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Furniture and Works of Art

Furniture and Works of Art

Wednesday, 11 December 2024 at 13:30

Salle 13 - Hôtel Drouot, 9, rue Drouot, 75009 Paris

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Lots 1 to 50 of 349

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LOT OF ANCIENT ARCHITECTURAL DRAWINGS - APPROXIMATELY 25 drawings in various formats.

1 - LOT OF ANCIENT ARCHITECTURAL DRAWINGS - APPROXIMATELY 25 drawings in various formats.

100 € - 200 €

MARINE - "FRANCE" (PAQUEBOT with 4 propellers driven by turbines...). 1912. Lithograph in color, after Edouard ADAM (1847-1929). Signed and dated in the plate. Printed by Crété, Paris. Caption in French and English in lower margin. Margins. 49.5 x 77 cm. Condition B (formerly doubled, rare short marginal tears, small hint of epidermure in the sky and a few creases).

2 - MARINE - "FRANCE" (PAQUEBOT with 4 propellers driven by turbines...). 1912. Lithograph in color, after Edouard ADAM (1847-1929). Signed and dated in the plate. Printed by Crété, Paris. Caption in French and English in lower margin. Margins. 49.5 x 77 cm. Condition B (formerly doubled, rare short marginal tears, small hint of epidermure in the sky and a few creases).

300 € - 400 €

MARINE - Georges FOUILLE (1909-1994) - "AMERICA'S CUP" (Sailing). Suite of 4 color lithographs. Signed in the plate. Fine proofs on wove paper. Suite published by Laboratoire de Médecine Expérimentale, Beauvais. Full margins for each. 55.5 x 38 cm each plate. Condition A (a few handling creases and rare marginal foxing for plates 3 and 4, stains and paper blotches on verso for plate 4, overall good condition). Set of 4 plates.

3 - MARINE - Georges FOUILLE (1909-1994) - "AMERICA'S CUP" (Sailing). Suite of 4 color lithographs. Signed in the plate. Fine proofs on wove paper. Suite published by Laboratoire de Médecine Expérimentale, Beauvais. Full margins for each. 55.5 x 38 cm each plate. Condition A (a few handling creases and rare marginal foxing for plates 3 and 4, stains and paper blotches on verso for plate 4, overall good condition). Set of 4 plates.

800 € - 1 000 €

CIRQUE - Advertising poster for the LUMINOUS FOUNTAINS by CIRQUE ANCILLOTTI PLEGE. c.1917. Color lithograph. Fine wove paper. Published by Gaillard (Paris-Amiens). 29.8 x 49.2 cm. Condition A (well preserved).

4 - CIRQUE - Advertising poster for the LUMINOUS FOUNTAINS by CIRQUE ANCILLOTTI PLEGE. c.1917. Color lithograph. Fine wove paper. Published by Gaillard (Paris-Amiens). 29.8 x 49.2 cm. Condition A (well preserved).

200 € - 300 €

CIRQUE - "Le Cirque des cirques" (PARIS). c.1937. Advertising poster for Cirque PINDER featuring the FUNAMBULE ROVER on its flaming cable [...] Expo 37 crossing the Seine( at 40 m height). Color lithograph after Maurice HARFORD (1895-1973). Fine wove paper. 29.5 x 39 cm. Condition A (well preserved).

5 - CIRQUE - "Le Cirque des cirques" (PARIS). c.1937. Advertising poster for Cirque PINDER featuring the FUNAMBULE ROVER on its flaming cable [...] Expo 37 crossing the Seine( at 40 m height). Color lithograph after Maurice HARFORD (1895-1973). Fine wove paper. 29.5 x 39 cm. Condition A (well preserved).

200 € - 300 €

CIRQUE - "Le Cirque des cirques" (EQUILIBRISTES). Advertising poster illustrated by Maurice HARFORD (1895-1973), for Cirque PINDER presenting the balancing act, jumping act and CONTORSIONNISTE "Les NAVANA". Color lithograph. Fine wove paper. 39 x 29.5 cm. Condition A (well preserved).

6 - CIRQUE - "Le Cirque des cirques" (EQUILIBRISTES). Advertising poster illustrated by Maurice HARFORD (1895-1973), for Cirque PINDER presenting the balancing act, jumping act and CONTORSIONNISTE "Les NAVANA". Color lithograph. Fine wove paper. 39 x 29.5 cm. Condition A (well preserved).

200 € - 300 €

OPTICS BOX - MAGIC LANTERN - "La curiosidad de los chinos - Curiositas Sinensis - Chinese curiosity". 18th century. RARE etching and burin by an anonymous artist. Proof on laid paper. Margins. 42 x 55 cm. Condition B (a few consolidated tears in the margins sometimes reaching a little into the subject, lightly dusted, a few handling creases and rare stains).

7 - OPTICS BOX - MAGIC LANTERN - "La curiosidad de los chinos - Curiositas Sinensis - Chinese curiosity". 18th century. RARE etching and burin by an anonymous artist. Proof on laid paper. Margins. 42 x 55 cm. Condition B (a few consolidated tears in the margins sometimes reaching a little into the subject, lightly dusted, a few handling creases and rare stains).

