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Prints, drawings and photographs, from a Parisian gallery - Second and last session - LIVE SALE - By phone and purchase orders

Prints, drawings and photographs, from a Parisian gallery - Second and last session - LIVE SALE - By phone and purchase orders

Thursday, 10 September 2020 at 14:00

9 rue de Provence, 75009 Paris

Lots 1 to 50 of 204

Page 1 / 5

CALLOT Jacques (Nancy 1592 † 1635). The New Testament. 1635. Eaux-fortes. Reunion of the first 5 plates (including the frontispiece engraved by Abraham Bosse after the artist's death), out of the 10 that comprise the series. Frontispiece: laid proof of the single state, 6.6 x 9 cm (sheet). Jesus Among the Doctors: thin laid proof of the 4th state out of 5, before the letter. 7.2 x 9.2 cm (sheet). Jesus preaches on the seaside; Jesus with the Pharisees; The Sermon on the Mount: vergé proof of

1 - CALLOT Jacques (Nancy 1592 † 1635). The New Testament. 1635. Eaux-fortes. Reunion of the first 5 plates (including the frontispiece engraved by Abraham Bosse after the artist's death), out of the 10 that comprise the series. Frontispiece: laid proof of the single state, 6.6 x 9 cm (sheet). Jesus Among the Doctors: thin laid proof of the 4th state out of 5, before the letter. 7.2 x 9.2 cm (sheet). Jesus preaches on the seaside; Jesus with the Pharisees; The Sermon on the Mount: vergé proof of

400 € - 600 €

CAYLUS Philippe, comte de (Paris 1692 † 1765) and FESSARD Étienne (Paris 1714 † 1777). Les Festes de Palès. Etching by Caylus, finished with a burin by Fessard, after a sanguine by Edmé BOUCHARDON. Proof on laid paper. Ref : I.F.F. n°27. Fillet of margins. Two normal median vertical folds. 50 x 62.5 cm (sheet). Condition B/C (print trimmed after the copperplate mark; slightly dusty leaf; some dirt and freckles; one 3 cm tear at the head, biting into the subject; two other short tears at

2 - CAYLUS Philippe, comte de (Paris 1692 † 1765) and FESSARD Étienne (Paris 1714 † 1777). Les Festes de Palès. Etching by Caylus, finished with a burin by Fessard, after a sanguine by Edmé BOUCHARDON. Proof on laid paper. Ref : I.F.F. n°27. Fillet of margins. Two normal median vertical folds. 50 x 62.5 cm (sheet). Condition B/C (print trimmed after the copperplate mark; slightly dusty leaf; some dirt and freckles; one 3 cm tear at the head, biting into the subject; two other short tears at

150 € - 200 €

CAYLUS A. C. Philippe de (Paris 1692 † 1765) and FESSARD Étienne (Paris 1714 † 1777). Les Festes Lupercales. Etching by Caylus, finished with a burin by Fessard, after a sanguine by Edmé BOUCHARDON. Proof on laid paper. Ref : I.F.F. n°24. Fillet of margins. Two normal median vertical folds. 49.5 x 62 cm (sheet). Condition C (trimmed proof on the copper mark; smudges; three folds broken at the upper right corner; small accidents and three short consolidated tears at the foot).

3 - CAYLUS A. C. Philippe de (Paris 1692 † 1765) and FESSARD Étienne (Paris 1714 † 1777). Les Festes Lupercales. Etching by Caylus, finished with a burin by Fessard, after a sanguine by Edmé BOUCHARDON. Proof on laid paper. Ref : I.F.F. n°24. Fillet of margins. Two normal median vertical folds. 49.5 x 62 cm (sheet). Condition C (trimmed proof on the copper mark; smudges; three folds broken at the upper right corner; small accidents and three short consolidated tears at the foot).

150 € - 200 €

DEPLACES Louis (Paris 1682 † 1739). Medea, the magician. Etching after François SILVESTRE. Proof on laid paper of the only known state. Ref : I.F.F. n°67. Margins. 26 x 18.5 cm (sheet). Condition B (two traces of adhesive on the spine; margins partly trimmed).

4 - DEPLACES Louis (Paris 1682 † 1739). Medea, the magician. Etching after François SILVESTRE. Proof on laid paper of the only known state. Ref : I.F.F. n°67. Margins. 26 x 18.5 cm (sheet). Condition B (two traces of adhesive on the spine; margins partly trimmed).

200 € - 300 €

FALCK Jeremias (Gdańsk, Poland 1609 † 1677). [Portrait of a child]. Circa 1640. Burin. Proof on thin laid paper, trimmed with the stroke of a board, with the excudit of Le Blond le jeune. Horizontal features still visible in the tablet. 37 x 27 cm (subject). Condition B (several lacks on the edges of the sheet, very skillfully restored).

5 - FALCK Jeremias (Gdańsk, Poland 1609 † 1677). [Portrait of a child]. Circa 1640. Burin. Proof on thin laid paper, trimmed with the stroke of a board, with the excudit of Le Blond le jeune. Horizontal features still visible in the tablet. 37 x 27 cm (subject). Condition B (several lacks on the edges of the sheet, very skillfully restored).

