Furniture and objets d'art

Furniture and objets d'art

Thursday, 11 April 2024 at 13:30
Salle 15 - Hôtel Drouot, 9, rue Drouot, 75009 Paris

Lots 51 to 100 of 317

Page 2 / 7

SOLIMENA Francesco (School of) (1657-1747): "Tancrède soigné par Herminie et Vafrin" (Le Tasse, La Jérusalem Délivrée; Ch. XIX, Strophe 111). Oil on canvas. 78.5 x 94.5 cm. In an attractive giltwood frame.

50 - SOLIMENA Francesco (School of) (1657-1747): "Tancrède soigné par Herminie et Vafrin" (Le Tasse, La Jérusalem Délivrée; Ch. XIX, Strophe 111). Oil on canvas. 78.5 x 94.5 cm. In an attractive giltwood frame.

Estimate
3 000 € - 3 500 €
BEMMEL Pieter von (Suite de) 1685 - 1754. Village fire scene at night. Oil on canvas (Gaps around the edges). H. 54 - L. 70,5 cm.

51 - BEMMEL Pieter von (Suite de) 1685 - 1754. Village fire scene at night. Oil on canvas (Gaps around the edges). H. 54 - L. 70,5 cm.

Estimate
100 € - 150 €
LAZZARI Sebastiano. Verona? Active in Vicenza in the second half of the 18th century. Trompe l'oeil with cat ice, birds, chisel, compass, protractor, astronomical table and pomegranate. Top left on paper: Memorie Delle Ofser / DI Monsieur De la Land (...). On the base of the protractor on the right: P. L E Maire A Paris. Bottom right Perché ladro Fix Sempré (...) eine (...) / Tome L'ombra dal vero ri(...)ercoffa. Oil on canvas. H. 53.5 - L. 65.5 cm. To be compared with the composition with cat

52 - LAZZARI Sebastiano. Verona? Active in Vicenza in the second half of the 18th century. Trompe l'oeil with cat ice, birds, chisel, compass, protractor, astronomical table and pomegranate. Top left on paper: Memorie Delle Ofser / DI Monsieur De la Land (...). On the base of the protractor on the right: P. L E Maire A Paris. Bottom right Perché ladro Fix Sempré (...) eine (...) / Tome L'ombra dal vero ri(...)ercoffa. Oil on canvas. H. 53.5 - L. 65.5 cm. To be compared with the composition with cat

Estimate
2 000 € - 3 000 €
ALBRICI Enrico (Attributed to) Valminore di Scave 1714 - Brescia 1775.  Two Scenes of grotesque figures: 1 - The marital dispute, the horned man and the village girl. Oil on canvas (Rebacking; some restorations). H. 41.5 - L. 61.5 cm. 
2 - Don Quixote on his mule, man with mirror, priest and villager. Oil on canvas. H. 41 - L. 61.5 cm

53 - ALBRICI Enrico (Attributed to) Valminore di Scave 1714 - Brescia 1775. Two Scenes of grotesque figures: 1 - The marital dispute, the horned man and the village girl. Oil on canvas (Rebacking; some restorations). H. 41.5 - L. 61.5 cm. 2 - Don Quixote on his mule, man with mirror, priest and villager. Oil on canvas. H. 41 - L. 61.5 cm

Estimate
2 000 € - 3 000 €
SABLET François - Jean. Morges (Switzerland) 1745 - Nantes 1819. Bust-length portrait of a man, white shirt and tie. Original oil on canvas (on the reverse, a small piece of reinforcement; small gap top left). Signed lower right FSablet. H. 62.3 - W. 51.3 cm. General bibliography: For portraits by François Sablet of similar dimensions, please refer to the exhibition catalog Les Frères Sablet. François Sablet, n° 129 & 130, p.134 (Texts and notes by Anne Van de Sandt - Nantes, Lausanne,

54 - SABLET François - Jean. Morges (Switzerland) 1745 - Nantes 1819. Bust-length portrait of a man, white shirt and tie. Original oil on canvas (on the reverse, a small piece of reinforcement; small gap top left). Signed lower right FSablet. H. 62.3 - W. 51.3 cm. General bibliography: For portraits by François Sablet of similar dimensions, please refer to the exhibition catalog Les Frères Sablet. François Sablet, n° 129 & 130, p.134 (Texts and notes by Anne Van de Sandt - Nantes, Lausanne,

