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SALE OF FURNITURE AND ART OBJECTS

SALE OF FURNITURE AND ART OBJECTS

Thursday, 23 February 2023 at 13:30

Salle 2 - Hôtel Drouot, 9, rue Drouot, 75009 Paris

360° virtual tour

Lots 1 to 50 of 329

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LOT OF ENGRAVINGS framed or not. Various subjects and formats. As is.

1 - LOT OF ENGRAVINGS framed or not. Various subjects and formats. As is.

50 € - 100 €

LOT OF APPROXIMATELY 15 ENGRAVINGS in black or in colors. Various subjects and formats.

2 - LOT OF APPROXIMATELY 15 ENGRAVINGS in black or in colors. Various subjects and formats.

50 € - 100 €

LOT OF APPROXIMATELY 18 ESTAMPS of the 19th century after Jules DUPRE, after INGRES, Bonington, French ... Mainly landscapes. Various sizes and in the state.

3 - LOT OF APPROXIMATELY 18 ESTAMPS of the 19th century after Jules DUPRE, after INGRES, Bonington, French ... Mainly landscapes. Various sizes and in the state.

50 € - 100 €

LOT OF APPROXIMATELY 25 PRINTINGS in black and colors, after various artists such as Berghem, VanLoo, Van Dyck, F. Boucher... Various formats and periods, in the state.

4 - LOT OF APPROXIMATELY 25 PRINTINGS in black and colors, after various artists such as Berghem, VanLoo, Van Dyck, F. Boucher... Various formats and periods, in the state.

50 € - 100 €

LOT OF APPROXIMATELY 20 ENGRAVINGS, in black and colors, including "Spanish Conversation" after Beauvarlet, "The Siege of Calais" by Anselin, lithograph after Boilly, and others... various sizes and periods, as is.

5 - LOT OF APPROXIMATELY 20 ENGRAVINGS, in black and colors, including "Spanish Conversation" after Beauvarlet, "The Siege of Calais" by Anselin, lithograph after Boilly, and others... various sizes and periods, as is.

50 € - 100 €

LOT OF APPROXIMATELY 13 ENGRAVINGS including "The Last Supper" after Leonardo DE VINCI, "The Punished Son" after GREUZE, "The Crossing of the Styx", "The Fight" by JAZET... Various sizes and periods. In the state.

6 - LOT OF APPROXIMATELY 13 ENGRAVINGS including "The Last Supper" after Leonardo DE VINCI, "The Punished Son" after GREUZE, "The Crossing of the Styx", "The Fight" by JAZET... Various sizes and periods. In the state.

50 € - 100 €

LOT of 3 ENGRAVINGS AFTER TENIERS: "Flemish Freemasons in Lodge", "Flemish Revels" & "Village Festivities".

7 - LOT of 3 ENGRAVINGS AFTER TENIERS: "Flemish Freemasons in Lodge", "Flemish Revels" & "Village Festivities".

50 € - 100 €

LOT of about 8 PORTRAITS including LE KAIN, Henri Comte de CHAMBORD... Various sizes and periods. In the state.

8 - LOT of about 8 PORTRAITS including LE KAIN, Henri Comte de CHAMBORD... Various sizes and periods. In the state.

50 € - 100 €

LOT of 3 PORTRAITS - LOUIS XVI, Marie-Antoinette...

9 - LOT of 3 PORTRAITS - LOUIS XVI, Marie-Antoinette...

30 € - 50 €

LOT of 5 plates on the theme of HORSES including engravings after VERNET, in black and colors. Various sizes.

10 - LOT of 5 plates on the theme of HORSES including engravings after VERNET, in black and colors. Various sizes.

50 € - 100 €

LOT of about 10 ENGRAVINGS after J. VERNET of which "The PORT OF CETTE in Languedoc", "The MADRAGUE or the Fishing with the tuna", "The city and the rad of TOULON" by Cochin son & Le Bas, "The gale", "The big storm"...

11 - LOT of about 10 ENGRAVINGS after J. VERNET of which "The PORT OF CETTE in Languedoc", "The MADRAGUE or the Fishing with the tuna", "The city and the rad of TOULON" by Cochin son & Le Bas, "The gale", "The big storm"...

200 € - 300 €

LOT of about 6 ENGRAVINGS including an EQUESTRIAN PORTRAIT of NAPOLEON, "BONAPARTE" after Isabey, "Hippocrate refuses the gifts of Artaxercès" by GIRODET-TRIOSON, ... Various sizes and periods.

12 - LOT of about 6 ENGRAVINGS including an EQUESTRIAN PORTRAIT of NAPOLEON, "BONAPARTE" after Isabey, "Hippocrate refuses the gifts of Artaxercès" by GIRODET-TRIOSON, ... Various sizes and periods.

