ENGRAVINGS & PRINTS
Wednesday 5 May 2021 at 14:00
9, rue de Provence, 75009 Paris
330 lots
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151 - LOT DE 11 Exemplaires de "LA LANTERNE de Henry ROCHEFORT ». Ex. numéros 1 à 11 (Année 1868). 14,5 x 10,5 cm chacun. Etat A (Bon état général).
Estimate €300 - €400 -
151-bis - LOT de 10 FASCICULES : 3 Exemplaires de " LA LANTERNE de Henry ROCHEFORT " de 1868 (numéros 6, 7 & 22) + 5 Exemplaires du " DIABLE A QUATRE " (n°1, 2, 3, 5 & 6) + 2 Ex. " LES GRIMACES " (n°2 du 28 juillet 1883 & n°10 de sept. 1883, en l'état). Etat A/C
Estimate €150 - €200 -
152 - BOTANY - (BESSA or REDOUTE?) - [Tristemma Hirtum - LVII]. Watercolor on parchment. 19th century. 40 x 28 cm. Condition A (Slight rippling of the paper).
Estimate €2,000 - €3,000 -
153 - BOTANY - (BESSA or REDOUTE?) - [Untitled - LXXXIX]. Watercolour on parchment. 19th century. 40 x 28 cm. Condition A (slight rippling of the paper).
Estimate €2,000 - €3,000 -
154 - BOTANY - (BESSA or REDOUTE?) - [Ceranttrera Dentata]. Watercolor on parchment. 19th century. 40 x 28 cm. Condition A (Slight rippling of the paper).
Estimate €2,000 - €3,000 -
155 - BOTANY - (BESSA or REDOUTE?) - [Tristemma Hirtum]. Watercolor on parchment. 19th century. 40 x 28 cm. Condition A (Slight rippling of the paper).
Estimate €2,000 - €3,000 -
156 - FLOWER - [Rose Laurel]. 19th century. AQUARELLE on strong paper. Unidentified signature. 30 x 21 cm. Condition A (breakage of the paper in the upper left and right).
Estimate €100 - €150 -
156-bis - BAUR Johann Wilhelm (Strasbourg 1607 † Vienna 1640) - [Battles]. Reunion of 23 plates engraved by or after etching. 10,5 x 13,5 approximately each. C condition. Set of 23 plates.
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157 - CORT Cornélis (Hoorn 1533 Rome 1578) - "Jupiter surrounded by the gods of Olympus". 1577. Rare engraving after the fresco by Francesco Primaticcio and Tommaso di Bologna, called Tomaso Vincidor (Bologna 1493 - Breda 1536). Ref: Hollstein, n°187. "Primaticcio's fresco for the Galerie d'Ulysse in the Château de Fontainebleau was destroyed in 1738-1739, but the preparatory drawing is preserved in the Cabinet des Arts graphiques du Louvre" (Valenciennes Libr.). 45,2cm (diameter). Condition C (Man
Estimate €300 - €400 -
158 - DÜRER Albrecht (after) (Nüremberg 1471 1528) - "The Last Supper". Woodcut, copy by an anonymous person. Proof on thin watermarked laid paper (Letter?). Reference: Bartsch, n°53. Monogram of Dürer and date on a tablet at the foot of the composition. 21 x 29,4 cm - Condition B (Proof thinly lined on Japon and small restorations) -
Estimate €200 - €300 -
159 - DÜRER Albrecht (Nüremberg 1471 1528) - "The Holy Family with the Three Hares". c.1496. Woodcut. Signed with the artist's monogram in the plate. Ref: Bartsch, n°102. Hollstein, no. 212. Meder, n°212. Very fine proof with exceptional margins, on strong laid paper (without watermark). Late edition. One of the first major prints by Dürer, this work was one of the first to reveal his genius. In making his first large-scale woodcuts, Albrecht Dürer showed that he could soften a block of wood an
