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SALE OF FURNITURE AND ART OBJECTS

SALE OF FURNITURE AND ART OBJECTS

Thursday, 23 February 2023 at 13:30

Salle 2 - Hôtel Drouot, 9, rue Drouot, 75009 Paris

360° virtual tour

Lots 51 to 100 of 329

Page 2 / 7

BONASONE Giulio (1498 - c. 1570) - "Saint Andrew holding his cross". c.1546. Etching and burin after Michelangelo's Last Judgment. Ref: Bartch, n°79. Massari, n°81. Proof of the 2nd state, with the names at the foot, on watermarked laid paper (pilgrim in a circle), published by Antonio Salamanca (1478-1562) in Rome. Provenance: French private collection. 35.7 x 24.3 cm. Condition A/B (cut at or beyond the square line, some old small restorations at the upper right corner).

50 - BONASONE Giulio (1498 - c. 1570) - "Saint Andrew holding his cross". c.1546. Etching and burin after Michelangelo's Last Judgment. Ref: Bartch, n°79. Massari, n°81. Proof of the 2nd state, with the names at the foot, on watermarked laid paper (pilgrim in a circle), published by Antonio Salamanca (1478-1562) in Rome. Provenance: French private collection. 35.7 x 24.3 cm. Condition A/B (cut at or beyond the square line, some old small restorations at the upper right corner).

500 € - 1 000 €

51 - CASTIGLIONE J. Gioan-Benedetto (1616 - 1670) - "Oriental man's head, with beard, in profile to the right." c.1645-1650. Original etching. Signed in point at upper right in the plate. Ref: Bartsch, no. 48. Bellini, n°41. Nice proof on thin laid paper. From the suite of 5 plates "Les grandes Têtes Orientales" dated in the late 1640s which corresponds to the Rembrandtesque period of the artist. Small margins. Beautiful impression. Provenance: French private collection. 18,7 x 13,4 cm in copper. 1

700 € - 1 000 €

CASTIGLIONE J. Gioan-Benedetto (1616 - 1670) - "The discovery of the bodies of St. Peter and St. Paul". Etching. Ref: Bartsch, n°14. Bellini, n°57. Nice proof of the unique state, on watermarked laid paper (fleur-de-lys in a crowned shield surmounted by the letter W). Small margins of the copper. Beautiful impression. Provenance: French private collection. 29,1 x 20,2 cm. Condition A (cut inside the copperplate mark but before the square line, nice condition).

52 - CASTIGLIONE J. Gioan-Benedetto (1616 - 1670) - "The discovery of the bodies of St. Peter and St. Paul". Etching. Ref: Bartsch, n°14. Bellini, n°57. Nice proof of the unique state, on watermarked laid paper (fleur-de-lys in a crowned shield surmounted by the letter W). Small margins of the copper. Beautiful impression. Provenance: French private collection. 29,1 x 20,2 cm. Condition A (cut inside the copperplate mark but before the square line, nice condition).

700 € - 1 000 €

DENTE Marco, called da RAVENNA (c.1490 - 1527) - "Pan and Syrinx". Burin after Raphael. Reference: Bartsch, n°325. Proof on watermarked laid paper (anchor in a circle surmounted by a star). Proof of the 2nd state, with the address of Salamanca and the concealment of Pan's penis. Provenance: French private collection. 24.3 x 16.6 cm. Condition C (cut to the subject on three sides and to the inside of the subject at the top, small traces of old mounting on the reverse, small stain at the upper ri

53 - DENTE Marco, called da RAVENNA (c.1490 - 1527) - "Pan and Syrinx". Burin after Raphael. Reference: Bartsch, n°325. Proof on watermarked laid paper (anchor in a circle surmounted by a star). Proof of the 2nd state, with the address of Salamanca and the concealment of Pan's penis. Provenance: French private collection. 24.3 x 16.6 cm. Condition C (cut to the subject on three sides and to the inside of the subject at the top, small traces of old mounting on the reverse, small stain at the upper ri

1 500 € - 2 000 €

LAFRERI Antonio (published by) (Born in Salins in 1512, he worked in Rome from 1540 to 1580) - "La Louve". 1552. Burin attributed to Nicolas BEATRIZET (1515 - c. 1570) Ref: Bartsch, n°47. Proof on watermarked laid paper (pilgrim in a circle). Inscriptions at the foot of the statue: "Lupae Romulum Et Remum Urbis Conditores Antiquum Ac Aeneum In Capitolio Signum / Ant. Lafrerii Formis Romae MDLII". Plate from the series "Speculum Romanae Magnificentiae". Provenance: French private collection. 25,