Estimate
400 € - 600 €
Late 18th Century French School: "Landscape with obelisk and ancient monument decorated with an owl". Watercolor on parchment (scratches). And "Landscape with Roman portico and statue of winged Victory". Watercolor on parchment (folds on the right; traces of brown moisture on the upper left). 25.5 x 34.5 cm

55 - Late 18th Century French School: "Landscape with obelisk and ancient monument decorated with an owl". Watercolor on parchment (scratches). And "Landscape with Roman portico and statue of winged Victory". Watercolor on parchment (folds on the right; traces of brown moisture on the upper left). 25.5 x 34.5 cm

Estimate
150 € - 200 €
French school Late 18th - Early 19th century. Album of approximately 37 drawings, mainly landscapes, in black stone, portraits of a nun and a man sitting in the park. 37 x 24.5 cm. Includes a coaster with four portraits in medallions (freckles).

56 - French school Late 18th - Early 19th century. Album of approximately 37 drawings, mainly landscapes, in black stone, portraits of a nun and a man sitting in the park. 37 x 24.5 cm. Includes a coaster with four portraits in medallions (freckles).

Estimate
100 € - 150 €
RAEBURN Henry Sir (In the Taste of) Stockbridge 1756 - Edinburgh 1823. Portrait of a woman wearing a lace headdress with blue ribbons, seated, hands clasped, against a landscape background. Oil on canvas. H. 46 - L. 38 cm

57 - RAEBURN Henry Sir (In the Taste of) Stockbridge 1756 - Edinburgh 1823. Portrait of a woman wearing a lace headdress with blue ribbons, seated, hands clasped, against a landscape background. Oil on canvas. H. 46 - L. 38 cm

Estimate
200 € - 300 €
REDOUTE Pierre - Joseph (Ecole de) 1759 - 1840: Rose blanche et rose parme. Graphite and watercolor on vellum. Mounted on a tension support. H. 27 - L. 21.5 cm. Study to be placed in the circle of rose painters of P. J Redouté's pupils, whose studies are preserved at the Fitzwilliam Museum in Cambridge, such as Caroline Adrien (active circa 1834 - 1849), Thérèse de Beaurepaire (active circa 1833 - 1842) and Sarah Bray (1801 - 1842) (Cf. Elisabeth Hardouin - Fugier, The Pupils of Redouté - Ca

58 - REDOUTE Pierre - Joseph (Ecole de) 1759 - 1840: Rose blanche et rose parme. Graphite and watercolor on vellum. Mounted on a tension support. H. 27 - L. 21.5 cm. Study to be placed in the circle of rose painters of P. J Redouté's pupils, whose studies are preserved at the Fitzwilliam Museum in Cambridge, such as Caroline Adrien (active circa 1834 - 1849), Thérèse de Beaurepaire (active circa 1833 - 1842) and Sarah Bray (1801 - 1842) (Cf. Elisabeth Hardouin - Fugier, The Pupils of Redouté - Ca

Estimate
200 € - 220 €
GIRODET Antoine - Louis (After) 1767 - 1824. 19th century work: La Victoire. Black stone, shading and white highlights on blue paper. Apposed on cardboard. Annotated in the lower part La Victoire. H. 42.7 - L 50.7 cm.

59 - GIRODET Antoine - Louis (After) 1767 - 1824. 19th century work: La Victoire. Black stone, shading and white highlights on blue paper. Apposed on cardboard. Annotated in the lower part La Victoire. H. 42.7 - L 50.7 cm.

Estimate
60 € - 80 €
CONSTABLE John (Attributed to) 1776 - 1837. Country landscape with river. Oil on canvas. Lower left, monogrammed C.T. H. 20 - L. 36 cm. Wooden frame and gilded stucco with foliate scrolls and flowers in the corners, bearing an old CONSTABLE cartouche. To be compared with Constable's landscapes painted on the motif of Stour Valley and Dedham village, in the Boston Museum (1814) and "Hampstead Heath" (1820) with a very low horizon line and cloudy skies (Cf. Leslie Parris and Ian Fleming Williams,

60 - CONSTABLE John (Attributed to) 1776 - 1837. Country landscape with river. Oil on canvas. Lower left, monogrammed C.T. H. 20 - L. 36 cm. Wooden frame and gilded stucco with foliate scrolls and flowers in the corners, bearing an old CONSTABLE cartouche. To be compared with Constable's landscapes painted on the motif of Stour Valley and Dedham village, in the Boston Museum (1814) and "Hampstead Heath" (1820) with a very low horizon line and cloudy skies (Cf. Leslie Parris and Ian Fleming Williams,

Estimate
1 500 € - 2 000 €
XIXth CENTURY FRENCH ECOLE, Le temple de la Sibylle à Tivoli, oil on canvas, foxed (accidents and restorations), bears an apocryphal inscription lower right: COROT, 37x27 cm. 100/150 €.