100 € - 150 €

GHEYN Guillaume (or Willem) de (born in Antwerp around 1610; active in Paris around 1650). L'Esté. Around 1639-1643. Burin after Charles LE BRUN. One of the 4 plates of the suite of the Four Seasons, published by Rolland Le Blond in Paris. (Autumn and Winter were engraved by Jeremias Falck). Proof on filigree laid paper (pot surmounted by a bunch of grapes) well contrasted, signed in the plate, the lines of setting still visible in the letter. Ref : Le Blanc n°4 ; and Christine Moisan-Jablonsk

6 - GHEYN Guillaume (or Willem) de (born in Antwerp around 1610; active in Paris around 1650). L'Esté. Around 1639-1643. Burin after Charles LE BRUN. One of the 4 plates of the suite of the Four Seasons, published by Rolland Le Blond in Paris. (Autumn and Winter were engraved by Jeremias Falck). Proof on filigree laid paper (pot surmounted by a bunch of grapes) well contrasted, signed in the plate, the lines of setting still visible in the letter. Ref : Le Blanc n°4 ; and Christine Moisan-Jablonsk

200 € - 300 €

GILLOT Claude (Langres 1873 † 1722 Paris). New Drawings of Arquebuserie. Etching and chisel. Frontispiece of a suite of 6 plates. Vergé proof, 1st state out of 3, with the address of Chereau, before it was replaced by that of Montbard, then that of Audran. Ref : Populus n°214. Fillet of margins. 25.4 x 17.6 cm (sheet). Condition B (proof trimmed outside the copper mark).

7 - GILLOT Claude (Langres 1873 † 1722 Paris). New Drawings of Arquebuserie. Etching and chisel. Frontispiece of a suite of 6 plates. Vergé proof, 1st state out of 3, with the address of Chereau, before it was replaced by that of Montbard, then that of Audran. Ref : Populus n°214. Fillet of margins. 25.4 x 17.6 cm (sheet). Condition B (proof trimmed outside the copper mark).

300 € - 400 €

HURET Grégoire (Lyon 1606 † 1670 Paris). Portrait of François Mallier, bishop of Troyes. Burin after J. GIRARD. Proof on thin laid paper, filigree of the only known state, annotated with brown ink on the foot: "Fois Mollier Évêque de Troyes". Ref : I.F. F. n°205. Fillet of margins. 30.8 x 25 cm (sheet). Condition B. (One horizontal median fold, visible on the back).

8 - HURET Grégoire (Lyon 1606 † 1670 Paris). Portrait of François Mallier, bishop of Troyes. Burin after J. GIRARD. Proof on thin laid paper, filigree of the only known state, annotated with brown ink on the foot: "Fois Mollier Évêque de Troyes". Ref : I.F. F. n°205. Fillet of margins. 30.8 x 25 cm (sheet). Condition B. (One horizontal median fold, visible on the back).

150 € - 200 €

HURET Grégoire (Lyon 1606 † 1670 Paris). [Allegory of Peace]. Burin. Proof on verge, signed in the plate. Ref : I.F.F. n°260 : "Peace represented by a woman holding in one hand the scepter of the Foresight and, in the other, a sword around which reigns an olive branch. She is seated near an escutcheon that she is supporting" (Mariette). Small margins. 24.7 x 30.7 cm (leaf). Condition B (one vertical median fold, old restorations at the corners, remains of old mountings on the back).

9 - HURET Grégoire (Lyon 1606 † 1670 Paris). [Allegory of Peace]. Burin. Proof on verge, signed in the plate. Ref : I.F.F. n°260 : "Peace represented by a woman holding in one hand the scepter of the Foresight and, in the other, a sword around which reigns an olive branch. She is seated near an escutcheon that she is supporting" (Mariette). Small margins. 24.7 x 30.7 cm (leaf). Condition B (one vertical median fold, old restorations at the corners, remains of old mountings on the back).

150 € - 200 €

JACKSON John Baptist (1701 † 1773). The Descent of the Holy Spirit. 1739-1743. Wood engraved in chiaroscuro, after TITIEN. Proof printed in 4 tones on laid paper, signed and dedicated in the plate. Ref : J. Kainen, J. B. Jackson, 18th century master of the color woodcut, Washington, U.S. Government printing office, 1962, n°27. Good margins. 63.5 x 47.5 cm (sheet). Condition B (one middle horizontal fold, drying folds).

10 - JACKSON John Baptist (1701 † 1773). The Descent of the Holy Spirit. 1739-1743. Wood engraved in chiaroscuro, after TITIEN. Proof printed in 4 tones on laid paper, signed and dedicated in the plate. Ref : J. Kainen, J. B. Jackson, 18th century master of the color woodcut, Washington, U.S. Government printing office, 1962, n°27. Good margins. 63.5 x 47.5 cm (sheet). Condition B (one middle horizontal fold, drying folds).

200 € - 300 €

JANINET Jean-François (Paris 1752 † 1814). Teste d'Estude D'après Nature. Pencil engraving after Pierre-Thomas LE CLERC. Proof printed in two tones on laid paper. Four tiny normal register holes on the square line. Ref : I.F.F n°53. All margins not trimmed. 54.2 x 36.2 cm (sheet). Condition B (freckles and stains; one horizontal fold along the lower edge of the sheet).

11 - JANINET Jean-François (Paris 1752 † 1814). Teste d'Estude D'après Nature. Pencil engraving after Pierre-Thomas LE CLERC. Proof printed in two tones on laid paper. Four tiny normal register holes on the square line. Ref : I.F.F n°53. All margins not trimmed. 54.2 x 36.2 cm (sheet). Condition B (freckles and stains; one horizontal fold along the lower edge of the sheet).