54 - LAFRERI Antonio (published by) (Born in Salins in 1512, he worked in Rome from 1540 to 1580) - "La Louve". 1552. Burin attributed to Nicolas BEATRIZET (1515 - c. 1570) Ref: Bartsch, n°47. Proof on watermarked laid paper (pilgrim in a circle). Inscriptions at the foot of the statue: "Lupae Romulum Et Remum Urbis Conditores Antiquum Ac Aeneum In Capitolio Signum / Ant. Lafrerii Formis Romae MDLII". Plate from the series "Speculum Romanae Magnificentiae". Provenance: French private collection. 25,

700 € - 1 000 €

ND MASTER (Active in Fontainebleau around 1544) - "The Massacre of the Innocents". [Drawing board]. 1544. Woodcut after Raffaello SANTI, called RAPHAEL, and/or his workshop, and after Luca PENNI [?] Ref: Bartsch n°7. 28,3 x 39 cm. Condition D (cut inside the subject on the left and on the right, quite important lack on the right, formerly restored and lined, lack filled and redrawn on the top left...)

55 - ND MASTER (Active in Fontainebleau around 1544) - "The Massacre of the Innocents". [Drawing board]. 1544. Woodcut after Raffaello SANTI, called RAPHAEL, and/or his workshop, and after Luca PENNI [?] Ref: Bartsch n°7. 28,3 x 39 cm. Condition D (cut inside the subject on the left and on the right, quite important lack on the right, formerly restored and lined, lack filled and redrawn on the top left...)

1 500 € - 2 000 €

MUSI Agostino Veneziano, called (c.1490 - 1540) - "Iphigenia with Orestes and Pylades". Burin after Baccio Bandinelli (1493 - 1560) according to Barstch. Ref: Bartsch, n°194. Proof of a slightly late edition, on thin laid paper (watermark?). Provenance: French private collection. 24.7 x 19.5 cm. Condition B (cut at the border and inside the subject, small traces of old mounting on the reverse, a small hole on the left on the tree trunk and a small print crease on the bottom right).

56 - MUSI Agostino Veneziano, called (c.1490 - 1540) - "Iphigenia with Orestes and Pylades". Burin after Baccio Bandinelli (1493 - 1560) according to Barstch. Ref: Bartsch, n°194. Proof of a slightly late edition, on thin laid paper (watermark?). Provenance: French private collection. 24.7 x 19.5 cm. Condition B (cut at the border and inside the subject, small traces of old mounting on the reverse, a small hole on the left on the tree trunk and a small print crease on the bottom right).

700 € - 1 000 €

RIBERA Jusepe de (1591 - 1652) - "Saint Jerome reading and the lion". c.1624. Etching. Signed with the artist's monogram in the plate. Ref: Barstch, n°3. Brown, no. 13. Proof of the unique state, on watermarked laid paper (fleur-de-lys in a circle). Old handwritten annotation in brown ink in the upper right corner "Gio. Ant. Ping". Small margins. Provenance: French private collection. 19.3 x 25.8 cm in copper. 19,6 x 26,1 cm the sheet. Condition A (good condition).

57 - RIBERA Jusepe de (1591 - 1652) - "Saint Jerome reading and the lion". c.1624. Etching. Signed with the artist's monogram in the plate. Ref: Barstch, n°3. Brown, no. 13. Proof of the unique state, on watermarked laid paper (fleur-de-lys in a circle). Old handwritten annotation in brown ink in the upper right corner "Gio. Ant. Ping". Small margins. Provenance: French private collection. 19.3 x 25.8 cm in copper. 19,6 x 26,1 cm the sheet. Condition A (good condition).

2 000 € - 3 000 €

CANALETTO / VISENTINI - RARE - "Urbis Venetiarium prospectus celebriores / ex Antonii Canal tabulis XL Aere Expressi ab Antonio VISENTINI, MDCCXLII". Venetiis: Apud Theodorum Viero (c.1750-1819) In Via Mercatoria Vul. Dell'Orologio, [ca. 1800?] [Views of VENICE]. Engraved plates by Antonio VISENTINI (1688-1782), after drawings by Antonio CANALETTO (1697-1768). RARE work complete of the 3 parts, that is 38 plates + the title and the frontispiece (with the portraits of Canaletto and Visentini) si

