Furniture and Art Objects: The Last One Before the Holidays!

Wednesday 1 July 2026 at 13:30

Salle 13 - Hôtel Drouot, 9, rue Drouot, 75009 Paris

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Lots (353) Information

353 lots

Lots 51 to 100 of 353

About the sale

Public Exhibition: 9 Rue Drouot - Room 13

Tuesday, March 31, from 11 a.m. to 6 p.m.

Wednesday, April 1, from 11 a.m. to 6 p.m.

Thursday, April 2, from 11 a.m. to 12 p.m.

Experts:

Ms. Sylvie DANIEL

Ms. Naomi LAAN

Ms. Charlotte BARTHELEMY

Mr. Patrice DUBOIS

MAKET Firm

Mr. Emmanuel HENRY

Mr. Jean-Yves NATHAN

Pickup and Delivery Options

Pickup or shipping of furniture, bulky items, and other purchases listed on the same sales slip:no returns will be considered

· Payment and pickup in the auction room on the day of the sale until 5:30 p.m.

· Items will be available for pickup at the Drouot storage facility starting at 10:00 a.m. on Thursday, July 2; pickup requires presentation of the label and the sales slip corresponding to the lot(s). Storage fees apply starting on the 3rd business day

· Transportation by professional carriers; list available upon request

Pickup at our offices:all items except furniture,by appointment only starting Monday, July 6, at 2:00 PM

· Monday through Friday from 9:30 a.m. to 12:30 p.m. and from 2:00 p.m. to 5:30 p.m.

· Option to authorize a family member or friend: notify us by email or provide them with a power of attorney; the person must then present themselves with a valid ID

Shipping within the European Union: jewelry, paintings, books, silverware, ceramics, glassware, etc.

· Shipping via DHL; quotes available upon request

· Transportation by professional carriers; list available upon request

Terms of sale

Show the terms of sale

Frais de vente

· Frais acheteur : 28% TTC en sus de l’adjudication

· Frais Live : 1,8 % TTC en sus de l’adjudication

Conditions de règlement

· Espèces jusqu’à 1000€ pour les ressortissants français

· Carte bleue SAUF AMEX

· Virement bancaire

Furniture and Art Objects: The Last One Before the Holidays!

353 lots

57 - Jean-Lubin Vauzelle (1776–1839). View of the Château de Roucy (Aisne). Watercolor on paper, signed lower left, dated 1829. 26 x 40.5 cm (image size).

58 - 19th-century French school. Moses Defending Jethro’s Daughters at the Well. Oil on canvas, previously re-stretched. 41.5 × 66.5 cm. The work depicts the biblical episode from the Book of Exodus (2:16–17).

59 - COROT, Jean-Baptiste Camille (1796–1875) (after), The Road to Sèvres, oil on canvas (restored), unsigned, 35x50 cm. In a gilded wooden frame (with missing sections).

60 - FRENCH SCHOOL Second half of the 19th century. Portrait of a man with a short, graying beard, wearing a gray vest and jacket, against a blue sky background. Oval-shaped miniature. Gilded metal medallion frame. H. 6 - W. 4.8 cm.

62 - 19th-century school, Romantic scene in a park, oil on canvas (minor losses), lower left: Ramey (fluoresces under a Wood's lamp), 24x33 cm.

63 - 19th-Century French School: “View of a Fortified Town,” watercolor (with paper spots), bearing an apocryphal inscription and a date in the lower right corner. 30x44.5 cm.

65 - SALVAIRE Édouard Jules, 1831–1889, *A Shack Near a Wood*, watercolor, signed lower left, 11.5 x 20 cm.

66 - E. AMPENOT, 19th-century school, *Bouquet of White Roses*, oil on canvas, signed lower right, re-stretched. Some damage. 72 x 61 cm.

67 - 19th-century French school, *Woman and Child at the Fountain*, unsigned oil on canvas, re-stretched. Some damage and scratches. 29 x 22 cm. In a gilded, carved wooden frame decorated with oak and laurel leaves.

68 - CHERUBINI, Andrea, 1833–1905, Seaside at Capri, watercolor, signed and dated in the lower left corner, 8.5 x 14.5 cm (image size).

69 - ALLONGÉ, Auguste, 1833–1898, *Flooded Plain*, watercolor (with flecks), signed lower left, stamp from the 1898 posthumous sale lower left, 32x49 cm (image size).

70 - ORIENTALIST SCHOOL, 19th century, Camp near Alexandria, oil on cardboard (minor restorations and traces of cracking), faint, barely legible monogram in the lower left corner on the reverse, 21x32cm.