300 € - 400 €

KIRKALL Elisha (Sheffield circa 1682 † 1742 London). Christ in the Temple with the adulterous woman. 1722. Engraved wood, etching and black manner after Giulio ROMANO. Proof printed in bistre on vergé, signed and dated in the plate. Reference : Le Blanc n°11. Nagler n°13. Small margins. 63,5 x 48 cm (sheet). Condition B/C (an oblique broken fold in the lower left corner, a brittle board cut at the left edge, a trace of humidity at the foot, small accident and dirt along the left edge).

12 - KIRKALL Elisha (Sheffield circa 1682 † 1742 London). Christ in the Temple with the adulterous woman. 1722. Engraved wood, etching and black manner after Giulio ROMANO. Proof printed in bistre on vergé, signed and dated in the plate. Reference : Le Blanc n°11. Nagler n°13. Small margins. 63,5 x 48 cm (sheet). Condition B/C (an oblique broken fold in the lower left corner, a brittle board cut at the left edge, a trace of humidity at the foot, small accident and dirt along the left edge).

300 € - 400 €

LELU Pierre (Paris 1741 † 1810). Tributes to the Infant Jesus. 1779-1780. Etching and washing. Layered print, printed in brown. Engraved after an anonymous Italian drawing from the collection of the Count of Saint-Morys. Ref : I.F.F. n°40. Small margins. 24.5 x 21.6 cm (sheet). Condition B/C (pale halos of humidity in the left half).

13 - LELU Pierre (Paris 1741 † 1810). Tributes to the Infant Jesus. 1779-1780. Etching and washing. Layered print, printed in brown. Engraved after an anonymous Italian drawing from the collection of the Count of Saint-Morys. Ref : I.F.F. n°40. Small margins. 24.5 x 21.6 cm (sheet). Condition B/C (pale halos of humidity in the left half).

200 € - 300 €

LE PRINCE Jean-Baptiste (Metz 1734 † 1781 Lagny-sur-Marne) (after). [Screen]. Etching [probably engraved by the abbot of SAINT NON?]. Proof on a thin watermarked laid paper, with the address of the Widow Chéreau in Paris. Fillet of margins. 298 x 426 cm (sheet). Condition B. (Small accidents along the left edge (five minute tears and one missing from the upper left corner).

14 - LE PRINCE Jean-Baptiste (Metz 1734 † 1781 Lagny-sur-Marne) (after). [Screen]. Etching [probably engraved by the abbot of SAINT NON?]. Proof on a thin watermarked laid paper, with the address of the Widow Chéreau in Paris. Fillet of margins. 298 x 426 cm (sheet). Condition B. (Small accidents along the left edge (five minute tears and one missing from the upper left corner).

200 € - 300 €

PIRANESI Giovanni Battista (Mogliano Veneto 1720 † 1778 Venice). Veduta dell'esterno della Gran Basilica di S. Pietto in Vaticano. 1748. Etching from the Views of Rome. Nice proof on strong filigree laid paper (fleur-de-lys in a single circle, "noted in early states", Hind n°1) of the 1st state out of 7, before the address of Bouchard and Gravier and the price. Ref : Focillon n°789. Hind n°5. Average margins. 45,5 x 66,5. Condition B (one tear in the upper right corner of the sky; two short

15 - PIRANESI Giovanni Battista (Mogliano Veneto 1720 † 1778 Venice). Veduta dell'esterno della Gran Basilica di S. Pietto in Vaticano. 1748. Etching from the Views of Rome. Nice proof on strong filigree laid paper (fleur-de-lys in a single circle, "noted in early states", Hind n°1) of the 1st state out of 7, before the address of Bouchard and Gravier and the price. Ref : Focillon n°789. Hind n°5. Average margins. 45,5 x 66,5. Condition B (one tear in the upper right corner of the sky; two short

400 € - 500 €

POUSSIN Nicolas (Andelys 1594 † 1665 Paris) (D'APRÈS). The Judgement of Solomon. Around 1691. Etching and burin by Martial DESBOIS (Paris 1630 † 1700). One of the 5 plates executed by Desbois for Caroline-Catherine Patin's work, Tabelleae Selectae Ac Explicatae . (Padua, 1691). Proof on laid paper, the placement lines still visible in the letter. Ref : Dumesnil and I.F.F. n°5. Good margins. 36 x 47 cm (sheet). Condition B. (Normal median vertical fold. An epidermis at the foot of Solomon's

16 - POUSSIN Nicolas (Andelys 1594 † 1665 Paris) (D'APRÈS). The Judgement of Solomon. Around 1691. Etching and burin by Martial DESBOIS (Paris 1630 † 1700). One of the 5 plates executed by Desbois for Caroline-Catherine Patin's work, Tabelleae Selectae Ac Explicatae . (Padua, 1691). Proof on laid paper, the placement lines still visible in the letter. Ref : Dumesnil and I.F.F. n°5. Good margins. 36 x 47 cm (sheet). Condition B. (Normal median vertical fold. An epidermis at the foot of Solomon's

