Engravings & Drawings: Old and Modern Masters
Wednesday 23 September 2026 at 14:00
9 rue de Provence, 75009 Paris
330 lots
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151 - (RHONE-69) ANONYMOUS - "Fort Saint-Irénée in Lyon" - 19th century. Black pencil drawing on brown vellum. (285 × 435 mm) - Condition A-: Good overall condition, rare foxing, white spots at the corners.
Estimate €100 - €200 -
152 - (AACHEN) Raphael LAMAR WEST (1766–1850) — “Near Aachen” — 17th century. Charcoal drawing on blue laid paper, probably by Raphael Lamar West, titled in the lower left corner and labeled “No. 8” in the upper right corner. (250 × 380 mm) - Condition A-: Soiling, a few creases, brown spots.
Estimate €300 - €400 -
153 - (LYON-69) ANONYMOUS - "Place St Jean" - 19th century. Architectural sketch of Place St Jean on tracing paper. (555 × 380 mm) - Condition A-: Stains, missing sections, tears. Mounted on a flexible backing.
Estimate €100 - €200 -
154 - (RHONE-ALPES-69) Joanny DREVET (1889–1969) — “Lyon, the Rhône, and the Guillotière Bridge” — 20th century. Aquatint and early etching on vellum paper, by Joanny Drevet, 1951. Numbered 103/200 and signed in pencil in the lower right corner. (380 x 490 mm) - Grade A. In good overall condition.
Estimate €100 - €200 -
155 - (RHONE-ALPES-69) Joanny DREVET (1889–1969) — “Lyon, the Rhône, and the Guillotière Bridge” — 20th century. Etching and aquatint on silk by Joanny Drevet, numbered 16/25 and signed in pencil in the lower right corner, dated 1951 on the plate. (380 x 490 mm) - Grade A. Good overall condition. Mounted on a rigid backing.
Estimate €300 - €400 -
156 - (LYON-69) Claude-Ennemond COCHET (1760–1835) — “To the unfortunate and innocent victims sacrificed in Lyon after the siege of their homeland: a monument erected at Les Brotteaux in 1795 and torn down in 1796” - 18th century. Watercolor and black ink on laid paper by Claude-Ennemond Cochet, circa 1796, titled in pen in the lower margin. (585 × 415 mm) - Condition A: A few foxing spots and stains.
Result €400Estimate €400 - €600 -
157 - (LYON-69) Claude-Ennemond COCHET (1760–1835) — “To the unfortunate and innocent victims sacrificed in Lyon after the siege of their homeland: a monument erected at Les Brotteaux in 1795 and torn down in 1796” - 18th century. Aquatint engraving on laid paper, after a drawing by architect Claude-Ennemond Cochet, circa 1796. (415 × 660 mm) - Condition C: As is. Stain, tears, surface scuffs, holes, missing areas, creases.
Result €300Estimate €300 - €400 -
158 - (LYON-69) Antoine-Michel PERRACHE (1726–1779) — “Mr. Perrache’s Plan for the Southern Part of the City of Lyon” — 18th century. Engraving on laid paper by Antoine-Michel Perrache, circa 1770. The purpose of this plan was to reclaim land from the water south of the Lyon peninsula by pushing the confluence of the Rhône and Saône rivers further south. (285 x 400 mm) - Condition A-. Original folds. Stains and dust. A tear on the right side, reinforced on the reverse.
