Autumn Leaves: Prints and Drawings
Tuesday 3 November 2026 at 14:00
9 rue de Provence, 75009 Paris
292 lots
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201 - Louis Adolphe HERVIER (1818–1879) – “Route des vaches, Sartrouville.” 1853. Original pencil drawing on paper. Titled, located, and dated in brown ink in the lower right corner. Signed by the artist in the lower left corner. 14 x 19 cm. Condition A (previously mounted along the edges onto vellum paper; in excellent condition).
Estimate €80 - €100 -
202 - [Mountain Landscape]. 1832. Watercolor on paper, signed and dated "Rouppe van der [?] 1832." In the style of Mattheus Derk Knip (1785–1845). 48.5 x 61 cm. Condition B (a tear extending 5 cm into the subject on the left, previously restored; a small missing section filled in at the bottom right of the subject; a few stains in the margins, more numerous on the reverse; signs of handling; adhesive residue on the reverse).
Estimate €100 - €200 -
203 - Auguste LANCON (1836–1885) (?) – [Portrait of a Young Mother with Her Two Children]. 19th century. Original DRAWING on paper. Signed “Lançon” in the lower right corner. 65 x 49.5 cm. Condition A (back and edges slightly sun-faded, otherwise in good condition).
Estimate €100 - €200 -
204 - Alexis PEYROTTE (1699–1769) (after) — Alfred ROBAUT “The Council of the Monkeys, or The Politicians in the Tuileries Garden.” DRAWING traced from the oil painting by Peyrotte. Tracing formerly mounted on vellum, with the following annotation in ink at the bottom: “I could just as easily have created my own gouache on the same subject, but since this one is far superior in every respect, I am keeping it—especially since it is a family heirloom.” Traced from the oil painting by Peyr
Estimate €200 - €300 -
205 - Alexis PEYROTTE (1699–1769) (after) – Alfred ROBAUT – “The Preaching Monkey.” TRACING of the oil painting by Peyrotte. Tracing formerly mounted on vellum, with the following ink annotation at the bottom: “To Mr. Alfred Forgeron.” 27.5 x 28 cm for the subject (tracing). 31 x 31.5 cm including the backing. Condition A (rare, scattered foxing along the upper margin extending slightly into the top of the subject; otherwise in good condition).
Estimate €200 - €300 -
206 - Alexis PEYROTTE (1699–1769) (after) - [The painter’s studio]. DRAWING traced from the painting by Peyrotte. The tracing was formerly mounted on vellum, on which “Peyrotte” is annotated in the upper right corner. Annotated in ink at the top of the image: “see Leduc estate 1887.” 30 x 25.3 cm. Condition A/B (rare foxing on the right and left edges of the image and on the backing paper; otherwise in good condition).
Estimate €100 - €200 -
207 - Emile QUENTIN-BRIN (1863–1950) - [Study of a Nude Woman, Reclining]. Original drawing on brown paper. Signed with the artist’s initials. 46 x 63.8 cm. Condition A (a short tear along the top edge, otherwise in good condition).
Estimate €300 - €400 -
208 - Alfred ROBAUT (1830–1909) – [Landscape at Fontainebleau with Two Figures]. DRAWING on paper after Constant DUTILLEUX (1807–1865), on paper. Inscribed in the lower left corner: “Constant Dutilleux pinx. In Fontainebleau" and on the right, "Alfred Robaut after Ct.Dx." in ink. 22.7 x 37.5 cm. Condition B (a few tears along the edges, signs of handling, and some sun fading).
Estimate €100 - €200 -
209 - Jack ROCK (20th century) - [Surrealist Coastal Landscape]. 1945. Original WATERCOLOR on cream-colored paper. Signed "Jack Rock" and dated by the artist in the lower right corner. 26.5 x 35.5 cm. Condition A/B (handwritten pencil annotations on the reverse, a vertical crease down the center, two tears at the bottom, and small stains along the edges).
Estimate €100 - €200 -
210 - Camille ROQUEPLAN (1803–1855) - [Young woman in traditional dress, seated and holding a mandolin]. 19th century. Original watercolor on paper. Signed by the artist in the lower right corner. 30 x 25 cm. Condition A (good overall condition).
Estimate €80 - €100 -
211 - Hercule TRACHEL (1820–1872, Nice School) – [Ship at Low Tide, Seascape]. 19th century. Original WATERCOLOR on paper. Signed by the artist in the lower right corner. 31 x 46.5 cm. Condition A (very few scattered small foxing spots, in good condition).