Estimate €6,000 - €8,000 -
160 - DÜRER Albrecht (Nüremberg 1471 1528) - "The Martyrdom of Saint Catherine of Alexandria". c.1498. Woodcut. Signed with the artist's monogram in the plate. Ref: Bartsch, no. 120, Strauss, no. 236. Hollstein, Meder n°236. Very nice proof with exceptional margins, on strong laid paper (without watermark). Late print. St. Catherine of Alexandria was one of the most venerated saints of Dürer's time. Condemned to torture and death by the Emperor Maxentius, she is saved by a rain of fire that destro
Estimate €6,000 - €8,000 -
161 - DÜRER Albrecht (Nüremberg 1471 1528) - "The Holy Family with the Three Hares". c.1496. Woodcut. Signed with the artist's monogram in the plate. Ref: Bartsch, n°102. Hollstein, no. 212. Meder, n°212. Nice proof on wove paper. Late edition. Margins. One of Dürer's first major prints, this work was one of the first to reveal his genius. In making his first large-scale woodcuts, Albrecht Dürer showed that he could soften a block of wood and still exude an unprecedented delicacy. 41,2 x 29,2
Estimate €3,000 - €4,000 -
162 - GOLTZIUS Heinrich (Mulbrecht 1558 Haarlem 1616) - "The Fall of Phaeton". 1588. Burin after Cornelis Cornelisz van Haarlem (1562 1638). Monogram of the artist at the foot of the composition. Ref: Bartsch, n°260, The New Hollstein Dutch & Flemish Etchings, Engravings and Woodcuts, 1450-1700, n°327. Proof of the 2nd state of 2, on laid paper (without watermark). Plate 3 of the "Four Disgraced" series (Tantalus, Ixio, Icarus and Phaeton). Margins filleted in places. 33,3 x 33,3 cm (round subject).
Estimate €1,500 - €2,000 -
163 - LONDERSEEL Johann van (Antwerp 1575 Rotterdam 1625) - "Landscape with travelers who are attacked by brigands." Etching and burin after David Vinckenboons (Mechelen 1576 Amsterdam 1633). Ref: Le Blanc, n°39. Hollstein, n°84. Proof on laid paper (fragment of unidentified watermark), with the address of C. Visscher. Names of the artists and address engraved in the tablet at lower left. 34.8 x 45.4 cm. Condition B (Cut to the subject, consolidated tear to the lower left corner, very slight trace
Estimate €300 - €400 -
164 - REMBRANDT H. van Rijn (1606 1669) - "Rembrandt's Mother in Widow's Dress and Black Gloves". 1632. Original etching. Ref: Hind, no. 91. Bartsch, no. 344. Proof on watermarked laid paper (Letters D.G?). Fine margins. Beautiful impression. From this multitude of finely engraved dark lines springs this majestic portrait of the artist's mother. Capturing a solemn moment, this composition represents her dressed in mourning clothes following the death of her husband. 15,5 x 12 cm. Condition A.
Estimate €2,000 - €3,000 -
165 - REMBRANDT H. van Rijn (1606 1669) - "The Persian". 1632. Original etching. Signed and dated "RHL 1632" in the plate. Reference: Hind, no. 93. Bartsch, n°152. Proof of the Ist state on III, on laid paper. 10,6 x 7,5 cm. Condition B/C (Cut on the copperplate mark, two tears formerly restored and doubled on Japon, slightly insolate).