100 € - 150 €

POUSSIN Nicolas (Andelys 1594 † 1665 Paris) (D'APRÈS). Camille delivers the schoolmaster of Les Falisques to his schoolchildren, who hit him with yards. Etching by Gérard AUDRAN (Lyon 1640 † 1703 Paris). Proof on vergé, of the 2nd state out of 3, before the mention of the address "aux deux piliers d'or". Trimmed on or inside the copper mark. 41 x 49.5 cm (leaf). Reference : Dumesnil 56. I.F.F. n°64. Condition C (Two normal median vertical folds. Several traces of vertical folds, at the h

17 - POUSSIN Nicolas (Andelys 1594 † 1665 Paris) (D'APRÈS). Camille delivers the schoolmaster of Les Falisques to his schoolchildren, who hit him with yards. Etching by Gérard AUDRAN (Lyon 1640 † 1703 Paris). Proof on vergé, of the 2nd state out of 3, before the mention of the address "aux deux piliers d'or". Trimmed on or inside the copper mark. 41 x 49.5 cm (leaf). Reference : Dumesnil 56. I.F.F. n°64. Condition C (Two normal median vertical folds. Several traces of vertical folds, at the h

100 € - 150 €

SCHMIDT Georges-frédéric (Schönerlinde 1712 † 1775 Berlin). Mademoiselle Clairon, Famous actress of the Comédie françoise. Etching after Nicolas COCHIN, the son. Proof on laid paper, signed in the plate. Reference : Le Blanc n°21. On the back, Henri Beraldi's collector's stamp (Lugt n°230). Small margins. 24,1 x 16,1 cm (sheet). Condition B (freckles).

18 - SCHMIDT Georges-frédéric (Schönerlinde 1712 † 1775 Berlin). Mademoiselle Clairon, Famous actress of the Comédie françoise. Etching after Nicolas COCHIN, the son. Proof on laid paper, signed in the plate. Reference : Le Blanc n°21. On the back, Henri Beraldi's collector's stamp (Lugt n°230). Small margins. 24,1 x 16,1 cm (sheet). Condition B (freckles).

100 € - 150 €

TILLIARD Jean-Baptiste (Paris 1740 † 1813). The Russian Shepherds; Le Réveil des Enfants. Reunion of 2 etchings after Jean-Baptiste LE PRINCE. Proof on vergé printed in sanguine. Respectively: 57 x 42.5 cm and 56.1 x 41.5 cm (sheets). Condition C (freckles and traces of sun exposure; leaves having suffered from humidity). Set of 2 pieces.

19 - TILLIARD Jean-Baptiste (Paris 1740 † 1813). The Russian Shepherds; Le Réveil des Enfants. Reunion of 2 etchings after Jean-Baptiste LE PRINCE. Proof on vergé printed in sanguine. Respectively: 57 x 42.5 cm and 56.1 x 41.5 cm (sheets). Condition C (freckles and traces of sun exposure; leaves having suffered from humidity). Set of 2 pieces.

100 € - 150 €

ENGLISH CARICATURE - CRUIKSHANK George (London 1792 † 1878). Religion & Law - gold - Mercy versus Justice. 1819. Etching. Proof on vellum, in the colours of the time, signed and dated in the plate. Small margins (trimmed just outside the stroke of the plate, at the head and foot). 38 x 25.5 cm (sheet). Provenance : old collection of Émile Laboureur. Condition B/C (small missing at the lower right corner, old traces of glue on the back, two tears at the head, restored).

20 - ENGLISH CARICATURE - CRUIKSHANK George (London 1792 † 1878). Religion & Law - gold - Mercy versus Justice. 1819. Etching. Proof on vellum, in the colours of the time, signed and dated in the plate. Small margins (trimmed just outside the stroke of the plate, at the head and foot). 38 x 25.5 cm (sheet). Provenance : old collection of Émile Laboureur. Condition B/C (small missing at the lower right corner, old traces of glue on the back, two tears at the head, restored).

150 € - 200 €

GERMAN IMAGERY. [Parade of miners] Lithography. Proof on vellum, in the colours of the time. 35 x 44.5 cm (sheet). Condition B/C (freckles; small accidents at the left edge of the dusty head sheet; one vertical median fold).

21 - GERMAN IMAGERY. [Parade of miners] Lithography. Proof on vellum, in the colours of the time. 35 x 44.5 cm (sheet). Condition B/C (freckles; small accidents at the left edge of the dusty head sheet; one vertical median fold).

100 € - 150 €

FRENCH IMAGERY. His Majesty Charles X, King of France and Navarre. Engraved wood. Printed by Blocquel. In Lille, Chez Castiaux. 22.1 x 34 cm (sheet). Condition C. (Dusted sheet, formerly folded in two. One tear at the head, lined on the back. A small tear in the upper left corner. Old strip of mounting paper along the right edge. Handling folds).

22 - FRENCH IMAGERY. His Majesty Charles X, King of France and Navarre. Engraved wood. Printed by Blocquel. In Lille, Chez Castiaux. 22.1 x 34 cm (sheet). Condition C. (Dusted sheet, formerly folded in two. One tear at the head, lined on the back. A small tear in the upper left corner. Old strip of mounting paper along the right edge. Handling folds).

80 € - 100 €

FRENCH IMAGERY. Six vignettes on the same sheet: John Fearless; The Bridge of Sighs in Venice; Interior of the Basilica of St. Peter in Rome; Grotto of Pausilippe; Blucher, Prussian General. Engraved wood. Proof on thin, stencil-coloured laid paper. Printed by Blocquel. In Lille, Chez Castiaux. 28 x 45 cm (sheet). Condition C. (Freckles. Small accidents at the edges of the sheet and dusty margins. Handling creases).