500 € - 800 €

Pierre Claude de la GARDETTE or DELAGARDETTE (1743-c.1782) - "BIBLIOTHEQUE de SAINTE GENEVIEVE". 1773. RARE original etching and burin engraving. Ref: Le Blanc, not described. Proof with letter, on watermarked laid paper (eagle). A Paris, chez l'Auteur, rue et porte St Jacques la porte cochère. Margins. 40 x 48.8 cm. Condition A/B (a few consolidated tears in upper margin, slightly dusty margins and stain on verso).

8 - Pierre Claude de la GARDETTE or DELAGARDETTE (1743-c.1782) - "BIBLIOTHEQUE de SAINTE GENEVIEVE". 1773. RARE original etching and burin engraving. Ref: Le Blanc, not described. Proof with letter, on watermarked laid paper (eagle). A Paris, chez l'Auteur, rue et porte St Jacques la porte cochère. Margins. 40 x 48.8 cm. Condition A/B (a few consolidated tears in upper margin, slightly dusty margins and stain on verso).

300 € - 400 €

AMERICA - UNITED STATES - "William Penn's treaty with the Indian's when he founded the Province of PENNSYLVANIA in North AMERICA, 1681". 1775. Etching and burin engraving by John HALL (1739-1797), after Benjamin West (American, 1738-1820). Proof with the letter, published by John Boydell in London. Fine margins. 49 x 62.3 cm. B condition (a few short marginal tears, lightly dusted, small paper indentation, rare small scuffs and scratches, formerly cloth-covered). Print depicting a legendary enc

9 - AMERICA - UNITED STATES - "William Penn's treaty with the Indian's when he founded the Province of PENNSYLVANIA in North AMERICA, 1681". 1775. Etching and burin engraving by John HALL (1739-1797), after Benjamin West (American, 1738-1820). Proof with the letter, published by John Boydell in London. Fine margins. 49 x 62.3 cm. B condition (a few short marginal tears, lightly dusted, small paper indentation, rare small scuffs and scratches, formerly cloth-covered). Print depicting a legendary enc

300 € - 400 €

ITALY (18th) - SIENA - "Veduta della Piazza di SIENA illuminata pel solenne ingreso della Sere. Violante di Baviera G. Principessa di Toscana seguito la sera del 12 Apte 1717". 1718. Etching and burin by an anonymous artist. Proof on laid paper. Small margins. Legend lower right and details at foot of composition. View of the square of Siena illuminated for the solemn entry of the Serenissima Violante de Bavière G. Princess of Tuscany on the evening of April 12, 1717. 47.3 x 65.3 cm. Condition

10 - ITALY (18th) - SIENA - "Veduta della Piazza di SIENA illuminata pel solenne ingreso della Sere. Violante di Baviera G. Principessa di Toscana seguito la sera del 12 Apte 1717". 1718. Etching and burin by an anonymous artist. Proof on laid paper. Small margins. Legend lower right and details at foot of composition. View of the square of Siena illuminated for the solemn entry of the Serenissima Violante de Bavière G. Princess of Tuscany on the evening of April 12, 1717. 47.3 x 65.3 cm. Condition

1 200 € - 1 500 €

COCK Hieronymus (published by) (c.1510 † 1570) - "Adam and Eve (The Fall of Man)". Burin engraved by an anonymous 16th-century artist, after Cornelis CORT (1533-1578) & Giulio BONASONE (c.1498 † c.1570). Proof on laid paper, with Hieronymus Cock's address. 18.7 x 24.5 cm. Condition B (cut to subject and thinly lined, missing upper left corner, tiny wormhole above monkey's head, slight trace of centered vertical printing crease, small handwritten annotations in pencil in sky, trace of old

11 - COCK Hieronymus (published by) (c.1510 † 1570) - "Adam and Eve (The Fall of Man)". Burin engraved by an anonymous 16th-century artist, after Cornelis CORT (1533-1578) & Giulio BONASONE (c.1498 † c.1570). Proof on laid paper, with Hieronymus Cock's address. 18.7 x 24.5 cm. Condition B (cut to subject and thinly lined, missing upper left corner, tiny wormhole above monkey's head, slight trace of centered vertical printing crease, small handwritten annotations in pencil in sky, trace of old

800 € - 1 000 €

DÜRER Albrecht (1471 - 1528) - "The Prodigal Son among the pigs". c.1496. Original burin. Signed with the artist's monogram. Ref: Bartsch, no. 28. Strauss, no. 11 (d/h?). Proof on laid paper, with old ink retouching on the lower part of the subject, notably the tub, the pigs and some outlines of the figure's drapery. 24.3 x 18.9 cm. Condition B (cut to the subject, traces of old mounting and small hint of skinning on verso, small, light brown spot near the figure's left foot).

12 - DÜRER Albrecht (1471 - 1528) - "The Prodigal Son among the pigs". c.1496. Original burin. Signed with the artist's monogram. Ref: Bartsch, no. 28. Strauss, no. 11 (d/h?). Proof on laid paper, with old ink retouching on the lower part of the subject, notably the tub, the pigs and some outlines of the figure's drapery. 24.3 x 18.9 cm. Condition B (cut to the subject, traces of old mounting and small hint of skinning on verso, small, light brown spot near the figure's left foot).

