SALE OF FURNITURE AND ART OBJECTS
Friday, 30 September 2022 at 13:30
Salle 4 - Hôtel Drouot, 9, rue Drouot, 75009 Paris
Lots 1 to 50 of 338
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1 - MANUSCRIBER ANTIPHONARY in Latin on PARCHMENT, circa 1390, comprising 24 bound leaves. Handwritten antiphonal pages on parchment decorated with illuminated lettering. Text in bookish gothic script in black ink below square musical notation on four-line staff drawn in red ink. 44,5 x 29 cm approximately. Work damaged, dusty and numerous stains. Sold as is, probably incomplete.
Estimate
2 000 € - 4 000 €
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0 € - 0 €
2 - Illustrated map of NORTH and CENTRAL AMERICA, after Jacques LIOZU (1910-1974). 1951. Printed in colors on strong wove paper, at Odé in Paris. Margins. worked mainly for the publishers Odé, Chantal de Toulouse and Gründ. Jacques Liozu is very well known for his geographical maps, but he also illustrated postcards, didactic plates for teaching and historical stories for the youth. 54 x 40,5 cm. Condition B (some stains and traces of wetness in the margins reaching the outlines of the subject).
Estimate
150 € - 200 €
3 - MEXICO - RARE "PL.3 MAPPE DE TEPECHPAN (Synchronic and Seigneurial History of Tepechpan and MEXICO / Example of annals with continuous rectilinear chonological series". c.1886. Antique coloring. Vellum paper. Printed by J. Desportes at the Inst. Impérial des sourds-muets. Covered with the collection mark Eug. Goupil & J.M.A. Aubin. Annotated in pencil "Ex. collection de Halasz". Including the Settlement of the Mexicans in CHAPOLTEPEC, the Abduction of the Mexicans in Chapoltepec, the Foundation
Estimate
1 500 € - 2 000 €
4 - Illustrated map of SOUTH AMERICA, after Jacques LIOZU (1910-1974). 1951. Printed in colors on strong wove paper, at Odé in Paris. Margins. Jacques Liozu is very well known for his geographical maps, but he also illustrated postcards, didactic plates for teaching and historical stories for the youth. 54 x 40,5 cm. Condition A (rare stains and handling marks in the margins, otherwise good condition).
Estimate
150 € - 200 €
5 - AUSTRALIA - OCEANIA - Illustrated map of Australia & Oceania, after Jacques LIOZU (1910-1974). 1951. Printed in colors on strong vellum paper, at Odé in Paris. Margins. Jacques Liozu is very well known for his geographical maps, but he also illustrated postcards, didactic plates for teaching and historical stories for the youth. 40 x 55,5 cm. Condition A (small stain at the edge of the upper left margin, otherwise good condition).
Estimate
300 € - 400 €
6 - SERIO-COMIQUE MAP of EUROPE at the beginning of the 1st WORLD WAR, by A. DELAYE - "LE REVE DU FOU / The MADMAN'S DREAM". 1914. RARE SATIRIC MAP printed in colors on wove paper at Delaye, Paris. Margins. 33,5 x 40 cm. Condition B (foxing mostly in the margins a little dusty, slight traces of handling).
Estimate
200 € - 300 €
6-1 - SYMBOLIC MAP OF EUROPE / Liberating War of 1914-1915, by B. Crété. Map printed in colors, on wove paper. Legend in the lower right corner. Editions G.D. Marges. Folded in two. "This satirical map of Europe shows the game of alliances in Europe towards the end of 1914, from the point of view of the Entente. Each country is represented allegorically according to its role in the conflict: France as Marianne riding a rooster, thrusting a dagger into the forehead of a bull representing Germany, pus
Estimate
200 € - 300 €
7 - MONT-BLANC - HAUTE-SAVOIE (74) - ANCIENT PHOTO of the MER DE GLACE (CHAMONIX). 21,5 x 56 cm. Condition C (trace of vertical fold, a short tear and small fold on the bottom right, some stains and water marks on the extreme right part of the photo).