71 - SCHOOL, late 19th century, Young Oriental Horseman, oil on paper mounted on board (restored), trace of a signature in the lower right corner, 26.5 x 32.5 cm.

72 - GIRAUDON, H., Late 19th century, Street in Paris with the Panthéon, 1879, oil on canvas (edges re-painted, restored), signed, located, and dated in the lower right corner, 22x16.5 cm.

74 - HYON Georges Louis, 1840–1913, Hussar on Horseback in the Snow, oil on panel (minor restorations), signed lower right, 27x22cm.

75 - GUILLEMET Jean-Baptiste Antoine, 1843–1918, Landscape with a Bell Tower, oil on panel, signed lower left, 18x27cm.

76 - Barbizon School, Late 19th Century: “Peasant House in the Woods.” Oil on canvas. Unsigned. Small hole in the center and slight losses along the edges. Unframed. 32.4 x 40.5 cm.

77 - ANONYMOUS, late 19th century, *Jeté de fleurs*, oil on canvas (crazing), unsigned, 33x41cm.

78 - Charles Ferdinand de Condamy (1847–1913). *The Jockeys*. Oil on panel, signed lower right. 52.5 x 43.5 cm. In a gilded wooden frame.

79 - BONNAVE (Late 19th or Early 20th Century School): “Monk Standing in Front of His Window.” Oil on canvas, signed lower right, annotated “Cerderstrom.” 35 x 24 cm

80 - Edward NEVIL (XIX-XX-ème Siècle): "Le départ des voiliers". Pair of watercolors on paper signed lower right. 23.5 x 53.5 cm.

81 - Gustave DE LAUNAY (19th–20th century), attributed to, Lake Como, watercolor, unsigned, annotated in the lower left corner: Atelier ??? Launay, 16x25cm.

82 - Modern art from the late 19th to early 20th century, *The Fountain Under the Trees*, unsigned oil on canvas, with craquelure and small areas missing, 29 x 45 cm.

83 - E.A. PIGACHE - 19th–20th century, Still Life with Plums and Porcelain, oil on canvas, signed lower right, re-stretched. Large gilded wooden frame carved in high relief with floral and foliage motifs. 51 x 54 cm.

84 - Louise PERCHERON (French School, 19th–20th Centuries): “Bouquet of Flowers in a Vase on an Entablature.” Watercolor signed lower left. 37.5 x 45.5 cm (image size).

85 - Anonymous, circa 1900: “Portrait of a Man in a Suit in an Interior.” Print background with gouache highlights on paper. 31.3 x 24.5 cm

87 - Modern Northern School: “Boat in the Harbor.” Oil on panel. Unsigned. Missing sections and restorations. 42 x 55.5 cm. In a 19th-century gilded wooden frame.

88 - L. BERTHAUD (French School, First Half of the 20th Century): “Country Village.” Oil on canvas, signed lower right. 48.5 x 63.5 cm

89 - 20th-century French school. *La Basse-cour*. Oil on canvas. Signed lower right (illegible signature). Some damage to the frame. 46 × 35 cm.

90 - Ecole Moderne, Chemin fleuri, oil on canvas, lower left: Alexandre Altmann, partially erased apocryphal inscription in the lower left corner. 72.5 x 96.5 cm.

91 - Modern School, Mother and Child with a Flower, gouache on paper, unsigned, 28 x 20 cm (as depicted).

92 - RANSON, Paul Élie, 1861–1909, *The Cypresses of the Church at Vaux*, pastel on laid paper, studio stamp in the lower right corner, 29.5 x 46.5 cm (image size). EXHIBITION$$Galerie Accart, Paul Élie Ranson, Fall 2008, described and reproduced on p. 16, under no. 23.

93 - STANKIEWICZ Zofia, 1862–1955, Storefront, pen, black ink, and graphite on paper, signed lower left, 16.5 x 19 cm.

94 - Georges BUYSSE (1864–1916): “Bouquet of Roses and Fuchsias.” Oil on canvas, signed and dated “89” in the lower right corner. Previous restorations and reinforcement patches. 38 x 46 cm.

95 - RABIER, Benjamin, 1864–1939, The Adventures of Renard (3): How the Fox ... Deprived the Cat of Its Tail..., color lithograph, published by Delagrave Books, printed by J. Minot, Paris (slight sun fading and minor creases), 46.5x103 cm.

96 - PELLETIER Léonce, 1869–1950, Sunset on the Saône, oil on panel, signed lower right, titled on a label on the back, 61x73cm.

97 - Claire de Saint Rémy, 20th century, Village of Djenné, oil on canvas-backed board (very minor losses), signed lower left, titled on an exhibition label on the back, 38x46cm.

