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LIVE SALES: POSTERS, ENGRAVINGS, PRINTS, CARDS...

LIVE SALES: POSTERS, ENGRAVINGS, PRINTS, CARDS...

Friday, 24 November 2023 at 14:00

9, rue de Provence, 75009 Paris

Lots 151 to 200 of 347

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DRAWING - PROJECT FOR A DIPLOMA (?) - from the UNIVERSITY OF PARIS. Ink and watercolor in the Besnard style, on heavy wove paper. 56 x 62 cm. A/B condition (a few stains and marks of handling, rare scattered foxing).

151 - DRAWING - PROJECT FOR A DIPLOMA (?) - from the UNIVERSITY OF PARIS. Ink and watercolor in the Besnard style, on heavy wove paper. 56 x 62 cm. A/B condition (a few stains and marks of handling, rare scattered foxing).

400 € - 600 €

DRAWING by Jacques CHARLES (active around 1900) - "Engaged / I'm afraid you'll find me too skinny / But no, since we have to get married during Holy Week". Circa 1900. Sketch in ink and blue pencil on bristol board. Signed and dated in ink by the artist. 42.5 x 25 cm. Condition A (some traces of handling, slightly dusty edges).

152 - DRAWING by Jacques CHARLES (active around 1900) - "Engaged / I'm afraid you'll find me too skinny / But no, since we have to get married during Holy Week". Circa 1900. Sketch in ink and blue pencil on bristol board. Signed and dated in ink by the artist. 42.5 x 25 cm. Condition A (some traces of handling, slightly dusty edges).

120 € - 150 €

LAMY (XX ème) - [ La guerre ], 1984. Mixed media on wood panel, illustrating a war scene. Signed on the back. Framed. 114 x 114 cm. Condition A.

153 - LAMY (XX ème) - [ La guerre ], 1984. Mixed media on wood panel, illustrating a war scene. Signed on the back. Framed. 114 x 114 cm. Condition A.

600 € - 700 €

GERMAN SCHOOL - [Fireworks at the Castle of the Margrave of BRANDEBOURG in Colln on the Spree on the occasion of the visit of King Christian IV of Denmark on October 10, 1595]. Late 16th-early 17th century. Etching. Fine proof on laid paper (watermark difficult to read). Small margins. 19.3 x 27 cm. Condition A (good condition).

154 - GERMAN SCHOOL - [Fireworks at the Castle of the Margrave of BRANDEBOURG in Colln on the Spree on the occasion of the visit of King Christian IV of Denmark on October 10, 1595]. Late 16th-early 17th century. Etching. Fine proof on laid paper (watermark difficult to read). Small margins. 19.3 x 27 cm. Condition A (good condition).

400 € - 500 €

ALDEGREVER Heinrich (1502 - 1555/1561) - "Parable of the Poor Rich Man No. 5: Lazarus in Abraham's Arms". 1554. Burin. Signed with the artist's monogram and dated upper left. Ref: Hollstein, no. 48. Laid paper. 7.8 x 10.5 cm. Condition C (small lack at top left, stains and a few accidents).

155 - ALDEGREVER Heinrich (1502 - 1555/1561) - "Parable of the Poor Rich Man No. 5: Lazarus in Abraham's Arms". 1554. Burin. Signed with the artist's monogram and dated upper left. Ref: Hollstein, no. 48. Laid paper. 7.8 x 10.5 cm. Condition C (small lack at top left, stains and a few accidents).

200 € - 300 €

BORCHT P. van der (1545 - 1608) - "The Ascension of Elijah". 1579. Burin. Ref: Hollstein n°196. Plate number 2 of a suite of 4 pieces entitled "L'histoire d'Elie et d'Elisée", from the "Thesaurus sacrarum historiaru[m] veteris testameti" (1579) by Gerard de Jode (1509 - 1591). Subject printed on two plates: one for the historiated central subject, a second for the ornamental border. 18.5 x 24.7 cm. Condition A/B (cut at the subject, sometimes even a little inside the subject in some places).

156 - BORCHT P. van der (1545 - 1608) - "The Ascension of Elijah". 1579. Burin. Ref: Hollstein n°196. Plate number 2 of a suite of 4 pieces entitled "L'histoire d'Elie et d'Elisée", from the "Thesaurus sacrarum historiaru[m] veteris testameti" (1579) by Gerard de Jode (1509 - 1591). Subject printed on two plates: one for the historiated central subject, a second for the ornamental border. 18.5 x 24.7 cm. Condition A/B (cut at the subject, sometimes even a little inside the subject in some places).