Estimate
200 € - 300 €
![TROMPE L'OEIL - [Trompe l'oeil aux assignats]. TABLE DES PAPIERS-MONNAYES, créés depuis la Révolution, avec leurs Variations par chaque Mois, Calculées sur le change de Bâle avec la France". Early 19th century. Etching, printed in black and red chalk. Proof on laid paper. 33 x 44,5 cm. Condition A (filleted margins for three sides and cut inside the copper mark at the foot (the address of Remoissenet Md d'estampes missing), otherwise fine condition). The assignat was a paper money that exis](https://cdn.drouot.com/d/lot/ftall/6/129691/aaf5a676931e8324e046e02b920264de)
8 - TROMPE L'OEIL - [Trompe l'oeil aux assignats]. TABLE DES PAPIERS-MONNAYES, créés depuis la Révolution, avec leurs Variations par chaque Mois, Calculées sur le change de Bâle avec la France". Early 19th century. Etching, printed in black and red chalk. Proof on laid paper. 33 x 44,5 cm. Condition A (filleted margins for three sides and cut inside the copper mark at the foot (the address of Remoissenet Md d'estampes missing), otherwise fine condition). The assignat was a paper money that exis
Estimate
200 € - 300 €
![CRANACH Lucas, the elder (1472 - 1553) - [The martyrdom of the Apostles Andrew (recto) and John (verso)]. c.1510-1512. Two woodcuts, printed on both sides on old laid paper. With the text in German. From the series "The Martyrdom of the Twelve Apostles". 29 x 19 cm the sheet. 16 x 12,5 cm approximately each subject. Condition B/C (a few short tears and small lacks in the margins, rare wormholes of which two reaching the subject, traces of handling).](https://cdn.drouot.com/d/lot/ftall/6/129691/6985caa13f59c7a01f28c78151cea65f)
9 - CRANACH Lucas, the elder (1472 - 1553) - [The martyrdom of the Apostles Andrew (recto) and John (verso)]. c.1510-1512. Two woodcuts, printed on both sides on old laid paper. With the text in German. From the series "The Martyrdom of the Twelve Apostles". 29 x 19 cm the sheet. 16 x 12,5 cm approximately each subject. Condition B/C (a few short tears and small lacks in the margins, rare wormholes of which two reaching the subject, traces of handling).
Estimate
150 € - 200 €
10 - DÜRER Albrecht (1471 - 1528) - "Hercules conquering Cacus" (Hercules conquering Cacus). c.1496. Original wood engraving. Proof on laid paper. Ref: Bartsch, n°127. Hollstein, n°238. Meder, n°238. Late print. Signed with the artist's monogram at the bottom of the composition. Good margins. 47 x 32,7 cm. Condition A (some marginal stains, small fold marked at the upper right corner in the margin).
Estimate
1 500 € - 2 000 €
11 - DÜRER Albrecht (1471 - 1528) - "Portrait of Philippe Mélanchton". 1526. Original burin. Proof on laid paper. Signed with the monogram and date in the tablet. Ref: Bartsch, n°105. Hollstein, n°104. Meder, n°104. Small margins. In 1525 Melanchthon worked in Nuremberg to found a new secular school on behalf of the city council. While in the city, he stayed with Willibald Pirckheimer, who was Dürer's closest friend, and the two undoubtedly met either through the host or through other members o
Estimate
3 000 € - 4 000 €
12 - DÜRER Albrecht (1471 - 1528) - "Portrait of Willibald Pirckheimer". 1524. Original chisel. Proof on fine laid paper. Signed with the artist's monogram in the lower right corner of the tablet on which one can also read the date and the dedication: "BILIBALDI. PIRKEYMHERI . EFFIGIES / AETATIS. SUAE. ANNO. L. III. / VIVITUR. INGENIO. CAETERA. MORTIS./ ERUNT. / M. D. XX. IV". Ref: Bartsch, n°106. Hollstein, n°103. Slightly late printing. Margins. Willibald Pirckheimer (14701530), a famous German
Estimate
2 000 € - 3 000 €
13 - DÜRER Albrecht (1471 - 1528) - "The Holy Family with three hares". c.1496. Engraved wood. Signed with the artist's monogram at the bottom of the composition. Ref: Bartsch, n°102. Meder, n°212. Nice proof on laid paper. Printed in the 18th century. Margins. One of the first major prints by Dürer, this work was one of the first to reveal his genius. In making his first large-scale woodcuts, Albrecht Dürer showed that he could soften a block of wood while exuding an unprecedented delicacy. 39
Estimate
1 500 € - 2 000 €
14 - DÜRER Albrecht (1471 - 1528) - "The Virgin and Child with a Monkey". c.1498. Original chisel. Proof on fine laid paper. Monogram of the artist at the foot of the composition. Reference: Bartsch, n°42. Hollstein, n°30. Meder, n°30. Late print. Small margins. One of Dürer's most beautiful interpretations of this subject. 19 x 12,4 cm on copper. 20 x 13,3 cm the sheet. Condition A (small traces of old mounting and rare light spidering on the reverse, otherwise good condition).
