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In search of lost treasures

In search of lost treasures

Tuesday, 5 May 2026 at 14:00
9 rue de Provence, 75009 Paris
interencheres

Lots 51 to 100 of 298

Page 2 / 6

EURE (27) - ARCHITECTURE - CHARLEVAL CASTLE - "Charleval, Diversités d'ordonnances délibérées à faire à la basse court par le dehors". 1607. Etching after Jacques ANDROUET DU CERCEAU (Architect in Paris, Paris c.1515 - Annecy 1585), on laid paper. Proof with good margins. Plate from the "Plus excellents Bastiments de France" series. 41.5 x 55 cm. Condition A (trace of original median vertical fold, two wormholes in upper margin, good overall condition).

52 - EURE (27) - ARCHITECTURE - CHARLEVAL CASTLE - "Charleval, Diversités d'ordonnances délibérées à faire à la basse court par le dehors". 1607. Etching after Jacques ANDROUET DU CERCEAU (Architect in Paris, Paris c.1515 - Annecy 1585), on laid paper. Proof with good margins. Plate from the "Plus excellents Bastiments de France" series. 41.5 x 55 cm. Condition A (trace of original median vertical fold, two wormholes in upper margin, good overall condition).

Estimate
80 € - 100 €
EURE (27) - ARCHITECTURE - CHARLEVAL CASTLE - "Charleval, Face commencée dedans la basse court". 1607. Etching after Jacques ANDROUET DU CERCEAU (Architect in Paris, Paris c.1515 - Annecy 1585), on laid paper. Proof with good margins. Plate from the "Plus excellents Bastiments de France" series. 41.5 x 54.5 cm. Condition A (trace of original median vertical fold, two wormholes in upper margin, good overall condition).

53 - EURE (27) - ARCHITECTURE - CHARLEVAL CASTLE - "Charleval, Face commencée dedans la basse court". 1607. Etching after Jacques ANDROUET DU CERCEAU (Architect in Paris, Paris c.1515 - Annecy 1585), on laid paper. Proof with good margins. Plate from the "Plus excellents Bastiments de France" series. 41.5 x 54.5 cm. Condition A (trace of original median vertical fold, two wormholes in upper margin, good overall condition).

Estimate
100 € - 200 €
EURE (27) - LE HAVRE - René PINARD (1883 - 1938) - "Transatlantic ship the Suffren in the Eure basin at Le Havre. (Marine). c.1925. Original etching. Proof on Normandy wove paper, signed in gray pencil by the artist and stamped Société Normande de Gravure, Rouen (Lugt 2300a). Margins. 51.5 x 65 cm. Condition B (a few stains and creases in the margins, rare short marginal tears, subject in good condition).

54 - EURE (27) - LE HAVRE - René PINARD (1883 - 1938) - "Transatlantic ship the Suffren in the Eure basin at Le Havre. (Marine). c.1925. Original etching. Proof on Normandy wove paper, signed in gray pencil by the artist and stamped Société Normande de Gravure, Rouen (Lugt 2300a). Margins. 51.5 x 65 cm. Condition B (a few stains and creases in the margins, rare short marginal tears, subject in good condition).

Result
100 €
EURE (27) - LES ANDELYS - "CHÂTEAU-GAILLARD". 19th century. Original etching engraved by Edmond YON (1841-1897). Fine proof with letter, on Hallines laid paper. Printed by F. Liénard. Good margins. 42.7 x 57.7 cm. Condition A (well preserved).

55 - EURE (27) - LES ANDELYS - "CHÂTEAU-GAILLARD". 19th century. Original etching engraved by Edmond YON (1841-1897). Fine proof with letter, on Hallines laid paper. Printed by F. Liénard. Good margins. 42.7 x 57.7 cm. Condition A (well preserved).

Result
105 €
EURE-ET-LOIR (28) - ARCHITECTURE - CHÂTEAU D'ANET - "ANET, le plan de la Chapelle, la face du devant de la Chapelle & Dedans de la chapelle neuve". 1607. Etching after Jacques ANDROUET DU CERCEAU (Architect in Paris, Paris c.1515 - Annecy 1585), on laid paper. Proof with good margins. Plate from the "Plus excellents Bastiments de France" series. 41.5 x 54 cm. Condition A (trace of original median vertical fold, two folds and two wormholes in upper margin, good overall condition).