6 000 € - 8 000 €

DÜRER Albrecht (after) (1471 - 1528) - "The Horsemen of the Apocalypse". Copy engraved by an anonymous artist. Proof on wove paper. Margins. 46.5 x 35.5 cm. Condition B (a few marginal stains and on verso, slightly soiled and dusty).

13 - DÜRER Albrecht (after) (1471 - 1528) - "The Horsemen of the Apocalypse". Copy engraved by an anonymous artist. Proof on wove paper. Margins. 46.5 x 35.5 cm. Condition B (a few marginal stains and on verso, slightly soiled and dusty).

300 € - 400 €

REMBRANDT H. van Rijn (1606 - 1669) - "Christ before Pilate, large plate". 1636. Original etching. Ref: Bartsch, n°77. New Hollstein, n°155 (IV or V of V). Beautiful impression. 53.7 x 44.7 cm for the subject. 58 x 49.2 cm overall. Condition B/C (cut to the subject and formerly laminated to the back of an 18th-century map of the Dept. of Gard, a few tears formerly restored and a few small epidermoles, a few small accidents...). In this composition, Rembrandt added a self-portrait top center be

14 - REMBRANDT H. van Rijn (1606 - 1669) - "Christ before Pilate, large plate". 1636. Original etching. Ref: Bartsch, n°77. New Hollstein, n°155 (IV or V of V). Beautiful impression. 53.7 x 44.7 cm for the subject. 58 x 49.2 cm overall. Condition B/C (cut to the subject and formerly laminated to the back of an 18th-century map of the Dept. of Gard, a few tears formerly restored and a few small epidermoles, a few small accidents...). In this composition, Rembrandt added a self-portrait top center be

6 000 € - 8 000 €

SADELER Aegidius II (1570 c.-1629) - "The rich man in hell, tormented by demons". 1595. Burin after Jacopo PALMA (1548-1628). Ref: Hollstein, no. 42. LeBlanc, no. 11. Proof of the 2nd state, with the address of Marco Sadeler.32 x 41,2 cm the engraving. 40 x 49 cm the whole. Condition B (cut to the subject on three sides and to the copperplate at the foot, print formerly mounted on strong paper with framing fillets).

15 - SADELER Aegidius II (1570 c.-1629) - "The rich man in hell, tormented by demons". 1595. Burin after Jacopo PALMA (1548-1628). Ref: Hollstein, no. 42. LeBlanc, no. 11. Proof of the 2nd state, with the address of Marco Sadeler.32 x 41,2 cm the engraving. 40 x 49 cm the whole. Condition B (cut to the subject on three sides and to the copperplate at the foot, print formerly mounted on strong paper with framing fillets).

300 € - 400 €

CALLOT Jacques (1592 - 1635) - "The Triumph of the Virgin" also called "The Little Thesis". 1625. Original etching. Lieure, n°562 (iii/iii). Proof of the 3rd state of 3, with Israël Silvestre's excudit, on laid paper. Small margins. 56 x 36.5 cm on copper. 57.3 x 38.5 cm per sheet. Condition B/C (cut at copperplate mark at top, trace of old median horizontal fold, margin loss at upper right corner reaching slightly to subject, consolidated tear at lower right corner in tablet, left margin loss

16 - CALLOT Jacques (1592 - 1635) - "The Triumph of the Virgin" also called "The Little Thesis". 1625. Original etching. Lieure, n°562 (iii/iii). Proof of the 3rd state of 3, with Israël Silvestre's excudit, on laid paper. Small margins. 56 x 36.5 cm on copper. 57.3 x 38.5 cm per sheet. Condition B/C (cut at copperplate mark at top, trace of old median horizontal fold, margin loss at upper right corner reaching slightly to subject, consolidated tear at lower right corner in tablet, left margin loss

300 € - 400 €

CALLOT Jacques (1592 - 1635) - "La carrière de Nancy", also called "Rue neuve de Nancy". 1627. Original etching. Ref: Lieure, n°589 (i/ii). Proof of the 1st state of 2, before Israël Silvestre's excudit). 17 x 51.2 cm for the etching. 23.5 x 55.5 cm overall. Condition B (cut at the copperplate mark and formerly laminated on strong paper, a brown spot in the sky at top right, left and right edges slightly sunned, rare light foxing and printing folds in the sky at top left, verso slightly dusty

17 - CALLOT Jacques (1592 - 1635) - "La carrière de Nancy", also called "Rue neuve de Nancy". 1627. Original etching. Ref: Lieure, n°589 (i/ii). Proof of the 1st state of 2, before Israël Silvestre's excudit). 17 x 51.2 cm for the etching. 23.5 x 55.5 cm overall. Condition B (cut at the copperplate mark and formerly laminated on strong paper, a brown spot in the sky at top right, left and right edges slightly sunned, rare light foxing and printing folds in the sky at top left, verso slightly dusty

600 € - 800 €

CALLOT Jacques (1592 - 1635) - "La Foire de l'Impruneta" (2nd plate). Original etching. Ref: Lieure, n°478 (ii/ii). Proof of the 2nd state of 2, with Israël Silvestre's excudit, on watermarked laid paper (Lorraine cross in a rosary & Letters countermark). Coated on verso with the handwritten collector's mark of NAUDET (active 1763-circa 1830), print dealer in Paris (Lugt 1937). Margins. 42.3 x 66.8 cm for the copperplate. 45 x 69 cm per sheet. Condition B (trace of a median vertical fold,