Estimate
1 500 € - 2 000 €
14-1 - DÜRER Albrecht (1471 - 1528) - "The Virgin and Child with a Monkey". c.1498. Original chisel. Proof on laid paper. Monogram of the artist at the foot of the composition. Reference: Bartsch, n°42. Hollstein, n°30. Meder, n°30. Late print. Fine margins. One of Dürer's finest interpretations of this subject. 19.3 x 12.4 cm on copperplate. 19,3 x 12,7 cm the sheet. Condition A (formerly glued by the upper corners on cardboard paper, small restoration and short consolidated tear at the lower lef
Estimate
2 000 € - 3 000 €
15 - REMBRANDT H. van Rijn (1606 - 1669) - "Johannes Wytenbogardus" (Jan Uytenbogaert, Arminian preacher). 1635. Original etching, drypoint and burin. Ref: Bartsch, n°279. Proof on watermarked laid paper (Head of a madman with dot collar, truncated). Printed in the 17th century before numerous retouchings. "Johannes Uytenbogaert (1557-1644), tutor of Frederick of Orange and minister of Prince Maurice, was in his time the most eminent theologian and preacher of the remonstrators, Calvinists who follo
Estimate
1 500 € - 2 000 €
16 - REMBRANDT H. van Rijn (1606 - 1669) - "Johannes Wytenbogardus" (Jan Uytenbogaert, Arminian preacher). 1635. Original etching, drypoint and burin. Proof on wove paper, bearing on the verso the violet stamp of the sale "A.C Coppier, 2è vente, Drouot 11/06/08" Beaussant Lefèvre". Late print. Margins. "Johannes Uytenbogaert (1557-1644), preceptor of Frederick of Orange and minister of Prince Maurice, was in his time the most eminent theologian and preacher of the remonstrators, Calvinists who foll
Estimate
1 000 € - 1 500 €
17 - REMBRANDT H. van Rijn (1606 1669) - "Self-portrait, Rembrandt drawing at a window". 1648. Original etching, drypoint and burin. Ref: Boon & Bartsch, no. 22. Hind, no. 229. Proof of a somewhat late edition, with the signature "Rembrandt f. 1648" in the point and the landscape engraved in the window (upper part of the landscape almost worn and very faint), on laid paper. Small margins. This is Rembrandt's last large engraved self-portrait. In this iconic image, the artist presented himself, at the
Estimate
3 000 € - 4 000 €
18 - REMBRANDT H. van Rijn (1606 - 1669) - "Rembrandt's Mother in Widow's Dress and Black Gloves". 1632. Original etching. Ref: Hind, no. 91. Bartsch, n°344. Proof on watermarked laid paper (Letters D.G?). Late print. Fine margins. Beautiful impression. From this multitude of finely engraved dark lines springs this majestic portrait of the artist's mother. Capturing a solemn moment, this composition represents her dressed in mourning clothes following the death of her husband. 15,5 x 12 cm. Conditio
Estimate
1 500 € - 2 000 €
19 - REMBRANDT H. van Rijn (1606 1669) - "The peasant with wife and child" (Peasant family on the tramp). c.1652. Original etching. Ref: Hind, no. 259. Bartsch, no. 131. New Hollstein, no. 266. Proof of a late print, on cream laid paper (truncated watermark). Small margins. Beautiful impression. 11,4 x 9,2 cm in copperplate. 12,2 x 10,1 cm the sheet. Condition B (insulated and formerly glued by the upper corners).
Estimate
1 200 € - 1 500 €
20 - REMBRANDT H. van Rijn (1606 1669) - "The peasant with wife and child" (Peasant family on the tramp). c.1652. Original etching. Ref: Hind, no. 259. Bartsch, no. 131. New Hollstein, no. 266. Proof of a late print, on laid paper. 11.3 x 9.2 cm. Condition B (cut at the copper mark).
Estimate
800 € - 1 000 €
21 - REMBRANDT H. van Rijn (1606 1669) - "Christ carried to the tomb". c.1645. Original etching. Ref: Hind, no. 215. Bartsch, no. 84. New Hollstein, no. 223. 13.1 x 10.7 cm. Condition D (tear across almost the entire width of the plate at the top, formerly pasted on another engraving, missing at the lower right and upper right corner, plate to be restored, as is).