56 - EURE-ET-LOIR (28) - ARCHITECTURE - CHÂTEAU D'ANET - "ANET, le plan de la Chapelle, la face du devant de la Chapelle & Dedans de la chapelle neuve". 1607. Etching after Jacques ANDROUET DU CERCEAU (Architect in Paris, Paris c.1515 - Annecy 1585), on laid paper. Proof with good margins. Plate from the "Plus excellents Bastiments de France" series. 41.5 x 54 cm. Condition A (trace of original median vertical fold, two folds and two wormholes in upper margin, good overall condition).

Estimate
80 € - 100 €
EURE-ET-LOIR (28) - ARCHITECTURE - CHÂTEAU D'ANET - "Faces inside the courtyard & Entrance from outside to the Bassecour". 1607. Etching after Jacques ANDROUET DU CERCEAU (Architect in Paris, Paris c.1515 - Annecy 1585), on laid paper. Proof with good margins. Plate from the "Plus excellents Bastiments de France" series. 41.5 x 54 cm. Condition A (trace of original median vertical fold, two wormholes in upper margin, good overall condition).

57 - EURE-ET-LOIR (28) - ARCHITECTURE - CHÂTEAU D'ANET - "Faces inside the courtyard & Entrance from outside to the Bassecour". 1607. Etching after Jacques ANDROUET DU CERCEAU (Architect in Paris, Paris c.1515 - Annecy 1585), on laid paper. Proof with good margins. Plate from the "Plus excellents Bastiments de France" series. 41.5 x 54 cm. Condition A (trace of original median vertical fold, two wormholes in upper margin, good overall condition).

Estimate
80 € - 100 €
EURE-ET-LOIRE (28) - "CHARTRES, le Pont Bouju". Original etching by Jacques DESCHAMPS (1933-2023). Signed with the artist's monogram in the plate. Proof on wove paper, justified "III-XV" and countersigned in pencil by the artist. Full margins. 50 x 33 cm. Condition A/B (slightly darkened, otherwise good condition).

58 - EURE-ET-LOIRE (28) - "CHARTRES, le Pont Bouju". Original etching by Jacques DESCHAMPS (1933-2023). Signed with the artist's monogram in the plate. Proof on wove paper, justified "III-XV" and countersigned in pencil by the artist. Full margins. 50 x 33 cm. Condition A/B (slightly darkened, otherwise good condition).

Estimate
80 € - 100 €
FINISTERE (29) - DAOULAS- "Cloister of DAOULAS". 19th century. Original Sketch by Félix Benoist (1818-1896) in graphite on brown paper. PREPARATORY DRAWING for the lithograph entitled "Cloître de Daoulas" for the album "La BRETAGNE CONTEMPORAINE", published in 1865 by Charpentier in Nantes. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 24 x 32 cm. Conditio

59 - FINISTERE (29) - DAOULAS- "Cloister of DAOULAS". 19th century. Original Sketch by Félix Benoist (1818-1896) in graphite on brown paper. PREPARATORY DRAWING for the lithograph entitled "Cloître de Daoulas" for the album "La BRETAGNE CONTEMPORAINE", published in 1865 by Charpentier in Nantes. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 24 x 32 cm. Conditio

Result
350 €
FINISTERE (29) - PONT-CHRIST - "Mill and Church of PONT-CHRIST, near LANDIVISIAU". 19th century. Original Sketch by Félix Benoist (1818-1896) in graphite on grey paper. PREPARATORY DRAWING for the lithograph entitled "Moulin et Eglise de PONT-CHRIST, près de LANDIVISIAU (Finistère)" for the album "La BRETAGNE CONTEMPORAINE", published in 1865 by Charpentier in Nantes. Located "Eglise de Pont Christ près de Landivisiau (finistère)" in pencil, top left. Provenance: Fonds of the Charpentier wo

60 - FINISTERE (29) - PONT-CHRIST - "Mill and Church of PONT-CHRIST, near LANDIVISIAU". 19th century. Original Sketch by Félix Benoist (1818-1896) in graphite on grey paper. PREPARATORY DRAWING for the lithograph entitled "Moulin et Eglise de PONT-CHRIST, près de LANDIVISIAU (Finistère)" for the album "La BRETAGNE CONTEMPORAINE", published in 1865 by Charpentier in Nantes. Located "Eglise de Pont Christ près de Landivisiau (finistère)" in pencil, top left. Provenance: Fonds of the Charpentier wo

Result
350 €
FINISTERE (29) - MORGAT - "GROTTE DE L'AUTEL à MORGAT". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on grey wove paper. Located "Grotte de l'Autel à Morgat" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 24 x 32 cm. Condition A (well preserved).