18 - CALLOT Jacques (1592 - 1635) - "La Foire de l'Impruneta" (2nd plate). Original etching. Ref: Lieure, n°478 (ii/ii). Proof of the 2nd state of 2, with Israël Silvestre's excudit, on watermarked laid paper (Lorraine cross in a rosary & Letters countermark). Coated on verso with the handwritten collector's mark of NAUDET (active 1763-circa 1830), print dealer in Paris (Lugt 1937). Margins. 42.3 x 66.8 cm for the copperplate. 45 x 69 cm per sheet. Condition B (trace of a median vertical fold,

2 500 € - 3 000 €

CALLOT Jacques (1592 - 1635) - "L'Office de l'Eglise en latin & en français, avec une instruction pour les Fidèles, dédié au Roy", nouvelle édition, à Paris chez Pierre Le Petit, Imp. & Lib, ord. Du Roy, rue St Jacques à la croix d'or, 1686. Bound in chagrin morocco. Comprising works by Jacques Callot (approx. 30 pieces) including "Les hommages du petit St Jean" (Lieure 672, 2nd state/3 (R)); "La Vie de la Vierge" (Lieure 1357 to 1370, 2nd state of 2 for the frontispiece & 2nd

18-2 - CALLOT Jacques (1592 - 1635) - "L'Office de l'Eglise en latin & en français, avec une instruction pour les Fidèles, dédié au Roy", nouvelle édition, à Paris chez Pierre Le Petit, Imp. & Lib, ord. Du Roy, rue St Jacques à la croix d'or, 1686. Bound in chagrin morocco. Comprising works by Jacques Callot (approx. 30 pieces) including "Les hommages du petit St Jean" (Lieure 672, 2nd state/3 (R)); "La Vie de la Vierge" (Lieure 1357 to 1370, 2nd state of 2 for the frontispiece & 2nd

300 € - 400 €

MELLAN Claude (1601 - 1688) - "The Holy Face". 1649. Original burin. Ref: I.F.F XVIIème, n°21. Signed and dated in the plate. Proof on laid paper. Margins. Subject considered to be Mellan's masterpiece: burin engraving made with a single spiral cut. 42.5 x 32 cm in copper. 49.4 x 34.5 cm per sheet. Condition A (a few restored marginal tears, one of which reaches the subject).

19 - MELLAN Claude (1601 - 1688) - "The Holy Face". 1649. Original burin. Ref: I.F.F XVIIème, n°21. Signed and dated in the plate. Proof on laid paper. Margins. Subject considered to be Mellan's masterpiece: burin engraving made with a single spiral cut. 42.5 x 32 cm in copper. 49.4 x 34.5 cm per sheet. Condition A (a few restored marginal tears, one of which reaches the subject).

3 000 € - 4 000 €

MELLAN Claude (1601 - 1688) - "Saint Joseph". Original burin. Ref: Préaud, no. 88. Proof on watermarked laid paper (number 4 in a house?). Good margins. Good condition. 49 x 36 cm. Condition A (rare and slight traces of handling folds, small trace of wetness in upper right margin, otherwise good condition).

20 - MELLAN Claude (1601 - 1688) - "Saint Joseph". Original burin. Ref: Préaud, no. 88. Proof on watermarked laid paper (number 4 in a house?). Good margins. Good condition. 49 x 36 cm. Condition A (rare and slight traces of handling folds, small trace of wetness in upper right margin, otherwise good condition).

300 € - 400 €

Pierre MILAN (French artist active between 1542 and 1557. Ecole de Fontainebleau) - "Dance of the Dryads". Burin after Rosso Fiorentino (Florence 1495 † Paris 1540), formerly attributed to René Boyvin (Angers c.1525 † Rome 1598. Ecole de Fontainebleau). Ref: Zerner, no. 1. Robert-Dumesnil (Boyvin), no. 74. Proof of the 2nd state of 2, with Hondius address, on watermarked laid paper (Nivelle shield?). The traditional attribution to Boyvin, following a mention by Vasari in his "Le Vite de pi�

21 - Pierre MILAN (French artist active between 1542 and 1557. Ecole de Fontainebleau) - "Dance of the Dryads". Burin after Rosso Fiorentino (Florence 1495 † Paris 1540), formerly attributed to René Boyvin (Angers c.1525 † Rome 1598. Ecole de Fontainebleau). Ref: Zerner, no. 1. Robert-Dumesnil (Boyvin), no. 74. Proof of the 2nd state of 2, with Hondius address, on watermarked laid paper (Nivelle shield?). The traditional attribution to Boyvin, following a mention by Vasari in his "Le Vite de pi�

4 000 € - 5 000 €

Jean MIGNON (Ecole de Fontainebleau, 16th) (after) - "Women in the Bath". Reverse copy engraved with a burin by an anonymous 16th century artist. Proof with the address of Nicolò Valesio (active in Venice, ca. 1561-1576). 35 x 45.9 cm. Condition B (cut on the subject and formerly laminated, rare tears formerly restored, a few small stains, a hole at top right (on the column), a few traces of rubbing and handling...).