50 € - 100 €

LOT of ENGRAVINGS including "View of the Cave of Fingal in the island of Staffa, one of the Hebrides"; "Decoration of the Coronation of LOUIS XVI [...] XI June 1775". 1779. Etching and burin by MOREAU the younger, after Giraut and Boquet; Two etchings and burin by Laurent CARS after GREUZE; "The Sportman". 1775. Engraved by John BROWNE, after Gaspar Poussin. "Le 31 May 1793" & "La nuit du 9 au 10 Thermidor An II". 2 color stipple engravings by J.J.F. TASSAERT, after F.J. Hariet. Various size

13 - LOT of ENGRAVINGS including "View of the Cave of Fingal in the island of Staffa, one of the Hebrides"; "Decoration of the Coronation of LOUIS XVI [...] XI June 1775". 1779. Etching and burin by MOREAU the younger, after Giraut and Boquet; Two etchings and burin by Laurent CARS after GREUZE; "The Sportman". 1775. Engraved by John BROWNE, after Gaspar Poussin. "Le 31 May 1793" & "La nuit du 9 au 10 Thermidor An II". 2 color stipple engravings by J.J.F. TASSAERT, after F.J. Hariet. Various size

50 € - 100 €

"The BATTLE OF ABOUKIR, July 25, 1799". Print by Louis-François LEJEUNE, early 19th century. 65 x 82 cm. Condition C/D (formerly mounted on a frame back, some accidents).

14 - "The BATTLE OF ABOUKIR, July 25, 1799". Print by Louis-François LEJEUNE, early 19th century. 65 x 82 cm. Condition C/D (formerly mounted on a frame back, some accidents).

50 € - 100 €

CUBA - VIEW OF MATANZAS - "Vista de la Ciudad de Matanzas tomada desde el Monte de Cafetal de Dn. Vicente Guerrero. Isla de Cuba Pintoresca. Coleccion de Vistas Generales". 1856. Lithograph, enhanced with colors, of a spectacular panorama of the city of Matanzas, in the northwest of Cuba, drawn by Leonardo Barañano and lithographed by Eugene Bourrelier. Published by La Marina in 1856. The general view is surrounded by four views of the city's emblematic buildings: the parish church, the governm

15 - CUBA - VIEW OF MATANZAS - "Vista de la Ciudad de Matanzas tomada desde el Monte de Cafetal de Dn. Vicente Guerrero. Isla de Cuba Pintoresca. Coleccion de Vistas Generales". 1856. Lithograph, enhanced with colors, of a spectacular panorama of the city of Matanzas, in the northwest of Cuba, drawn by Leonardo Barañano and lithographed by Eugene Bourrelier. Published by La Marina in 1856. The general view is surrounded by four views of the city's emblematic buildings: the parish church, the governm

700 € - 1 000 €

"THE NOCES of HENRI DE NAVARRE and MARGUERITE de France". 1873. Engraving after L. Chevignard. Proof with the letter, on chine paper applied, printed by A. Salmon. 73 x 85 cm. Condition C (formerly mounted on the back of the frame, foxing and handling marks).

16 - "THE NOCES of HENRI DE NAVARRE and MARGUERITE de France". 1873. Engraving after L. Chevignard. Proof with the letter, on chine paper applied, printed by A. Salmon. 73 x 85 cm. Condition C (formerly mounted on the back of the frame, foxing and handling marks).

50 € - 100 €

PORTRAIT of CHARLES I - "Carolo I Magnae". 1782. Etching and burin by Robert STRANGE, after VAN DYCK. Late print. Copper margins. 64,5 x 49,5 cm. Condition C (some accidents).

17 - PORTRAIT of CHARLES I - "Carolo I Magnae". 1782. Etching and burin by Robert STRANGE, after VAN DYCK. Late print. Copper margins. 64,5 x 49,5 cm. Condition C (some accidents).

50 € - 80 €

EQUESTRIAN PORTRAIT of LOUIS PHILIPPE 1st. 19th century. Lithographed by Marin-Lavigne, after Ladurner. Printed by Engelman,. Margins. 79 x 62.5 cm. Condition B/C (some stains and foxing, margins insolated).

18 - EQUESTRIAN PORTRAIT of LOUIS PHILIPPE 1st. 19th century. Lithographed by Marin-Lavigne, after Ladurner. Printed by Engelman,. Margins. 79 x 62.5 cm. Condition B/C (some stains and foxing, margins insolated).

50 € - 80 €

SLAVERY - "The Marriage of the Negro" & "The Cult of the Negro". c.1795. Meeting of 2 etchings and burin by LEGRAND & COLIBERT (1750-1806). Copper margins. Plates executed after the first abolition of slavery by the Convention on February 4, 1794. 42 x 52,5 cm approximately each plate. Condition B/C (mounted on frame spine, not pasted in full, foxing and some staining). Set of 2 plates.