61 - FINISTERE (29) - MORGAT - "GROTTE DE L'AUTEL à MORGAT". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on grey wove paper. Located "Grotte de l'Autel à Morgat" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 24 x 32 cm. Condition A (well preserved).

Estimate
200 € - 300 €
FINISTERE (29) - "Fountain near the Cross of the Apostles, near LOGONNA-DAOULAS". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on grey wove paper. Situated "Fontaine du côté de [?] / Près de la Croix des apotres" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 22.5 x 30.5 cm. Condition A (well pres

62 - FINISTERE (29) - "Fountain near the Cross of the Apostles, near LOGONNA-DAOULAS". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on grey wove paper. Situated "Fontaine du côté de [?] / Près de la Croix des apotres" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 22.5 x 30.5 cm. Condition A (well pres

Result
200 €
FINISTERE (29) - "GUISSENY". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on grey wove paper. Situated "Guisseny" lower right in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 25.5 x 32.5 cm. Condition A (few tiny needle holes on the edges, well preserved).

63 - FINISTERE (29) - "GUISSENY". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on grey wove paper. Situated "Guisseny" lower right in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 25.5 x 32.5 cm. Condition A (few tiny needle holes on the edges, well preserved).

Result
150 €
FINISTERE (29) - [Near PLOUARZEL or PLANCOËT]. 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on wove paper. Located "du côté de [Mal...?] / Près Plouarzel ou Plancoet" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 24 x 31.5 cm. Condition A (well preserved).

64 - FINISTERE (29) - [Near PLOUARZEL or PLANCOËT]. 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on wove paper. Located "du côté de [Mal...?] / Près Plouarzel ou Plancoet" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 24 x 31.5 cm. Condition A (well preserved).

Result
150 €
FINISTERE (29) - "Eglise SAINT-HOUARDON de LANDERNEAU". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on grey wove paper. Situated "A Landerneau ? / St Houardon" lower left in pencil. A second pencil drawing on verso depicting the PORT OF BREST. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes (from 1854). 32 x 24 cm. Condition A (very slig

65 - FINISTERE (29) - "Eglise SAINT-HOUARDON de LANDERNEAU". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on grey wove paper. Situated "A Landerneau ? / St Houardon" lower left in pencil. A second pencil drawing on verso depicting the PORT OF BREST. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes (from 1854). 32 x 24 cm. Condition A (very slig

Result
310 €
FINISTERE (29) - "AUDIERNE". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on wove paper. Located "Audierne" on verso in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 21 x 28 cm. Condition A (well preserved).

66 - FINISTERE (29) - "AUDIERNE". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on wove paper. Located "Audierne" on verso in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 21 x 28 cm. Condition A (well preserved).

Estimate
150 € - 200 €
ILLE-ET-VILAINE (35) - "FOUGERES". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on grey wove paper. Situated "Fougères" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 24 x 32 cm. Condition A (few small stains on verso, well preserved).

67 - ILLE-ET-VILAINE (35) - "FOUGERES". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on grey wove paper. Situated "Fougères" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 24 x 32 cm. Condition A (few small stains on verso, well preserved).

Result
440 €
ILLE-ET-VILAINE (35) - RENNES - "Church of TOUSSAINTS in Rennes". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on wove paper. Located "Eglise Toussaints à Rennes (Ille et Vilaine)" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23.5 x 31.8 cm. Condition A (well preserved).

68 - ILLE-ET-VILAINE (35) - RENNES - "Church of TOUSSAINTS in Rennes". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on wove paper. Located "Eglise Toussaints à Rennes (Ille et Vilaine)" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23.5 x 31.8 cm. Condition A (well preserved).

Result
200 €
ILLE-ET-VILAINE (35) - "REDON". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on wove paper. Situated "Redon" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 21 x 31.8 cm. Condition A (well preserved).

69 - ILLE-ET-VILAINE (35) - "REDON". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on wove paper. Situated "Redon" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 21 x 31.8 cm. Condition A (well preserved).

Result
300 €
ILLE-ET-VILAINE (35) - "Château de FOUGERES". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on wove paper. Situated "A Fougères" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23.2 x 31.4 cm. Condition A (well preserved).