150 € - 200 €

DÜRER Albrecht (1471 - 1528) - "Samson fighting the lion". c.1496. Engraved wood. Signed with the artist's monogram at the foot. Proof on thin laid paper. Ref: Hollstein, no. 107. Meder, no. 107 (between b and d/g, with 22 birds, before cracks and wormholes). Beautiful impression. A masterpiece of Dürer's work. As a biblical hero, Samson represents the struggle between good and evil, the victory of moral strength over physical force. Dürer succeeds in conveying this idea through the compositi

157 - DÜRER Albrecht (1471 - 1528) - "Samson fighting the lion". c.1496. Engraved wood. Signed with the artist's monogram at the foot. Proof on thin laid paper. Ref: Hollstein, no. 107. Meder, no. 107 (between b and d/g, with 22 birds, before cracks and wormholes). Beautiful impression. A masterpiece of Dürer's work. As a biblical hero, Samson represents the struggle between good and evil, the victory of moral strength over physical force. Dürer succeeds in conveying this idea through the compositi

8 000 € - 10 000 €

DÜRER Albrecht (1471 - 1528) - "The Adoration of the Magi". c. 1503. Original wood engraving. Signed with the artist's monogram lower right. Ref: Meder & Hollstein, no. 199. Bartsch, no. 87. Plate 12 from the series "La Vie de la Vierge". Proof from the 1511 edition without the text on the reverse. Proof on watermarked laid paper (ornamental fish bladder motif, ca. 1580). Beautiful impression. 29.8 x 21 cm. Condition B/C (cut at the edge of the square line, green stain at the lower left cor

158 - DÜRER Albrecht (1471 - 1528) - "The Adoration of the Magi". c. 1503. Original wood engraving. Signed with the artist's monogram lower right. Ref: Meder & Hollstein, no. 199. Bartsch, no. 87. Plate 12 from the series "La Vie de la Vierge". Proof from the 1511 edition without the text on the reverse. Proof on watermarked laid paper (ornamental fish bladder motif, ca. 1580). Beautiful impression. 29.8 x 21 cm. Condition B/C (cut at the edge of the square line, green stain at the lower left cor

2 500 € - 3 000 €

DUSART Cornélis (Haarlem 1660 † 1704) - "Kopster" (Cartoon). 1695. Original etching. Ref: Bartsch & Hollstein, no. 12. Signed and dated in the composition, lower left. Proof of the 3rd state of 4 (before the address of J. Gole was erased) on watermarked laid paper (Letters), covered on verso with the collector's mark of Würtemberg († 1841), "Divisions-Auditeur" of the Royal Prussian Army in Danzig (Lugt 2606). Fine copper margins. Beautiful impression. A woman, the "Kopster", draws blo

159 - DUSART Cornélis (Haarlem 1660 † 1704) - "Kopster" (Cartoon). 1695. Original etching. Ref: Bartsch & Hollstein, no. 12. Signed and dated in the composition, lower left. Proof of the 3rd state of 4 (before the address of J. Gole was erased) on watermarked laid paper (Letters), covered on verso with the collector's mark of Würtemberg († 1841), "Divisions-Auditeur" of the Royal Prussian Army in Danzig (Lugt 2606). Fine copper margins. Beautiful impression. A woman, the "Kopster", draws blo

400 € - 500 €

GOLTZIUS Heinrich (1558 - 1616) (after) - "The Flight into Egypt". 1589. Burin attributed to Jacob Matham (1571-1631). Proof on laid paper formerly mounted by the edges on heavy laid paper covered on the reverse with a collector's mark (L. Brongard, Lugt not described). 20.5 x 15.2 cm. A/B condition (cut at subject and rare small stains at foot).

160 - GOLTZIUS Heinrich (1558 - 1616) (after) - "The Flight into Egypt". 1589. Burin attributed to Jacob Matham (1571-1631). Proof on laid paper formerly mounted by the edges on heavy laid paper covered on the reverse with a collector's mark (L. Brongard, Lugt not described). 20.5 x 15.2 cm. A/B condition (cut at subject and rare small stains at foot).

400 € - 500 €

GOLTZIUS Heinrich (1558 - 1616) - "Saint Peter". 1589. Burin. Signed "Hgoltzius inv. / et sculptor A.1589" in the subject. Ref: Hollstein, no. 34. New Hollstein, no. 35. Plate 1 from the series "Christ, the Twelve Apostles and Saint Paul". Proof of the final state on laid paper, with the address "G. Valk Excudit". Copper margin fillet. 14.8 x 10 cm. Condition A (cut inside the copper mark, otherwise good condition).

161 - GOLTZIUS Heinrich (1558 - 1616) - "Saint Peter". 1589. Burin. Signed "Hgoltzius inv. / et sculptor A.1589" in the subject. Ref: Hollstein, no. 34. New Hollstein, no. 35. Plate 1 from the series "Christ, the Twelve Apostles and Saint Paul". Proof of the final state on laid paper, with the address "G. Valk Excudit". Copper margin fillet. 14.8 x 10 cm. Condition A (cut inside the copper mark, otherwise good condition).

