Gustave Charpentier" - 19th century. Original lithograph by Georges-Antoine Rochegrosse, circa 1890. Published by Henri Tellier (420 x 665 mm) - Grade A-. Good overall condition. Some signs of handling and surface scuffing.
Estimate €150 - €200 -
262 - (19th Century—Landscape) Félix OUDART—“Woman with a Parasol Rocking in a Boat”—circa 1870. Ink drawing on thick paper bearing half a dry stamp. Signed lower right (257 × 450 mm). Condition A-: slightly yellowed paper, small tears reinforced on the back
Estimate €150 - €200 -
263 - (19th Century—LANDSCAPE) "Observational Drawing of a Tree"—19th century. Graphite drawing on laid paper with a letter watermark. (510 × 780 mm). Condition B: damaged edges, foxing
Estimate €150 - €200 -
264 - (19th Century—Months) TRIMOLET—A complete set of 12 engravings depicting the twelve months of the year. "January—New Year's Day—New Year's Gifts"; "February—The Fat Ox"; "March—Concerts"; "April—April Fools' Day"; "May—Country Outings"; "June - Bathing and Boating"; "July - Public Festivals"; "August - Thunderstorm on the Champs-Élysées"; "September - Opening of Hunting Season"; "October - Return to the City"; "November—Fog"; "December—Skaters." Circa 1850. On vellum paper.
Estimate €150 - €200 -
265 - (19th century) "Portrait of Antoine Berjon" - 19th century. Engraving. On thick vellum paper. (370 × 300 mm). Condition A-: foxing
Estimate €120 - €150 -
266 - (19th century) AURIOL, George (1863–1938) — *Les Fautes* — 1887. Lithograph illustrating the cover of the 1887 edition of Albert Tinchant’s “Les Fautes,” published by Alphonse Piaget in Paris. Here on vellum paper. Screen-printed. (192 x 280 mm). Condition A: overall good condition
Estimate €80 - €100 -
267 - (19th century) BAC Ferdinand (1859–1952) – “At the Antique Dealer’s” – circa 1800. Humorous drawing on thick vellum. (330 × 255 mm). Condition A-: foxing
Estimate €200 - €300 -
268 - (19th century) BOURGONNIER, Claude-Charles (1858–1921) — “Night Work” — 19th century. Lithograph on mounted China paper. (Paper: 650 × 500 mm). Condition A-: slight dusting
Estimate €150 - €200 -
269 - (19th century) FORTUNY, Mariano (1871–1949) — “Snake Charmer” — late 19th century. Engraving on pre-letter laid paper. (Paper: 300 × 447 mm. Subject: 105 × 230 mm). Condition A-: overall good condition, very slight yellowing of the paper
Estimate €80 - €120 -
270 - (19th century) JACQUES André (1880–1960) – “Woman from Savoy” – circa 1900. Engraving. On laid paper. (290 × 210 mm). Condition A-: minor spots
Estimate €100 - €200 -
271 - (19th century) LÉANDRE, Charles (1862–1934) – “Noël” – 1897. Lithograph signed and dated on the plate, on Japanese paper, bearing the dry stamp of the magazine “L’estampe moderne.” Published in 1897 in the fourth issue of that same magazine. Deluxe edition no. 101. (Paper: 407 × 549 mm. Image: 232 × 327 mm). Condition A: overall good condition.
Estimate €100 - €200 -
272 - (19th century) MASSOT, Firmin (1766–1849, after) — “Jean-Pierre Agasse (Painter), born in Geneva on March 17, 1767” — 1864. Lithograph by Menn, published by the Pilet & Cougnard printing house in Geneva for the Society of Friends of the Fine Arts of Geneva. (440 × 355 mm). Condition A-: slight dust, foxing
Estimate €200 - €300 -
273 - (19th century) MONNIER, Henri (1799–1877, French caricaturist and painter, signed in pencil lower right) — “Sketch of a Man with a Cane” — circa 1830–1860. Drawing. On vellum paper mounted on a mat and framed in a frame decorated with geometric and pearlescent motifs. (Paper: 252 × 175 mm). Condition B: slight dust, foxing
Estimate €200 - €300 -
274 - (19th century) PERLET Petrus (student of Ingres) - "Sketch of a Village and Cow Heads" - 19th century. Drawing. On vellum mounted at the four corners onto paper. (192 × 278 mm). Condition A: overall good condition
Estimate €300 - €400 -
275 - (19th century) PERLET, Petrus (student of Ingres) - "Sketch of a Village and Children" - 19th century. Drawing. On vellum mounted at the four corners onto paper. (200 × 264 mm). Condition A: generally good condition
Estimate €300 - €400 -
276 - (19th century) RAFFET, Auguste (1804–1860) – "Portrait" – 19th century. Lithograph. On mounted China paper (352 × 270 mm). Condition A-: yellowing of the paper
Estimate €100 - €200 -
277 - (19th century) RIBOT, Théodule (1823–1891) — “The Sick Cat” — late 19th century. Engraving by Charles GIROUX, inscribed by Ribot to “Dr. Boulanger.” Signed in ink and in pencil by Giroux. On Japanese paper. (Paper: 700 × 530 mm. Image: 395 × 320 mm). Condition A-: generally good condition, a few light stains, two vertical creases.