61 - XIXth CENTURY FRENCH ECOLE, Le temple de la Sibylle à Tivoli, oil on canvas, foxed (accidents and restorations), bears an apocryphal inscription lower right: COROT, 37x27 cm. 100/150 €.

Estimate
100 € - 150 €
ALAUX Jean dit Le Romain. Bordeaux 1786 - Paris 1864. Neapolitan fisherman (1834). Oil on paper; mounted on canvas (small accident top right). Signed, located and dated lower left Alaux / Naples / 1834. H. 39.5 - L. 27.1 cm. Provenance: Probably Hôtel Drouot, April 15 - 16, 1863, Vente de son atelier, Dessins et études peintes d'après Nature, n° 233 "Un pêcheur de corail à Naples", or n° 234 "Autre étude de pêcheur, à Naples".

62 - ALAUX Jean dit Le Romain. Bordeaux 1786 - Paris 1864. Neapolitan fisherman (1834). Oil on paper; mounted on canvas (small accident top right). Signed, located and dated lower left Alaux / Naples / 1834. H. 39.5 - L. 27.1 cm. Provenance: Probably Hôtel Drouot, April 15 - 16, 1863, Vente de son atelier, Dessins et études peintes d'après Nature, n° 233 "Un pêcheur de corail à Naples", or n° 234 "Autre étude de pêcheur, à Naples".

Estimate
1 000 € - 1 500 €
MOTT Adélaïde (Active in the first third of the 19th century): La prière de la jeune pèlerine au pied de l'Oratoire de la Vierge. Oil on canvas. Signed and dated in red lower left Adélaïde Mott 1819. H. 32 - L. 24 cm

63 - MOTT Adélaïde (Active in the first third of the 19th century): La prière de la jeune pèlerine au pied de l'Oratoire de la Vierge. Oil on canvas. Signed and dated in red lower left Adélaïde Mott 1819. H. 32 - L. 24 cm

Estimate
120 € - 150 €
FRENCH SCHOOL First half of the 19th century. Portrait of a man seated mid-body. Charcoal, shading and white highlights. Glued to sheet in the upper part. Annotated on a placet in pen and brown ink Parèrea De Savary. H. 28.4 - L. 21.6 cm. Two portrait drawings are included: Homme à mi - corps sur fond de paysage à la rivière in charcoal, estompe and white highlights (24.2 x 18.7 cm) and that of an elderly man, pasted on cardboard, annotated on the reverse in pen Marchese, mon arrière grand

64 - FRENCH SCHOOL First half of the 19th century. Portrait of a man seated mid-body. Charcoal, shading and white highlights. Glued to sheet in the upper part. Annotated on a placet in pen and brown ink Parèrea De Savary. H. 28.4 - L. 21.6 cm. Two portrait drawings are included: Homme à mi - corps sur fond de paysage à la rivière in charcoal, estompe and white highlights (24.2 x 18.7 cm) and that of an elderly man, pasted on cardboard, annotated on the reverse in pen Marchese, mon arrière grand

Estimate
80 € - 120 €
FRENCH SCHOOL First half of the 19th century: 1 - La Tour du Temple in Paris; 2 - Le Chatelet du Mont St Michel. Graphite and watercolor. Glued to sheet. Framed in pen and ink. Each: H. 17 - L.10,4 cm. An Italian Palace Project in black and gray wash. Glued to sheet (12.8 x 24.2 cm).

65 - FRENCH SCHOOL First half of the 19th century: 1 - La Tour du Temple in Paris; 2 - Le Chatelet du Mont St Michel. Graphite and watercolor. Glued to sheet. Framed in pen and ink. Each: H. 17 - L.10,4 cm. An Italian Palace Project in black and gray wash. Glued to sheet (12.8 x 24.2 cm).