Estimate
500 € - 800 €
22 - REMBRANDT H. van Rijn (1606 1669) - "Selfportrait, Rembrandt and Saskia" (Selfportrait, Rembrandt and Saskia). 1636. Original etching. Signed "Rembrandt f" and dated in the composition in the upper left corner. Ref: Hind, no. 144, New Hollstein & Bartsch, no. 19. Proof of a late print, on laid paper. Small margins. Rembrandt's wife, Saskia van Uylenburgh, was one of his favorite models. This etching, made only two years after their marriage, depicts the thirty-year-old Rembrandt and his new wife
Estimate
2 000 € - 3 000 €
23 - REMBRANDT H. van Rijn (1606 1669) - "Old bearded man in a fur cap". c.1635. Original etching. Signed "Rembrandt" and with the letter R upside down in the composition. Ref: Hind, n°130. Bartsch, no. 290. New Hollstein, no. 148. Proof of a late edition, on cream laid paper. Fine margins. 11,2 x 10,3 cm on copperplate. 11,8 x 11 cm the sheet. Condition B (insulated and formerly glued by the left corners on a laid paper).
Estimate
1 000 € - 1 200 €
24 - REMBRANDT H. van Rijn (1606 1669) - "Bust of bald man, down, grinning". 1631. Original etching. Signed with the initials "RHL" and dated in the upper left corner of the composition. Ref: Hind, no. 86. Bartsch, no. 298. Hollstein, n°298. Proof on laid paper, formerly pasted on a thin laid paper. Fine margins. Beautiful impression. Rare. 6,9 x 5,7 cm with copperplate. 7 x 5,8 cm with margins. Condition A (cut on the copper mark at the foot).
Estimate
4 000 € - 5 000 €
25 - REMBRANDT H. van Rijn (1606 1669) - "The small lion hunt, with one lion". c.1629. Original etching. Ref: Hind, no. 45. Bartsch, no. 116. New Hollstein, n°29. Proof of a unique state, on watermarked laid paper (small coat of arms). At the time, hunting wild animals on horseback was considered to be the noble hunt par excellence. In 20 years, Rembrandt engraved three scenes of lion hunts; the present one, as well as another small plate, both placed around 1629, and a more developed version of the
Estimate
6 000 € - 8 000 €
26 - REMBRANDT Harmenszoon van Rijn (1606 1669) - "Beggar and Wench". c. 1630. Original etching. Signed and dated in the lower left corner of the composition. Ref: Bartsch, n°164. Proof of a late print, on fine laid paper. 7,8 x 6,1 cm. Condition C (copper-cut, formerly pasted by the edges on a bluish paper, a small tear of 1cm on the gueux, small tear at the upper right corner in the margin).
Estimate
800 € - 1 200 €
27 - REMBRANDT Harmenszoon van Rijn (1606 1669) - "The Raising of Lazarus", large plate. c. 1632. Original etching. Signed in point in the center of the composition. Ref: Hind, no. 96. Bartsch, no. 73. Proof of a late print on laid paper. Small margins. 37,6 x 26,3 cm the sheet. Condition B (two tears in the lower margin, one of them reaching a little bit the subject on 1cm, trace of wetness on the reverse side visible in the margin on the front side, slight handling marks).
Estimate
1 500 € - 2 000 €
28 - REMBRANDT H. van Rijn (AFTER) (1606 1669) - "The Descent from the Cross". Etching engraved by an anonymous person. Black stamp partially erased in the left tablet. 53,2 x 41 cm the sheet. 54 x 42 cm the mount. Condition B/C (proof formerly mounted on cardboard, rare small tears, some foxing in the lower margin, small margins at the top and bottom, copperplate margins for the other sides).
Estimate
800 € - 1 500 €
28-1 - VAN DYCK Anton (1599 - 1641) - "Portrait of Paul Pontius". Etching. Ref: New Hollstein, n°8. Mauquoy-Hendrickx, n°9. Proof on wove paper with the collection mark of J. MASSON (1856-1933), industrialist in Amiens and Paris (Lugt 1494a). Print of the XIXth century. Margins. 25,2 x 18 cm. Condition B (small traces of oxidation on the reverse, a few rare small marginal stains).