200 € - 300 €

ISAAC Jaspar (c.1585 - 1654) - "Comus le dieu des debauches et gens de joye: Il porte en son nom la signiffication de banqueter, rire, danser, boire, et balader". 1613. Burin and etching. Artist's name and date in point at the bottom of the subject. Proof on laid paper. Fillet margins. In the foreground, the engraver depicts Comus, god of pleasures and balls: crowned with roses, drunk with wine and revelry, close to dropping his torch, he slumbers, leaning on his spear at the entrance to a room

162 - ISAAC Jaspar (c.1585 - 1654) - "Comus le dieu des debauches et gens de joye: Il porte en son nom la signiffication de banqueter, rire, danser, boire, et balader". 1613. Burin and etching. Artist's name and date in point at the bottom of the subject. Proof on laid paper. Fillet margins. In the foreground, the engraver depicts Comus, god of pleasures and balls: crowned with roses, drunk with wine and revelry, close to dropping his torch, he slumbers, leaning on his spear at the entrance to a room

200 € - 300 €

HEEMSKERCK Maerten van (1498 - 1574) (after) - "Josias celebrating the Passover". c.1569. Burin engraved by Philip GALLE (1537 - 1612). Ref: New Hollstein, no. 48. Proof on laid paper, covered on verso with an unidentified collector's mark (Lugt 3502). Fine margins on two sides and small copper margins at bottom left. 21 x 25.2 cm. Condition A.

163 - HEEMSKERCK Maerten van (1498 - 1574) (after) - "Josias celebrating the Passover". c.1569. Burin engraved by Philip GALLE (1537 - 1612). Ref: New Hollstein, no. 48. Proof on laid paper, covered on verso with an unidentified collector's mark (Lugt 3502). Fine margins on two sides and small copper margins at bottom left. 21 x 25.2 cm. Condition A.

80 € - 100 €

HEEMSKERCK Maerten van (1498 - 1574) (after) - "God speaking to Job". 1563. Burin engraved by Philip GALLE (1537 - 1612). Proof on laid paper, cut to the subject and formerly laminated on strong laid paper, with framing fillet. 20.8 x 24.3 cm. Condition B/C (a few small stains and insolate).

164 - HEEMSKERCK Maerten van (1498 - 1574) (after) - "God speaking to Job". 1563. Burin engraved by Philip GALLE (1537 - 1612). Proof on laid paper, cut to the subject and formerly laminated on strong laid paper, with framing fillet. 20.8 x 24.3 cm. Condition B/C (a few small stains and insolate).

80 € - 100 €

REMBRANDT H. van Rijn (1606 - 1669) - "Beggars receiving alms at the door of a house". 1648. Original etching. Signed and dated in the plate lower right. Ref: New Hollstein, no. 243. Barstch & Hollstein, n°176. Proof of a late print, on laid paper. 16.5 x 13 cm. Condition B (cut at the edge of the copper mark or very slightly inside, slightly sunned and three small brown spots in the subject).

165 - REMBRANDT H. van Rijn (1606 - 1669) - "Beggars receiving alms at the door of a house". 1648. Original etching. Signed and dated in the plate lower right. Ref: New Hollstein, no. 243. Barstch & Hollstein, n°176. Proof of a late print, on laid paper. 16.5 x 13 cm. Condition B (cut at the edge of the copper mark or very slightly inside, slightly sunned and three small brown spots in the subject).

2 000 € - 3 000 €

REMBRANDT H. van Rijn (1606 - 1669) - "Old beggar woman with a gourd". c.1630. Original etching. Proof of the 2nd of 2 states (after the slightly reduced plate), on thin laid paper. Late print. Ref: Bartsch, no. 168. Hollstein, no. 80. New Hollstein, n°40. Margins. Beautiful impression. Subject 10.5 x 4.7 cm. 11.5 x 5.7 cm for the sheet. Condition B (a few marks of handling and slightly dusty, old small restorations in the margins).

166 - REMBRANDT H. van Rijn (1606 - 1669) - "Old beggar woman with a gourd". c.1630. Original etching. Proof of the 2nd of 2 states (after the slightly reduced plate), on thin laid paper. Late print. Ref: Bartsch, no. 168. Hollstein, no. 80. New Hollstein, n°40. Margins. Beautiful impression. Subject 10.5 x 4.7 cm. 11.5 x 5.7 cm for the sheet. Condition B (a few marks of handling and slightly dusty, old small restorations in the margins).

1 000 € - 1 200 €

SADELER II Aegidius (c.1568 - 1629) - "The Resurrection of Christ". 1593. Etching and burin after Titian. Formerly mounted on wove paper. At the bottom of the subject in point "I: Tinturet pinx. G: Sadeler Scaps: Venetia". 61 x 45 cm. Condition B (cut at the subject and a few minor accidents formerly restored).

167 - SADELER II Aegidius (c.1568 - 1629) - "The Resurrection of Christ". 1593. Etching and burin after Titian. Formerly mounted on wove paper. At the bottom of the subject in point "I: Tinturet pinx. G: Sadeler Scaps: Venetia". 61 x 45 cm. Condition B (cut at the subject and a few minor accidents formerly restored).

100 € - 150 €

AUDRAN Jean (1667 - 1756) - "The Abduction of the Sabine Women". Etching and burin after Nicolas Poussin. Proof with the letter, on laid paper, with the address "A Paris, chez I.Audran, graveur du Roy aux Gobelins, Avec privilège du Roy, presentement chez Mondhare rue St Jacques". Ref: I.F.F XVII ème, Tome I, n°84. Small margins. 45.5 x 57.5 cm. A/B condition (a few small stains and slight handling marks, subject in good condition).