Estimate
80 € - 100 €
FRENCH SCHOOL First half of the 19th century: Landscape with river and bridge with sheep and cows returning. In the upper part, a medallion portrait of a woman crowned by two loves. Watercolor. Glued to sheet. Illustrated framing. (Insolate). Annotated on the lower part of the mounting sheet in brown inkon either side of the coat of arms with greyhounds surmounted by a crown of fleurs-de-lys: Donné à Me la Marquise de Coutances par M. De Menou Officier au VIIe Régiment d'Infanterie du Roy. H.

66 - FRENCH SCHOOL First half of the 19th century: Landscape with river and bridge with sheep and cows returning. In the upper part, a medallion portrait of a woman crowned by two loves. Watercolor. Glued to sheet. Illustrated framing. (Insolate). Annotated on the lower part of the mounting sheet in brown inkon either side of the coat of arms with greyhounds surmounted by a crown of fleurs-de-lys: Donné à Me la Marquise de Coutances par M. De Menou Officier au VIIe Régiment d'Infanterie du Roy. H.

Estimate
60 € - 80 €
SENTIES Pierre - Asthasia - Theodore. Paris 1801 - id.; 1875. 1 - Portrait of Louis Gabriel Oeschger (1819 - 1887) metal merchant. Charcoal and shading (slight foxing). Signed lower left. H. 46 - L. 38 cm. 2 - Portrait of Pierre Henry Landry (1809 - 1859) cousin of Louis Gabriel Oeschger. Charcoal and stump (slight foxing; trace of humidity on the right). Signed lower left. On the reverse of the backing card, a handwritten note in pen and brown ink, accompanied by a lock of hair, gives the model

67 - SENTIES Pierre - Asthasia - Theodore. Paris 1801 - id.; 1875. 1 - Portrait of Louis Gabriel Oeschger (1819 - 1887) metal merchant. Charcoal and shading (slight foxing). Signed lower left. H. 46 - L. 38 cm. 2 - Portrait of Pierre Henry Landry (1809 - 1859) cousin of Louis Gabriel Oeschger. Charcoal and stump (slight foxing; trace of humidity on the right). Signed lower left. On the reverse of the backing card, a handwritten note in pen and brown ink, accompanied by a lock of hair, gives the model

Estimate
80 € - 120 €
LANDRY Pierre - Henry. 1809 - 1858. Two scenes of cavalry combat. 1 - The fall of the standard bearer also known as the Reprise du drapeau du Roi. Legended on the reverse in brown ink. 2 - Choc de cavalerie. Black pencil, pen and brush, black ink and gray wash (Insolated). Signed in pen and brown ink at bottom. On the reverse, a text in pen refers to the Battle of Edgehill (October 23, 1642), which opened the English Civil War between the King's and Parliament's troops. H. 25 - L. 40.5 cm.

68 - LANDRY Pierre - Henry. 1809 - 1858. Two scenes of cavalry combat. 1 - The fall of the standard bearer also known as the Reprise du drapeau du Roi. Legended on the reverse in brown ink. 2 - Choc de cavalerie. Black pencil, pen and brush, black ink and gray wash (Insolated). Signed in pen and brown ink at bottom. On the reverse, a text in pen refers to the Battle of Edgehill (October 23, 1642), which opened the English Civil War between the King's and Parliament's troops. H. 25 - L. 40.5 cm.

Estimate
120 € - 150 €
BORELY Charles. Montpellier 1817 - Amiens 1881. Portrait of a young girl with a cat. Pastel. Oval-shaped inner frame (Epidermures). Signed and dated lower left Ch Borely 1845. H. 55 - L. 44 cm

69 - BORELY Charles. Montpellier 1817 - Amiens 1881. Portrait of a young girl with a cat. Pastel. Oval-shaped inner frame (Epidermures). Signed and dated lower left Ch Borely 1845. H. 55 - L. 44 cm

Estimate
100 € - 150 €
BUISSON Jules-Émile (1822-1909), attributed to, Illustrations des Contes Normands d'après l'ouvrage publié par Philippe de Chennevières en 1839 sous le pseudonyme Jean de Falaise, six oil on panels and three oil on canvas marouflaged on cardboard assembled in a frame (accidents and missing parts), unsigned, inscription on the back of the central panel: Contes Normands page 180 J M Buisson 1845; on the back of the left panel: Jean à Ste Marguerite contes normands à son ami de Chennevières

70 - BUISSON Jules-Émile (1822-1909), attributed to, Illustrations des Contes Normands d'après l'ouvrage publié par Philippe de Chennevières en 1839 sous le pseudonyme Jean de Falaise, six oil on panels and three oil on canvas marouflaged on cardboard assembled in a frame (accidents and missing parts), unsigned, inscription on the back of the central panel: Contes Normands page 180 J M Buisson 1845; on the back of the left panel: Jean à Ste Marguerite contes normands à son ami de Chennevières

Estimate
400 € - 700 €
LHUILLIER Charles Marie, circa 1824-1898, Élégante à l'ombrelle jouant avec son chien, watercolor and gouache highlights, signed lower left, 8.5x8.5cm à vue.