Estimate
0 € - 0 €
29 - MASSON Antoine (1636 - 1699) - "Portrait of Henri de Lorraine, Count of Harcourt". 1667. Etching and burin after the painting by Nicolas Mignard (1606-1668). Proof on wove paper, printed by Lamoureux (edition around 1860). Ref: Le Blanc 20, Robert-Dumesnil 34. Margins. 60 x 45,5 cm. Condition B (small traces of old mounting on the reverse, marginal foxing).
Estimate
200 € - 300 €
30 - TEMPESTA Antonio (1555 - 1630) - RHINOCEROS. "Rhinocerons/Rinoceronte". c.1620. Etching engraved after the famous engraving by Albrecht Dürer (1515). Proof on laid paper. RARE plate from the "Recueil des Animaux les plus curieux du monde". Good margins. 9,8 x 14 cm for the copper. 25 x 19 cm for the sheet. Condition A (slight ink trace in the right margin, good condition).
Estimate
200 € - 300 €
30-1 - Not available
Estimate
0 € - 0 €
![LARMESSIN Nicolas de (1684 - 1755) - RARE [TABLEAU DES ARCHITECTES en 1730] - "Les soixante Experts jurez du Roy créés en 1690 pour faire les rapports de tout ce qui concerne les Bâtimens et Héritages à Paris []". Burin and typography. Proof on watermarked laid paper (bunch of grapes and letters). From the printing house of J. Chardon, rue S. Séverin (Paris). Copper margins. 53,5 x 37 cm. Condition B (cut at the copperplate mark on three sides and small margin at the top, some traces of ol](https://cdn.drouot.com/d/lot/ftall/6/129691/dabcd77fe835e6f069f8f6c4a678bbe6)
31 - LARMESSIN Nicolas de (1684 - 1755) - RARE [TABLEAU DES ARCHITECTES en 1730] - "Les soixante Experts jurez du Roy créés en 1690 pour faire les rapports de tout ce qui concerne les Bâtimens et Héritages à Paris []". Burin and typography. Proof on watermarked laid paper (bunch of grapes and letters). From the printing house of J. Chardon, rue S. Séverin (Paris). Copper margins. 53,5 x 37 cm. Condition B (cut at the copperplate mark on three sides and small margin at the top, some traces of ol
Estimate
600 € - 800 €
32 - WATTEAU Antoine (after) (1684 - 1721) - "The coquettes, (Coquettes which to see galans to the appointment...)". XVIIIth century. Black manner. Proof with the letter and the address of Gabriel Spitzel (1697-1760), on watermarked laid paper. Beautiful impression. Condition B (rare small handling creases, marginal and verso staining).
Estimate
300 € - 400 €
33 - DELÂTRE Eugène (1864 - 1938) - "The capstan". Original etching. Proof on Arches laid paper, numbered 4 from an edition at 20 copies and signed in pencil by the artist. All margins untrimmed. 32 x 48,5 cm in copper. 43,5 x 60,5 cm for the sheet. Condition A (rare small marginal foxing, good condition).
Estimate
200 € - 300 €
34 - FURBY Charles-Jean (1891-1975) - (Print shop) "Chez Camille Quesneville, rue Tourlacque". 1942. Original drypoint. Signed in the plate. Nice proof on cream wove paper, numbered 114/180 and countersigned in pencil by the artist. Margins. Nice condition. 33 x 24,5 cm. Condition A.
Estimate
100 € - 150 €
34-1 - FURBY Charles-Jean (1891-1975) - "Impavidum ferient ruinae" (If the world collapsed broken, its ruins would strike him without frightening him). Allegory. 1942. Original etching and drypoint in the spirit of Rembrandt. Signed and dated in the plate. Nice proof on cream wove paper, numbered 114/180 and countersigned in pencil by the artist. In the lower right corner in point "Charles-Jean Furby drew and engraved this plate in etching and drypoint inspired by R. van Ryjn and the afflictions of the
Estimate
100 € - 150 €
![FURBY Charles-Jean (1891-1975) - [Two Women in the Workshop]. 1942. Original drypoint. Signed in the plate. Nice proof on cream wove paper, numbered 114/180 and countersigned in pencil by the artist. Margins. Nice condition. 33 x 24,5 cm. Condition A.](https://cdn.drouot.com/d/lot/ftall/6/129691/ba44e2745ba11d310420ed6eb39879af)
35 - FURBY Charles-Jean (1891-1975) - [Two Women in the Workshop]. 1942. Original drypoint. Signed in the plate. Nice proof on cream wove paper, numbered 114/180 and countersigned in pencil by the artist. Margins. Nice condition. 33 x 24,5 cm. Condition A.