168 - AUDRAN Jean (1667 - 1756) - "The Abduction of the Sabine Women". Etching and burin after Nicolas Poussin. Proof with the letter, on laid paper, with the address "A Paris, chez I.Audran, graveur du Roy aux Gobelins, Avec privilège du Roy, presentement chez Mondhare rue St Jacques". Ref: I.F.F XVII ème, Tome I, n°84. Small margins. 45.5 x 57.5 cm. A/B condition (a few small stains and slight handling marks, subject in good condition).

150 € - 200 €

CALLOT Jacques (1592 - 1635) - "Entrée de M. de Macey, du Combat à la Barrière". 1627. Original etching. Ref: Lieure 577. Signed "Jac. Callot in.et Fec" in point lower right. Proof on watermarked laid paper (double C crowned). Margins. 20 x 27.5 cm. A/B condition (a few rather marginal marks of handling and a very slight trace of an old median vertical fold, good overall condition).

169 - CALLOT Jacques (1592 - 1635) - "Entrée de M. de Macey, du Combat à la Barrière". 1627. Original etching. Ref: Lieure 577. Signed "Jac. Callot in.et Fec" in point lower right. Proof on watermarked laid paper (double C crowned). Margins. 20 x 27.5 cm. A/B condition (a few rather marginal marks of handling and a very slight trace of an old median vertical fold, good overall condition).

250 € - 300 €

CALLOT Jacques (1592 - 1635) - "Entrée de Monsieur de Couvonge et de Monsieur de Chalabre". 1627. Etching. laid paper. Ref: Lieure, n°579. Fine margins. 15.8 x 24.3 cm. Condition A (rare small traces of handling).

170 - CALLOT Jacques (1592 - 1635) - "Entrée de Monsieur de Couvonge et de Monsieur de Chalabre". 1627. Etching. laid paper. Ref: Lieure, n°579. Fine margins. 15.8 x 24.3 cm. Condition A (rare small traces of handling).

250 € - 300 €

CALLOT Jacques (1592 - 1635) - "Jésus Christ au milieu des mesureurs de grain". c.1610. Etching and burin. Signed in the plate. Ref: Lieure 50. 2nd state proof, with the address of P. Mariette, on laid paper. Fine margins on three sides. 19 x 21.2 cm. Condition A (cut on the copper mark at the foot).

171 - CALLOT Jacques (1592 - 1635) - "Jésus Christ au milieu des mesureurs de grain". c.1610. Etching and burin. Signed in the plate. Ref: Lieure 50. 2nd state proof, with the address of P. Mariette, on laid paper. Fine margins on three sides. 19 x 21.2 cm. Condition A (cut on the copper mark at the foot).

150 € - 200 €

CALLOT Jacques (1592 - 1635) - "Le Capitan ou l'Amoureux, from the suite "Les trois Pantalons"". 1618. Original etching. Reference: Lieure 289. Proof on watermarked laid paper. Small copper margins. 21.6 x 14.8 cm. Condition A/B (cut at the copper mark and a tiny needle hole at the buildings on the left).

172 - CALLOT Jacques (1592 - 1635) - "Le Capitan ou l'Amoureux, from the suite "Les trois Pantalons"". 1618. Original etching. Reference: Lieure 289. Proof on watermarked laid paper. Small copper margins. 21.6 x 14.8 cm. Condition A/B (cut at the copper mark and a tiny needle hole at the buildings on the left).

200 € - 300 €

LAGNIET Jacques (edited by) (c.1620-1675) - "Apres la Pense vient la Dense." circa 1657/1665. Burin engraved by an anonymous artist. Proof on watermarked laid paper. Margins. 16.5 x 32 cm. A/B condition (a tiny hole in the subject, slight traces of two vertical folds).

173 - LAGNIET Jacques (edited by) (c.1620-1675) - "Apres la Pense vient la Dense." circa 1657/1665. Burin engraved by an anonymous artist. Proof on watermarked laid paper. Margins. 16.5 x 32 cm. A/B condition (a tiny hole in the subject, slight traces of two vertical folds).

300 € - 400 €

LAIRESSE Gérard de (1641 - 1711) - ALLEGORY "Una et Eadem" (Minerva crowning two priestesses). Original etching. Proof on laid paper, with the title and address of Nicolas Visscher. Copper margins. 53.2 x 34.2 cm approx. Condition A (cut inside the copper mark and two slight traces of folding on the lower part of the subject, more visible on the reverse).

174 - LAIRESSE Gérard de (1641 - 1711) - ALLEGORY "Una et Eadem" (Minerva crowning two priestesses). Original etching. Proof on laid paper, with the title and address of Nicolas Visscher. Copper margins. 53.2 x 34.2 cm approx. Condition A (cut inside the copper mark and two slight traces of folding on the lower part of the subject, more visible on the reverse).

150 € - 200 €

CARRACCI Annibal (1560 - 1609) (after) - "Jesus and the Samaritan Woman". Etching engraved by Robert van Audenaerde (1663-1743). Signed with the monogram lower right. Proof with the address of Arnoldo Van Westerhout (1651-1725), on watermarked laid paper (fleur-de-lys in a circle). Small margins. 50.2 x 40.4 cm. Condition A (good state of preservation).