19 - SLAVERY - "The Marriage of the Negro" & "The Cult of the Negro". c.1795. Meeting of 2 etchings and burin by LEGRAND & COLIBERT (1750-1806). Copper margins. Plates executed after the first abolition of slavery by the Convention on February 4, 1794. 42 x 52,5 cm approximately each plate. Condition B/C (mounted on frame spine, not pasted in full, foxing and some staining). Set of 2 plates.

100 € - 200 €

ACADEMY OF MEN 18th century - BLOOD DRAWING, on watermarked laid paper (rosary), circa 1750. 51,8 x 36,5 cm. Condition B (some rare stains and handling marks, slightly dusty).

20 - ACADEMY OF MEN 18th century - BLOOD DRAWING, on watermarked laid paper (rosary), circa 1750. 51,8 x 36,5 cm. Condition B (some rare stains and handling marks, slightly dusty).

800 € - 1 000 €

KLIMEK Ludwik - "THE JOCONDE", after Leonardo de VINCI. Oil on canvas by Ludwik KLIMEK (1912-1992, Polish painter, Boursier des Beaux-Arts de Paris). 34 x 26 cm. Condition A/B (glued on cardboard, good general condition).

21 - KLIMEK Ludwik - "THE JOCONDE", after Leonardo de VINCI. Oil on canvas by Ludwik KLIMEK (1912-1992, Polish painter, Boursier des Beaux-Arts de Paris). 34 x 26 cm. Condition A/B (glued on cardboard, good general condition).

400 € - 600 €

ALDEGREVER Heinrich (1502 - 1558) - "Divitiae" (Wealth). 1549. Etching. Dated and signed with the monogram in the plate. Ref: New Hollstein & Bartsch, n°107. Proof on laid paper. Small margins. Beautiful impression. This engraving is part of a series of fourteen plates on the theme of virtues and vices whose complete series are preserved in Amsterdam, Berlin, Paris, Vienna, Warsaw, Wolfegg. Provenance: French private collection. 7,2 x 5,2 cm. Condition A (good condition).

22 - ALDEGREVER Heinrich (1502 - 1558) - "Divitiae" (Wealth). 1549. Etching. Dated and signed with the monogram in the plate. Ref: New Hollstein & Bartsch, n°107. Proof on laid paper. Small margins. Beautiful impression. This engraving is part of a series of fourteen plates on the theme of virtues and vices whose complete series are preserved in Amsterdam, Berlin, Paris, Vienna, Warsaw, Wolfegg. Provenance: French private collection. 7,2 x 5,2 cm. Condition A (good condition).

400 € - 800 €

BALDUNG GRIEN Hans (1484 - 1545) - "The body of Christ carried to heaven by angels". c.1515-1517. Engraved wood. Signed with the artist's monogram in the plate. Ref: Hollstein, n°56. Bartsch, n°43. Proof on laid paper. Small margins. Good condition. Provenance: French private collection. 22,8 x 16 cm. Condition A (small stain on the verso visible on the recto to the left of the angels).

23 - BALDUNG GRIEN Hans (1484 - 1545) - "The body of Christ carried to heaven by angels". c.1515-1517. Engraved wood. Signed with the artist's monogram in the plate. Ref: Hollstein, n°56. Bartsch, n°43. Proof on laid paper. Small margins. Good condition. Provenance: French private collection. 22,8 x 16 cm. Condition A (small stain on the verso visible on the recto to the left of the angels).

1 500 € - 2 000 €

CORT Cornelis (1536 - 1578) - "The birth of St John the Baptist". 1578. Burin after Federico Zuccaro (1540/42-1609). Ref: New Hollstein, n°95. Proof on watermarked laid paper (double C crowned), covered on the reverse with the collection mark of Count C. W. de RENESSE-BREIDBACH (1776-1833), Belgian officer, politician and amateur (Lugt 1209). 30,1 x 22,3 cm. Condition A (cut at the copper mark or at the limit of the 1st square line and formerly mounted on strong paper, otherwise good condition)

24 - CORT Cornelis (1536 - 1578) - "The birth of St John the Baptist". 1578. Burin after Federico Zuccaro (1540/42-1609). Ref: New Hollstein, n°95. Proof on watermarked laid paper (double C crowned), covered on the reverse with the collection mark of Count C. W. de RENESSE-BREIDBACH (1776-1833), Belgian officer, politician and amateur (Lugt 1209). 30,1 x 22,3 cm. Condition A (cut at the copper mark or at the limit of the 1st square line and formerly mounted on strong paper, otherwise good condition)

300 € - 400 €

CRANACH Lucas the elder (1472-1553) - "The Penance of Saint John Chrysostom". 1509. Burin. Signed with the monogram and dated in the tablet at the foot of the composition. Ref: Hollstein & Bartsch, n°1. Beautiful proof on watermarked laid paper (escutcheon). The influence of Albrecht Dürer is clearly perceptible in "The Penance of St. John Chrysostom", one of the few copper engravings by Cranach, which refers to the work that Dürer executed a decade earlier, around 1497. Very rare. Proven