Result €210Estimate €100 - €200 -
160 - (LYON-69) François DE POILLY II (1666–1741) — “View of a Part of the City of Lyon, Drawn at the Residence of the Canons Regular of Saint Anthony” — 19th century. A view of Lyon engraved in four plates on vellum paper by François de Poilly II. It offers a surgically precise perspective of Lyon during the Age of Enlightenment. The river, river traffic, the Pont du Change, the medieval churches, and the convents perched on Fourvière Hill—all as they appeared before the major transfo
Estimate €400 - €600 -
161 - (SAINT-CLÉMENT-SUR-VALSONNE - 69) DE BRÉLAUD, Sévère - "Mule from Valsonne Carrying Bales of Silk" - n.d. Engraving. On vellum paper. (114 x 175). Condition A-: yellowing of the paper
Estimate €100 - €200 -
162 - (RHONE-ALPES-SWITZERLAND-69) Louis DENIS (1725–1794) – “Road from Lyon to Geneva...” - 18th century. Engraving enhanced with watercolor on laid paper by Louis Denis in 1777, published in his famous collection of maps titled *Le Conducteur français*. Engraved by Chalmandrier. The map begins in Lyon and follows the Rhône plain northeastward via Miribel and Meximieux, passing through the Pays de Gex via Collonges and Saint-Genis before ending in Geneva. (180 x 570 mm) - Condition A-. Map
Result €220Estimate €100 - €150 -
163 - (RHONE-ALPES-BAS-RHIN-69-67) Louis DENIS (1725–1794) – “Road from Lyon to Strasbourg...” - 18th century. Watercolor-enhanced engraving on laid paper by Louis Denis in 1777, published in his famous collection of maps titled *Le Conducteur français*. Engraved by Chalmandrier. The map begins in Lyon and heads north through the Bresse region via Bourg-en-Bresse—already a bustling transportation hub—then crosses Alsace from south to north via Mulhouse, Colmar, and Sélestat, running alon
Result €165Estimate €100 - €150 -
164 - (LYON - 69) "Joseph Granger, known as Bibace, born in St. Georges, Lyon, on September 17, 1801" on the front—19th century. Lithograph by Frecon R. Tupin. On paper mounted on paper. On the reverse, a set of 4 mounted engravings depicting Abbé Rozier, Martin, J.M. Roland, and Bourgelat (445 × 280 mm). Condition A-: dusty
Estimate €80 - €100 -
165 - (IMAGERY-BURGUNDY-FRANCHE-COMTÉ-70) PELLERIN & CIE - "January 15, 1871 - Battle of Villersexel" - 19th century. Woodcut, hand-colored using a stencil on fine paper by Pellerin & Cie. Epinal Print Series No. 144. (290 x 400 mm) - Condition A-: Good overall condition. Short tears along the edges, creases.
Estimate €80 - €120 -
166 - (MÂCON - 71) J. GLENAT - "Sketches from the Lamartine Centennial Celebrations in Mâcon" - 1890 - Original lithograph on paper depicting sketches of various monuments in Mâcon, a statue of Lamartine, and various dignitaries in attendance at the Lamartine Centennial celebrations, which took place from October 18 to 21, 1890. Signed by the artist. (245 x 300 mm). Condition A. A few faint foxing spots; slight tear along the lower edge.
Estimate €80 - €100 -
167 - (SAÔNE-ET-LOIRE-71) François TRICHOT (1801–1878) — “The National Guard of the City of Chalon-sur-Saône...” - 19th century. Lithograph on vellum paper, by Jean-Louis Tirpenne. (540 x 970 mm) - Grade B. Print with margins trimmed; dust; tears reinforced; soiling; marginal losses.
Estimate €400 - €600 -
168 - (SAVOIE-73) Joanny DREVET (1889–1962) — “Landscape at Lake Bourget” — 20th century. Original aquatint engraving on vellum paper, by Joanny Drevet, hand-signed in the lower right corner, numbered 90/350. (415 x 590 mm) - Condition A-. Stains, light foxing
Estimate €120 - €150 -
169 - (NORMANDY-76) Charles PINET (1867–1932) – “Rouen – Rue de l’Epicerie” – 20th century. Etching on PMF vellum paper by Charles Pinet, circa 1920, signed in the lower right margin, numbered 113/200 in the lower left margin. The artist’s drystamp appears next to the number. (660 x 500 mm) - Grade A-. Good overall condition. One stain on the left margin. Soiling and dust.
Estimate €100 - €200 -
170 - (NORMANDY-76) Louis DENIS (1725–1794) – “Road from Rouen to Dieppe...” - 18th century. Engraving enhanced with watercolor on laid paper by Louis Denis in 1776, published in his famous collection of maps titled *Le Conducteur français*. Engraved by Chalmandrier. The map begins in the Seine Valley and ends at the crossing in Saint-Aubin-sur-Scie before descending the “Coast of Rouen” to pass through the fortified gates of the port of Dieppe. (170 x 320 mm) - Condition A-. Map has a cu
Result €135Estimate €100 - €150 -
171 - (SEINE-ET-MARNE-77) Marcel JACQUE (1906–1981) — “Horse-Drawn Carriage in the Forest at Barbizon” — 20th century. Original engraving on vellum paper by Marcel Jacque, signed in the lower right corner. Barbizon School. Th. Rousseau Studio, Barbizon. (310 x 410 mm) - Condition A-. Minor water stains along the edges. Mounted on a flexible backing.