70 - ILLE-ET-VILAINE (35) - "Château de FOUGERES". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on wove paper. Situated "A Fougères" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23.2 x 31.4 cm. Condition A (well preserved).

Estimate
300 € - 400 €
ILLE-ET-VILAINE (35) - "Près BECHEREL". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on grey wove paper. Located "Près Becherel" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 24.3 x 32 cm. Condition A (well preserved).

71 - ILLE-ET-VILAINE (35) - "Près BECHEREL". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on grey wove paper. Located "Près Becherel" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 24.3 x 32 cm. Condition A (well preserved).

Estimate
200 € - 300 €
ILLE-ET-VILAINE (35) - "Chêne Vert, MORDREUC et Pleudihen-sur-Rance, Bords de la Rance". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on China paper. Situated "Chêne vert - Mordreuc et Pludihen / bords de la Rance" lower right in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 25.5 x 35.2 cm. Condition A (some li

72 - ILLE-ET-VILAINE (35) - "Chêne Vert, MORDREUC et Pleudihen-sur-Rance, Bords de la Rance". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite on China paper. Situated "Chêne vert - Mordreuc et Pludihen / bords de la Rance" lower right in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 25.5 x 35.2 cm. Condition A (some li

Estimate
250 € - 300 €
ILLE-ET-VILAINE (35) - "SAINT MALO - View from the Chaussée de Paramé". 19th century. Original Sketch by Félix Benoist (1818-1896) in graphite on wove paper (two sheets). PREPARATORY DRAWING for the lithograph by Félix Benoist and CUVILLER entitled "Saint-Malo - Vue prise de la Chaussée de Paramé", published by Charpentier. "Located "St Malo" and annotated "Cette vue doit avoir 43 centimètres sur 27 1/2" lower left in pencil, followed by the following annotations in brown ink "Dessin à r

73 - ILLE-ET-VILAINE (35) - "SAINT MALO - View from the Chaussée de Paramé". 19th century. Original Sketch by Félix Benoist (1818-1896) in graphite on wove paper (two sheets). PREPARATORY DRAWING for the lithograph by Félix Benoist and CUVILLER entitled "Saint-Malo - Vue prise de la Chaussée de Paramé", published by Charpentier. "Located "St Malo" and annotated "Cette vue doit avoir 43 centimètres sur 27 1/2" lower left in pencil, followed by the following annotations in brown ink "Dessin à r

Result
1 900 €
LOIR-ET-CHER (41) - ARCHITECTURE - CHÂTEAU DE BEAUREGARD - "Beauregard, Elévation du bastiment du coste des vignes". 1607. Etching after Jacques ANDROUET DU CERCEAU (Architect in Paris, Paris c.1515 - Annecy 1585), on laid paper. Proof with good margins. Plate from the "Plus excellents Bastiments de France" series. 41 x 54.5 cm. Condition A (trace of original median vertical fold, wormholes in upper margin, two tears and lacks in lower margin, slight dark trace at median fold, subject in good

74 - LOIR-ET-CHER (41) - ARCHITECTURE - CHÂTEAU DE BEAUREGARD - "Beauregard, Elévation du bastiment du coste des vignes". 1607. Etching after Jacques ANDROUET DU CERCEAU (Architect in Paris, Paris c.1515 - Annecy 1585), on laid paper. Proof with good margins. Plate from the "Plus excellents Bastiments de France" series. 41 x 54.5 cm. Condition A (trace of original median vertical fold, wormholes in upper margin, two tears and lacks in lower margin, slight dark trace at median fold, subject in good

Estimate
80 € - 100 €
LOIR-ET-CHER (41) - ARCHITECTURE - CHÂTEAU DE BEAUREGARD - "Beauregard, Le plan de tout le lieu". 1607. Etching after Jacques ANDROUET DU CERCEAU (Architect in Paris, Paris c.1515 - Annecy 1585), on laid paper. Proof with good margins. Plate from the "Plus excellents Bastiments de France" series. 41.5 x 54 cm. Condition A (trace of original median vertical fold, two wormholes in upper margin, slight oblique fold, subject in good condition).

75 - LOIR-ET-CHER (41) - ARCHITECTURE - CHÂTEAU DE BEAUREGARD - "Beauregard, Le plan de tout le lieu". 1607. Etching after Jacques ANDROUET DU CERCEAU (Architect in Paris, Paris c.1515 - Annecy 1585), on laid paper. Proof with good margins. Plate from the "Plus excellents Bastiments de France" series. 41.5 x 54 cm. Condition A (trace of original median vertical fold, two wormholes in upper margin, slight oblique fold, subject in good condition).