Estimate €100 - €200 -
212 - Hermann VOGEL (1856–1918) (?)—“The Last Day of a Condemned Man” (Hugo), frontispiece for the Hugues edition (1883). DRAWING in India ink on paper. Annotated in the lower right corner in ink: “Reduce to 12 centimeters / in width.” Partially based on the frontispiece by Célestin Nanteuil for the 1833 Renduel edition. Hermann Vogel created preparatory drawings for woodcuts illustrating the 1883 edition of Victor Hugo’s novel *The Last Day of a Condemned Man*, engraved primarily by Fo
Estimate €200 - €300 -
213 - David Ossipovitch WIDHOPFF (1867–1933) - [Path Under the Trees, Landscape]. Original drawing in pencil and charcoal on cream-colored vellum paper. Signed with the artist’s initials in pencil. 23.5 x 23.5 cm. Grade A (excellent condition).
Estimate €100 - €200 -
214 - Georges WILLAUME (1876–1962) - [Nude with a Red Lampshade]. 1949. Original colored-pencil drawing on watermarked vellum paper (Regis L. Bourdillon). Signed and dated by the artist. 66 x 51 cm. Condition A (light foxing on the reverse, in excellent condition).
Estimate €400 - €600 -
215 - Wim ZWIERS (1922–2019) - [Standing Female Nude]. 1952. Original drawing in blue ink on cream-colored paper. Signed and dated in pencil by the artist. 26.5 x 14 cm. Condition A (good condition).
Estimate €100 - €200 -
216 - Pieter BRUEGHEL (c. 1525–1569) (after) — "Allemode School" (The Shoemaker and the Spinner as Schoolteachers). Engraved by Pieter van Baillieu. Ref.: Hollstein, no. 91. A fine print from a later edition on vellum paper, bearing the address of Michiel Bunel. Margins. 44.5 x 61 cm. Condition B (stains and small tears in the margins, a few stains on the sun-faded reverse, subject in good condition).
Estimate €200 - €300 -
217 - H. van Rijn REMBRANDT (1606–1669) – “Joseph Telling His Dreams.” 1638. Etching. A print from a late edition, on laid paper. Ref.: New Hollstein, no. 1767. Margins trimmed. 11.2 x 8.5 cm. Condition B/C (small hole in the upper right corner of the image, traces of adhesive and foxing on the reverse, sun-faded upper edge, slight thinning of the paper along the upper edge).
Estimate €200 - €300 -
218 - H. van Rijn REMBRANDT (after) (1606–1669) – “Study of Figures.” c. 1900. Etching engraved by Ignace de Claussin around 1900. Annotated “Collection F.D.” in pencil on the reverse. Margins. 10.8 x 9.2 cm on copper. 13.3 x 11 cm on the sheet. Condition C (fold marks, sun-faded, and formerly glued along the edges).
Estimate €100 - €200 -
219 - Jan SADELER (c. 1550–1600) – “Bonorum et malorum consencio horum proemia, illorum poena [...]”. Frontispiece for the series “History of the Family of Seth.” 1586. ALLEGORY. Engraving after Marteen de Vos (1532–1603). Ref.: Hollstein, no. 29. Proof of the single state, on laid paper. Fine impression. 20.2 x 27.5 cm. Condition A/B (rare small spots on the reverse, trimmed to the subject on three sides, short tears or small losses previously restored and/or filled).
Estimate €200 - €300 -
220 - Philibert-Louis DEBUCOURT (1755–1832) — “Les petits messieurs ou Les adolescens à la mode.” 1804. Color etching and aquatint. Velin paper. Framed print. 34 x 49 cm (image size). 54 x 69 cm (including frame). Condition A/B (rare, scattered foxing and slight sun damage; not examined outside of its frame).
Estimate €30 - €50 -
221 - Giuseppe Maria MITELLI (1634–1718) (?) – [Memento mori] (Screen). Original etching. Point signature on the plate. Print on laid paper. Narrow margins. 23.5 x 30 cm. Condition B/C (trace of a former vertical center fold and a stain at that location; rare short tears on the edges, previously restored).