25 - CRANACH Lucas the elder (1472-1553) - "The Penance of Saint John Chrysostom". 1509. Burin. Signed with the monogram and dated in the tablet at the foot of the composition. Ref: Hollstein & Bartsch, n°1. Beautiful proof on watermarked laid paper (escutcheon). The influence of Albrecht Dürer is clearly perceptible in "The Penance of St. John Chrysostom", one of the few copper engravings by Cranach, which refers to the work that Dürer executed a decade earlier, around 1497. Very rare. Proven

2 000 € - 3 000 €

DÜRER Albrecht (1471 - 1528) - "The Seven Angels with Trumpets: Opening of the Seventh Seal". Engraved wood. Signed with the artist's monogram in the composition. Ref: Hollstein, n°170. nice proof of the 2nd state (b) of 4, with the text in Latin on the reverse and in the right column (1st line) "ascendetez" (1498). Plate from the 15-piece suite "The Apocalypse" depicts the vision of seven trumpets given to the angels and the consequences of the first four blasts: a deluge of hail and fire on

26 - DÜRER Albrecht (1471 - 1528) - "The Seven Angels with Trumpets: Opening of the Seventh Seal". Engraved wood. Signed with the artist's monogram in the composition. Ref: Hollstein, n°170. nice proof of the 2nd state (b) of 4, with the text in Latin on the reverse and in the right column (1st line) "ascendetez" (1498). Plate from the 15-piece suite "The Apocalypse" depicts the vision of seven trumpets given to the angels and the consequences of the first four blasts: a deluge of hail and fire on

7 000 € - 10 000 €

DÜRER Albrecht (1471- 1528) - "The Martyrdom of the Ten Thousand Christians". Engraved wood. Signed with the artist's monogram at the bottom in the composition. Ref: Bartsch, n°117. Hollstein & Meder, n°218. Nice proof on watermarked laid paper (letters). Late print. Margins. 39 x 28,5 cm squared. 49 x 32,5 cm the sheet. Condition A (a short tear in the left margin, very slightly dusty margins, good condition).

27 - DÜRER Albrecht (1471- 1528) - "The Martyrdom of the Ten Thousand Christians". Engraved wood. Signed with the artist's monogram at the bottom in the composition. Ref: Bartsch, n°117. Hollstein & Meder, n°218. Nice proof on watermarked laid paper (letters). Late print. Margins. 39 x 28,5 cm squared. 49 x 32,5 cm the sheet. Condition A (a short tear in the left margin, very slightly dusty margins, good condition).

2 000 € - 3 000 €

LEYDE Lucas de (1494 - 1533) - "The walk". 1420. chisel. Dated and signed with the artist's monogram in the plate. Ref: Hollstein & Bartsch, n°144, proof on laid paper (fragment of watermark). Provenance: French private collection. 11,4 x 7,4 cm. Condition B (cut with copper before the square line, a small rust stain on the lower left arm of the man and rare small foxing. A small crack in the paper at the top left corner of the trees).

28 - LEYDE Lucas de (1494 - 1533) - "The walk". 1420. chisel. Dated and signed with the artist's monogram in the plate. Ref: Hollstein & Bartsch, n°144, proof on laid paper (fragment of watermark). Provenance: French private collection. 11,4 x 7,4 cm. Condition B (cut with copper before the square line, a small rust stain on the lower left arm of the man and rare small foxing. A small crack in the paper at the top left corner of the trees).

1 500 € - 2 000 €

LEYDE Lucas de (1494 - 1533) - "The beggars". Burin. Signed with the artist's monogram in the plate. Ref: Hollstein & Barstch, n°143. Proof on laid paper. Fine margins of the copper. Provenance: French private collection. 11,1 x 8,1 cm. Condition A (cut at the edge of the copperplate mark and small traces of old mounting on the reverse).

29 - LEYDE Lucas de (1494 - 1533) - "The beggars". Burin. Signed with the artist's monogram in the plate. Ref: Hollstein & Barstch, n°143. Proof on laid paper. Fine margins of the copper. Provenance: French private collection. 11,1 x 8,1 cm. Condition A (cut at the edge of the copperplate mark and small traces of old mounting on the reverse).

1 500 € - 2 000 €

MASTER MZ, Matthäus ZASINGER, known as (c.1477 - 1525) - "Saint Ursula". c.1500-1503. Burin. Signed with the artist's monogram in the plate. Ref: Bartsch, n°10. Proof on laid paper, with the collection mark of Friedrich KALLE (1804-1875), insurance broker in Cologne and Bonn (Lugt 1021) on the reverse. Small margins. Beautiful impression. Provenance: French private collection. 13 x 8,8 cm. Condition A (slight traces of old mounting on the reverse, good condition).