71 - LHUILLIER Charles Marie, circa 1824-1898, Élégante à l'ombrelle jouant avec son chien, watercolor and gouache highlights, signed lower left, 8.5x8.5cm à vue.

Estimate
40 € - 60 €
ZO Achille, 1826-1901. Le Clyso!!!!!!!, 1877.  Watercolor (insolation), monogrammed A.Z. and dated lower right, titled lower middle: "LE CLYSO!!!!!!! opér. com. en 20 jours (création nouvelle)", with dispatch lower right: "Souvenir de nos 20 jours de service à la patrie / à mon frères Édouard / P. Caubet septembre 1877". 36.5x25.5cm on view.

72 - ZO Achille, 1826-1901. Le Clyso!!!!!!!, 1877. Watercolor (insolation), monogrammed A.Z. and dated lower right, titled lower middle: "LE CLYSO!!!!!!! opér. com. en 20 jours (création nouvelle)", with dispatch lower right: "Souvenir de nos 20 jours de service à la patrie / à mon frères Édouard / P. Caubet septembre 1877". 36.5x25.5cm on view.

Estimate
100 € - 150 €
PINSON E. Active in the second half of the 19th century. House at the foot of the old castle. Black stone, shading and white highlights. Mounted on cardboard (small accidents in the margins). Signed lower right E. Pinson. H. 46 - W. 53.5 cm

73 - PINSON E. Active in the second half of the 19th century. House at the foot of the old castle. Black stone, shading and white highlights. Mounted on cardboard (small accidents in the margins). Signed lower right E. Pinson. H. 46 - W. 53.5 cm

Estimate
60 € - 80 €
FRANÇAISE ECOLE XIXe siècle, Portrait d'homme, graphite and chalk on paper (insolation), unsigned, on the back of the mount an inscription: Jules Clairin, 14.5x11cm.

74 - FRANÇAISE ECOLE XIXe siècle, Portrait d'homme, graphite and chalk on paper (insolation), unsigned, on the back of the mount an inscription: Jules Clairin, 14.5x11cm.

Estimate
60 € - 90 €
ANONYMOUS 19th century, Paysanne, pen and brown ink wash (insolation and foxing), unsigned, 16x12.5cm. Attached is a nineteenth-century School: "Man with a cane in a farm near a bridge". Brown ink wash drawing, monogrammed "E.P.V." lower left (insolation and foxing). 15 x 23.3 cm

75 - ANONYMOUS 19th century, Paysanne, pen and brown ink wash (insolation and foxing), unsigned, 16x12.5cm. Attached is a nineteenth-century School: "Man with a cane in a farm near a bridge". Brown ink wash drawing, monogrammed "E.P.V." lower left (insolation and foxing). 15 x 23.3 cm

Estimate
70 € - 100 €
GELBIERT ET FAGUET (French school, second half of the XIXth Century): "Studies of birds". Two watercolors and inks on paper forming a pendant, one annotated and dated 1872. 23.1 x 16 cm and 24 x 16.5 cm

76 - GELBIERT ET FAGUET (French school, second half of the XIXth Century): "Studies of birds". Two watercolors and inks on paper forming a pendant, one annotated and dated 1872. 23.1 x 16 cm and 24 x 16.5 cm

Estimate
80 € - 100 €
Barbizon School Late 19th Century: "Woman on the Road". Oil on panel. 15.3 x 22.1 cm

77 - Barbizon School Late 19th Century: "Woman on the Road". Oil on panel. 15.3 x 22.1 cm

Estimate
40 € - 60 €
Ecole Fin du XIX-ème Siècle: "This lesson is worth a cheese", from Le Corbeau et le Renard. Paper cut-out, under framed glass. 34 x 45 cm

78 - Ecole Fin du XIX-ème Siècle: "This lesson is worth a cheese", from Le Corbeau et le Renard. Paper cut-out, under framed glass. 34 x 45 cm