Estimate €200 - €300 -
222 - Jan Piotr NORBLIN DE LA GOURDAINE (Polish artist, 1745–1830) – “The Sermon of St. John the Baptist.” 1808. Etching after a painting by Rembrandt. Ref.: Hillemacher, no. 5. Print on laid paper. 50.5 x 63.6 cm. Condition A/B (three minute needle marks, one of which has been filled in; cropped at the subject; rare small spots or foxing).
Estimate €300 - €400 -
223 - PIRANESI, Giovanni Battista (1720–1778) – “View of St. Peter’s Basilica and St. Peter’s Square in the Vatican.” 1748. Original etching. Print bearing the address “Presso l’Autore a Strada nel Palazzo Tomati vicino alla Trinità dei Monti, A paole due e mezzo,” on laid paper. Ref.: Hind, no. 3. Plate from the "Vedute di Roma" series. 40 x 53.8 cm. Condition B/C (small hole on the right side of the subject near the building and two wormholes. Trace of a former vertical center fol
Estimate €200 - €300 -
224 - PIRANESI, Giovanni Battista (1720–1778) – “Veduta del Porto di Ripa Grande” (View of the Port of Ripa Grande). c. 1753. Original etching. Proof from the 3rd state out of 6, with the barge in the center of the composition erased and the price removed, on laid paper with a watermark (double circle), with the address “Presso l’Autore a Strada Felice nel Palazzo Tomati vicino alla Trinità dei Monti A Paole due e mezzo.” Ref.: Hind, no. 27 (iii/vi). Plate from the “Vedute di Roma”
Estimate €300 - €400 -
225 - PIRANESI, Giovanni Battista (1720–1778) – “Veduta della Cascata di Tivoli.” 1766. Original etching. Proof from the 2nd state of 5, prior to numbering, on laid paper. Ref.: Hind, no. 75 (ii/v). Signed and dated with a point in the plate. Plate from the “Vedute di Roma” series. Margins. 55.3 x 78.2 cm. Condition B/C (trace of an original vertical center fold; foxing, rare stains and tears stabilized in the dusty margins, stabilization on the reverse, rare stains extending into the imag
Estimate €300 - €400 -
226 - PIRANESI, Giovanni Battista (1720–1778) — “Veduta della Villa dell’Emo Sig. Card. Alessandro Albani outside Porta Salaria" (View of the villa of His Eminence Cardinal Alessandro Albani, outside Porta Salaria). 1769. Original etching. Ref.: Hind, no. 89 (i/iii). First state of three, before the numbered prints, on laid paper with a watermark (fleur-de-lis within a double circle). Plate from the “Vedute di Roma” series. Good margins. Beautiful print. 55.5 x 78 cm. Condition A/B (trace
Estimate €200 - €300 -
227 - PIRANESI, Giovanni Battista (1720–1778) – “Veduta interna della villa di Mecenate” (Interior View of Maecenas’ Villa). c. 1764. Original etching. Ref.: Hind, no. 73 (ii/iv). Print from the 2nd state of 4, prior to the numbered states, on laid paper with a watermark (fleur-de-lis in a double circle). Plate from the “Vedute di Roma” series. Good margins. Beautiful print. 55.5 x 79.5 cm. Condition A/B (slight trace of an original vertical center fold, rare light foxing on the slight
Estimate €200 - €300 -
228 - David TENIERS le jeune (1610-1690) (after) - "Blanchisserie, VI ème vue de Flandre". Etching and burin engraving by Jacques Philippe LE BAS (1707-1783). Proof of a late print, on wove paper. Framed piece. 53 x 73 cm for the engraving. 66 x 86 cm the frame. Condition A (not examined outside its frame, good condition).
Estimate €30 - €50 -
229 - David TENIERS the Younger (1610-1690) (after) - "The 4th Flemish Festival". Etching and burin engraving by Jacques Philippe LE BAS (1707-1783). Proof of a late print, on wove paper. Framed piece. 54 x 69 cm for the engraving. 64 x 79 cm the frame. Condition B/C (not examined outside its frame, some minor spotting).