30 - MASTER MZ, Matthäus ZASINGER, known as (c.1477 - 1525) - "Saint Ursula". c.1500-1503. Burin. Signed with the artist's monogram in the plate. Ref: Bartsch, n°10. Proof on laid paper, with the collection mark of Friedrich KALLE (1804-1875), insurance broker in Cologne and Bonn (Lugt 1021) on the reverse. Small margins. Beautiful impression. Provenance: French private collection. 13 x 8,8 cm. Condition A (slight traces of old mounting on the reverse, good condition).

1 500 € - 2 000 €

MASTER MZ, Matthäus ZASINGER, known as (c.1477 - 1525) - "Saint Catherine". c.1500. Burin. Signed with the artist's monogram in the plate. Ref: Bartsch, n°11. Proof on laid paper, with the collection mark of Friedrich KALLE (1804-1875), insurance broker in Cologne and Bonn (Lugt 1021) on the reverse. Small margins. Provenance: French private collection. 12,6 x 8,9 cm. Condition A (some rare light foxing, small traces of old mounting on the reverse).

31 - MASTER MZ, Matthäus ZASINGER, known as (c.1477 - 1525) - "Saint Catherine". c.1500. Burin. Signed with the artist's monogram in the plate. Ref: Bartsch, n°11. Proof on laid paper, with the collection mark of Friedrich KALLE (1804-1875), insurance broker in Cologne and Bonn (Lugt 1021) on the reverse. Small margins. Provenance: French private collection. 12,6 x 8,9 cm. Condition A (some rare light foxing, small traces of old mounting on the reverse).

1 500 € - 2 000 €

PENCZ Georg (c.1500 - 1550) - "The Bad Rich in Hell and Lazarus in Heaven". c.1542-1543. Burin. Signed with the monogram GP in the plate. Ref: Hollstein, n°39. Bartsch, n°67. Proof on laid paper, covered on the reverse with the collection mark of L. LÉPINGLE († circa 1903), merchant in Brussels (Lugt 1731). Beautiful impression. Provenance: French private collection. 6,3 x 8,8 cm. Condition A (small traces of old mounting on the reverse, thin margins of the copper, good condition).

32 - PENCZ Georg (c.1500 - 1550) - "The Bad Rich in Hell and Lazarus in Heaven". c.1542-1543. Burin. Signed with the monogram GP in the plate. Ref: Hollstein, n°39. Bartsch, n°67. Proof on laid paper, covered on the reverse with the collection mark of L. LÉPINGLE († circa 1903), merchant in Brussels (Lugt 1731). Beautiful impression. Provenance: French private collection. 6,3 x 8,8 cm. Condition A (small traces of old mounting on the reverse, thin margins of the copper, good condition).

400 € - 800 €

PENCZ Georg (c.1500 - 1550) - "Christ on the cross, between the Virgin and St John". 1547. Burin. Signed with the artist's monogram and dated in the plate. Ref: Bartsch, no. 57. Hollstein, no. 40. Proof on laid paper. Small margins. 11,7 x 7,7 cm in copper. Provenance: French private collection. 12 x 8,2 cm the sheet. Condition A (trace of old mounting on the reverse, a small light freckle on the right leg of Christ, otherwise good condition).

33 - PENCZ Georg (c.1500 - 1550) - "Christ on the cross, between the Virgin and St John". 1547. Burin. Signed with the artist's monogram and dated in the plate. Ref: Bartsch, no. 57. Hollstein, no. 40. Proof on laid paper. Small margins. 11,7 x 7,7 cm in copper. Provenance: French private collection. 12 x 8,2 cm the sheet. Condition A (trace of old mounting on the reverse, a small light freckle on the right leg of Christ, otherwise good condition).

400 € - 800 €

PENCZ Georg (c.1500 - 1550) - "Susanna and the old men". c.1532. Burin. Signed with the artist's monogram in the plate. Ref: Bartsch, no. 26. Hollstein, n°19. Proof on laid paper. Fine margins. Provenance: French private collection. 4,9 x 7,6 cm. Condition A (small trace of old mounting on the reverse, good condition).

34 - PENCZ Georg (c.1500 - 1550) - "Susanna and the old men". c.1532. Burin. Signed with the artist's monogram in the plate. Ref: Bartsch, no. 26. Hollstein, n°19. Proof on laid paper. Fine margins. Provenance: French private collection. 4,9 x 7,6 cm. Condition A (small trace of old mounting on the reverse, good condition).