22 - Jean MIGNON (Ecole de Fontainebleau, 16th) (after) - "Women in the Bath". Reverse copy engraved with a burin by an anonymous 16th century artist. Proof with the address of Nicolò Valesio (active in Venice, ca. 1561-1576). 35 x 45.9 cm. Condition B (cut on the subject and formerly laminated, rare tears formerly restored, a few small stains, a hole at top right (on the column), a few traces of rubbing and handling...).

3 000 € - 4 000 €

TIEPOLO Giovanni Battista (after) (1696 - 1770) - "Sainte Thécla priant pour les pestiférés". 1759. Etching engraved by Lorenzo Tiepolo (1736 - 1776). Ref: Rizzi, n°224 (ii/ii). Proof of the final state, with the artists' names and number 33, on watermarked laid paper (large crowned escutcheon and countermark "crowned letter W"). 70 x 41 cm. Condition B (copper-cut at the foot, small margins to the other sides, a tear of approx. 6cm at the top in the sky formerly restored, two others in the

23 - TIEPOLO Giovanni Battista (after) (1696 - 1770) - "Sainte Thécla priant pour les pestiférés". 1759. Etching engraved by Lorenzo Tiepolo (1736 - 1776). Ref: Rizzi, n°224 (ii/ii). Proof of the final state, with the artists' names and number 33, on watermarked laid paper (large crowned escutcheon and countermark "crowned letter W"). 70 x 41 cm. Condition B (copper-cut at the foot, small margins to the other sides, a tear of approx. 6cm at the top in the sky formerly restored, two others in the

2 200 € - 3 000 €

TIEPOLO Giovanni Domenico (1727 - 1804) - "The Apparition of the Virgin to Saint Simon". c.1753. Etching and burin after his father Giovanni Battista TIEPOLO (1696-1770). Ref: Rizzi, n°98 (i/ii). Proof of the 1st state of 2, before the number 40 top left, on laid paper (watermark difficult to read). Small margins. 61.8 x 40.6 cm. Condition B (a few scattered freckles, a few tears on the edges sometimes reaching slightly to the subject, trace of an old median horizontal fold and a few stains on

24 - TIEPOLO Giovanni Domenico (1727 - 1804) - "The Apparition of the Virgin to Saint Simon". c.1753. Etching and burin after his father Giovanni Battista TIEPOLO (1696-1770). Ref: Rizzi, n°98 (i/ii). Proof of the 1st state of 2, before the number 40 top left, on laid paper (watermark difficult to read). Small margins. 61.8 x 40.6 cm. Condition B (a few scattered freckles, a few tears on the edges sometimes reaching slightly to the subject, trace of an old median horizontal fold and a few stains on

3 000 € - 4 000 €

CASCELLA Basilio (1860 - 1950) - (La MEDUSE QUI HURLE) - "Divina Commedia di DANTE ALIGHIERI, interpreta da Basilio CASCELLA e Vincenzo BUCCI, MCMIV". (Front cover of the "Divine Comedy"). 1904. Enhanced color lithograph on blue-gray wove paper. Margins. Anna Maria Damigella reports that the project to illustrate the "Divine Comedy" began in 1900. Even if the project was not completed, the plates created give an idea of the spirit that animated them in this ambitious reinterpretation of the text

25 - CASCELLA Basilio (1860 - 1950) - (La MEDUSE QUI HURLE) - "Divina Commedia di DANTE ALIGHIERI, interpreta da Basilio CASCELLA e Vincenzo BUCCI, MCMIV". (Front cover of the "Divine Comedy"). 1904. Enhanced color lithograph on blue-gray wove paper. Margins. Anna Maria Damigella reports that the project to illustrate the "Divine Comedy" began in 1900. Even if the project was not completed, the plates created give an idea of the spirit that animated them in this ambitious reinterpretation of the text

500 € - 600 €

CHADEL Jules (1870 - 1942) - [Breton Village] (BRETAGNE). Original Sketch and watercolor, on Japanese paper. Signed by the artist. 23.5 x 30 cm. Condition A (well preserved).

26 - CHADEL Jules (1870 - 1942) - [Breton Village] (BRETAGNE). Original Sketch and watercolor, on Japanese paper. Signed by the artist. 23.5 x 30 cm. Condition A (well preserved).

200 € - 300 €

Gerda WEGENER (Denmark, 1886 - 1940) - "The Bath" (GYRALDOSE). c.1920. Original pencil, ink and wash drawing with gouache highlights, on heavy wove paper. Signed in ink by the artist. Preparatory drawing to illustrate an advertisement for the GYRALDOSE pharmacy (for women's intimate care) published in a magazine in 1921. 27 x 27 cm round subject. 44.5 x 38.5 cm per sheet. Condition A (pinholes in the corners, a few stains and traces of insolation in the margins and verso, subject in good conditi

27 - Gerda WEGENER (Denmark, 1886 - 1940) - "The Bath" (GYRALDOSE). c.1920. Original pencil, ink and wash drawing with gouache highlights, on heavy wove paper. Signed in ink by the artist. Preparatory drawing to illustrate an advertisement for the GYRALDOSE pharmacy (for women's intimate care) published in a magazine in 1921. 27 x 27 cm round subject. 44.5 x 38.5 cm per sheet. Condition A (pinholes in the corners, a few stains and traces of insolation in the margins and verso, subject in good conditi

2 500 € - 3 000 €

Gerda WEGENER (Denmark, 1886 - 1940) - "The 3 Dancers". Original drawing in wash and pencil, on heavy cream wove paper. Signed in ink by the artist. Annotated "Gyraldose" in pencil at the foot of the sheet. Probably a preparatory drawing to illustrate an advertisement for "GYRALDOSE" (for women's intimate care). 49 x 36.5 cm. Condition A (thumbtack holes in the corners, a few stains and insolation on the edges of the sheet, slight handling marks).