58 - CANALETTO / VISENTINI - RARE - "Urbis Venetiarium prospectus celebriores / ex Antonii Canal tabulis XL Aere Expressi ab Antonio VISENTINI, MDCCXLII". Venetiis: Apud Theodorum Viero (c.1750-1819) In Via Mercatoria Vul. Dell'Orologio, [ca. 1800?] [Views of VENICE]. Engraved plates by Antonio VISENTINI (1688-1782), after drawings by Antonio CANALETTO (1697-1768). RARE work complete of the 3 parts, that is 38 plates + the title and the frontispiece (with the portraits of Canaletto and Visentini) si

14 000 € - 17 000 €

CAZENAVE Frédéric (1770 - 1843) - "Optics". 1793. Dotted engraving after Louis Boilly (1761 - Paris 1845), printed in colors. Ref: I.F.F, n°4. Proof with the letter, on laid paper. In Paris, at the author's house; rue Jacques n°13 in front of the rue de la parcheminerie". Margins of the copper. L'Optique is both an intimate genre scene and a portrait, two themes favored by Boilly. The young woman is Louise-Sébastienne Gély, whom Danton married for the second time in 1793, and the boy is An

59 - CAZENAVE Frédéric (1770 - 1843) - "Optics". 1793. Dotted engraving after Louis Boilly (1761 - Paris 1845), printed in colors. Ref: I.F.F, n°4. Proof with the letter, on laid paper. In Paris, at the author's house; rue Jacques n°13 in front of the rue de la parcheminerie". Margins of the copper. L'Optique is both an intimate genre scene and a portrait, two themes favored by Boilly. The young woman is Louise-Sébastienne Gély, whom Danton married for the second time in 1793, and the boy is An

100 € - 200 €

DIETRICH Christian-Willelm (1712-1774) - "A satyr visiting a peasant family". 1739. Etching. Signed and dated in the plate. Reference: Linck 40. Nice proof on watermarked laid paper, with the collection mark of Emile LACHENAUD (1835-1923) (Lugt 3473) on the reverse. Small margins. Provenance: French private collection. 21,2 x 27,5 cm in copper. 21,7 x 28,6 cm the sheet. Condition A (good condition).

60 - DIETRICH Christian-Willelm (1712-1774) - "A satyr visiting a peasant family". 1739. Etching. Signed and dated in the plate. Reference: Linck 40. Nice proof on watermarked laid paper, with the collection mark of Emile LACHENAUD (1835-1923) (Lugt 3473) on the reverse. Small margins. Provenance: French private collection. 21,2 x 27,5 cm in copper. 21,7 x 28,6 cm the sheet. Condition A (good condition).

300 € - 500 €

MORGEN Raphaël (1758 - 1833) - [Aurora, flying and scattering flowers ahead of Apollo in his chariot driving his horses]. 1787. Large engraving after the fresco of Guido RENI (Italian school). Ref: Palmerini, Opere d'intaglio del Cav. Raffaello Morghen, n°125. Proof before letter but with the name of the artists, on laid paper. Margins. Folded in two. 55,5 x 96 cm. Condition C (some accidents, stains and/or traces of wetness).

61 - MORGEN Raphaël (1758 - 1833) - [Aurora, flying and scattering flowers ahead of Apollo in his chariot driving his horses]. 1787. Large engraving after the fresco of Guido RENI (Italian school). Ref: Palmerini, Opere d'intaglio del Cav. Raffaello Morghen, n°125. Proof before letter but with the name of the artists, on laid paper. Margins. Folded in two. 55,5 x 96 cm. Condition C (some accidents, stains and/or traces of wetness).

50 € - 100 €

2 COPPER PLATES AFTER JOSEPH VERNET (1714-1789) - "La barque mise à flot" & "Le rocher percé" (Landscapes). c.1770. 2 copper plates, matching each other, engraved with etching and burin by Marie-Rosalie BERTAUD (1738 - after 1800). Ref: Pierre Arlaud, Catalogue raisonné des Estampes Gravées d'après Joseph Vernet, Avignon, Imprimeries Rullière-Libeccio, 1976, n°69. I.F.F 18th, n°3 & 6. Each plate is accompanied by a modern print. Respective dimensions: 59 x 48,8 cm & 59,5 x 49