Estimate €100 - €200 -
172 - (ILE DE FRANCE-77) Manuel ROBBE (1872–1936) - "The Quay at Samois" - 20th century. Aquatint engraving on vellum paper, by Manuel Robbe, circa 1905, signed in black pencil in the lower right corner. (385 x 500 mm) - Grade A-. Good overall condition. Stain in the lower right corner; surface scratch on the left side.
Estimate €120 - €150 -
173 - (YVENLINES-78) Alfred TAIEE (1820–1880) - “The Farm at Sautours, near Meulan” - 19th century. Etching on fine laid paper, “avant la lettre,” by Alfred Taiée. Published by Alfred Cadart. (275 x 300 mm) - Grade A-. Good overall condition; missing a section of the left margin; creases.
Estimate €80 - €100 -
174 - (SOMME-80) Edouard TRAVIES (1809–1876) - “Rural Building in the Somme” - 19th century. Graphite drawing by Edouard Travies on cream-colored vellum paper, signed in the lower left corner, with a red stamp from the artist’s studio. (250 × 325 mm) - Condition A-: A few signs of handling and slight creases along the edges.
Estimate €150 - €200 -
175 - (PICARDY-80) Louis-Jacques CATHELIN (1738–1804) – “François Marie Bruno, Count of Agay, Intendant of Picardy” – 18th century. Engraving on laid paper by Louis-Jacques Cathelin in 1786, after a work by Jean Chevalier. (320 x 235 mm) - Condition A-. Signs of handling, water stains.
Estimate €100 - €200 -
176 - (SOMME-IDF-80-75) Louis DENIS (1725–1794) - “Road from Amiens to Paris...” - 18th century. Engraving enhanced with watercolor on laid paper by Louis Denis in 1776, published in his famous atlas titled *Le Conducteur français*. Engraved by Chalmandrier. The map begins in Amiens from the south and crosses the plains of the Somme, passing through the post stations at Hébécourt and then Flers, and ends with a journey through the Pays de France via Écouen, Pierrefitte, Saint-Denis (and its
Estimate €100 - €150 -
177 - (VAUCLUSE-84) Joanny DREVET (1889–1962) – “Near Avignon” – 20th century. Original aquatint engraving on vellum paper, by Joanny Drevet, hand-signed in the lower right corner, numbered 40/300, dated 1933 on the plate. (310 x 490 mm) - Condition A. In good overall condition.
Estimate €100 - €150 -
178 - (VENDEE-85) ANONYMOUS - "Ruins of Machecoul Castle" - 19th century. Watercolor on vellum paper, dated in the lower left margin. (220 x 350 mm) - Condition A-. Waterstains and dust.
Estimate €100 - €200 -
179 - (VAUCLUSE-84) Joanny DREVET (1889–1962) – “The Village Entrance” – 20th century. Original aquatint engraving on vellum paper by Joanny Drevet, with a handwritten signature in the lower right corner. Inscribed in the lower left corner. (350 x 260 mm) - Condition A-. Water stain
Estimate €80 - €120 -
180 - (IMAGERY-BURGUNDY-FRANCHE-COMTÉ-90) PELLERIN & CIE - "The Heroic Defense of Belfort..." - 19th century. Woodcut, stencil-colored on fine paper by Pellerin & Cie. Epinal Print No. 145. (295 x 400 mm) - Condition A-: Good overall condition. Short tears along the edges and creases.