28 - Gerda WEGENER (Denmark, 1886 - 1940) - "The 3 Dancers". Original drawing in wash and pencil, on heavy cream wove paper. Signed in ink by the artist. Annotated "Gyraldose" in pencil at the foot of the sheet. Probably a preparatory drawing to illustrate an advertisement for "GYRALDOSE" (for women's intimate care). 49 x 36.5 cm. Condition A (thumbtack holes in the corners, a few stains and insolation on the edges of the sheet, slight handling marks).

2 500 € - 3 000 €

Gerda WEGENER (Denmark, 1886 - 1940) - "Woman with basket". Original pencil, wash and ink drawing on heavy cream wove paper. Signed in ink by the artist. Annotated "Gyraldose / "Femme à la corbeille" in pencil at the foot of the sheet. Probably a preparatory drawing to illustrate an advertisement for "GYRALDOSE" (for women's intimate care). 49 x 32.8 cm. Condition A (the bottom of the sheet is slightly insolate, with slight traces of handling).

29 - Gerda WEGENER (Denmark, 1886 - 1940) - "Woman with basket". Original pencil, wash and ink drawing on heavy cream wove paper. Signed in ink by the artist. Annotated "Gyraldose / "Femme à la corbeille" in pencil at the foot of the sheet. Probably a preparatory drawing to illustrate an advertisement for "GYRALDOSE" (for women's intimate care). 49 x 32.8 cm. Condition A (the bottom of the sheet is slightly insolate, with slight traces of handling).

2 500 € - 3 000 €

Gerda WEGENER (Denmark, 1886 - 1940) - "Secret de jeunesse" (GYRALDOSE). c.1924. Original ink and wash drawing on cream wove paper. Preparatory drawing to illustrate an advertisement for GYRALDOSE pharmacy in a magazine published in 1924 (for women's intimate care). Signed in ink by the artist. Annotated "Gyraldose" in pencil at foot of sheet. 41.8 x 33.6 cm. Condition A (thumbtack hole in the corners, left edge of the sheet slightly insolate, slight traces of handling).

30 - Gerda WEGENER (Denmark, 1886 - 1940) - "Secret de jeunesse" (GYRALDOSE). c.1924. Original ink and wash drawing on cream wove paper. Preparatory drawing to illustrate an advertisement for GYRALDOSE pharmacy in a magazine published in 1924 (for women's intimate care). Signed in ink by the artist. Annotated "Gyraldose" in pencil at foot of sheet. 41.8 x 33.6 cm. Condition A (thumbtack hole in the corners, left edge of the sheet slightly insolate, slight traces of handling).

2 500 € - 3 000 €

FIX-MASSEAU Pierre (1905 - 1994) - [CALECHE] - "Je reviens Imprudence, Requête". c.1945. Preparatory drawing for a PARFUMS WORTH advertisement. Sketch in gouache on heavy wove paper. Signed by the artist. 33 x 26 cm. Condition A (good overall condition).

31 - FIX-MASSEAU Pierre (1905 - 1994) - [CALECHE] - "Je reviens Imprudence, Requête". c.1945. Preparatory drawing for a PARFUMS WORTH advertisement. Sketch in gouache on heavy wove paper. Signed by the artist. 33 x 26 cm. Condition A (good overall condition).

1 000 € - 1 500 €

Henri BELLERY-DESFONTAINES (1867 - 1909) - PROJET d'illustration pour le programme de la soirée du Centenaire de l'Internat le 25 mai 1902 à l'Opéra-Comique. 1902. Original preparatory drawing in pencil and ink, signed by the artist. Cut-out drawing outlining the subject then pasted on a cardboard backing, with printed title. 43 x 31.6 cm. Condition A (well preserved). Bellery-Desfontaines worked with Léopold Lelée to illustrate the program and create the costumes for the Opéra-Comique's c

32 - Henri BELLERY-DESFONTAINES (1867 - 1909) - PROJET d'illustration pour le programme de la soirée du Centenaire de l'Internat le 25 mai 1902 à l'Opéra-Comique. 1902. Original preparatory drawing in pencil and ink, signed by the artist. Cut-out drawing outlining the subject then pasted on a cardboard backing, with printed title. 43 x 31.6 cm. Condition A (well preserved). Bellery-Desfontaines worked with Léopold Lelée to illustrate the program and create the costumes for the Opéra-Comique's c

3 500 € - 4 000 €

CAPPIELLO Leonetto (1875 - 1942) - [Dancing Gypsy]. Original drawing in watercolor, gouache and pencil, on wove paper (Canson & Montgolfier). Signed by the artist. Probably a poster project. 60 x 47.3 cm. Condition B (a few stains and traces of glue in the margins and verso, a few folds and handling marks, rare and tiny needle holes in the margins).