400 € - 800 €

REMBRANDT H. van Rijn (1606 - 1669) - "The Raising of Lazarus", large plate. c. 1632. Original etching. Signed in point in the center of the composition. Ref: Hind, no. 96. Bartsch, no. 73. Proof on watermarked laid paper (Basilisk). Margins. Beautiful impression. Provenance: French private collection. 36,5 x 25,8 cm approx. on copperplate. 37,5 x 26,5 cm the sheet. Condition B (small lack filled at the level of the head of the 1st character in the lower left corner, small traces of old mounting

35 - REMBRANDT H. van Rijn (1606 - 1669) - "The Raising of Lazarus", large plate. c. 1632. Original etching. Signed in point in the center of the composition. Ref: Hind, no. 96. Bartsch, no. 73. Proof on watermarked laid paper (Basilisk). Margins. Beautiful impression. Provenance: French private collection. 36,5 x 25,8 cm approx. on copperplate. 37,5 x 26,5 cm the sheet. Condition B (small lack filled at the level of the head of the 1st character in the lower left corner, small traces of old mounting

7 000 € - 10 000 €

REMBRANDT H. van Rijn (1606 - 1669) - "Selfportrait, Rembrandt and Saskia" (Selfportrait, Rembrandt and Saskia). 1636. Original etching. Signed "Rembrandt f" and dated in the composition in the upper left corner. Ref: Hind, no. 144, New Hollstein & Bartsch, no. 19. Proof of a late print, on laid paper. Small margins. Rembrandt's wife, Saskia van Uylenburgh, was one of Rembrandt's favorite models. This etching, made only two years after their marriage, depicts the thirty-year-old Rembrandt an

36 - REMBRANDT H. van Rijn (1606 - 1669) - "Selfportrait, Rembrandt and Saskia" (Selfportrait, Rembrandt and Saskia). 1636. Original etching. Signed "Rembrandt f" and dated in the composition in the upper left corner. Ref: Hind, no. 144, New Hollstein & Bartsch, no. 19. Proof of a late print, on laid paper. Small margins. Rembrandt's wife, Saskia van Uylenburgh, was one of Rembrandt's favorite models. This etching, made only two years after their marriage, depicts the thirty-year-old Rembrandt an

3 000 € - 4 000 €

REMBRANDT H. van Rijn (1606 - 1669) - "Peter and John at the gate of the temple". 1659. Original etching and drypoint. Proof of a late print, on laid paper. Ref: Bartsch & Hollstein, n°94. The New Hollstein, n°312. Hind, n°301. Signed and dated "Rembrandt f.1659" in the composition. 17.9 x 21.5 cm. Condition B (cut to the subject and formerly pasted by the edges on glazed vellum paper, a tiny little spot in the sky).

37 - REMBRANDT H. van Rijn (1606 - 1669) - "Peter and John at the gate of the temple". 1659. Original etching and drypoint. Proof of a late print, on laid paper. Ref: Bartsch & Hollstein, n°94. The New Hollstein, n°312. Hind, n°301. Signed and dated "Rembrandt f.1659" in the composition. 17.9 x 21.5 cm. Condition B (cut to the subject and formerly pasted by the edges on glazed vellum paper, a tiny little spot in the sky).

1 500 € - 2 000 €

REMBRANDT H. van Rijn (1606 - 1669) - "The Young Haaring". (Jakob Thomasz Haring, the Young Haring). 1655. Original etching. Signed and dated in the plate. Ref: Bartsch & Hollstein, no. 275. Hind, no. 288. Late print of the reduced copper, on laid paper. Pieter Haaringh, known as Haaringh the Younger, organized the private auction of Rembrandt's possessions in Amsterdam from 1656 onwards in order to save him from total ruin due to insolvency. 11,8 x 10,3 cm. Condition A/B (formerly cut to th

38 - REMBRANDT H. van Rijn (1606 - 1669) - "The Young Haaring". (Jakob Thomasz Haring, the Young Haring). 1655. Original etching. Signed and dated in the plate. Ref: Bartsch & Hollstein, no. 275. Hind, no. 288. Late print of the reduced copper, on laid paper. Pieter Haaringh, known as Haaringh the Younger, organized the private auction of Rembrandt's possessions in Amsterdam from 1656 onwards in order to save him from total ruin due to insolvency. 11,8 x 10,3 cm. Condition A/B (formerly cut to th

1 000 € - 1 500 €

REMBRANDT H. van Rijn (1606 - 1669) - "Johannes Wytenbogardus" (Jan Uytenbogaert, Arminian preacher). 1635. Original etching, drypoint and burin. Signed and dated "Rembrandt f. / 1635" on the point. Ref: Bartsch, no. 279. New Hollstein, n°153. Proof of a late print, on cream laid paper. Margins. "Johannes Uytenbogaert (1557-1644), tutor to Frederick of Orange and minister to Prince Maurice, was in his time the most prominent theologian and preacher of the remonstrators, Calvinists who followed

39 - REMBRANDT H. van Rijn (1606 - 1669) - "Johannes Wytenbogardus" (Jan Uytenbogaert, Arminian preacher). 1635. Original etching, drypoint and burin. Signed and dated "Rembrandt f. / 1635" on the point. Ref: Bartsch, no. 279. New Hollstein, n°153. Proof of a late print, on cream laid paper. Margins. "Johannes Uytenbogaert (1557-1644), tutor to Frederick of Orange and minister to Prince Maurice, was in his time the most prominent theologian and preacher of the remonstrators, Calvinists who followed