Estimate
80 € - 100 €
LOIRE-ATLANTIQUE (44) - "CLISSON". 19th century. Original Sketch (probably by Félix Benoist) in graphite on wove paper. Located "Clisson" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 27 x 35.7 cm. Condition A (a few stains and traces of water).

76 - LOIRE-ATLANTIQUE (44) - "CLISSON". 19th century. Original Sketch (probably by Félix Benoist) in graphite on wove paper. Located "Clisson" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 27 x 35.7 cm. Condition A (a few stains and traces of water).

Estimate
150 € - 200 €
LOIRE-ATLANTIQUE (44) - "Entrance to the Château de CLISSON". 19th century. Original Sketch (probably by Félix Benoist) in graphite on wove paper. Located "Entrée du Château de Clisson" at bottom in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 11.7 x 15 cm. Condition A (well preserved).

77 - LOIRE-ATLANTIQUE (44) - "Entrance to the Château de CLISSON". 19th century. Original Sketch (probably by Félix Benoist) in graphite on wove paper. Located "Entrée du Château de Clisson" at bottom in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 11.7 x 15 cm. Condition A (well preserved).

Estimate
100 € - 200 €
LOIRE-ATLANTIQUE (44) - [CLISSON]. 19th century. Original Sketch (probably by Félix Benoist) in graphite on wove paper. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23.5 x 32.5 cm. Condition A (rare stains on edges, otherwise good condition).

78 - LOIRE-ATLANTIQUE (44) - [CLISSON]. 19th century. Original Sketch (probably by Félix Benoist) in graphite on wove paper. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23.5 x 32.5 cm. Condition A (rare stains on edges, otherwise good condition).

Estimate
100 € - 200 €
LOIRE-ATLANTIQUE (44) - [CLISSON]. 19th century. Original Sketch (probably by Félix Benoist) in graphite on wove paper. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23.4 x 30.7 cm. Condition A (well preserved).

79 - LOIRE-ATLANTIQUE (44) - [CLISSON]. 19th century. Original Sketch (probably by Félix Benoist) in graphite on wove paper. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23.4 x 30.7 cm. Condition A (well preserved).

Estimate
100 € - 200 €
LOIRE-ATLANTIQUE (44) - ST JULIEN-DE-VOUVANTES - "Church of St Julien de VOUVANTES". 19th century. Original Sketch by Félix Benoist in graphite on China paper. Situated "Eglise de St Julien de Vouvantes" lower left in pencil. Annotated "Effet de neige si l'on veut - Voiture de roulage ou Diligence monter la côte Consulter le costume de Chateaubriant, quelques groupes de fig. par Bayot" in gray pencil under the drawing. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-185

80 - LOIRE-ATLANTIQUE (44) - ST JULIEN-DE-VOUVANTES - "Church of St Julien de VOUVANTES". 19th century. Original Sketch by Félix Benoist in graphite on China paper. Situated "Eglise de St Julien de Vouvantes" lower left in pencil. Annotated "Effet de neige si l'on veut - Voiture de roulage ou Diligence monter la côte Consulter le costume de Chateaubriant, quelques groupes de fig. par Bayot" in gray pencil under the drawing. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-185

Estimate
300 € - 400 €
LOIRE-ATLANTIQUE (44) - NANTES- "Ancienne Eglise Saint-Nicolas (démolie en 1849)". 19th century. Original Sketch by Félix Benoist (1818-1896) in graphite on China paper. PREPARATORY DRAWING for the lithograph entitled "Ancienne Eglise Saint-Nicolas (démolie en 1849)", for the album "NANTES ET LA LOIRE-INFERIEURE" published in 1850 by Charpentier. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based

81 - LOIRE-ATLANTIQUE (44) - NANTES- "Ancienne Eglise Saint-Nicolas (démolie en 1849)". 19th century. Original Sketch by Félix Benoist (1818-1896) in graphite on China paper. PREPARATORY DRAWING for the lithograph entitled "Ancienne Eglise Saint-Nicolas (démolie en 1849)", for the album "NANTES ET LA LOIRE-INFERIEURE" published in 1850 by Charpentier. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based