62 - 2 COPPER PLATES AFTER JOSEPH VERNET (1714-1789) - "La barque mise à flot" & "Le rocher percé" (Landscapes). c.1770. 2 copper plates, matching each other, engraved with etching and burin by Marie-Rosalie BERTAUD (1738 - after 1800). Ref: Pierre Arlaud, Catalogue raisonné des Estampes Gravées d'après Joseph Vernet, Avignon, Imprimeries Rullière-Libeccio, 1976, n°69. I.F.F 18th, n°3 & 6. Each plate is accompanied by a modern print. Respective dimensions: 59 x 48,8 cm & 59,5 x 49

1 000 € - 2 000 €

VERNET Carle (1758 - 1836) (after) - "Arabian horse of Mameluck". Aquatint engraving engraved by Louis Philibert DEBUCOURT (1755 - 1832). Ref: Fenaille, n°140 (According to Fenaille, Rolland is "the publisher of the most beautiful pieces by Debucourt after Carle Vernet"). Rare and beautiful proof of the 3rd state out of 3, on wove paper, with the letter and the address "A Paris, chez Rolland, Place des Victoires n°6". Good margins. 34,5 x 42 cm on copperplate. 43 x 55,7 cm the sheet. Condition

63 - VERNET Carle (1758 - 1836) (after) - "Arabian horse of Mameluck". Aquatint engraving engraved by Louis Philibert DEBUCOURT (1755 - 1832). Ref: Fenaille, n°140 (According to Fenaille, Rolland is "the publisher of the most beautiful pieces by Debucourt after Carle Vernet"). Rare and beautiful proof of the 3rd state out of 3, on wove paper, with the letter and the address "A Paris, chez Rolland, Place des Victoires n°6". Good margins. 34,5 x 42 cm on copperplate. 43 x 55,7 cm the sheet. Condition

400 € - 500 €

VERNET Carle (1758 - 1836) (after) - "Mameluck riding a horse". Aquatint engraving engraved by Louis Philibert DEBUCOURT (1755 - 1832). Ref: Fenaille, n°139. Rare and beautiful proof with the letter, on wove paper, with the address "A Paris, chez Rolland, Place des Victoires n°6". Good margins. 34 x 41,5 cm in copperplate. 41,3 x 54,5 cm the sheet. Condition A (some light marginal foxing, good condition).

64 - VERNET Carle (1758 - 1836) (after) - "Mameluck riding a horse". Aquatint engraving engraved by Louis Philibert DEBUCOURT (1755 - 1832). Ref: Fenaille, n°139. Rare and beautiful proof with the letter, on wove paper, with the address "A Paris, chez Rolland, Place des Victoires n°6". Good margins. 34 x 41,5 cm in copperplate. 41,3 x 54,5 cm the sheet. Condition A (some light marginal foxing, good condition).

400 € - 500 €

VERNET Carle (1758 - 1836) (after) - "The horse dealer". c.1800. Aquatint engraved by Coqueret. Proof with the letter, on laid paper. In Paris, at Rolland. 49 x 57,5 cm. Condition B (stains in the margins insolated).

65 - VERNET Carle (1758 - 1836) (after) - "The horse dealer". c.1800. Aquatint engraved by Coqueret. Proof with the letter, on laid paper. In Paris, at Rolland. 49 x 57,5 cm. Condition B (stains in the margins insolated).

80 € - 120 €

GODEFROY John (1771 - 1839) - "Ossian". 1804. Engraved after the painting by F. Gérard (1801). Two proofs (one before the letter, the second with the letter). In Paris, by J. Godefroy. Margins. 64.5 x 67 cm approximately each. Condition B (stains and foxing mainly at the margins, margins sunned). Set. 2 pl.

66 - GODEFROY John (1771 - 1839) - "Ossian". 1804. Engraved after the painting by F. Gérard (1801). Two proofs (one before the letter, the second with the letter). In Paris, by J. Godefroy. Margins. 64.5 x 67 cm approximately each. Condition B (stains and foxing mainly at the margins, margins sunned). Set. 2 pl.

80 € - 120 €

VEBER Jean (1864 - 1928) - "Adam and Eve. Poster for Le Souvenir Normand". 1905. Lithograph. Ref: Veber et Lacroix 148. One of 150 proofs of the avant lettre edition, in black, signed in pencil by the artist. Framed. 73 x 107 cm with the frame. Condition C (some stains and foxing, slight traces of folds, not examined outside its frame).

67 - VEBER Jean (1864 - 1928) - "Adam and Eve. Poster for Le Souvenir Normand". 1905. Lithograph. Ref: Veber et Lacroix 148. One of 150 proofs of the avant lettre edition, in black, signed in pencil by the artist. Framed. 73 x 107 cm with the frame. Condition C (some stains and foxing, slight traces of folds, not examined outside its frame).