175 - CARRACCI Annibal (1560 - 1609) (after) - "Jesus and the Samaritan Woman". Etching engraved by Robert van Audenaerde (1663-1743). Signed with the monogram lower right. Proof with the address of Arnoldo Van Westerhout (1651-1725), on watermarked laid paper (fleur-de-lys in a circle). Small margins. 50.2 x 40.4 cm. Condition A (good state of preservation).

250 € - 300 €

DELLA BELLA Stefano (1610-1664) - "Nave del Colombo gia Trasformata da Nettino in Orca Marina". 1652. Etching. Ref: De Vesme, no. 66. Proof on watermarked laid paper (letters in a shield). The print depicts Christopher Columbus' ship, invented by Alfonso Parigi the Younger (1606-1656). The machine was part of the Ballet des chevaux, a show presented in Florence's Boboli Gardens in 1652. 23.5 x 29.6 cm. Condition A/B (handwritten inscriptions in pencil at upper left, paper lightly epidermised in

176 - DELLA BELLA Stefano (1610-1664) - "Nave del Colombo gia Trasformata da Nettino in Orca Marina". 1652. Etching. Ref: De Vesme, no. 66. Proof on watermarked laid paper (letters in a shield). The print depicts Christopher Columbus' ship, invented by Alfonso Parigi the Younger (1606-1656). The machine was part of the Ballet des chevaux, a show presented in Florence's Boboli Gardens in 1652. 23.5 x 29.6 cm. Condition A/B (handwritten inscriptions in pencil at upper left, paper lightly epidermised in

250 € - 300 €

MITELLI Giuseppe Maria (1634-1718) - "Aeneas meets the ghost of Creuse". 1663. Etching after Annibale CARRACCI (1560 - 1609). Proof on laid paper. Ref: Bartsch, no. 53. Plate VII in the series "L'Enea vagante pitture dei Caracci". Good margins. 30.7 x 52.2 cm. Condition B/C (trace of wetness reaching the subject, and mark of old vertical median fold).

177 - MITELLI Giuseppe Maria (1634-1718) - "Aeneas meets the ghost of Creuse". 1663. Etching after Annibale CARRACCI (1560 - 1609). Proof on laid paper. Ref: Bartsch, no. 53. Plate VII in the series "L'Enea vagante pitture dei Caracci". Good margins. 30.7 x 52.2 cm. Condition B/C (trace of wetness reaching the subject, and mark of old vertical median fold).

200 € - 300 €

TESTA Pietro (after) (1617 - 1650) - [Allegory of Painting]. c.1637-1638. Etching. Ref: L'Opéra incise di Pietro Testa, no. 15. Copy (a) with the inscription "Collignon formis" in the lower center and the copper smaller. Proof on laid paper. Small margins. 28.7 x 33.6 cm. Condition A (slight trace of an old median vertical fold and some light foxing more on the edges).

178 - TESTA Pietro (after) (1617 - 1650) - [Allegory of Painting]. c.1637-1638. Etching. Ref: L'Opéra incise di Pietro Testa, no. 15. Copy (a) with the inscription "Collignon formis" in the lower center and the copper smaller. Proof on laid paper. Small margins. 28.7 x 33.6 cm. Condition A (slight trace of an old median vertical fold and some light foxing more on the edges).

300 € - 400 €

POUSSIN Nicolas (after) - "Les bergers d'Arcadie". c.1810. Etching and burin by Maurice BLOT (1753-1818). Proof before letter but with artists' names and Lamoureux address, on wove paper. Margins. 58 x 70.3 cm. Condition B (rare tears in lower margin and marginal foxing).

179 - POUSSIN Nicolas (after) - "Les bergers d'Arcadie". c.1810. Etching and burin by Maurice BLOT (1753-1818). Proof before letter but with artists' names and Lamoureux address, on wove paper. Margins. 58 x 70.3 cm. Condition B (rare tears in lower margin and marginal foxing).

200 € - 300 €

BASAN François (1723-1797) - "Persée les mains teintes encore du sang du Monstre dont il vient de délivrer Andromède; se lave à la Fontaine Hypocrène, et l'Amour prêt à les unir". Etching and burin after Sébastien Bourdon. Proof with Basan's letter and address, on laid paper. Good margins. 44 x 57 cm. Condition A (rare stains and small marked fold in the margins, subject in good condition).

180 - BASAN François (1723-1797) - "Persée les mains teintes encore du sang du Monstre dont il vient de délivrer Andromède; se lave à la Fontaine Hypocrène, et l'Amour prêt à les unir". Etching and burin after Sébastien Bourdon. Proof with Basan's letter and address, on laid paper. Good margins. 44 x 57 cm. Condition A (rare stains and small marked fold in the margins, subject in good condition).

250 € - 300 €

BOUCHER François (d'après) (1703 - 1770) - [Shepherdess and a child]. Pencil engraving by Gilles DEMARTEAU l'aîné (1722 - 1776), printed in red chalk on laid paper. Coated on verso with the collector's mark of Emile Lachenaud (1835-1923), Lugt 3473. 19.2 x 14.8 cm. Condition B (cut on the subject and rare small stains).