Estimate
300 € - 400 €
LOIRE-ATLANTIQUE (44) - "MANOIR DE CHASSAY à SAINTE-LUCE-SUR-LOIRE". 19th century. Original Sketch by Félix Benoist (1818-1896) in graphite on China paper. PREPARATORY DRAWING for the lithograph entitled "Manoir de Chassay (ancienne maison de plaisance des évêques de Nantes)", for the album "NANTES ET LA LOIRE-INFERIEURE" published in 1850 by Charpentier. Located "Manoir de Chassay à Ste Luce" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854

82 - LOIRE-ATLANTIQUE (44) - "MANOIR DE CHASSAY à SAINTE-LUCE-SUR-LOIRE". 19th century. Original Sketch by Félix Benoist (1818-1896) in graphite on China paper. PREPARATORY DRAWING for the lithograph entitled "Manoir de Chassay (ancienne maison de plaisance des évêques de Nantes)", for the album "NANTES ET LA LOIRE-INFERIEURE" published in 1850 by Charpentier. Located "Manoir de Chassay à Ste Luce" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854

Result
360 €
LOIRE-ATLANTIQUE (44) - [PORNIC]. 19th century. Original Sketch (probably by Félix Benoist) in graphite on wove paper. Situates "Pornic" in pencil on verso. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 18.5 x 28.7 cm. Condition A (well preserved).

83 - LOIRE-ATLANTIQUE (44) - [PORNIC]. 19th century. Original Sketch (probably by Félix Benoist) in graphite on wove paper. Situates "Pornic" in pencil on verso. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 18.5 x 28.7 cm. Condition A (well preserved).

Estimate
150 € - 200 €
LOIRE-ATLANTIQUE (44) - "La Tour d'OUDON". 1836. Original Sketch by Félix Benoist (1818-1896) in graphite on wove paper. Situates "La Tour d'Oudon" at upper right in pencil. Signed with the initials "F.B" and dated in pencil lower left. PREPARATORY DRAWING close to the lithograph entitled "Oudon" in the Album "Nantes et la Loire Inférieure", published by Charpentier. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers a

84 - LOIRE-ATLANTIQUE (44) - "La Tour d'OUDON". 1836. Original Sketch by Félix Benoist (1818-1896) in graphite on wove paper. Situates "La Tour d'Oudon" at upper right in pencil. Signed with the initials "F.B" and dated in pencil lower left. PREPARATORY DRAWING close to the lithograph entitled "Oudon" in the Album "Nantes et la Loire Inférieure", published by Charpentier. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers a

Result
420 €
LOIRE-ATLANTIQUE (44) - "Entrance to the Château de la MOTTE-GLAIN". 19th century. Original Sketch (probably by Félix Benoist) in graphite on wove paper. Situates "Entrée du Ch.t de la Motte Glain (Loire Inf.)" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 15.8 x 20.2 cm. Condition A (back slightly dusted, good condition).

85 - LOIRE-ATLANTIQUE (44) - "Entrance to the Château de la MOTTE-GLAIN". 19th century. Original Sketch (probably by Félix Benoist) in graphite on wove paper. Situates "Entrée du Ch.t de la Motte Glain (Loire Inf.)" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 15.8 x 20.2 cm. Condition A (back slightly dusted, good condition).

Estimate
150 € - 200 €
LOIRE-ATLANTIQUE (44) - "La HALLE DE NANTES (Costumes of the city and surroundings)". 19th century. Original Sketch by Félix Benoist (1818-1896) in graphite on wove paper. PREPARATORY DRAWING for the lithographic title page of the album "NANTES ET LA LOIRE-INFERIEURE" published in 1850 by Charpentier. Annotated "ET LA LOIRE INFERIEURE" in pencil in the sky. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishe

86 - LOIRE-ATLANTIQUE (44) - "La HALLE DE NANTES (Costumes of the city and surroundings)". 19th century. Original Sketch by Félix Benoist (1818-1896) in graphite on wove paper. PREPARATORY DRAWING for the lithographic title page of the album "NANTES ET LA LOIRE-INFERIEURE" published in 1850 by Charpentier. Annotated "ET LA LOIRE INFERIEURE" in pencil in the sky. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishe

Estimate
400 € - 500 €
LOIRE-ATLANTIQUE (44) - LE CROISIC - "Le Port du CROISIC, Seen from the Entrance". 1787. Etching and burin by Y. Le Gouac (1742-1816), after a drawing by BONNARD du Hanlay. Proof on laid paper. Copper margins. 23.5 x 31.5 cm. Condition A/B (cut at the copperplate mark, traces of handling and rare light foxing in the margins, subject in good condition).