98 - STEIN, 20th century, Bouquet and Fruit, oil on canvas (cracking and restoration), signed in the upper right corner with a barely legible date: 192... or 193..., 60x42.5 cm.

99 - ALKAN-LÉVY Fernand, 1870–1941, *Washerwoman by the Water*, oil on panel, signed lower left, 24x33cm.

100 - Clément CASTELLI (1870–1959): “Aiguille Verte, View of Tréléchamp, Mont Blanc, Chamonix.” Oil on panel, signed lower right. Counter-signed, dated 1937, located, and bearing the studio stamp on the back of the panel. 19 x 24 cm.

101 - LEROUX, Auguste, 1871–1954, “Eiros’s Conversation with Charmion” (Extraordinary Tales, E. A. Poe), circa 1933, gouache on paper, signed upper right; Subject: 20x12.5 cm - Sheet: 36.5x27 cm.

102 - BASTIEN Alfred T., 1873–1955, Market Day in Dourdan, 1921, charcoal drawing (with light exposure and accidental marks), signed and dated lower right, titled lower left, 25.5 x 33 cm (image size).

103 - BASTIEN, Alfred T., 1873–1955, Woman in the Hall of Mirrors, Versailles, October 30, 1921, charcoal and red chalk on paper (sun damage and small tear), monogram, title, and date in the lower right corner, 43x32.5 cm.

104 - François-Joseph GIROT (1873–1916): “Shepherd, His Dog, and His Flock Near a Pond.” Watercolor on paper, signed lower left. Slight discoloration. 26.5 x 34 cm (image size).

105 - Maurice de Vlaminck (Paris 1876 – Rueil-la-Gadelière 1958), *Rue de banlieue*, original etching, proof on vellum, signed in pencil and numbered 20/30, 16 x 20 cm (to the edge).

106 - Bernard NAUDIN (1876–1946), *The Soldier*, oil on panel, signed and inscribed, dimensions 41 x 32 cm, label on the back annotated “Georges Wague as a Pierrot soldier, painted by Bernard Naudin in 1898 and bequeathed by Georges Wague to Marcel Marceau in 1958.” Visible restoration work.

About the sale

Terms of sale

65 - SALVAIRE Édouard Jules, 1831–1889, A Shack Near a Wood, watercolor, signed lower left, 11.5 x 20 cm.

66 - E. AMPENOT, 19th-century school, Bouquet of White Roses, oil on canvas, signed lower right, re-stretched. Some damage. 72 x 61 cm.

67 - 19th-century French school, Woman and Child at the Fountain, unsigned oil on canvas, re-stretched. Some damage and scratches. 29 x 22 cm. In a gilded, carved wooden frame decorated with oak and laurel leaves.

69 - ALLONGÉ, Auguste, 1833–1898, Flooded Plain, watercolor (with flecks), signed lower left, stamp from the 1898 posthumous sale lower left, 32x49 cm (image size).

77 - ANONYMOUS, late 19th century, Jeté de fleurs, oil on canvas (crazing), unsigned, 33x41cm.

78 - Charles Ferdinand de Condamy (1847–1913). The Jockeys. Oil on panel, signed lower right. 52.5 x 43.5 cm. In a gilded wooden frame.

82 - Modern art from the late 19th to early 20th century, The Fountain Under the Trees, unsigned oil on canvas, with craquelure and small areas missing, 29 x 45 cm.

89 - 20th-century French school. La Basse-cour. Oil on canvas. Signed lower right (illegible signature). Some damage to the frame. 46 × 35 cm.

92 - RANSON, Paul Élie, 1861–1909, The Cypresses of the Church at Vaux, pastel on laid paper, studio stamp in the lower right corner, 29.5 x 46.5 cm (image size). EXHIBITION$$Galerie Accart, Paul Élie Ranson, Fall 2008, described and reproduced on p. 16, under no. 23.

99 - ALKAN-LÉVY Fernand, 1870–1941, Washerwoman by the Water, oil on panel, signed lower left, 24x33cm.

105 - Maurice de Vlaminck (Paris 1876 – Rueil-la-Gadelière 1958), Rue de banlieue, original etching, proof on vellum, signed in pencil and numbered 20/30, 16 x 20 cm (to the edge).

106 - Bernard NAUDIN (1876–1946), The Soldier, oil on panel, signed and inscribed, dimensions 41 x 32 cm, label on the back annotated “Georges Wague as a Pierrot soldier, painted by Bernard Naudin in 1898 and bequeathed by Georges Wague to Marcel Marceau in 1958.” Visible restoration work.