23 - FRENCH IMAGERY. Six vignettes on the same sheet: John Fearless; The Bridge of Sighs in Venice; Interior of the Basilica of St. Peter in Rome; Grotto of Pausilippe; Blucher, Prussian General. Engraved wood. Proof on thin, stencil-coloured laid paper. Printed by Blocquel. In Lille, Chez Castiaux. 28 x 45 cm (sheet). Condition C. (Freckles. Small accidents at the edges of the sheet and dusty margins. Handling creases).

80 € - 100 €

POLISH PICTURE - Śpiąca królewna [Sleeping Beauty]. 1905. Chromolithography. Proof on thin glazed wove paper. All margins. 31.2 x 43.4 cm (sheet). Condition B (a short tear at the left edge, without damage to the subject; slight marginal staining).

24 - POLISH PICTURE - Śpiąca królewna [Sleeping Beauty]. 1905. Chromolithography. Proof on thin glazed wove paper. All margins. 31.2 x 43.4 cm (sheet). Condition B (a short tear at the left edge, without damage to the subject; slight marginal staining).

150 € - 200 €

RUSSIAN IMAGERY - ПОД ОСЕНЬЮ ВЕЧЕР ОСЕНЬЮ. ["Autumn Woods in the Rain", popular song]. 1902. Chromolithography. Proof on thin vellum. All margins. 33 x 42.5 cm (sheet). Condition B (yellowed leaf, pen-notated on the spine).

25 - RUSSIAN IMAGERY - ПОД ОСЕНЬЮ ВЕЧЕР ОСЕНЬЮ. ["Autumn Woods in the Rain", popular song]. 1902. Chromolithography. Proof on thin vellum. All margins. 33 x 42.5 cm (sheet). Condition B (yellowed leaf, pen-notated on the spine).

150 € - 200 €

RUSSIAN IMAGERY. ВОЙНА РОССИИ С ЯПОНИЕЙ ["Russia's War with Japan"]. 1904. Chromolithography. Proof on thin vellum. All margins. 33 x 43 cm (sheet). Condition B (slightly oxidized leaf; small accidents on the foot).

26 - RUSSIAN IMAGERY. ВОЙНА РОССИИ С ЯПОНИЕЙ ["Russia's War with Japan"]. 1904. Chromolithography. Proof on thin vellum. All margins. 33 x 43 cm (sheet). Condition B (slightly oxidized leaf; small accidents on the foot).

150 € - 200 €

BARBIÉ DU BOCAGE Jean-Denis (1760-1825). Map of France: Typo-geographic map (not put on the market), patented by FIRMIN-DIDOT. 1823. Colour printing on vellum. 48.5 x 54 cm (sheet). All margins, not trimmed. Condition B (freckles and traces of oxidation in the margins; tiny pinholes in the head and foot). Rare.

27 - BARBIÉ DU BOCAGE Jean-Denis (1760-1825). Map of France: Typo-geographic map (not put on the market), patented by FIRMIN-DIDOT. 1823. Colour printing on vellum. 48.5 x 54 cm (sheet). All margins, not trimmed. Condition B (freckles and traces of oxidation in the margins; tiny pinholes in the head and foot). Rare.

300 € - 400 €

LEBEGUE PRINT SHOP. Sticker sheet for commercial use. Circa 1810. Wood engraving. Proof on vellum. All margins, not trimmed. 59 x 45 cm (sheet). Condition C (sunken leaf, partly crumpled, traces of folds).

28 - LEBEGUE PRINT SHOP. Sticker sheet for commercial use. Circa 1810. Wood engraving. Proof on vellum. All margins, not trimmed. 59 x 45 cm (sheet). Condition C (sunken leaf, partly crumpled, traces of folds).

100 € - 150 €

Blank folio album. Late 18th - early 19th century. Silent cover in parchment. Sliced album with 46 pages of laid paper. Condition B (dirt on the plates).

29 - Blank folio album. Late 18th - early 19th century. Silent cover in parchment. Sliced album with 46 pages of laid paper. Condition B (dirt on the plates).

80 € - 100 €

A. M. R. [Portrait of Charles Ph. de Lasteyrie]. Lithography. Proof on vellum, monogrammed in stone, and printed in Paris at C. de Lasteyrie. All margins, full margins, not trimmed at the foot. 37.4 x 25 cm (sheet). Condition B (marginal staining and slight freckling).

30 - A. M. R. [Portrait of Charles Ph. de Lasteyrie]. Lithography. Proof on vellum, monogrammed in stone, and printed in Paris at C. de Lasteyrie. All margins, full margins, not trimmed at the foot. 37.4 x 25 cm (sheet). Condition B (marginal staining and slight freckling).

100 € - 150 €

AUER Max Joseph (1795 † 1878). [Head of an angel, after a Renaissance painting]. 1840. Galvanography, or Kobbel process. Proof on thin vellum. Small margins. 12.4 x 10.3 cm (sheet). One of the very first tests carried out using this process in Munich, in the "manner of washing". Condition B (corner mounted proof on laid paper).