87 - LOIRE-ATLANTIQUE (44) - LE CROISIC - "Le Port du CROISIC, Seen from the Entrance". 1787. Etching and burin by Y. Le Gouac (1742-1816), after a drawing by BONNARD du Hanlay. Proof on laid paper. Copper margins. 23.5 x 31.5 cm. Condition A/B (cut at the copperplate mark, traces of handling and rare light foxing in the margins, subject in good condition).

Result
105 €
MANCHE (50) - "Cascade de MORTAIN (Le Saut du Puits.)". 19th century. Original Sketch by Félix Benoist (1818-1896) in graphite on wove paper. Signed by the artist lower right. PREPARATORY DRAWING for the lithograph entitled "Cascade de MORTAIN, Le Saut du Puits", from the album "La NORMANDIE ILLUSTREE", published in 1852 by Charpentier. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, th

88 - MANCHE (50) - "Cascade de MORTAIN (Le Saut du Puits.)". 19th century. Original Sketch by Félix Benoist (1818-1896) in graphite on wove paper. Signed by the artist lower right. PREPARATORY DRAWING for the lithograph entitled "Cascade de MORTAIN, Le Saut du Puits", from the album "La NORMANDIE ILLUSTREE", published in 1852 by Charpentier. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, th

Result
510 €
MANCHE (50) - "SAINT LÔ, view from the Calvaire de la Falaise". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on chine paper. Situated "St Lô vue prise du Calvaire de la Falaise" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 31.5 x 45 cm. Condition A/B (creases and short tears on the edges of the

89 - MANCHE (50) - "SAINT LÔ, view from the Calvaire de la Falaise". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on chine paper. Situated "St Lô vue prise du Calvaire de la Falaise" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 31.5 x 45 cm. Condition A/B (creases and short tears on the edges of the

Result
300 €
MANCHE (50) - "Interior of the ABBAYE BLANCHE de MORTAIN". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on chine paper. Located "Intérieur de l'Eglise de l'Abbaye blanche près de Mortain" in pencil, lower left. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 34.2 x 25 cm. Condition A (rare small stains and foxing on the

90 - MANCHE (50) - "Interior of the ABBAYE BLANCHE de MORTAIN". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on chine paper. Located "Intérieur de l'Eglise de l'Abbaye blanche près de Mortain" in pencil, lower left. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 34.2 x 25 cm. Condition A (rare small stains and foxing on the

Result
150 €
MORBIHAN (56) - "AURAY". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on wove paper. Situated "Auray" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23.7 x 32 cm. Condition B (a tear at the top of the leaf not reaching the subject, otherwise good overall condition).

91 - MORBIHAN (56) - "AURAY". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on wove paper. Situated "Auray" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23.7 x 32 cm. Condition B (a tear at the top of the leaf not reaching the subject, otherwise good overall condition).

Estimate
150 € - 200 €
MORBIHAN (56) - "SAINT AVE near VANNES". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on grey wove paper. Situated "St Avé près de Vannes" lower right in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes (from 1854). 22.3 x 30.5 cm. Condition A (small pinhole on upper edge, well preserved).

92 - MORBIHAN (56) - "SAINT AVE near VANNES". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on grey wove paper. Situated "St Avé près de Vannes" lower right in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes (from 1854). 22.3 x 30.5 cm. Condition A (small pinhole on upper edge, well preserved).

Estimate
250 € - 300 €
MORBIHAN (56) - "MER SAUVAGE à BELLE-ILE-EN-MER". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on cream wove paper. Situated "Mer Sauvage / à Belle Ile" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes (from 1854). 23.5 x 31.5 cm. Condition A (small pinhole on upper edge, well preserved).

93 - MORBIHAN (56) - "MER SAUVAGE à BELLE-ILE-EN-MER". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on cream wove paper. Situated "Mer Sauvage / à Belle Ile" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes (from 1854). 23.5 x 31.5 cm. Condition A (small pinhole on upper edge, well preserved).

Estimate
250 € - 300 €
MORBIHAN (56) - "LORIENT". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on wove paper. Located "Lorient" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23.5 x 31.2 cm. Condition A (small crease to upper left corner, well preserved).

94 - MORBIHAN (56) - "LORIENT". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on wove paper. Located "Lorient" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23.5 x 31.2 cm. Condition A (small crease to upper left corner, well preserved).