1 000 € - 2 000 €

REMBRANDT H. van Rijn (1606 - 1669) - "The Rest on the Flight into Egypt, a night effect". (The rest on the flight into Egypt, a night piece). c.1644. Original etching and drypoint. Ref: Bartsch, no. 57. New Hollstein, no. 216. Proof of a late print, on laid paper. Fine margins. Like many artists, Rembrandt depicted the Holy Family fleeing to Egypt to escape the persecution of King Herod. He gave the episode the appearance of everyday life, with Mary and Joseph in humble garb and consumed by par

40 - REMBRANDT H. van Rijn (1606 - 1669) - "The Rest on the Flight into Egypt, a night effect". (The rest on the flight into Egypt, a night piece). c.1644. Original etching and drypoint. Ref: Bartsch, no. 57. New Hollstein, no. 216. Proof of a late print, on laid paper. Fine margins. Like many artists, Rembrandt depicted the Holy Family fleeing to Egypt to escape the persecution of King Herod. He gave the episode the appearance of everyday life, with Mary and Joseph in humble garb and consumed by par

1 000 € - 2 000 €

REMBRANDT H. van Rijn (1606 - 1669) - "Beggar with a Wooden Leg". c.1630. Original etching. Ref: Bartsch, n°179. New Hollstein, no. 49 (Jean print). Proof of a late print, on strong laid paper. Margins. 11,2 x 6,6 cm for the subject. 12,5 x 8 cm. Condition A (formerly laminated).

41 - REMBRANDT H. van Rijn (1606 - 1669) - "Beggar with a Wooden Leg". c.1630. Original etching. Ref: Bartsch, n°179. New Hollstein, no. 49 (Jean print). Proof of a late print, on strong laid paper. Margins. 11,2 x 6,6 cm for the subject. 12,5 x 8 cm. Condition A (formerly laminated).

1 000 € - 2 000 €

BOL Ferdinand (1616 - 1680) - "Old man with a beard, in a cap". c.1644. Etching. 7,4 x 5,4 cm approximately (oval subject). Condition B (formerly cut at the border of the framing line and pasted on strong paper).

42 - BOL Ferdinand (1616 - 1680) - "Old man with a beard, in a cap". c.1644. Etching. 7,4 x 5,4 cm approximately (oval subject). Condition B (formerly cut at the border of the framing line and pasted on strong paper).

300 € - 400 €

SAENREDAM Jan P. (1565 - 1607) - "Whale stranded on the beach at Beverwijk". 1602. Etching and burin. Ref: Bartsch, no. 11. Hollstein, n°121. Rare proof of the 1st state out of 3, before the plate was reworked. This proof is a print from 1602 before the plate was reworked in 1618, to illustrate another calamity that befell the Dutch Republic after the arrival of the whale (This later state of Saenredam's print adds, in the upper left below the border, a skeleton slaughtering the Amsterdam maid,

43 - SAENREDAM Jan P. (1565 - 1607) - "Whale stranded on the beach at Beverwijk". 1602. Etching and burin. Ref: Bartsch, no. 11. Hollstein, n°121. Rare proof of the 1st state out of 3, before the plate was reworked. This proof is a print from 1602 before the plate was reworked in 1618, to illustrate another calamity that befell the Dutch Republic after the arrival of the whale (This later state of Saenredam's print adds, in the upper left below the border, a skeleton slaughtering the Amsterdam maid,

5 000 € - 6 000 €

VAN OSTADE Adrian (1610 - 1685) (after) - "Portrait of Adrian van Ostade". Etching and black manner engraved by Jacob Gole (Paris, 1647 or 1660 - Amsterdam, between 1724 and 1737), after a self-portrait of the painter. Proof on laid paper, with the address "J. Gole exc. Cum Privil. Ord. Holland". Fine margins of the copper. 23,2 x 17,4 cm. Condition A/B (cut at the edge of the copperplate mark on three sides and inside it at the foot, two tiny scratches reaching the bottom of the subject, former

44 - VAN OSTADE Adrian (1610 - 1685) (after) - "Portrait of Adrian van Ostade". Etching and black manner engraved by Jacob Gole (Paris, 1647 or 1660 - Amsterdam, between 1724 and 1737), after a self-portrait of the painter. Proof on laid paper, with the address "J. Gole exc. Cum Privil. Ord. Holland". Fine margins of the copper. 23,2 x 17,4 cm. Condition A/B (cut at the edge of the copperplate mark on three sides and inside it at the foot, two tiny scratches reaching the bottom of the subject, former

100 € - 200 €

WIERIX Jan (Johannes) (1549 - 1615) - "Melencolia I" (The Melancholy). 1602. Burin after Albrecht Dürer (1471-1528). Date and monogram of Dürer in the lower right corner of the plate. Reference: Mauquoy-Hendricx, no. 1556. Hollstein, n°2000. Proof on laid paper. 23 x 18.3 cm. Condition B (cut at the subject and before the text line at the bottom, a short tear formerly restored at the top, a short tear consolidated at the left edge, lower corners weakened).