33 - CAPPIELLO Leonetto (1875 - 1942) - [Dancing Gypsy]. Original drawing in watercolor, gouache and pencil, on wove paper (Canson & Montgolfier). Signed by the artist. Probably a poster project. 60 x 47.3 cm. Condition B (a few stains and traces of glue in the margins and verso, a few folds and handling marks, rare and tiny needle holes in the margins).

3 500 € - 4 000 €

CAPPIELLO Leonetto (1875 - 1942) - POSTER - "Save your money to make the most of it", for the Union Française, Association Nationale pour l'expansion morale et matérielle de la France. c.1920. Original lithographic poster in color. Signed in the plate. Printed by Devambez, Paris. Margins. Unlined and folded. Post-war poster promoting savings and depicting a worker dropping a coin into a pot with a fruit tree. 114 x 80 cm. Condition C (damaged, a few holes and tears in some folds).

34 - CAPPIELLO Leonetto (1875 - 1942) - POSTER - "Save your money to make the most of it", for the Union Française, Association Nationale pour l'expansion morale et matérielle de la France. c.1920. Original lithographic poster in color. Signed in the plate. Printed by Devambez, Paris. Margins. Unlined and folded. Post-war poster promoting savings and depicting a worker dropping a coin into a pot with a fruit tree. 114 x 80 cm. Condition C (damaged, a few holes and tears in some folds).

300 € - 400 €

Pierre BONNARD (1867 - 1947) - "Birth certificate for Françoise Flour". 1932. Original drypoint. Signed with the artist's monogram in the plate. Ref: Francis Bouvet, n°113. Fine proof with the letter, on cream wove paper. Full margins. 19 x 15 cm. Condition A (well preserved).

35 - Pierre BONNARD (1867 - 1947) - "Birth certificate for Françoise Flour". 1932. Original drypoint. Signed with the artist's monogram in the plate. Ref: Francis Bouvet, n°113. Fine proof with the letter, on cream wove paper. Full margins. 19 x 15 cm. Condition A (well preserved).

200 € - 300 €

GRASSET Eugène (1845 - 1917) - "Nouveau Cirque, 251 bis rue Saint-Honoré, du vendredi 18 nov. au 20 déc. Exposition A. Falguière, sculpteur". 1897-1899. Original lithograph, stencil enhanced. Poster for the A. Falguière, Sculpteur exhibition, held between November and December 1897. Ref: Anne Murray-Robertson p.116. Signed with the monogram in the plate. Proof before the letter, on glazed wove paper. Good margins. 52 x 36 cm for the subject. 65 x 50 cm per sheet. Condition B (short tears an

36 - GRASSET Eugène (1845 - 1917) - "Nouveau Cirque, 251 bis rue Saint-Honoré, du vendredi 18 nov. au 20 déc. Exposition A. Falguière, sculpteur". 1897-1899. Original lithograph, stencil enhanced. Poster for the A. Falguière, Sculpteur exhibition, held between November and December 1897. Ref: Anne Murray-Robertson p.116. Signed with the monogram in the plate. Proof before the letter, on glazed wove paper. Good margins. 52 x 36 cm for the subject. 65 x 50 cm per sheet. Condition B (short tears an

500 € - 600 €

Max KLINGER (1857 - 1920) - "Simplici Schreibstunde" (Simplicius learning to write). 1881. Original etching, on Chine appliqué paper. Reference: Singer, no. 58. Plate 7 from the book "Intermezzi, Opus IV", published by Theo Stroefer's Kunstverlag in Munich. Copper margins. 33 x 26 cm. Condition A (cut inside the copperplate mark, good condition).

37 - Max KLINGER (1857 - 1920) - "Simplici Schreibstunde" (Simplicius learning to write). 1881. Original etching, on Chine appliqué paper. Reference: Singer, no. 58. Plate 7 from the book "Intermezzi, Opus IV", published by Theo Stroefer's Kunstverlag in Munich. Copper margins. 33 x 26 cm. Condition A (cut inside the copperplate mark, good condition).

200 € - 300 €

Max KLINGER (1857 - 1920) - "Simplicius am Grabe des Einsiedlers" (Simplicius at the hermit's grave). 1881. Original etching, on papier chine appliqué. Ref: Singer, no. 59 (iv/iv). Plate 8 from "Intermezzi, Opus IV", published by Theo Stroefer's Kunstverlag in Munich. Copper margins. 33 x 26.2 cm. Condition A (cut inside the copperplate mark, good condition).

38 - Max KLINGER (1857 - 1920) - "Simplicius am Grabe des Einsiedlers" (Simplicius at the hermit's grave). 1881. Original etching, on papier chine appliqué. Ref: Singer, no. 59 (iv/iv). Plate 8 from "Intermezzi, Opus IV", published by Theo Stroefer's Kunstverlag in Munich. Copper margins. 33 x 26.2 cm. Condition A (cut inside the copperplate mark, good condition).

200 € - 300 €

Jacques VILLON (1875-1963) after Edouard MANET (1832 - 1883) - "L'Olympia". 1926. Aquatint engraved by Jacques VILLON and printed in colors on strong wove paper. Ref: Ginestet & Pouillin, n°E647. Fine margins. 41 x 58.8 cm. Condition A (trace of old mounting and wetness on verso).