181 - BOUCHER François (d'après) (1703 - 1770) - [Shepherdess and a child]. Pencil engraving by Gilles DEMARTEAU l'aîné (1722 - 1776), printed in red chalk on laid paper. Coated on verso with the collector's mark of Emile Lachenaud (1835-1923), Lugt 3473. 19.2 x 14.8 cm. Condition B (cut on the subject and rare small stains).

150 € - 200 €

DE BOISSIEU Jean-Jacques (1736 - 1810) - [Petite feuille de griffonnements (huit têtes)]. 1764. Original etching. Signed with initials in the plate. Ref: I.F.F 18ème, n°36. Proof on laid paper. Good margins. 25 x 28.5 cm. Condition B (foxing).

182 - DE BOISSIEU Jean-Jacques (1736 - 1810) - [Petite feuille de griffonnements (huit têtes)]. 1764. Original etching. Signed with initials in the plate. Ref: I.F.F 18ème, n°36. Proof on laid paper. Good margins. 25 x 28.5 cm. Condition B (foxing).

80 € - 120 €

GREUZE Jean-Baptiste (1725 - 1805) (after) - "L'enfant gâté". 1772. Etching and burin by Pierre MALEUVRE (1740 - 1803). Ref: Le Blanc, n°15. Portalis & Béraldi, no. 3. Proof with the letter, formerly cut inside the copper mark and pasted on strong paper with framing fillets. A Paris, chez Le Bas, Graveur du Cabinet du Roi... 48 x 34.5 cm for the engraving. 59 x 44.5 cm overall. Condition A (scattered light foxing in the tablet, subject in good condition).

183 - GREUZE Jean-Baptiste (1725 - 1805) (after) - "L'enfant gâté". 1772. Etching and burin by Pierre MALEUVRE (1740 - 1803). Ref: Le Blanc, n°15. Portalis & Béraldi, no. 3. Proof with the letter, formerly cut inside the copper mark and pasted on strong paper with framing fillets. A Paris, chez Le Bas, Graveur du Cabinet du Roi... 48 x 34.5 cm for the engraving. 59 x 44.5 cm overall. Condition A (scattered light foxing in the tablet, subject in good condition).

250 € - 300 €

GREUZE Jean-Baptiste (1725 - 1805) (after) - "Le silence". Etching and burin engraving by Laurent CARS (1699 - 1771) and retouched by Claude Jardinier. Proof with the letter, formerly cut inside the copper mark and pasted on strong paper with framing fillets. A Paris, chez L. Cars, Graveur du Roi, Conseiller en son Académie Royale de Peinture... 47.8 x 34.5 cm for the engraving. 58.3 x 43.8 cm overall. Condition B (partially darkened).

184 - GREUZE Jean-Baptiste (1725 - 1805) (after) - "Le silence". Etching and burin engraving by Laurent CARS (1699 - 1771) and retouched by Claude Jardinier. Proof with the letter, formerly cut inside the copper mark and pasted on strong paper with framing fillets. A Paris, chez L. Cars, Graveur du Roi, Conseiller en son Académie Royale de Peinture... 47.8 x 34.5 cm for the engraving. 58.3 x 43.8 cm overall. Condition B (partially darkened).

250 € - 300 €

HENRIQUEZ Benoist Louis (1732-1806) - [Faun attacking four young women and a man]. 1770. Etching and burin after the 1720 painting by DE TROY. Proof before letter, but with artists' names and arms, on laid paper formerly mounted on strong paper. 46.5 x 57.3 cm. Condition A (cut inside the copper mark and some foxing in the tablet).

185 - HENRIQUEZ Benoist Louis (1732-1806) - [Faun attacking four young women and a man]. 1770. Etching and burin after the 1720 painting by DE TROY. Proof before letter, but with artists' names and arms, on laid paper formerly mounted on strong paper. 46.5 x 57.3 cm. Condition A (cut inside the copper mark and some foxing in the tablet).

150 € - 200 €

LEBARBIER Jacques, dit LE BARBIER l'aîné (?) (1738 - 1826) - [Prise de Babylone]. Late 18th century. Engraving in old colors. laid paper. 32 x 43 cm. Condition A (cut on the subject).

186 - LEBARBIER Jacques, dit LE BARBIER l'aîné (?) (1738 - 1826) - [Prise de Babylone]. Late 18th century. Engraving in old colors. laid paper. 32 x 43 cm. Condition A (cut on the subject).

150 € - 200 €

NORBLIN DE LA GOURDAINE Jan Piotr (1745 - 1830) - "Polish type, a man facing right...". Original etching and drypoint. Proof on chine paper, glued at right angles to wove paper. Ref: Hillemacher, n°92. Small margins. 2.5 x 2 cm. Condition A (well preserved).

187 - NORBLIN DE LA GOURDAINE Jan Piotr (1745 - 1830) - "Polish type, a man facing right...". Original etching and drypoint. Proof on chine paper, glued at right angles to wove paper. Ref: Hillemacher, n°92. Small margins. 2.5 x 2 cm. Condition A (well preserved).

80 € - 100 €

NORBLIN DE LA GOURDAINE Jan Piotr (1745 - 1830) - "Polish head, from the front, wearing a moustache...". Original etching and drypoint. Proof on chine paper, glued at right angles to wove paper. Ref: Hillemacher, n°76. Small margins. Fine condition. 2.5 x 2 cm. A proof cut beyond the copper mark is included. H2.7xL1.8cm. A small ink stain on the cap. Condition A (good condition).