Estimate €4,000 - €5,000 -
166 - REMBRANDT H. van Rijn (1606 1669) - "The descent from the cross, second plate". 1633. Original etching. Proof on strong wove paper. Signed and dated "Rembrandt f. cum pryvl 1633" in point at the foot of the composition. Reference: Bartsch, no. 81. Hollstein, no. 103. Late print by Lamoureux. Small margins for three sides and copper margin at the bottom. 53,5 x 41,5 cm. Condition B (Cut on the copperplate mark at the foot, small lack at the lower right corner, traces of old mounting on the revers
Estimate €8,000 - €10,000 -
167 - REMBRANDT H. van Rijn (1606 1669) - "The Angel appearing to the shepherds". 1634. Original etching, drypoint and burin. Ref: Bartsch, n°44. Proof on Arches laid paper. Late edition. Good margins. "Rembrandt has set the biblical passage in an impressive nighttime setting. In the sky, a glory shines brightly over a multitude of cherubs as well as an angel whose appearance frightens the shepherds and their flocks, who flee. The small scale on which men and animals are represented in relation to na
Estimate €4,000 - €5,000 -
168 - REMBRANDT H. van Rijn (1606 1669) - "Johannes Wytenbogardus" (Jan Uytenbogaert, Arminian preacher). 1635. Original etching, drypoint and burin. Ref: Bartsch, n°279. Proof on watermarked laid paper (Head of a madman with dot collar, truncated). 17th century print before numerous retouches. "Johannes Uytenbogaert (1557-1644), tutor of Frederick of Orange and minister of Prince Maurice, was in his time the most eminent theologian and preacher of the remonstrators, Calvinists who followed the doctr
Estimate €2,000 - €3,000 -
169 - REMBRANDT H. van Rijn (1606 1669) - "Johannes Wytenbogardus" (Jan Uytenbogaert, Arminian preacher). 1635. Original etching, drypoint and burin. Proof on wove paper, bearing on the verso the purple stamp of the sale "A.C Coppier, 2nd sale, Drouot 11/06/08" Beaussant Lefèvre". Late print. Margins. "Johannes Uytenbogaert (1557-1644), preceptor of Frederick of Orange and minister of Prince Maurice, was in his time the most eminent theologian and preacher of the remonstrators, Calvinists who followe
Estimate €1,500 - €2,000 -
170 - REMBRANDT H. van Rijn (1606 1669) - "The Baptism of the Eunuch". 1641. Original etching. Signed and dated "Rembrandt f. 1641" in the lower right corner of the composition. Reference: Hind, no. 182. Bartsch, no. 98. New Hollstein, n°186. 3rd state proof on IV (according to N.H., with the escaped line on the right of Philip's head), on laid paper. Rembrandt's inspiration for this composition came from the style of his teacher Pieter Lastman, but also from his subject matter, which Lastman treated
Estimate €3,000 - €4,000 -
171 - REMBRANDT H. van Rijn (1606 1669) - "Academic Figures of Men" (Nude Man Seated and Another Standing). c.1646. Original etching. Ref: Bartsch, no. 194. New Hollstein, no. 233. Proof of the V th state on VIII, on laid paper. Late edition. Small margins. 20,8 x 14,3 cm. Condition A (Formerly restored tear in the upper right corner, good condition).
Estimate €3,000 - €4,000 -
172 - REMBRANDT H. van Rijn (1606 1669) - "The peasant with wife and child" (Peasant family on the tramp). c.1652. Original etching. Nice proof on laid paper. Ref: Bartsch, n°131. Late print. Small margins. Rembrandt engraved more than thirty subjects of peasants and beggars. Unusual for the time, the artist gave them real emotions and individualized faces, probably in order to arouse compassion. 11,9 x 9,5 cm. Condition A (good state of preservation).
Estimate €2,000 - €3,000 -
173 - REMBRANDT H. van Rijn (1606 1669) - "The descent from the cross: by torchlight". 1654. Original etching. Signed and dated "Rembrandt f. 1654" in point at the bottom of the composition on the shroud. Ref: White & Boon, no. 83. Hind, no. 280. Bartsch, no. 83. Late print. Proof on laid paper with the red collection mark "J. Poinssot". Nice proof with margins. One of the most dramatic engravings of the artist. 24 x 19,7 cm. Condition A (Trace of old mounting on the reverse).
Estimate €3,000 - €4,000 -
174 - REMBRANDT H. van Rijn (1606 1669) - "The golf player". 1654. Original etching. Signed "Rembrandt f. 1654" in point in the lower left corner of the composition. Proof on laid paper. Reference: Hind, no. 272. Bartsch, n°125. Slightly late edition. Beautiful impression and good margins. 13,7 x 21,2 cm. Condition B (some light foxing in the left margin reaching a little the subject).