400 € - 500 €

ETHUIN, Simone JAGUER known as Anne (1921-2009) - "Composition, Dante and Beatrice or time found". c.1975. Mixed media on paper. Signed and dated "75" in the lower left corner of the composition. On the reverse, titled, dedicated "For Chantal with much affection", signed and dated in ink by the artist. 43,2 x 32,5 cm. Condition A (slight traces of handling).

68 - ETHUIN, Simone JAGUER known as Anne (1921-2009) - "Composition, Dante and Beatrice or time found". c.1975. Mixed media on paper. Signed and dated "75" in the lower left corner of the composition. On the reverse, titled, dedicated "For Chantal with much affection", signed and dated in ink by the artist. 43,2 x 32,5 cm. Condition A (slight traces of handling).

300 € - 400 €

TOURTE Suzanne (1904 - 1979) - DRAFT POSTER - " RETURN FROM SLOVAKIA, SUZANNE TOURTE ". FOR THE ASSOCIATION F. BLUMENTHAL 79 bis rue Madame from 13 to 27 DEC 1935 - 10am to 6pm. ORIGINAL DRAWING WITH PENCIL AND GOUACHE. Vellum paper. Suzanne Tourte moved to Paris in 1924, where she evolved in the artistic and literary world. André Maurois, Hervé Bazin, Paul Guth, Armand Lanoux, Louise de Vilmorin, Robert Mallet, Paul Fort cultivated her friendship and sang her praises. At the beginning of the

69 - TOURTE Suzanne (1904 - 1979) - DRAFT POSTER - " RETURN FROM SLOVAKIA, SUZANNE TOURTE ". FOR THE ASSOCIATION F. BLUMENTHAL 79 bis rue Madame from 13 to 27 DEC 1935 - 10am to 6pm. ORIGINAL DRAWING WITH PENCIL AND GOUACHE. Vellum paper. Suzanne Tourte moved to Paris in 1924, where she evolved in the artistic and literary world. André Maurois, Hervé Bazin, Paul Guth, Armand Lanoux, Louise de Vilmorin, Robert Mallet, Paul Fort cultivated her friendship and sang her praises. At the beginning of the

500 € - 800 €

Northern School of the XVIIth Century : " Daniel in the lion's den ". Oil on canvas. Overpainting and lining. 57 x 67,5 cm

71 - Northern School of the XVIIth Century : " Daniel in the lion's den ". Oil on canvas. Overpainting and lining. 57 x 67,5 cm

1 200 € - 1 500 €

LACROIX de MARSEILLE Charles - François (School of) About 1700 - After 1784. View of a port. Miniature oil painting of round shape. Gilded and chased metal border. Diameter : 10,5 cm.

72 - LACROIX de MARSEILLE Charles - François (School of) About 1700 - After 1784. View of a port. Miniature oil painting of round shape. Gilded and chased metal border. Diameter : 10,5 cm.

80 € - 120 €

BOUCHER François (School of) 1703 - 1770. The Pastoral Poetry. Oil on canvas (Re-tooled; trace of accident in the upper left, and right. Old varnish soiled). H. 77 - W. 100,3 cm. Related to the lost composition (1742) of The Satyric Poetry, engraved by Claude Duflos (Cf. Alexandre Ananoff, Boucher. Peintures I, n° 202, p. 319 - Paris 1979).

73 - BOUCHER François (School of) 1703 - 1770. The Pastoral Poetry. Oil on canvas (Re-tooled; trace of accident in the upper left, and right. Old varnish soiled). H. 77 - W. 100,3 cm. Related to the lost composition (1742) of The Satyric Poetry, engraved by Claude Duflos (Cf. Alexandre Ananoff, Boucher. Peintures I, n° 202, p. 319 - Paris 1979).

1 000 € - 1 500 €

74 - Lot withdrawn

After Pierre-Narcisse GUERIN (1774-1833) and Entourage of Jean-Louis André Théodore GERICAULT (1791-1824) : " Offering to Aesculapius ". Oil on canvas, second decade of the XIXth Century. Several repaints and lining. 100 x 81 cm

75 - After Pierre-Narcisse GUERIN (1774-1833) and Entourage of Jean-Louis André Théodore GERICAULT (1791-1824) : " Offering to Aesculapius ". Oil on canvas, second decade of the XIXth Century. Several repaints and lining. 100 x 81 cm

5 000 € - 6 000 €

FRENCH or ITALIAN SCHOOL, Last Third of the 18th century. The death of a sovereign on the battlefield. Pen, black ink and wash over graphite line. Watermark (some restorations). H. 38,7 - L. 61,8 cm.