188 - NORBLIN DE LA GOURDAINE Jan Piotr (1745 - 1830) - "Polish head, from the front, wearing a moustache...". Original etching and drypoint. Proof on chine paper, glued at right angles to wove paper. Ref: Hillemacher, n°76. Small margins. Fine condition. 2.5 x 2 cm. A proof cut beyond the copper mark is included. H2.7xL1.8cm. A small ink stain on the cap. Condition A (good condition).

80 € - 100 €

NORBLIN DE LA GOURDAINE Jan Piotr (1745 - 1830) - "Alexander and Diogenes". Etching. Ref: Hillemacher, no. 10. Proof on wove paper. Small margins. 25 x 18.5 cm. Condition A/B (etching darkened).

189 - NORBLIN DE LA GOURDAINE Jan Piotr (1745 - 1830) - "Alexander and Diogenes". Etching. Ref: Hillemacher, no. 10. Proof on wove paper. Small margins. 25 x 18.5 cm. Condition A/B (etching darkened).

120 € - 150 €

NORBLIN DE LA GOURDAINE Jan Piotr (1745 - 1830) - "Self-portrait with stretcher". Original etching. Ref: Hillemacher, no. 1. Brown Chine paper. Fine margins. 14.2 x 15.1 cm. Condition B/C (small consolidated tear on verso reaching the subject, rare small oxidation spots and small lack at the top in the margin).

190 - NORBLIN DE LA GOURDAINE Jan Piotr (1745 - 1830) - "Self-portrait with stretcher". Original etching. Ref: Hillemacher, no. 1. Brown Chine paper. Fine margins. 14.2 x 15.1 cm. Condition B/C (small consolidated tear on verso reaching the subject, rare small oxidation spots and small lack at the top in the margin).

250 € - 300 €

PIRANESI Francesco (1758 - 1810) - "Gruppo antico di Figure dº. volgarmen. il Toro Farnese". c.1780 . etching. Proof on laid paper. Title at top, with explanatory text on the discovery of the sculpture and its restoration. At the bottom, another text by Plinio presenting the whole. Sculpture discovered in 1545 in the Baths of Caracalla and transferred to the Palazzo Farnese. Currently in the National Museum of Naples. Condition B (traces of handling and small tears)

191 - PIRANESI Francesco (1758 - 1810) - "Gruppo antico di Figure dº. volgarmen. il Toro Farnese". c.1780 . etching. Proof on laid paper. Title at top, with explanatory text on the discovery of the sculpture and its restoration. At the bottom, another text by Plinio presenting the whole. Sculpture discovered in 1545 in the Baths of Caracalla and transferred to the Palazzo Farnese. Currently in the National Museum of Naples. Condition B (traces of handling and small tears)

200 € - 350 €

PIRANESI Giovanni Battista (1720-1778) - "Dimostrazioni dell' Emissario del Lago Albano". Original etching. Signed "Piranesi F." in the lower right-hand corner of the tablet. Ref: Focillon 491. Proof on heavy laid paper, on verso with the handwritten mark of the print dealer Naudet (active 1763-c. 1830 in Paris), Lugt 1937. Plate IX, numbered in the composition at top right, from the series of 9 pieces "Descrizione E Disegno Dell'Emissario Del Lago Albano Di Gio. Batista Piranesi", published in

192 - PIRANESI Giovanni Battista (1720-1778) - "Dimostrazioni dell' Emissario del Lago Albano". Original etching. Signed "Piranesi F." in the lower right-hand corner of the tablet. Ref: Focillon 491. Proof on heavy laid paper, on verso with the handwritten mark of the print dealer Naudet (active 1763-c. 1830 in Paris), Lugt 1937. Plate IX, numbered in the composition at top right, from the series of 9 pieces "Descrizione E Disegno Dell'Emissario Del Lago Albano Di Gio. Batista Piranesi", published in

200 € - 300 €

PIRANESI Giovanni Battista (Mogliano Veneto 1720 † 1778 Venice) - "Colonna Trajana". 1759. Plate from the suite "Vedute di Roma". Original etching and burin, printed in sanguine. Ref: Hind, n°51. Focillon, n°798. Proof of the 5th state of 7 (with the address "Presso l'autore a Strada Felice nel Palazzo Tomati vicino alla Trinita de monti", but the price erased), on watermarked laid paper (Fleur de lys in a crowned shield surmounted by the letters J.H & Z). Margins. 58 x 44 cm. Condition

193 - PIRANESI Giovanni Battista (Mogliano Veneto 1720 † 1778 Venice) - "Colonna Trajana". 1759. Plate from the suite "Vedute di Roma". Original etching and burin, printed in sanguine. Ref: Hind, n°51. Focillon, n°798. Proof of the 5th state of 7 (with the address "Presso l'autore a Strada Felice nel Palazzo Tomati vicino alla Trinita de monti", but the price erased), on watermarked laid paper (Fleur de lys in a crowned shield surmounted by the letters J.H & Z). Margins. 58 x 44 cm. Condition

400 € - 500 €

TENIERS David (after) - "Le Grimoire d'hypocrate". Etching and burin by Pierre François BASAN (1723-1797). Proof of a slightly late edition, on wove paper. Small copper margins. 31.2 x 41 cm. Condition A/B (traces of old mounting on verso, occasional small foxing at edges).