The Galvanograph was developed in 1840 by Franz Ritter Van Kobbel. "This process consists of executing a drawing with a litho pencil or encaustic ink [...]. ...] One w

31 - AUER Max Joseph (1795 † 1878). [Head of an angel, after a Renaissance painting]. 1840. Galvanography, or Kobbel process. Proof on thin vellum. Small margins. 12.4 x 10.3 cm (sheet). One of the very first tests carried out using this process in Munich, in the "manner of washing". Condition B (corner mounted proof on laid paper). The Galvanograph was developed in 1840 by Franz Ritter Van Kobbel. "This process consists of executing a drawing with a litho pencil or encaustic ink [...]. ...] One w

100 € - 150 €

BAYLEY P. (active at the beginning of the 19th century). Oedipus and Antigone. 1802. Pen lithograph. Proof on vellum, enhanced with washes and white gouache, signed and dated in stone. Ref: F. H. Man, "Lithography in England (1801-1810)", in C. Zigrosser (ed.), Prints, 1962, no. 24. Proof trimmed (original?) after the square line. 32.2 x 23.1 cm (sheet). Condition B (a skillfully restored head tear on the back; a slight trace of dampness along the upper edge, mostly visible on the back). Rare li

32 - BAYLEY P. (active at the beginning of the 19th century). Oedipus and Antigone. 1802. Pen lithograph. Proof on vellum, enhanced with washes and white gouache, signed and dated in stone. Ref: F. H. Man, "Lithography in England (1801-1810)", in C. Zigrosser (ed.), Prints, 1962, no. 24. Proof trimmed (original?) after the square line. 32.2 x 23.1 cm (sheet). Condition B (a skillfully restored head tear on the back; a slight trace of dampness along the upper edge, mostly visible on the back). Rare li

800 € - 1 000 €

BODMER Karl (Zurich 1809 † Barbizon 1893). Untitled; Deer and Fawn. Process Count. Reunion of two proofs on thin vellum, signed in the board, trimmed to the subject and mounted on strong vellum. Ref : Beraldi n°4. Covered with the collector's stamp of Alfred II Beurdeley (Lugt n°421). Respective dimensions : 47.8 x 31 and 29.2 x 43 cm (support sheets). Condition B (a few freckles on the first proof). Set of 2 pieces.

Bodmer was the most skilful master of the Comte process: "In this techniq

33 - BODMER Karl (Zurich 1809 † Barbizon 1893). Untitled; Deer and Fawn. Process Count. Reunion of two proofs on thin vellum, signed in the board, trimmed to the subject and mounted on strong vellum. Ref : Beraldi n°4. Covered with the collector's stamp of Alfred II Beurdeley (Lugt n°421). Respective dimensions : 47.8 x 31 and 29.2 x 43 cm (support sheets). Condition B (a few freckles on the first proof). Set of 2 pieces. Bodmer was the most skilful master of the Comte process: "In this techniq

100 € - 150 €

BOUCHOT Henri (Beure 1849 † 1906 Paris). Lithography. Paris, Librairie-imprimerie réunies, 1895. Small volume in-octo. Hardcover of the publisher's canvas, with gilt lettering. Condition B (small interior stitches; spine lightly rubbed; small stains on the covers).

34 - BOUCHOT Henri (Beure 1849 † 1906 Paris). Lithography. Paris, Librairie-imprimerie réunies, 1895. Small volume in-octo. Hardcover of the publisher's canvas, with gilt lettering. Condition B (small interior stitches; spine lightly rubbed; small stains on the covers).

20 € - 50 €

BRIOT Isaac (Paris 1585 † 1670). Portrait of Georges, Cardinal d'Amboise, great Minister of Estat and Legate of France. Around 1650. Burin. Proof on thin laid paper. Ref : Dumesnil n°177. I.F.F. n°210. Fillet of margins. 18, 8 x 13, 8 cm (sheet). Condition B (a small spot of dampness at the foot, two traces of horizontal folds). This print was the first to be reproduced by means of heliogravure by Nicéphore NIEPCE in 1824.

35 - BRIOT Isaac (Paris 1585 † 1670). Portrait of Georges, Cardinal d'Amboise, great Minister of Estat and Legate of France. Around 1650. Burin. Proof on thin laid paper. Ref : Dumesnil n°177. I.F.F. n°210. Fillet of margins. 18, 8 x 13, 8 cm (sheet). Condition B (a small spot of dampness at the foot, two traces of horizontal folds). This print was the first to be reproduced by means of heliogravure by Nicéphore NIEPCE in 1824.

100 € - 150 €

COUSIN Jean, l'Ancien (Soucy circa 1503 † after 1560 Paris) (AFTER) [Holy Trinity]. 1869. Photolithography by Adam PILINSKI & SONS. Trial print on thin glazed wove paper, annotated in full, with pen: "Reproduction of the engraving after the Tableau de J. Cousin, by Adam Polinski & Fils in Paris 1869". This facsimile was probably intended to be included in the Recueil des oeuvres choisies de Jean Cousin, of which Adam and St. Pilinski produced a large part of the plates (Paris, Librairie Firmin

36 - COUSIN Jean, l'Ancien (Soucy circa 1503 † after 1560 Paris) (AFTER) [Holy Trinity]. 1869. Photolithography by Adam PILINSKI & SONS. Trial print on thin glazed wove paper, annotated in full, with pen: "Reproduction of the engraving after the Tableau de J. Cousin, by Adam Polinski & Fils in Paris 1869". This facsimile was probably intended to be included in the Recueil des oeuvres choisies de Jean Cousin, of which Adam and St. Pilinski produced a large part of the plates (Paris, Librairie Firmin