76 - FRENCH or ITALIAN SCHOOL, Last Third of the 18th century. The death of a sovereign on the battlefield. Pen, black ink and wash over graphite line. Watermark (some restorations). H. 38,7 - L. 61,8 cm.

200 € - 300 €

French School Beginning of the XIXth Century : " Portrait of a man in a jacket ". Oil on canvas. Restoration and later varnish. 32,5 x24,5 cm

77 - French School Beginning of the XIXth Century : " Portrait of a man in a jacket ". Oil on canvas. Restoration and later varnish. 32,5 x24,5 cm

500 € - 800 €

FRENCH SCHOOL About 1830. Throw of flowers. Oil on paper. Glued on a sheet (old traces of folds or accident). H. 42 - L. 34,8 cm. Gilded wood frame from the 19th century.

78 - FRENCH SCHOOL About 1830. Throw of flowers. Oil on paper. Glued on a sheet (old traces of folds or accident). H. 42 - L. 34,8 cm. Gilded wood frame from the 19th century.

400 € - 600 €

CAMBON Charles - Antoine. Paris 1802 - id; 1875. Project for the set of the opera Faust by Gounod. Charcoal on blue paper. Tiled. H. 50 - L. 59,8 cm. First thought for the 3rd tableau of act III for Gounod's Faust when the work was redesigned in 1869 for the Paris Opera. This decoration of Cambon represents "The street or the public place". It is known by a print preserved at the BNF, Department of Performing Arts. It takes up with variations the same elements represented on the engraving (build

79 - CAMBON Charles - Antoine. Paris 1802 - id; 1875. Project for the set of the opera Faust by Gounod. Charcoal on blue paper. Tiled. H. 50 - L. 59,8 cm. First thought for the 3rd tableau of act III for Gounod's Faust when the work was redesigned in 1869 for the Paris Opera. This decoration of Cambon represents "The street or the public place". It is known by a print preserved at the BNF, Department of Performing Arts. It takes up with variations the same elements represented on the engraving (build

100 € - 150 €

CAMBON Charles - Antoine. 1802 - 1875. Opera set, pleasure park. Black pencil, charcoal, estompe, gouache on three plans of blue cardboard. Tiled. H. 40,6 - L. 60,5 cm

80 - CAMBON Charles - Antoine. 1802 - 1875. Opera set, pleasure park. Black pencil, charcoal, estompe, gouache on three plans of blue cardboard. Tiled. H. 40,6 - L. 60,5 cm

100 € - 150 €

SECHAN Charles Polycarpe. Paris 1803 - id; 1874. Project for the set of the Opera Stradella by Louis Niedermeyer (1802 - 1861): Act III, scene 2 "interior of Sainte - Marie Majeur", Rome. Pen, brown ink and brown wash on blue watercolor background, on cut paper. On the reverse side, title mention in the upper left corner "Stradella. 2nd Der. Act" and on the right in the middle inscription in ink "approved Duponchel". H. 37,5 - L. 58 cm

81 - SECHAN Charles Polycarpe. Paris 1803 - id; 1874. Project for the set of the Opera Stradella by Louis Niedermeyer (1802 - 1861): Act III, scene 2 "interior of Sainte - Marie Majeur", Rome. Pen, brown ink and brown wash on blue watercolor background, on cut paper. On the reverse side, title mention in the upper left corner "Stradella. 2nd Der. Act" and on the right in the middle inscription in ink "approved Duponchel". H. 37,5 - L. 58 cm

120 € - 150 €

FRENCH SCHOOL Mid 19th century. Stranded boat. Oil on paper mounted on panel. H. 30,7 - L. 37,3

82 - FRENCH SCHOOL Mid 19th century. Stranded boat. Oil on paper mounted on panel. H. 30,7 - L. 37,3

150 € - 200 €

PRIEUR Romain Etienne Gabriel. La Ferté Gaucher (Seine - et - Marne) 1806 - Paris 1879. View of the back of the park of Versailles
Oil on paper. Marouflé on canvas. H. 34,5 - 60 cm. Provenance: Fonds Prieur workshop. Paris, Hôtel Drouot, Etude Jean - Marc Delvaux,
17 December 2010.