194 - TENIERS David (after) - "Le Grimoire d'hypocrate". Etching and burin by Pierre François BASAN (1723-1797). Proof of a slightly late edition, on wove paper. Small copper margins. 31.2 x 41 cm. Condition A/B (traces of old mounting on verso, occasional small foxing at edges).

100 € - 150 €

AFFICHE THEATRE - "Le Mage", Opera in 5 acts by Jean Richepin, Music by J. MASSENET. 1891. Lithograph in colors. Signed with the monogram "A.F" (Alfredo Edel) and dated 91 in the subject. Les Affiches Américaines, Ch. Levy, Paris. Published by G. Hartmann & Cie (Paris). Mounted and rolled. 94 x 68 cm. Condition A (generally good).

195 - AFFICHE THEATRE - "Le Mage", Opera in 5 acts by Jean Richepin, Music by J. MASSENET. 1891. Lithograph in colors. Signed with the monogram "A.F" (Alfredo Edel) and dated 91 in the subject. Les Affiches Américaines, Ch. Levy, Paris. Published by G. Hartmann & Cie (Paris). Mounted and rolled. 94 x 68 cm. Condition A (generally good).

150 € - 200 €

POSTER - "The Radical Socialists overthrew Poincaré in 1924..." by J. SENNEP. Lithograph. Signed in the plate. Wrapped in cloth. 124 x 83 cm. Condition B (traces of old folds and a few restored tears).

196 - POSTER - "The Radical Socialists overthrew Poincaré in 1924..." by J. SENNEP. Lithograph. Signed in the plate. Wrapped in cloth. 124 x 83 cm. Condition B (traces of old folds and a few restored tears).

100 € - 200 €

POSTER - "JOURNEE DES MERES, 21 mai 1944". Illustrated by PHILI (1898-1987). Color lithograph. Poster to commemorate Mothers' Day, organized by the Commissariat Général à la Famille, published by the Office de Propagande Générale Marges. Cloth-covered. 121 x 82 cm. Condition B (traces of folds and a few accidents).

197 - POSTER - "JOURNEE DES MERES, 21 mai 1944". Illustrated by PHILI (1898-1987). Color lithograph. Poster to commemorate Mothers' Day, organized by the Commissariat Général à la Famille, published by the Office de Propagande Générale Marges. Cloth-covered. 121 x 82 cm. Condition B (traces of folds and a few accidents).

100 € - 200 €

AFFICHE - "Aux paysans de France" (To the peasants of France), excerpt from a speech given in Paris by Marshal Pétain on April 20, 1941. Poster illustrated by SOGNO. Printed by Girand-Rivoire, Lyon. Published by the Secrétariat général de l'information. Margins. Wrapped. 83 x 62 cm. Condition A/B (some restorations).

198 - AFFICHE - "Aux paysans de France" (To the peasants of France), excerpt from a speech given in Paris by Marshal Pétain on April 20, 1941. Poster illustrated by SOGNO. Printed by Girand-Rivoire, Lyon. Published by the Secrétariat général de l'information. Margins. Wrapped. 83 x 62 cm. Condition A/B (some restorations).

50 € - 80 €

ELECTIONS POSTER - "Briand - "As long as I am where I am, there will be no war" ... Geneva, September 11, 1930. Marin - "M. Briand a disparu, demain ce sera sa politique" ... à la Chambre des députés, January 14, 1932.". Illustrated by Josué GABORIAUD (1883-1955) Printed by H. Chachoin, Paris. Published by the Parti républicain radical et radical socialiste, Paris. Poster for the legislative elections of May 1 and 8, 1932. Cloth-covered. 124 x 82 cm. Condition B/C (filled gap at lower right

199 - ELECTIONS POSTER - "Briand - "As long as I am where I am, there will be no war" ... Geneva, September 11, 1930. Marin - "M. Briand a disparu, demain ce sera sa politique" ... à la Chambre des députés, January 14, 1932.". Illustrated by Josué GABORIAUD (1883-1955) Printed by H. Chachoin, Paris. Published by the Parti républicain radical et radical socialiste, Paris. Poster for the legislative elections of May 1 and 8, 1932. Cloth-covered. 124 x 82 cm. Condition B/C (filled gap at lower right

50 € - 80 €

POSTER - "Fight tuberculosis - How it spreads [...] The ravages of tuberculosis compared to other diseases". c.1918. Poster illustrated by Armand Rapeno. Printed by Devambez. Stamped by the Ministry of Labor. Cloth-covered. 117 x 83 cm. A/B condition.

200 - POSTER - "Fight tuberculosis - How it spreads [...] The ravages of tuberculosis compared to other diseases". c.1918. Poster illustrated by Armand Rapeno. Printed by Devambez. Stamped by the Ministry of Labor. Cloth-covered. 117 x 83 cm. A/B condition.

50 € - 100 €

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