Estimate
40 € - 50 €
Jean-Marie LOUSTAUNAU (XIX-XX). The surroundings of Aix. Oil on canvas. H 38 cm x W 46 cm

79 - Jean-Marie LOUSTAUNAU (XIX-XX). The surroundings of Aix. Oil on canvas. H 38 cm x W 46 cm

Estimate
50 € - 100 €
French school of the XX in the taste of the XVIII. Stroller in the undergrowth.
Watercolor on paper. H 26 cm X l 47 cm

80 - French school of the XX in the taste of the XVIII. Stroller in the undergrowth. Watercolor on paper. H 26 cm X l 47 cm

Estimate
80 € - 100 €
CLAIRIN Geogres Jules Victor (1843-1919), attributed to, En Égypte, la ville heureuse, la Paix, 1913, oil on paper marouflaged on canvas (accidents), unsigned, 67x42.5cm. HISTORY: To be compared with the large composition En Égypte, la ville heureuse, la Paix exhibited at the Salon des Artistes Français in 1913 (no. 420) and sold at Sotheby's New-York on 05/23/1996 (no. 105).

81 - CLAIRIN Geogres Jules Victor (1843-1919), attributed to, En Égypte, la ville heureuse, la Paix, 1913, oil on paper marouflaged on canvas (accidents), unsigned, 67x42.5cm. HISTORY: To be compared with the large composition En Égypte, la ville heureuse, la Paix exhibited at the Salon des Artistes Français in 1913 (no. 420) and sold at Sotheby's New-York on 05/23/1996 (no. 105).

Estimate
600 € - 800 €
Edmond LAJOUX. 19th-20th century. "Soldats de l'Ancien Régime" three watercolors on paper signed at the bottom. One in pencil, dated 1943. 30.5 x 22 cm on view.

82 - Edmond LAJOUX. 19th-20th century. "Soldats de l'Ancien Régime" three watercolors on paper signed at the bottom. One in pencil, dated 1943. 30.5 x 22 cm on view.

Estimate
100 € - 150 €
Edmond LAJOUX. XIX-XXth. "Scène de bataille" and "Au côté du maréchal de Turenne" two pencil drawings enhanced with watercolor, signed lower left. 17.5 x24.5 cm and 20.5 x 17 cm, à vue.

83 - Edmond LAJOUX. XIX-XXth. "Scène de bataille" and "Au côté du maréchal de Turenne" two pencil drawings enhanced with watercolor, signed lower left. 17.5 x24.5 cm and 20.5 x 17 cm, à vue.

Estimate
100 € - 150 €
Edmond LAJOUX. 19th-20th century. "Five color prints of Chasseurs à Pied or Alpins, signed in the plate (two framed under glass) 30 x22 cm. One print by Lajoux depicting a "French soldier of the ancien régime". An enhanced print of "officier de lancier de la Garde Impériale du Second Empire" after Eugène Péchaubès.  7 pieces in all.

84 - Edmond LAJOUX. 19th-20th century. "Five color prints of Chasseurs à Pied or Alpins, signed in the plate (two framed under glass) 30 x22 cm. One print by Lajoux depicting a "French soldier of the ancien régime". An enhanced print of "officier de lancier de la Garde Impériale du Second Empire" after Eugène Péchaubès. 7 pieces in all.

Estimate
40 € - 60 €
PIOT Jane, late 19th/early 20th century, Femme à la rose, pastel on paper, annotated on the back of the mount: "Mme Piot", signed lower right, 46x38cm.

85 - PIOT Jane, late 19th/early 20th century, Femme à la rose, pastel on paper, annotated on the back of the mount: "Mme Piot", signed lower right, 46x38cm.

Estimate
60 € - 90 €
Early 20th Century French School: "Bord d'étang". Oil on panel. 26.5 x 40 cm

86 - Early 20th Century French School: "Bord d'étang". Oil on panel. 26.5 x 40 cm

Estimate
50 € - 80 €
ANONYMOUS, early 20th century, Portrait d'homme, oil on metal plate (wear and accidents), unsigned, 73x61cm.

87 - ANONYMOUS, early 20th century, Portrait d'homme, oil on metal plate (wear and accidents), unsigned, 73x61cm.