Estimate €80 - €120 -
181 - (THE ANTILLES—SLAVERY) - EISEN, Charles (1720–1778, attributed to) - “The Massacre Committed by the Spaniards in the Antilles, Which Characterizes Their History” - 18th century. Engraving by de LONGUEIL (1730–1792). On laid paper (191 × 120 mm). Condition A-: some foxing
Estimate €80 - €120 -
182 - (NAPOLEON-HISTORY) Henri PILLE (1844–1897) — “Napoleon and His Generals” — 19th century. Black-pencil drawing by Henri Pille on fine cream-colored paper, signed in the lower right corner. He was awarded a gold medal by the Ministry of Fine Arts in 1869, and another at the Paris World’s Fair in 1889. (365 x 230 mm) - Condition A-: Short tears and creases along the edges. Two traces of old adhesive at the top.
Estimate €150 - €200 -
183 - (NAPOLEON-HISTORY) Victor-Jean ADAM (1801–1866) — "The Angels of France — Queen Hortense, Empress Josephine, Empress Eugénie" — 19th century. Lithograph on vellum by Victor-Jean Adam. Printed by Lemercier. (565 × 400 mm) - Condition A-: Good overall condition, some signs of handling, rare foxing.
Estimate €150 - €200 -
184 - (NAPOLEON-HISTORY) Louis Pierre René DE MORAINE (1816–1879) — “The Past, the Present, and the Future” — 19th century. Lithograph on vellum by Louis Pierre René de Moraine. Imp. Lemercier. (560 × 430 mm) - Condition A-: Good overall condition, some signs of handling, rare foxing spots.
Estimate €150 - €200 -
185 - (NAPOLEON-HISTORY) Charles MOTTE (1784–1836) — “Napoleon’s Wedding, April 2, 1810” — 19th century. Pre-letter lithograph on vellum paper by Charles Motte. (560 × 430 mm) - Condition A-: Image in good condition, some signs of handling, rare foxing. Paper has darkened; there are short tears along the edges, and the lower left corner is missing.
Estimate €150 - €200 -
186 - (NAPOLEON-HISTORY) Charles MOTTE (1784–1836) — “Ball at the Austrian Ambassador’s Residence” — 19th century. Lithograph on vellum by Charles Motte, drawing by Wattier. (435 × 560 mm) - Condition B: Sun-faded paper, stains, and small tears along the edges.
Estimate €100 - €200 -
187 - (NAPOLEON-HISTORY) Pierre-Marie JAZET (1788–1871) — "The Apotheosis of Napoleon" — 19th century. Early lithograph on vellum paper by Pierre-Marie Jazet, based on a painting created in 1821 by the artist Horace Vernet. (410 × 590 mm) - Condition A-: Good overall condition.
Estimate €100 - €200 -
188 - (NAPOLEON-HISTORY) Charles MOTTE (1784–1836) — “Eighteen Brumaire” — 19th century. Lithograph on vellum by Charles Motte, after Adam. This work depicts the preparations for the coup d’état of 18 Brumaire, Year VIII (November 9, 1799). (365 × 495 mm) - Condition B: Foxing, stains, central crease, small loss in the upper left corner, lower left corner slightly dog-eared.
Result €100Estimate €100 - €200 -
189 - (NAPOLEON-HISTORY) Charles MOTTE (1784–1836) — “Napoleon’s Arrival at the Tuileries” — 19th century. Pre-letter lithograph on vellum paper by Charles Motte, based on a work by Achille Louis Martinet. (400 x 545 mm) - Condition A-: Waterstains, spots, dust.
Estimate €100 - €200 -
190 - (NAPOLEON-HISTORY-IMAGES) Charles-Eugène GLEMAREC (1820–1896) - “Imperial Calendar for 1853” - 19th century. Woodcut on fine paper by Charles-Eugène Glémarec. Popular imagery. (415 × 325 mm) - Condition A-: Good overall condition. Brown spots.
Estimate €150 - €200 -
191 - (HISTORY) COCHIN, Charles-Nicolas (1715–1790, after) — “Portrait of Laurent Cars, Engraver to the King and Advisor to His Academy of Painting and Sculpture” — 1768. Engraving by Augustin de Saint-Aubin (1736–1807) on vellum. (234 × 160 mm). Condition A-: slight dusting
Estimate €150 - €200 -
192 - (HISTORY) BLOEMAERT, Cornelis (1603–1692) — “Portrait of Jacques Favereau, French lawyer and man of letters” — circa 1655. Engraving from the book *Tableaux du temple des Muses* by Michel de Marolles, published in Paris. The inscription at the bottom was written by Abbé de Villeloin, praising Favereau’s wit and eloquence. (325 × 230 mm). Condition A: slight yellowing of the paper.