Estimate €200 - €500 -
278 - (19th century) ROPS, Félicien (1833–1898) (signed on the plate) — "From Castilate. The Treatise on Chastity." - circa 1884. Original engraving (print no. 841 - II/II). On vellum paper. (272 × 180 mm). Condition A-: small spots in the lower portion.
Estimate €100 - €150 -
279 - (20th century) Fernand SIMEON (Paris, 1884 – Paris, 1928) – “View of the Street from the Café” – 20th century. Ink drawing by Fernand Siméon on fine cream-colored paper, signed in the lower right corner. (200 × 260 mm) - Condition A: Good overall condition.
Estimate €100 - €200 -
280 - (19th century) Charles MOULIN (1869–1960) — “Three Sketches” — 19th century. Black pencil drawings by Charles Moulin on cream-colored vellum paper, with the artist’s stamp. Winner of the Prix de Rome. (215 x 100 mm each sketch) - Condition A-: signs of handling, short tears along the edges.
Estimate €100 - €200 -
281 - (20th Century—Lyon School) Claude DALBANNE (Lyon, 1877–1964) — "Study of the Sky" — 20th Century. Black pencil drawing enhanced with watercolor by Claude Dalbanne on cream-colored vellum paper, bearing the artist’s green stamp and dated 1920 in the lower left corner. Lyon School. (120 x 210 mm) - Condition A-: foxing.
Estimate €100 - €200 -
282 - (20th Century—School of Paris) Miloje TODOROVITCH (1908–2002) — “View of the Rooftops” — 20th Century. Black pencil drawing on cream-colored paper by Miloje Todorovitch, signed in the lower right corner. Serbian artist, School of Paris. (180 x 260 mm) - Condition A: Good overall condition. A few small black ink stains.
Estimate €120 - €150 -
283 - (20th Century—LYON SCHOOL) René-Maria BURLET (1907–1997) — “Orpheus, decorative design for a dining room” — 20th century. Pencil and black ink drawing on cream-colored paper by René-Maria Burlet. (285 × 435 mm) - Condition A: Good overall condition.
Estimate €100 - €200 -
284 - (20th Century—Paris School) Miloje TODOROVITCH (1908–2002) — "Landscape" — 20th Century. Pencil drawing enhanced with watercolor on cream-colored paper by Miloje Todorovitch, signed in the lower right corner. Serbian artist, School of Paris. (180 x 255 mm) - Condition A: Good overall condition. A tear in the lower central part.
Estimate €100 - €200 -
285 - (20th Century—Lyon Symbolist School) Alphonse GERMAIN (Lyon, 1861–Rabat, 1938) - “Forest Landscape” - 20th century. Red chalk drawing on cream-colored vellum paper by Alphonse Léon Germain-Thill, signed in the lower right corner. (375 x 320 mm) - Condition A: Good overall condition. Very minor loss in the upper left corner.
Estimate €200 - €300 -
286 - (20th Century—Lyon Symbolist School) Alphonse GERMAIN (Lyon, 1861–Rabat, 1938) - “Country Landscape” - 20th century. Red chalk drawing on cream-colored vellum paper by Alphonse Léon Germain-Thill, signed in the lower right corner. (325 × 350 mm) - Condition A: Good overall condition. Very slight tear in the upper left corner.
Result €200Estimate €200 - €300 -
287 - (20th century) Karl-Hermann MEHNE (1922–2015) – "Two Old Friends" – 20th century. Watercolor and black ink on brown vellum paper by Karl-Hermann Mehne, signed in the lower left corner, titled in the lower right corner. (450 x 450 mm) - Condition A-: The artwork is in excellent condition; there are water stains, repaired tears, and thumbtack holes in the margins.
Estimate €100 - €200 -
288 - (20th century) Pierre THEVENIN (1905–1950) - “Provençal Peasant” - 20th century. Original woodcut by Pierre Thevenin. Signed, titled, and numbered 7/110 in the lower margin. (490 x 375 mm) - Grade A-. Good overall condition, with original ink smudges. Mounted on Marie-Louise board.
Estimate €100 - €200 -
289 - (20th century) Emile BERNARD (1868–1941) - "Lucretia II" - 20th century. Original engraving on BFK paper by Emile Bernard. (375 x 275 mm) - Grade A-. Good overall condition, with some minor soiling along the edges.