83 - PRIEUR Romain Etienne Gabriel. La Ferté Gaucher (Seine - et - Marne) 1806 - Paris 1879. View of the back of the park of Versailles Oil on paper. Marouflé on canvas. H. 34,5 - 60 cm. Provenance: Fonds Prieur workshop. Paris, Hôtel Drouot, Etude Jean - Marc Delvaux, 17 December 2010.

500 € - 700 €

CORTES Andres (1810-1879): "Young peasant with cows and calves on the road". Oil on canvas signed lower right. Old varnish, cracks and small stains. 65,5 x 81 cm. Nice gilded wood frame from the XIXth century.

84 - CORTES Andres (1810-1879): "Young peasant with cows and calves on the road". Oil on canvas signed lower right. Old varnish, cracks and small stains. 65,5 x 81 cm. Nice gilded wood frame from the XIXth century.

400 € - 600 €

FRENCH SCHOOL Second half of the 19th century. The Grand Canal in Venice towards the Dogana. Oil on paper ? Marouflé on canvas (On the back, small piece of reinforcement in bottom on the right). H. 24,5 - L. 28,2 cm.

85 - FRENCH SCHOOL Second half of the 19th century. The Grand Canal in Venice towards the Dogana. Oil on paper ? Marouflé on canvas (On the back, small piece of reinforcement in bottom on the right). H. 24,5 - L. 28,2 cm.

400 € - 600 €

STEFFANI Luigi (1827-1898): "Young boy sitting in the grass in front of a cow on a path". Oil on canvas signed on the right. A few small damages and old restorations. 70 x 84,5 cm. Gilded wood frame.

86 - STEFFANI Luigi (1827-1898): "Young boy sitting in the grass in front of a cow on a path". Oil on canvas signed on the right. A few small damages and old restorations. 70 x 84,5 cm. Gilded wood frame.

400 € - 600 €

French school of the XIXth Century : " Scène galante dans un parc ". Oil on canvas. Restorations. 54,5 x 65 cm

87 - French school of the XIXth Century : " Scène galante dans un parc ". Oil on canvas. Restorations. 54,5 x 65 cm

200 € - 250 €

CHAUVEL Théophile Narcisse. Paris 1831 - 1909. Mediterranean landscape. Oil on paper. Marouflé on canvas. Stamped lower left Th. Chauvel (Lugt. 3924). H. 47,4 - L. 57,1 cm.

88 - CHAUVEL Théophile Narcisse. Paris 1831 - 1909. Mediterranean landscape. Oil on paper. Marouflé on canvas. Stamped lower left Th. Chauvel (Lugt. 3924). H. 47,4 - L. 57,1 cm.

300 € - 500 €

LEVY Henry. Nancy 1840 - Paris 1904. Herodiad (sketch). Oil on canvas. Marouflé on cardboard. H. 31 - L. 40,5 cm. Study for the painting exhibited at the Salon of 1872, which earned the painter the Légion d'Honneur, preserved in the Musée des Beaux-Arts of Brest.

89 - LEVY Henry. Nancy 1840 - Paris 1904. Herodiad (sketch). Oil on canvas. Marouflé on cardboard. H. 31 - L. 40,5 cm. Study for the painting exhibited at the Salon of 1872, which earned the painter the Légion d'Honneur, preserved in the Musée des Beaux-Arts of Brest.

300 € - 400 €

RENOUARD Paul. Court - Cheverny (Loire - and - Cher) 1845 - Paris 1924. At the congress in Washington: portrait of journalists. Two charcoal drawings. Titled in ink "Au congre à Washington". H. 22 - L. 35 cm. 1 - Monogrammed in charcoal and signed in ink lower left
Titled in ink To the Congress in Washington. 2 - Monogrammed in charcoal and signed in ink at the bottom left. Annotated in graphite "Henry B. F MacFarland, The philadelpia Record / A. W. Lyman, New York Sun / M. G. Leckendorf, N. Y

90 - RENOUARD Paul. Court - Cheverny (Loire - and - Cher) 1845 - Paris 1924. At the congress in Washington: portrait of journalists. Two charcoal drawings. Titled in ink "Au congre à Washington". H. 22 - L. 35 cm. 1 - Monogrammed in charcoal and signed in ink lower left Titled in ink To the Congress in Washington. 2 - Monogrammed in charcoal and signed in ink at the bottom left. Annotated in graphite "Henry B. F MacFarland, The philadelpia Record / A. W. Lyman, New York Sun / M. G. Leckendorf, N. Y

100 € - 150 €

French school of the XIXth Century : " Woman with a hat ". Oil on canvas monogrammed "E.D" in the lower right corner. 46 x 38 cm. Accident in the left part. In a gilded wood frame.