Estimate
100 € - 150 €
![FURBY Charles-Jean (1891-1975) - [At the workshop]. 1942. Original drypoint. Signed in the plate. Nice proof on cream wove paper, numbered 114/180 and countersigned in pencil by the artist. Margins. Nice condition. 33 x 24,5 cm. Condition A.](https://cdn.drouot.com/d/lot/ftall/6/129691/e47a6cbc93cd83adbdecbae3e524ac08)
36 - FURBY Charles-Jean (1891-1975) - [At the workshop]. 1942. Original drypoint. Signed in the plate. Nice proof on cream wove paper, numbered 114/180 and countersigned in pencil by the artist. Margins. Nice condition. 33 x 24,5 cm. Condition A.
Estimate
100 € - 150 €
![FURBY Charles-Jean (1891-1975) - [Engraver in his studio] - "Acid bite". 1942. Original drypoint. Signed and titled in the plate. Nice proof on cream wove paper, numbered 114/180 and countersigned in pencil by the artist. Margins. Nice condition. 33 x 24,5 cm. Condition A.](https://cdn.drouot.com/d/lot/ftall/6/129691/282690559ab09bbd8d13fcc87f9ae985)
37 - FURBY Charles-Jean (1891-1975) - [Engraver in his studio] - "Acid bite". 1942. Original drypoint. Signed and titled in the plate. Nice proof on cream wove paper, numbered 114/180 and countersigned in pencil by the artist. Margins. Nice condition. 33 x 24,5 cm. Condition A.
Estimate
100 € - 150 €
38 - MANET Edouard (after) (1832 1883) - "Portrait of Nina de Villard, Mrs. Callias". c.1874. Woodcut. Proof on laid paper. All margins. Wood engraving to illustrate a sonnet of Cros published in the review of the Monde Nouveau. The preparatory drawing of this print is kept in the Louvre. 10,5 x 7,6 cm for the subject. 32,5 x 22,5 cm for the sheet. Condition A (good state of preservation).
Estimate
200 € - 300 €
38-1 - MARÇAIS Georges (1876 - 1962) - "The maker of cities" (Morocco). Engraved wood colored with watercolor. Signed with the artist's monogram. Proof on laid paper, justified 1 of an edition of 20 proofs and countersigned in pencil by the artist. Margins. 23,5 x 20 cm. Condition A (traces of sticker on the edge of the right margin, good condition).
Estimate
200 € - 300 €
![MOUCLIER Marc (1866 - 1947) - [Landscape, On the heights of Paris, the Eiffel Tower in the distance]. Painting on canvas mounted on a stretcher. Signed by the artist in the lower left corner. On the reverse, black stamp "Couleurs fines/ Grds Magasins du Louvre/ Paris". 38 x 61 cm. Condition B (rare small paint chips, a small hole in the canvas at the bottom right and in the foliage at the left, slight traces of handling).](https://cdn.drouot.com/d/lot/ftall/6/129691/0be90b52a582c89aa3e9596a6056871f)
39 - MOUCLIER Marc (1866 - 1947) - [Landscape, On the heights of Paris, the Eiffel Tower in the distance]. Painting on canvas mounted on a stretcher. Signed by the artist in the lower left corner. On the reverse, black stamp "Couleurs fines/ Grds Magasins du Louvre/ Paris". 38 x 61 cm. Condition B (rare small paint chips, a small hole in the canvas at the bottom right and in the foliage at the left, slight traces of handling).
Estimate
400 € - 600 €
40 - MÜLLER Alfredo (1869 - 1939) - "Summer (Seated Woman)". 1899. Original etching and drypoint, printed in colors in the register. Signed in the plate in the lower left corner. Nice proof on Arches wove paper. Good margins. 76 x 56 cm. Condition A/B (some rare scattered foxing mostly in the margins).
Estimate
400 € - 600 €
41 - MÜLLER Alfredo (1869 - 1939) - "Place Blanche, or The Moulin Rouge (night effect)". 1899. Original etching and aquatint, printed in colors at the register. Reference: Koehl E 75. Proof on Arches wove paper. Good margins. 76 x 56 cm. Condition B (a few marginal stains, one of which reaching the edge of the subject on the right, and slight marks of handling).
Estimate
800 € - 1 000 €