100 € - 150 €

DEBUCOURT Philibert-Louis (1755-1822) (ATTRIBUTED TO). First essay of Lithographic Lavis invented by G. Engelmann on July 25, 1819. Lithographic glaze. Vellum proof. Ref : F. Chappey, De Géricault à Delacroix : Knecht et l'invention de la lithographie, 1800-1830, cat. d'expo, Paris, L'Isle-Adam, Somogy éd. d'art, Musée d'art et d'histoire Louis Senlecq, 2005, n°16, p. 90. Large margins, not trimmed on both sides. 46 x 30.5 cm (sheet). Condition B /C (one transverse broken fold; small broken

37 - DEBUCOURT Philibert-Louis (1755-1822) (ATTRIBUTED TO). First essay of Lithographic Lavis invented by G. Engelmann on July 25, 1819. Lithographic glaze. Vellum proof. Ref : F. Chappey, De Géricault à Delacroix : Knecht et l'invention de la lithographie, 1800-1830, cat. d'expo, Paris, L'Isle-Adam, Somogy éd. d'art, Musée d'art et d'histoire Louis Senlecq, 2005, n°16, p. 90. Large margins, not trimmed on both sides. 46 x 30.5 cm (sheet). Condition B /C (one transverse broken fold; small broken

400 € - 800 €

DUCHATEL Édouard (active at the end of the 19th century). Treatise on artistic lithography. In Paris, at the author's home, 1893. Album in-folio. Nice copy of the 1st edition, printed at 200 numbers. Complete with 13 lithographed plates (including cover) by F. BUHOT, E. BERTRAND, P. DILLON, DULAC, FANTIN-LATOUR, FAUCHON, FUCHS, LEFEVRE, LUNOIS, P. MAUROU, E. PIRODON, and VOGEL. Beautiful proofs on china applied on strong vellum, signed and dedicated in stone to the author. Cover lithographed by

38 - DUCHATEL Édouard (active at the end of the 19th century). Treatise on artistic lithography. In Paris, at the author's home, 1893. Album in-folio. Nice copy of the 1st edition, printed at 200 numbers. Complete with 13 lithographed plates (including cover) by F. BUHOT, E. BERTRAND, P. DILLON, DULAC, FANTIN-LATOUR, FAUCHON, FUCHS, LEFEVRE, LUNOIS, P. MAUROU, E. PIRODON, and VOGEL. Beautiful proofs on china applied on strong vellum, signed and dedicated in stone to the author. Cover lithographed by

500 € - 600 €

DÜRER Albrecht (Nuremberg 1471 † 1528) (AFTER). The Flagellation (board of the Little Passion). Around 1509. Photolithograph after the woodcut by Dürer. Proof on modern laid paper, monogrammed in the plate and mounted by the upper edges on vellum. Art. no.: Bartsch no. 33; Strauss no. 118. 13.2 x 10.3 cm (laid paper); 24.8 x 19.6 cm (wove paper). Stamp and dry stamp of the publisher on the back of the print and at the foot of the support: "Photolithographisches / Institut / von / A. Burchard

39 - DÜRER Albrecht (Nuremberg 1471 † 1528) (AFTER). The Flagellation (board of the Little Passion). Around 1509. Photolithograph after the woodcut by Dürer. Proof on modern laid paper, monogrammed in the plate and mounted by the upper edges on vellum. Art. no.: Bartsch no. 33; Strauss no. 118. 13.2 x 10.3 cm (laid paper); 24.8 x 19.6 cm (wove paper). Stamp and dry stamp of the publisher on the back of the print and at the foot of the support: "Photolithographisches / Institut / von / A. Burchard

100 € - 150 €

ENGELMANN Godefroy (Mulhouse 1788 †1839). Oriental, wearing a turban. Around 1814-1817. Lithograph in pencil, after P. A. WILLE fils. Proof on strong vellum, printed by Engelmann in Paris, bearing the red collector's stamp of Albert Maroni (Lugt n°150 b). Ref: Mc Allister Johnson, French Lithography: the Restoration Salons 1817-1824, Agnes Etherington Art Centre, 1977, p. 155. All margins. 31 x 41.5 cm (sheet). Condition C (oxidized leaf; several spots and light halos; handling folds; two hor

40 - ENGELMANN Godefroy (Mulhouse 1788 †1839). Oriental, wearing a turban. Around 1814-1817. Lithograph in pencil, after P. A. WILLE fils. Proof on strong vellum, printed by Engelmann in Paris, bearing the red collector's stamp of Albert Maroni (Lugt n°150 b). Ref: Mc Allister Johnson, French Lithography: the Restoration Salons 1817-1824, Agnes Etherington Art Centre, 1977, p. 155. All margins. 31 x 41.5 cm (sheet). Condition C (oxidized leaf; several spots and light halos; handling folds; two hor

300 € - 400 €

ENGELMANN father and son. Railway Lyon to St Etienne. Around 1832. Lithography. Proof on vellum. All margins not trimmed. 54 x 68.5 cm. Condition C (light marginal staining and freckling, broken folds at the corners; several short tears at the base).

41 - ENGELMANN father and son. Railway Lyon to St Etienne. Around 1832. Lithography. Proof on vellum. All margins not trimmed. 54 x 68.5 cm. Condition C (light marginal staining and freckling, broken folds at the corners; several short tears at the base).