45 - WIERIX Jan (Johannes) (1549 - 1615) - "Melencolia I" (The Melancholy). 1602. Burin after Albrecht Dürer (1471-1528). Date and monogram of Dürer in the lower right corner of the plate. Reference: Mauquoy-Hendricx, no. 1556. Hollstein, n°2000. Proof on laid paper. 23 x 18.3 cm. Condition B (cut at the subject and before the text line at the bottom, a short tear formerly restored at the top, a short tear consolidated at the left edge, lower corners weakened).

1 500 € - 2 000 €

BOSSE Abraham (1602 - 1676) - "The Marriage of the Queen of Poland - Observed ceremony of the marriage contract passed in Fontainebleau in the presence of their Majesties between Vladislaus IIII of the name King of Poland and Sweden [...] on the one hand, and Louie Marie de Gonzague, princess of Mantoue and Nevers, on the other hand, the 25th day of September 1645". 1645. Original etching. Ref: Blum, n°422. I.F.F XVIIth, n°1223. Proof of the 2nd state on 2, on laid paper. "Louise-Marie de Gonz

46 - BOSSE Abraham (1602 - 1676) - "The Marriage of the Queen of Poland - Observed ceremony of the marriage contract passed in Fontainebleau in the presence of their Majesties between Vladislaus IIII of the name King of Poland and Sweden [...] on the one hand, and Louie Marie de Gonzague, princess of Mantoue and Nevers, on the other hand, the 25th day of September 1645". 1645. Original etching. Ref: Blum, n°422. I.F.F XVIIth, n°1223. Proof of the 2nd state on 2, on laid paper. "Louise-Marie de Gonz

500 € - 600 €

BOSSE Abraham (1602 - 1676) - "The Mad Virgins doze while waiting for the arrival of the bridegroom". c.1635. Original etching. Ref: Duplessis, n°47. Lambert & Préaud, n°112. Proof of the 1st state out of 2 (before the address of Le Blond), on watermarked laid paper (three small circles in a crown). Plate 5 of the suite of 7 pieces "Les Vierges sages et les Vierges folles". Mad virgins sitting in an interior, dozing in front of the hearth. They hold screens. The carpet of the sideboard is

47 - BOSSE Abraham (1602 - 1676) - "The Mad Virgins doze while waiting for the arrival of the bridegroom". c.1635. Original etching. Ref: Duplessis, n°47. Lambert & Préaud, n°112. Proof of the 1st state out of 2 (before the address of Le Blond), on watermarked laid paper (three small circles in a crown). Plate 5 of the suite of 7 pieces "Les Vierges sages et les Vierges folles". Mad virgins sitting in an interior, dozing in front of the hearth. They hold screens. The carpet of the sideboard is

300 € - 400 €

CALLOT Jacques (1592 - 1635) - "The four banquets". Complete suite of four original etchings. Ref: Lieure, n°295 to 298. Titles: The Wedding at Cana, Resting with the Pharisee, The Supper at Emmaus & The Last Supper. Proofs of the final state, on laid paper. All with margins. Approximately 8.8 x 7.2 cm each. Condition A (good general condition).

48 - CALLOT Jacques (1592 - 1635) - "The four banquets". Complete suite of four original etchings. Ref: Lieure, n°295 to 298. Titles: The Wedding at Cana, Resting with the Pharisee, The Supper at Emmaus & The Last Supper. Proofs of the final state, on laid paper. All with margins. Approximately 8.8 x 7.2 cm each. Condition A (good general condition).

200 € - 300 €

CALLOT Jacques (1592 - 1635) - "The Temptation of Saint Anthony". 1635. Original etching. Proof of a slightly late edition, on laid paper. Reference: Lieure, n°1416. Small margins. "The Temptation of Saint Anthony" was illustrated twice by Jacques Callot. The first time was in Florence, around 1616. The proofs are rare, the artist having accidentally destroyed his plate before he really finished it. At the end of his life, in 1635, the engraver gave a second version of the subject, more elabora

49 - CALLOT Jacques (1592 - 1635) - "The Temptation of Saint Anthony". 1635. Original etching. Proof of a slightly late edition, on laid paper. Reference: Lieure, n°1416. Small margins. "The Temptation of Saint Anthony" was illustrated twice by Jacques Callot. The first time was in Florence, around 1616. The proofs are rare, the artist having accidentally destroyed his plate before he really finished it. At the end of his life, in 1635, the engraver gave a second version of the subject, more elabora

800 € - 1 000 €

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