Estimate €150 - €200 -
290 - (20th century) L. BÉRARD (1899–1978) – “Landscape in the Underwood” – 20th century. Watercolor signed on vellum paper by Louis Bissinger, who signed his works as “L. BÉRARD” or “Régis BÉRARD.” Lyon School. (315 x 450 mm) - Condition A: Good overall condition.
Estimate €100 - €200 -
291 - (20th century) André LEMOINE (1894–1978) - “Breton Coastal Landscape” - 20th century. Etching and drypoint on laid paper, attributed to André Lemoine. Signed in the lower right corner. (260 x 330 mm) - Condition A: Good overall condition. A few foxing spots.
Estimate €150 - €200 -
292 - (20th century) Lucien Henri GRANDGERARD (1880–1970) — “Landscape Along the River” — 20th century. Pencil and charcoal drawing on Arches vellum paper, by Lucien Henri Grandgérard in 1933, signed and dated 1933 in the lower left corner. (405 x 300 mm) - Grade A. In good overall condition. Traces of old adhesive on all four corners.
Estimate €150 - €200 -
294 - (20th Century—LANDSCAPE) "Rural Landscape"—20th century. Pencil and wash on vellum, mounted on board. Preparatory drawing (630 × 480 mm). Condition B: yellowing and dust on the paper.
Estimate €300 - €400 -
295 - (20th century) ALLEAUME, Ludovic (1859–1941) — “Virgin and Child” — 1896. Lithograph signed, dated, and numbered (29/40) in pencil and on the plate. On mounted China paper. (565 × 457 mm). Condition A-: 2-cm tear in the image, partially gilded; foxing.
Estimate €100 - €200 -
296 - (20th) ARNULF, Georges Gaston (1921–1996) — “Ballade” — 1974. Etching on Japanese paper, signed, titled, and numbered in pencil (7/10). (Paper: 570 × 380 mm. Image: 205 × 160 mm). Condition A: overall good condition.
Estimate €100 - €200 -
297 - (20th century) Camille BERG (1904–1991) – “Mouvances” – 1982. Drypoint on fine vellum, signed, titled, and numbered. Color print. (7/15). (Paper: 380 × 570 mm. Image: 260 × 390 mm). Condition A: overall good condition
Estimate €100 - €200 -
298 - (20th century) BERGE, Louis-René (1927–2013, signed) – “Les Rennes” – 1979. Signed and numbered in pencil (7/15). Engraving on BFK Rives velon paper. (570 × 380 mm). Condition A: overall good condition.
Estimate €80 - €100 -
299 - (20th century) BERNARD Émile (1868–1941) – “Religious Scene” – circa 1900. Woodcut, signed and numbered (23/50). On Arches laid paper. (324 × 245 mm). Condition A-: small spots
Estimate €100 - €150 -
300 - (20th century) BLACHE, Philippe-Charles (1858–1940) – “Crépuscule” – 1894. Original lithograph on Japanese paper. Dry stamp from the original print. Signed in pencil and numbered 47. (Paper: 560 × 430 mm. Image: 364 × 254 mm). Condition A-: Severe oxidation along the top margin.
Estimate €100 - €200 -
301 - (20th) CHIÈZE, Jean (1898–1975) — “Vigilence (Algeria cruiser)” — 1949. Signed, titled, and numbered lithograph (9/21) with dedication, on vellum paper mounted on cardboard. (Paper: 600 × 450 mm. Image: 460 × 340 mm). Condition B: dust, foxing
Estimate €200 - €300 -
302 - (20th) CHIÈZE, Jean (1898–1975) — “Fishing” — 1953. Engraving signed on the plate on vellum paper. On the reverse, it bears the inscription “May your trawl always be full with every cast; may Saint Peter, patron saint of fishermen, be favorable to you” for the Union of Mutual Insurance Companies for Fishing Vessels. (Paper: 175 × 250 mm. Image: 160 × 112 mm). Condition A: overall good condition
Result €80Estimate €80 - €100 -
303 - (20th century) DOARÉ, Yves (1943–) — "Le Double" — 1995. Woodcut on fine vellum, signed, titled, dated, and numbered (3/75). (567 × 380 mm). Condition A: overall good condition
Estimate €100 - €200
About the sale
Pickup and Delivery Options
Pickup at our offices, 9 Rue de Provence, 75009 Paris: by appointment starting Wednesday, September 30
- Monday through Friday from 9:30 a.m. to 12:30 p.m. and from 2:00 p.m. to 5:30 p.m.
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Shipping within the European Union: jewelry, paintings, books, silverware, ceramics, glassware, etc.
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Shipping outside the European Union:
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Terms of sale
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Frais de vente
Frais acheteur : 29.8% TTC en sus de l’adjudication
Conditions de règlement
- Espèces jusqu’à 1000€ pour les ressortissants français
- Carte bleue SAUF AMEX
- Virement bancaire