Estimate €2,000 - €3,000 -
175 - REMBRANDT H. van Rijn (1606 1669) - "John Lutma (Jan Lutma, Goldsmith)". 1656. Original etching and drypoint. Signed and dated "Rembrandt f. 1656" in point in the plate (on the window). Ref: Bartsch, no. 276. Proof on watermarked laid paper (Arches), with the address "Joannes Lutma Aurifecx | Natus Groningae", and bearing on the reverse a blue stamp of Colportage. Late print. A great friend of Rembrandt, Johannes Lutma was a Dutch silversmith born in Emden in 1584 and died on January 29, 1669 in
Estimate €2,000 - €3,000 -
176 - VANDER MEULEN F. (After) (Brussels 1632-Paris 1690) - "The Rhine swum by the French, at the wake of the Army of Holland, June 11, 1672". Engraved with etching and burin by Charles Louis SIMONNEAU the elder (Orléans about 1645 Paris 1728). Printed in the 19th century. Margins. Framed. 65 x 108 cm with the frame. Condition B/C (Tear at the level of the right-hand board cut, insolate proof, rare freckles ... not examined outside its frame).
Estimate €200 - €300 -
177 - BOSSE Abraham (Tours 1602 Paris 1676) - The Childbirth". 1633. Original etching and burin. Reference: I.F.F XVIIth, n°376. Duplessis, n°1376. Proof of the first state on II, with the address of Le Blond, on unwatermarked laid paper. Plate from the series of 6 pieces "Le Mariage à la ville". In the suite "Le Mariage à la ville", Abraham Bosse summarizes various moments in the life of a young woman: The Marriage Contract, The Bride taken home, The Return from the Baptism, The Visit to the Chil
Estimate €500 - €600 -
178 - CALLOT Jacques (Nancy 1592 1635) - "The Fair of the Impruneta (2nd plate, engraved in Nancy)". 1622. Original etching and burin engraving. Proof of the 1st state (of 2) before the address of Israël Silvestre in the lower left corner of the tablet, printed on two sheets of watermarked laid paper (Lion étoilé, near Lieure 38). Ref: I.F.F After 1800 & Lieure, n°478. Rare. A masterpiece of the art of engraving, this print is a precious testimony of the rural society in Tuscany at the beginning o
Estimate €800 - €1,000 -
179 - CALLOT Jacques (Nancy 1592 1635) - "Portrait of Claude Deruet, painter". 1632. Etching. Reference: Lieure, n°1296. Proof of the 5th state (of 5), vertical lines in Deruet's right cheek have been added, on watermarked laid paper (Letters). Margins. 34 x 21,5 cm. Condition A (Extremely small freckles, slightly insolate and trace of old mounting on the reverse).
Estimate €200 - €300 -
180 - CALLOT Jacques (Nancy 1592 1635) - "Sanctus Livarius (Saint Livier)". c.1624. Etching. Ref: Lieure, n°510. 2nd state proof (of 2) with Callot's name in point on the lower left and the address of Israel on the right, on laid paper. Small margins. This composition depicts St Livier, in armour, standing frontally, head in hands; in the background, a representation of his martyrdom, with the Hun army attending his beheading. 11,8 x 8,6 cm. Condition A (tiny light stains).
Estimate €200 - €300 -
181 - CALLOT Jacques (Nancy 1592 † 1635) – 2 planches: “La Tentation de Saint Antoine » (sur vergé) & « La bataille d'Avigliano ou Combat de Veillane" (sur vergé). Eaux-fortes (par ou d’après). Dimensions respectives : 36 x 46,7 cm & 34,8 x 53,5 cm. Etat B/C (Quelques déchirures consolidées au verso, plis médians et taches pour la première ; pli médian, collée par un bord sur papier fort, quelques rousseurs et empoussiérée pour la seconde..). Ens. 2 pl.
Estimate €300 - €400 -
182 - CALLOT Jacques (Nancy 1592 † 1635) – 2 planches : Paris, « Vue du Louvre » & «Vue du Pont Neuf ». Eaux-fortes (par ou d’après). Epreuves anciennement collées par les angles. Marges. 18 x 35 cm environ chaque. Etat A/B. Ens. 2 pl.