Estimate
150 € - 200 €
MORBIHAN (56) - "Près d'ETEL". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on wove paper. Situated "Près d'Etel" lower right in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 24 x 34 cm. Condition A (well preserved).

95 - MORBIHAN (56) - "Près d'ETEL". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on wove paper. Situated "Près d'Etel" lower right in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 24 x 34 cm. Condition A (well preserved).

Estimate
200 € - 300 €
MORBIHAN (56) - "LE CHÂTEAU DU LAC à LA TRINITE-SUR-MER, près de CARNAC". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on cream wove paper. Situated "Ch. du lac près Carnac" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23.5 x 31.5 cm. Condition A (well preserved).

96 - MORBIHAN (56) - "LE CHÂTEAU DU LAC à LA TRINITE-SUR-MER, près de CARNAC". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on cream wove paper. Situated "Ch. du lac près Carnac" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23.5 x 31.5 cm. Condition A (well preserved).

Estimate
250 € - 300 €
MORBIHAN (56) - "Le CHÂTEAU de KERAVEON à ERDEVEN, près d'Etel". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on grayish wove paper. Situated "du côté d'Etel" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 25 x 32.7 cm. Condition A (well preserved).

97 - MORBIHAN (56) - "Le CHÂTEAU de KERAVEON à ERDEVEN, près d'Etel". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on grayish wove paper. Situated "du côté d'Etel" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 25 x 32.7 cm. Condition A (well preserved).

Estimate
200 € - 300 €
MORBIHAN (56) - CARNAC - "Menhirs de Carnac / Les alignements de Carnac". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on wove paper. Situated "Un des groupes des monuments de Carnac (Morbihan) / Près du Village de MENEC" lower right in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes (from 1854). 25.5 x 42.7 cm. Condition A (wel

98 - MORBIHAN (56) - CARNAC - "Menhirs de Carnac / Les alignements de Carnac". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on wove paper. Situated "Un des groupes des monuments de Carnac (Morbihan) / Près du Village de MENEC" lower right in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes (from 1854). 25.5 x 42.7 cm. Condition A (wel

Result
1 150 €
MORBIHAN (56) - "TOUR D'ELVEN". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on wove paper. Situated "Tours d'Elven Morbihan" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes (from 1854). 32 x 23.8 cm. Condition A (slight marks of handling on the edges of the sheet, otherwise good condition).

99 - MORBIHAN (56) - "TOUR D'ELVEN". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on wove paper. Situated "Tours d'Elven Morbihan" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes (from 1854). 32 x 23.8 cm. Condition A (slight marks of handling on the edges of the sheet, otherwise good condition).

Estimate
150 € - 200 €
MORBIHAN (56) - "DOLMEN de LOCMARIAKER (Bretagne)". 1863. Original etching engraved by Léon GAUCHEREL (1816 - 1886). Fine proof with the letter, on watermarked laid paper. Ref: Beraldi, no. 14. I.F.F Après 1800, n°69. Printed by Delâtre, rue St Jacques, Paris. Published by Cadart and F. Chevalier (publisher's dry stamp in lower margin). Good margins. 36 x 54 cm. Condition A (good general condition).

100 - MORBIHAN (56) - "DOLMEN de LOCMARIAKER (Bretagne)". 1863. Original etching engraved by Léon GAUCHEREL (1816 - 1886). Fine proof with the letter, on watermarked laid paper. Ref: Beraldi, no. 14. I.F.F Après 1800, n°69. Printed by Delâtre, rue St Jacques, Paris. Published by Cadart and F. Chevalier (publisher's dry stamp in lower margin). Good margins. 36 x 54 cm. Condition A (good general condition).

Estimate
80 € - 100 €
NORD (59) - DOUAI - "Fête communale de Douai, dedicated to the Children of Gayant". 1827. Lithographed by E. Wallet. Proof on Chine appliqué paper, printed by Engelmann in Paris. Good margins. 55 x 74 cm. Condition B (a few tears and folds in the margins with slightly sunned edges, subject in good condition).

101 - NORD (59) - DOUAI - "Fête communale de Douai, dedicated to the Children of Gayant". 1827. Lithographed by E. Wallet. Proof on Chine appliqué paper, printed by Engelmann in Paris. Good margins. 55 x 74 cm. Condition B (a few tears and folds in the margins with slightly sunned edges, subject in good condition).

Estimate
100 € - 200 €
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