91 - French school of the XIXth Century : " Woman with a hat ". Oil on canvas monogrammed "E.D" in the lower right corner. 46 x 38 cm. Accident in the left part. In a gilded wood frame.

400 € - 500 €

MOTTEZ Henry - Paul. London 1855 - 1937. Portrait of two young women on a background of foliage. Watercolor, red chalk, pen and black ink on graphite. Signed lower right in brown pencil Henry Mottez. H. 33,5 - L. 48 cm.

92 - MOTTEZ Henry - Paul. London 1855 - 1937. Portrait of two young women on a background of foliage. Watercolor, red chalk, pen and black ink on graphite. Signed lower right in brown pencil Henry Mottez. H. 33,5 - L. 48 cm.

100 € - 150 €

French school of the XIXth Century: "Torrent in a mountain landscape". Oil on paper pasted on cardboard. Some missing pieces. 35 dx 46 cm

93 - French school of the XIXth Century: "Torrent in a mountain landscape". Oil on paper pasted on cardboard. Some missing pieces. 35 dx 46 cm

60 € - 80 €

French School End of XIXth Century: "Helmeted soldier with white drape". Charcoal drawing and white stone on paper monogrammed "D.C." in the lower left corner. 44 x 27,5 cm

94 - French School End of XIXth Century: "Helmeted soldier with white drape". Charcoal drawing and white stone on paper monogrammed "D.C." in the lower left corner. 44 x 27,5 cm

50 € - 80 €

French School End of the XIXth Century: "Saint Jerome". Oil on canvas monogrammed and dated 1882 lower left. Stains and accidents. 55 x 45,5 cm

95 - French School End of the XIXth Century: "Saint Jerome". Oil on canvas monogrammed and dated 1882 lower left. Stains and accidents. 55 x 45,5 cm

150 € - 200 €

School of the End of the XIXth Century : " Peasant woman near a piece of water ". Oil on canvas. Bears a signature at the bottom left. Cracks and missing parts. 38 x 55 cm. In a gilded wooden frame of the XIXth Century.

96 - School of the End of the XIXth Century : " Peasant woman near a piece of water ". Oil on canvas. Bears a signature at the bottom left. Cracks and missing parts. 38 x 55 cm. In a gilded wooden frame of the XIXth Century.

300 € - 500 €

ZUCHELLI Pierre (Né en 1927) d’après : « Composition grise ». Lithographie signée au crayon, « épreuve d’artiste », format 70 x 50 cm, encadrée.

97 - ZUCHELLI Pierre (Né en 1927) d’après : « Composition grise ». Lithographie signée au crayon, « épreuve d’artiste », format 70 x 50 cm, encadrée.

100 € - 120 €

ANONYMOUS end of the 19th and beginning of the 20th century, in the taste of Édouard MANET, Study of a bullfighter, black stone and white highlights on tracing paper (accidents and missing), bears an apocryphal inscription at the bottom right: em and a stamp Collection Henry Cayon, 28x23.5 cm.

98 - ANONYMOUS end of the 19th and beginning of the 20th century, in the taste of Édouard MANET, Study of a bullfighter, black stone and white highlights on tracing paper (accidents and missing), bears an apocryphal inscription at the bottom right: em and a stamp Collection Henry Cayon, 28x23.5 cm.

200 € - 300 €

ANONYMOUS IN THE TASTE OF GEORGES SEURAT, Horse in the meadow, oil on paper (small accidents and missing), unsigned, on the back Bears an inscription: Seurat Collection ..., 15,5x17, cm. In a gilded wooden frame.

99 - ANONYMOUS IN THE TASTE OF GEORGES SEURAT, Horse in the meadow, oil on paper (small accidents and missing), unsigned, on the back Bears an inscription: Seurat Collection ..., 15,5x17, cm. In a gilded wooden frame.

400 € - 700 €

MODERN ECOLE, Still life with cheese, gouache on paper (insolation and foxing), bears an apocryphal inscription in the lower right corner: Morandi, 16,5x23 cm.

100 - MODERN ECOLE, Still life with cheese, gouache on paper (insolation and foxing), bears an apocryphal inscription in the lower right corner: Morandi, 16,5x23 cm.

120 € - 180 €

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