Estimate €250 - €300 -
183 - CALLOT Jacques (Nancy 1592 † 1635) – [Divers sujets]. Réunion de 19 planches gravées par ou d’après Jacques Callot. Etat B/C. Ens. 19 pl.
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184 - MELLAN Claude (Abbeville 1598 Paris 1688) - "The Holy Face". 1649. Burin made by a single spiral cut. Proof on wove paper. Ref : I.F.F After 1800, n°21. Beautiful impression of a late edition. Margins. Subject considered as Mellan's masterpiece. 46 x 34 cm. Condition A (Good condition).
Estimate €1,000 - €2,000 -
185 - SILVESTRE Israël (After) - PARIS - "View of the PALAIS DES TUILLERIES from the Entrance / Plan of the first floor above the ground floor". End of XVIIth century. Large etching by Aldert Meyer (Amsterdam 1664 after 1697), after Israël Silvestre (16211691). Proof on laid paper. Ref: "Catalogue raisonné de toutes les estampes qui forment l'oeuvre d'Israël Silvestre" by L. E. Faucheux, 1857, no. 161.2. Title in French on the left and in Dutch on the right. With the address of Carel Allard (16481
Estimate €100 - €150 -
186 - ANDREANI Andrea (Mantua 1540 1623) - "The Abduction of a Sabine". 1584. Woodcut in chiaroscuro after Giovanni da Bologna (1529 1608), printed in various shades of brown. Proof on laid paper (without watermark). Ref: Bartsch, n°3. This monumental print reproduces the famous Florentine sculpture by Giambologna "The Abduction of Sabina". Andrea Andreani was undoubtedly one of the pioneers of color woodcutting in 16th century Italy. To capture the three-dimensional quality of the sculpture, the ar
Estimate €2,000 - €3,000 -
187 - DELLA BELLA Stefano (Florence 1610 † 1664) & autres – [Sujets divers]. LOT de 83 planches gravés par ou d’après Della Bella & autres artistes. Etat B/C. Ens. 83 pl.
Estimate €300 - €400 -
188 - BONNET Louis Marin (Paris 1736 1793) - "Plan of a steep castle, occupied by 300 men prepared to defend themselves against an attack from the outset". c.1783. Dotted engraving, printed in colours. Ref: I.F.F XVIIIth, n°122. Proof on laid paper. Plate VI for "Idées d'un militaire pour la disposition des troupes confiées aux jeunes officiers dans la défense et l'attaque des petits postes...", Paris, A. Jombert (impr. De Didot l'aîné), 1783. Copper margins. 25 x 38,5 cm. Condition A (Cut insid
Estimate €200 - €300 -
189 - COCHIN Charles Nicolas, Fils (Paris 1715 1790) - "Veüe perspective de la Décoration élevée sur la terrasse du Château de VERSAILLES pour l'Illumination et le Feu d'artifice qui a été tiré à l'occasion du mariage de Mme Louise-Elisabeth de France avec Don Philippe second Infant d'Espagne le XXVI Aoust MDCCXXXIX (1739), peint par PEROT, réduit et gravé par C.N. Cochin Fils". Large etching and burin after de BONNEVAL & PEROT. Ref: I.F.F, n°104. Late print. Margins. Framed. 59 x 105 cm w
Estimate €200 - €250 -
190 - DEMARTEAU Gilles (Liege 1722 Paris 1776) - "The painter" & "The musician". Reunion of 2 plates. Engravings in the pencil manner after Jean-François Clermont (Paris 1717 1760), printed in black and sanguine in the register. Proofs on laid paper formerly mounted by the corners on another laid paper. Numbered 446 & 448. Ref: I.F.F XVIIIth (Clermont), p.594. I.F.F XVIIIth (Demarteau), n°446 & 448. In Paris, at Demarteau Graveur du Roi, rue de la Pelleterie, à la cloche". Small margins of the cop
Estimate €300 - €400 -
191 - FRAGONARD Jean Honoré (after) (Grasse 1732 Paris 1806) - "Say therefore, if you please. Dedicated to Madame la Marquise d'Ambert". c.1783. Etching and burin by Nicolas DE LAUNAY (Paris 1739 1792). Proof with the letter, on laid paper. Ref: I.F.F XVIIIth, n°232. In Paris, at De Launay, engraver of the Royal Academies of Paris and Copenhagen, rue de la Bucherie n°26. Small margins. 30 x 34,5 cm. Condition B/C (Cut at the border of the copperplate mark at the foot, paper spotted on the oval, the
Estimate €100 - €150 -
192 - GILLOT Claude (Langres 1673 Paris 1722) - SUITE of 4 PLATES "The life of a satyr" (The Birth, The Education, The Marriage and The Funeral). c.1700-1710. Complete suite engraved with etching. In Paris, by J. Audran (16671756), Graveur du Roy at the Hôtel Royal des Gobelins. Margins. Claude Gillot is a painter and engraver famous for his satyric pieces. 27 x 35 cm each. Condition B (a few rare accidents not reaching the subjects).