Estimate €30 - €50 -
230 - H. Simon THOMASSIN (1687–1741) – “Melancholy” (Vanity). c. 1729–1740. Etching and burin engraving after the painting by Dominique FETI. Ref.: Le Blanc, no. 40. Print with letter, on laid paper. Bearing on the reverse the collection mark of PAUL VIKTOROWITCH DELAROFF (1852–1913), legal advisor in St. Petersburg (Lugt 663). Small margins from the copper plate. 42.2 x 26.3 cm. Condition A/B (cut inside the copper plate mark, a short tear on the right edge that has been reinforced, and s
Estimate €200 - €300 -
231 - Joseph BENWELL CLARK (1857–1938) – “Pallas, Juno, and Venus.” c. 1880. Etching after the painting by George Frederick Watts, printed in sepia. Proof with an engraved note, predating the letter and the publication in *L'Art*, on vellum paper. Bearing the collection mark of KAZIMIERZ ROMAN WACLAW WOŹNICKI (Osiek, near Płock 1878–Paris 1949), writer and diplomat (Paris) (Lugt 1652a). Margins. 43 x 30.5 cm. Condition A (slight signs of handling in the margins and traces of previous mount
Estimate €150 - €200 -
232 - Albert BESNARD (1849 - 1934) - POSTER "Souscrivez pour hâter la Paix par la Victoire, 3ème Emprunt de la Défense Nationale", 1917. Original lithograph, printed in color. Fine wove paper. Signed and dated in the plate. Printed by aquet Gd, Paris. Margins. Folded, not canvas-backed. 80.5 x 114 cm. Condition A (rare short marginal tears, good condition).
Estimate €100 - €200 -
233 - Félix BRACQUEMOND (1833–1914) – “The Storks.” c. 1870. Original etching. Ref.: Béraldi, no. 179. Second state of two, with lettering, on laid paper. Printed by Delâtre and published by Cadart and Luquet, in Paris. Margins. 36 x 27.5 cm. Condition A (rare, scattered light foxing in the margins; in good condition). Included is an engraving titled “St. Just” (1843), engraved by Auguste Blanchard Sr. (1766–1841), after the painting by Murillo. 38 x 31.5 cm. Condition C/D (some damag
Estimate €80 - €100 -
234 - Antonio CASANOVA Y ESTORACH (1847–1896) – “Andalouses.” 1877. Original etching. Signed and dated on the plate. First proof, on laid Japanese paper. Good margins. 34.5 x 26 cm. Condition A (a few foxing spots in the good margins, which are slightly dusty).
Estimate €80 - €100 -
235 - CHAS LABORDE (1886–1941) – “Ménilmontant (Paris).” 1926. Color etching. Print on vellum paper, from the series “Streets and Faces of Paris.” Margins. Framed piece. 27.5 x 24 cm for the image. 45 x 41 cm for the frame. Condition A (not examined outside of its frame; appears to be in excellent condition).
Estimate €50 - €80 -
236 - DAUMIER Honoré (1808 - 1879) - LOT of 4 LITHOGRAPHIES. Titles: 1-Devant Mr Le Maire. 2-In National Guard. 3-A new hat. 4-Dinner at Véry's. Part of the suite "Les beaux jours de la vie". 35 x 24 cm approx. each plate. B/C condition (stains and a few tears).
Estimate €40 - €60 -
237 - LOT of 9 LITHOGRAPHIES by Jules DAVID, in antique colors. 19th century. Titles: 1-Marital tenderness (30 years). 2-Infamy (35 years). 3-Degradation (45 years). 4-Opprobrium (40 years). 5-Denatured mother (30 years). 6-Loathing (25 years). 7-Corruption (25 years). 8-Sibling piety (15 years). 9-Benevolence (60 years). Proofs on wove paper, stamped by the artist (Jean-Baptiste Jules David (Paris 1808-id. 1892), draughtsman, lithographer in Paris) (Lugt 3903). Approx. 33 x 43 cm per plate. B/C condi
Estimate €60 - €80 -
238 - Charles G. DUFRESNE (1876–1938) – “Afternoon in Morocco.” c. 1920. Original etching, printed in color. Signed on the plate. Ref.: I.F.F. After 1800, not described. Print on Japon paper, numbered 19/25 and countersigned in pencil by the artist. Bears the dry stamp of the publisher Sagot (Lugt 2254). Margins. 28 x 43.5 cm. Condition A (the outline of the subject is slightly sun-faded; otherwise in excellent condition).
Estimate €300 - €400 -
239 - Dudley HARDY (1867 - 1922) - "Abbotts Phil-Eesi. Boots and shoes". 1896-1897. Lithograph printed in color on wove paper. Signed in the plate. Plate from the series "Les affiches étrangères", printed by Chaix and published by G. Boudet. Margins. Framed piece. 22.7 x 15 cm for the subject. 38 x 30 cm for the frame. Condition A (not examined outside its frame, good condition when viewed).