Estimate
80 € - 120 €
Early 20th Century French School: "Portrait of a Woman". Pastel study on paper mounted on canvas. No frame and traces of rubbing. 60.5 x 50 cm

88 - Early 20th Century French School: "Portrait of a Woman". Pastel study on paper mounted on canvas. No frame and traces of rubbing. 60.5 x 50 cm

Estimate
40 € - 50 €
Early 20th Century French School: "Vue de Rue". Oil on canvas signed "SIMON" lower right. Old dirty varnish. 50 x 28 cm

89 - Early 20th Century French School: "Vue de Rue". Oil on canvas signed "SIMON" lower right. Old dirty varnish. 50 x 28 cm

Estimate
40 € - 50 €
BALLEYGUIER Jean, XXth century, Le château de Chantilly, graphite on paper (stains), signed and located lower right with an illegible date, 16.5x20cm

90 - BALLEYGUIER Jean, XXth century, Le château de Chantilly, graphite on paper (stains), signed and located lower right with an illegible date, 16.5x20cm

Estimate
70 € - 100 €
Claude REIGNIER (1870-1954): "Sentier en sous-bois". Oil on isorel signed lower left. 31.5 x 41 cm

91 - Claude REIGNIER (1870-1954): "Sentier en sous-bois". Oil on isorel signed lower left. 31.5 x 41 cm

Estimate
50 € - 80 €
CHADEL Jules (1870-1942), in the taste of, Femme de dos, pen and black ink wash on handmade paper, unsigned, annotated "Jules Chadel / Salomé" on a label on the back of the mount, 30.5x21.5cm.

92 - CHADEL Jules (1870-1942), in the taste of, Femme de dos, pen and black ink wash on handmade paper, unsigned, annotated "Jules Chadel / Salomé" on a label on the back of the mount, 30.5x21.5cm.

Estimate
60 € - 90 €
TROCHAIN Fernand, 1879-1969, Dunes en bord de mer, 1910, oil on canvas (very slightly missing), signed and dated lower right, 33x46cm.

93 - TROCHAIN Fernand, 1879-1969, Dunes en bord de mer, 1910, oil on canvas (very slightly missing), signed and dated lower right, 33x46cm.

Estimate
100 € - 150 €
Paul CHAIGNEAU (1879-1938): "La rentrée du troupeau". Oil on canvas signed lower left. Accident in the center. 46.5 x 55.5 cm

94 - Paul CHAIGNEAU (1879-1938): "La rentrée du troupeau". Oil on canvas signed lower left. Accident in the center. 46.5 x 55.5 cm

Estimate
300 € - 400 €
DARAGNES Jean Gabriel, 1886-1950, Église dans un paysage vallonné, oil on canvas (small lack, restorations and traces of craquelure), signed lower left, 56x92cm.

95 - DARAGNES Jean Gabriel, 1886-1950, Église dans un paysage vallonné, oil on canvas (small lack, restorations and traces of craquelure), signed lower left, 56x92cm.

Estimate
80 € - 100 €
GRYEFF Pieter de, active in the 20th century: Couple of cockatoos against a landscape background. Oil on panel. Tinted on reverse. Signed lower right. H. 34 - L. 25.5 cm.

96 - GRYEFF Pieter de, active in the 20th century: Couple of cockatoos against a landscape background. Oil on panel. Tinted on reverse. Signed lower right. H. 34 - L. 25.5 cm.

Estimate
400 € - 500 €
Maurice BOUILLOT (1896-1985): "Fleurs jaunes aquatiques". Oil on canvas signed and dated 50 lower right. 65 x 46 cm

97 - Maurice BOUILLOT (1896-1985): "Fleurs jaunes aquatiques". Oil on canvas signed and dated 50 lower right. 65 x 46 cm

Estimate
50 € - 80 €
Gabriel CHEVALIER (French school, mid 20th century): "Boats at low tide on the beach in Brittany". Oil on panel signed lower right. 48 x 62 cm

98 - Gabriel CHEVALIER (French school, mid 20th century): "Boats at low tide on the beach in Brittany". Oil on panel signed lower right. 48 x 62 cm

Estimate
50 € - 60 €
Georges LATTES (French school, mid 20th century): "Noirmoutier, Moulin de la Guérinière". Oil on canvas signed lower left. Slightly missing. 50.5 x 61 cm

99 - Georges LATTES (French school, mid 20th century): "Noirmoutier, Moulin de la Guérinière". Oil on canvas signed lower left. Slightly missing. 50.5 x 61 cm

Estimate
50 € - 80 €
Go to