Estimate €200 - €300 -
193 - (HISTORY) ALOPHE, Marie-Alexandre (1812–1883) – “Portrait of Hélène of Mecklenburg-Schwerin, Duchess of Orléans, and her son Louis-Philippe-Albert, Count of Paris” – 19th century. Engraved by François Louis Cattier. Lithograph on mounted China paper. (Paper: 460 × 355 mm. Image: 300 × 260 mm). Condition A: overall good condition
Estimate €150 - €200 -
194 - (HISTORY, REVOLUTION) "Portrait of Antoine Bernave" - 19th century. Early engraving created for Xavier Roux’s 1888 book *La Révolution en Dauphiné*, bearing the dedication: “To Mr. Béranger, Father of France, from the grateful publisher, Jules Chapelle.” On vellum paper. (375 × 270 mm). Condition A-: numerous foxing spots in the margins
Estimate €80 - €120 -
195 - (HISTORY, REVOLUTION) TARDIEU, Ambroise (1788–1841) — “Portrait of General Jacques Laurent Gilly” — 1818. Engraving from the series “Portraits of French Generals.” On vellum paper. (300 x 230 mm). Condition A: overall good condition.
Estimate €80 - €120 -
196 - (HISTORY, REVOLUTION) "Beurnoville. General of the Army of the North" - 19th century. Engraving with period coloring. On vellum paper. (312 × 210 mm). Condition B: dust, water stains, hole
Estimate €100 - €200 -
197 - (HISTORY) "The Death of Napoleon II"—second half of the 19th century. Engraving published by Dopter in Paris. On vellum paper. (277 × 340 mm) Condition A-: small spots.
Estimate €100 - €200 -
198 - (HISTORY, REVOLUTION) "The Queen of Prussia presenting Adjutant Duroc with a Prussian sash and a tricolor cockade she made herself for First Consul Bonaparte" — 19th century. Engraving with period coloring. On laid paper. (292 x 197 mm). Condition B: dusty, damaged margins, lower right corner torn.
Estimate €80 - €120 -
199 - (HISTORY, WAR) DE GROUX, Henri (1866–1930, signed) — "World War I" — 20th century. Lithograph on Japanese paper. (650 × 500 mm). Condition A-: small tear in the lower left corner
Estimate €80 - €120 -
200 - (HISTORY) T.C. REGNAULT (1823–1871) — “The Home, Art, and School: Twelve Portraits of Contemporary Ladies Distinguished by Their Merits” — 1866. Original copperplate engraving, chiseled by hand, on Colombier quarto-sized Chinese paper, featuring the portrait and caption of Madame de Lamartine. A periodical dating from 1714, published 1, 2, or 3 times per quarter. The twelve portraits in the journal are accompanied by “twelve captions by various highly esteemed authors.” Caption by
Estimate €200 - €300 -
201 - (HISTORY) LEGRAND - "Portrait of Élie Frédéric Forey" - 19th century. Lithograph printed by the Lemercier studio. Mounted on China paper. (510 × 380 mm). Condition A-: dust
Estimate €80 - €120
About the sale
Pickup and Delivery Options
Pickup at our offices, 9 Rue de Provence, 75009 Paris: by appointment starting Wednesday, September 30
- Monday through Friday from 9:30 a.m. to 12:30 p.m. and from 2:00 p.m. to 5:30 p.m.
- You may authorize a family member or friend to pick up your order on your behalf: please notify us by email or provide them with a power of attorney; the person must then present a valid ID when picking up the order
Shipping within the European Union: jewelry, paintings, books, silverware, ceramics, glassware, etc.
- Shipping via DHL; quotes available upon request
- Professional shipping services; list available upon request
Shipping outside the European Union:
- Professional shipping services; list available upon request
Terms of sale
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Frais de vente
Frais acheteur : 29.8% TTC en sus de l’adjudication
Conditions de règlement
- Espèces jusqu’à 1000€ pour les ressortissants français
- Carte bleue SAUF AMEX
- Virement bancaire