Estimate €1,500 - €2,000 -
193 - GRASSET ST SAUVEUR & LABROUSSE - "BLANCHARD soldier / No I will not surrender, long live the Republic, 24 Frimaire An3è, 15 December 1793". Between 1796 and 1805. Etching in color of the period. Proof on paper, formerly pasted. Plate from "Fastes du peuple français, ou Tableaux raisonnés de toutes les actions héroïques et civiques du soldat et du citoyen français". Copper margins. 13,8 x 17 cm. Condition C (Cut on the copperplate mark, a tear reaching the subject for 4cm on the top right a
Estimate €100 - €150 -
194 - GUYOT Laurent (Paris 1756 1806) - "Action de Joseph Chretien qui a remporté le prix de vertu à l'Académie françoise en 1786" (Action of Joseph Chretien who won the prize of virtue at the Académie françoise in 1786), dedicated to Monseigneur Armand-Joseph de BETHUNE, Duc de Charost, Pair de France, President of the Philantropic Society and to the Society. c.1787. Line engraving and aquatint after G. Texier, printed in colours in the register. Proof with the letter, on laid paper. Reference:
Estimate €300 - €400 -
195 - LEQUIN (Active in the 18th century). - Almanac for 30 years dedicated to the Queen". 1775. Original etching and burin engraving. Ref : De Vinck n°214. Rare proof on strong laid paper, cut inside the plate cut. This Almanac decorated with the profile portraits of Marie-Antoinette and Louis XVI is particularly original since it was equipped with a circular mechanism on the back allowing, as for a slide rule, to quickly obtain the various information relative to a given date. After the acceleratio
Estimate €200 - €300 -
196 - MOREAU the young, Jean Michel (After) (Paris 1741 1814) - "L'accord parfait". c.1777. Etching and burin by Isidore Stanislas HELMAN (1743 ca. 1806). Proof on strong laid paper, with the names of the artists and the title but the mention privilege and the date erased. Reference: I.F.F. XVIIIth, n°31. Bocher n°1355. Plate n°20 for the "Monument du Costume Physique et Moral de la fin du Dix huitième siècle de Restif de la Bretonne". Small margins. 42,4 x 34 cm. Condition A (light foxing on th
Estimate €100 - €150 -
197 - MOREAU Jean Michel, known as the Young (Paris 1741 1814) - "Arrival of the Queen at the Hôtel de Ville, Festivities given to the King and the Queen by the City of Paris, on the 21st of January 1782 on the occasion of the Birth of Monseigneur le Dauphin". Large etching. Proof on strong laid paper (without visible watermark). Late print. Copper margins. Engraving representing the festivities organized in Paris on January 21, 1782 to celebrate the birth, on October 22, 1781, of Louis Joseph Xavier
Estimate €80 - €100 -
198 - NORBLIN DE LA GOURDAINE Jean-Pierre (Misy-faut-Yonne 1745 1830) - "La chaste Suzanne". 1776. Original etching. Signed in point in the plate. Reference: Hillemacher, n°3. Proof on China paper. 16,7 x 22 cm. Condition B (Cut to the subject).
Estimate €100 - €150
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