39 - Jacques VILLON (1875-1963) after Edouard MANET (1832 - 1883) - "L'Olympia". 1926. Aquatint engraved by Jacques VILLON and printed in colors on strong wove paper. Ref: Ginestet & Pouillin, n°E647. Fine margins. 41 x 58.8 cm. Condition A (trace of old mounting and wetness on verso).

400 € - 500 €

AFFICHE - "Martyre d'Amour'. Color lithographed poster. Aff. Louis Gallice (1864-1935), Paris. Margins. Canvas poster. 141 x 106 cm. Condition A (good general condition).

40 - AFFICHE - "Martyre d'Amour'. Color lithographed poster. Aff. Louis Gallice (1864-1935), Paris. Margins. Canvas poster. 141 x 106 cm. Condition A (good general condition).

150 € - 200 €

POSTER - "Mal mariée". Color lithographed poster for the novel by Hector de Montperreux. Printed by F. Champenois & Cie, Paris. Stamped "République française". Margins. Canvas poster. 156 x 108 cm. Condition A (good condition).

41 - POSTER - "Mal mariée". Color lithographed poster for the novel by Hector de Montperreux. Printed by F. Champenois & Cie, Paris. Stamped "République française". Margins. Canvas poster. 156 x 108 cm. Condition A (good condition).

150 € - 200 €

AFFICHE du PETIT JOURNAL - "La Marchande de Fleurs". c.1897. Color poster illustrated by H. MEYER (1841-1899), for the novel by Xavier de Montépin. Signed in the plate. Margins. Canvas poster. 61x 43 cm. Condition A (slight trace of wetness top left margin, otherwise good condition).

42 - AFFICHE du PETIT JOURNAL - "La Marchande de Fleurs". c.1897. Color poster illustrated by H. MEYER (1841-1899), for the novel by Xavier de Montépin. Signed in the plate. Margins. Canvas poster. 61x 43 cm. Condition A (slight trace of wetness top left margin, otherwise good condition).

150 € - 300 €

AFFICHE du PETIT JOURNAL - "Wounded in the Heart". Color poster illustrated by H. MEYER (1841-1899), for the novel by Jules Mary. Margins. Canvas poster. 61 x 43 cm. Condition A (well preserved).

43 - AFFICHE du PETIT JOURNAL - "Wounded in the Heart". Color poster illustrated by H. MEYER (1841-1899), for the novel by Jules Mary. Margins. Canvas poster. 61 x 43 cm. Condition A (well preserved).

150 € - 300 €

POSTER for the Petit Journal - "Fleur des Neiges". c.1890. Color lithographed poster for Paul D'Aigremont's novel. Stamped "République française". Imprimerie D. Cassigneul, 61 rue La Fayette, Paris. Printed on the new Marinoni rotary presses. Margins. Canvas poster. 94 x 66.5 cm. Condition B (old marginal tears restored and canvas-backed, some scattered foxing).

44 - POSTER for the Petit Journal - "Fleur des Neiges". c.1890. Color lithographed poster for Paul D'Aigremont's novel. Stamped "République française". Imprimerie D. Cassigneul, 61 rue La Fayette, Paris. Printed on the new Marinoni rotary presses. Margins. Canvas poster. 94 x 66.5 cm. Condition B (old marginal tears restored and canvas-backed, some scattered foxing).

150 € - 300 €

Four albums of French and foreign stamps from the 20th century.

51 - Four albums of French and foreign stamps from the 20th century.

30 € - 40 €

PALMA The Younger (After) Venice 1544 - id.; 1628. Christ on the Cross with the Virgin Mary, Mary Magdalene and Saint John the Evangelist. Original oil on canvas. Old stretcher with sling (small accidents in the lower part). On the reverse, in the lower part, an old inscription and a date Ade La Mothe D.C. 17 aug 1690. H. 108 - L. 75.5 cm. Based on a composition by Palma the Younger dated 1599 and housed in the Church of the Friars Minor in Potenza Picena. The name of the copyist Ad La Mothe on

52 - PALMA The Younger (After) Venice 1544 - id.; 1628. Christ on the Cross with the Virgin Mary, Mary Magdalene and Saint John the Evangelist. Original oil on canvas. Old stretcher with sling (small accidents in the lower part). On the reverse, in the lower part, an old inscription and a date Ade La Mothe D.C. 17 aug 1690. H. 108 - L. 75.5 cm. Based on a composition by Palma the Younger dated 1599 and housed in the Church of the Friars Minor in Potenza Picena. The name of the copyist Ad La Mothe on

400 € - 600 €

17th century FRENCH SCHOOL. The Virgin and Child. Oil on canvas. A few small gaps; lifting in the upper part; restorations). H. 95 - L. 64 cm.

53 - 17th century FRENCH SCHOOL. The Virgin and Child. Oil on canvas. A few small gaps; lifting in the upper part; restorations). H. 95 - L. 64 cm.

400 € - 600 €

BOLONESE SCHOOL. In the taste of the 17th century. Young woman with turban presenting a basket of flowers. Oval oil on canvas (Re-stained). H. 74 - L. 60 cm. Wood and gilded stucco frame (missing).

54 - BOLONESE SCHOOL. In the taste of the 17th century. Young woman with turban presenting a basket of flowers. Oval oil on canvas (Re-stained). H. 74 - L. 60 cm. Wood and gilded stucco frame (missing).

400 € - 600 €

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