Estimate €40 - €60 -
240 - Jean-Emile LABOUREUR (1877–1943) – “Portrait of Carl Maria von WEBER (1786–1826, German composer).” Woodcut. Signed with the artist’s monogram on the plate. Proof for the supplement to the journal *Musicale*. Margins. 25 x 18.8 cm. Condition A (good condition).
Estimate €70 - €90 -
241 - Frédéric A. LAGUILLERMIE (1841–1934) – “Portrait of Willem van Heythuysen (a wealthy merchant from Haarlem).” 1896. Etching based on the painting by Frans Hals. First proof, on Japanese paper, signed in pencil. Narrow margins. 85 x 57.6 cm. Condition A (margins and reverse slightly dusty; rare traces of creases on the left and bottom margins).
Estimate €100 - €200 -
242 - Charles MERYON (1821–1868) – “La Pompe Notre-Dame.” 1852. Original etching. Ref.: Delteil, no. 31. Schneiderman no. 26 (viii/x). Print on Hudelist laid paper. Margins. 32 x 44.3 cm. Condition B (rare scattered foxing in the margins, a few spots on the reverse).
Estimate €100 - €200 -
243 - Jean Constant Raymond RENEFER (1879–1957) - [Battle scenes from World War I]. 1916. Original drypoint. Signed and dated with the point on the plate. Print on cream-colored laid paper, countersigned in pencil by the artist. Margins. 22.5 x 28 cm. Condition A (good condition).
Estimate €80 - €100 -
244 - Auguste ROEDEL (1859 - 1900) - "Monopoly linen". 1897-1900. Lithograph printed in colors. Signed in the plate. Proof on wove paper, dry-stamped by the "Maîtres de l'Affiche" (Lugt: L.1777c) and printed by Chaix (rue Bergère, Paris). Margins. Framed piece. 30 x 22.5 cm for the subject. 43.5 x 32.5 cm for the frame. Condition A (not examined outside its frame, good condition when viewed).
Estimate €40 - €60 -
245 - André ROUVEYRE (1879–1962) — “Young Coquelin in *The Imaginary Invalid*.” c. 1905. Color lithograph. Signed on the plate. Glossy vellum paper. Margins. 38.3 x 56.2 cm. Grade A (rare, scattered light foxing and slight signs of rubbing on the left [barely visible], good overall condition).
Estimate €100 - €200 -
246 - Wladyslaw SKOCZYLAS (1883–1934, Polish engraver) – “The Old Mountain Man” (Stary gazda). 1933. Woodcut. Print on imitation Japanese paper, dated and signed in pencil by the artist. Good margins. Grade A (excellent condition).
Estimate €80 - €100 -
247 - Louis-Joseph SOULAS (1905–1954) - [French Landscape]. Original etching. Signed with the artist’s initials in the lower left corner of the plate. Beautiful print on imitation Japanese paper. Good margins. 13 x 16.5 cm for the image. 32 x 24.8 cm for the sheet. Condition A (excellent condition).
Estimate €80 - €100 -
248 - Louis-Joseph SOULAS (1905–1954) - [French Village]. Original etching. Signed with the artist’s initials in the lower left corner of the plate. Beautiful print on imitation Japanese paper. Good margins. 10.5 x 9 cm (image size). 32 x 25 cm (sheet size). Condition A (excellent condition).
Estimate €80 - €100 -
249 - Alfred TAIEE (1820–1880) – “Cloister under an arcade, with the dome of the Church of Notre-Dame de l’Assomption” (Paris). 1869. Title page for the series “Paris and Its Environs.” Original etching. Beautiful pre-letter proof on blue vellum paper. Signed and dated on the plate. Béraldi ref., no. 1. Margins. 37 x 26.5 cm. Condition A (excellent condition).
Estimate €150 - €200 -
250 - Adolphe WILLETTE (1857–1926) – Plate for “CHANSONS D’AMOUR.” 1896. Original lithograph, printed in red chalk. Signed with the artist’s monogram on the plate. Proof with a lithographed note in the margin, on imitation Japanese paper. Wide margins. 47.5 x 32.5 cm. Grade A (excellent condition).
Estimate €80 - €100
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