300 € - 400 €

FIZEAU Hippolyte (Paris 1819 † 1896 Venteuil). House built on rue St Georges by Mr Renaud. Around 1841. Fizeau process, after a daguerreotype by Noël-Marie Paymal LEREBOURS (1807 † 1873). One of the only three plates engraved "without retouching" using the Fizeau process, published in the album of the Excursions daguerriennes: vues et monuments les plus remarquables du globe (Tome 2, Paris, Rittner et Goupil, Lerebours, Bossange, 1840-1843). Proof print on china applied on vellum. All margi

42 - FIZEAU Hippolyte (Paris 1819 † 1896 Venteuil). House built on rue St Georges by Mr Renaud. Around 1841. Fizeau process, after a daguerreotype by Noël-Marie Paymal LEREBOURS (1807 † 1873). One of the only three plates engraved "without retouching" using the Fizeau process, published in the album of the Excursions daguerriennes: vues et monuments les plus remarquables du globe (Tome 2, Paris, Rittner et Goupil, Lerebours, Bossange, 1840-1843). Proof print on china applied on vellum. All margi

200 € - 300 €

GLUCK Louis Théodore Eugène (Altkirch 1820 † 1898 Paris) (after). Industrial procession of Strasbourg. Lithographers. 1840. Lithography by Frédéric-Emile SIMON (Strasbourg 1805 † 1886). Watercolour print on vellum. One of the 53 plates of the album of the Fêtes de Gutenberg (Strasbourg, E. Simon fils éditeur, 1840), published on the occasion of the fourth centenary of the birth of printing, in June 1840. During the festivities, all the trades of the city of Strasbourg paraded with a ma

43 - GLUCK Louis Théodore Eugène (Altkirch 1820 † 1898 Paris) (after). Industrial procession of Strasbourg. Lithographers. 1840. Lithography by Frédéric-Emile SIMON (Strasbourg 1805 † 1886). Watercolour print on vellum. One of the 53 plates of the album of the Fêtes de Gutenberg (Strasbourg, E. Simon fils éditeur, 1840), published on the occasion of the fourth centenary of the birth of printing, in June 1840. During the festivities, all the trades of the city of Strasbourg paraded with a ma

100 € - 150 €

HANFSTAENGL Franz Seraph (Baiernrain 1804 † 1877 Munich). Aloys Senefelder, erfinder der Lithographie. 1834. Portrait drawn from nature, printed at Hanfstaengl in Munich. Very nice proof on china applied on strong vellum, signed and dated in stone. Good margins. 44.5 x 30.6 cm (sheet). Condition C. (Oxidized and dusty edges of the sheet, small marginal foxing. Two full-length tears, without damage to the subject. Traces of folds, especially at the lower left corner of the china).

44 - HANFSTAENGL Franz Seraph (Baiernrain 1804 † 1877 Munich). Aloys Senefelder, erfinder der Lithographie. 1834. Portrait drawn from nature, printed at Hanfstaengl in Munich. Very nice proof on china applied on strong vellum, signed and dated in stone. Good margins. 44.5 x 30.6 cm (sheet). Condition C. (Oxidized and dusty edges of the sheet, small marginal foxing. Two full-length tears, without damage to the subject. Traces of folds, especially at the lower left corner of the china).

200 € - 300 €

JACOB Nicolas-Henri (Paris 1782 † 1871). The genius of lithography. 1819. Pencil lithography. One of the 20 plates of the collection serving as a supplement to Aloys Senefelder's book, The Art of Lithography (1819). Nice proof on vellum. Ref : I.F.F. n°13. Small margins. 18 x 20.9 cm (sheet). Condition B (old glue dots on the spine, a horizontal soft fold in the center of the subject, mostly visible on the back, a small fold in the lower right corner). Rare.

45 - JACOB Nicolas-Henri (Paris 1782 † 1871). The genius of lithography. 1819. Pencil lithography. One of the 20 plates of the collection serving as a supplement to Aloys Senefelder's book, The Art of Lithography (1819). Nice proof on vellum. Ref : I.F.F. n°13. Small margins. 18 x 20.9 cm (sheet). Condition B (old glue dots on the spine, a horizontal soft fold in the center of the subject, mostly visible on the back, a small fold in the lower right corner). Rare.

400 € - 500 €

JACOB Nicolas-Henri (Paris 1782 † 1871). Announcement of the invention of Papyrography, developed by Senefelder]. Papyrography. 1819. Proof on vellum, signed in the plate. One of the 20 plates of the collection used as a supplement to Aloys Senefelder's book, The Art of Lithography (1819). Ref : I.F.F. not described. All margins. 29 x 20.5 cm (sheet). Condition B (freckles and small handling folds).

Caption: "Papyrography is the name we have given to the discovery of a stony mass artificiall

46 - JACOB Nicolas-Henri (Paris 1782 † 1871). Announcement of the invention of Papyrography, developed by Senefelder]. Papyrography. 1819. Proof on vellum, signed in the plate. One of the 20 plates of the collection used as a supplement to Aloys Senefelder's book, The Art of Lithography (1819). Ref : I.F.F. not described. All margins. 29 x 20.5 cm (sheet). Condition B (freckles and small handling folds). Caption: "Papyrography is the name we have given to the discovery of a stony mass artificiall

300 € - 400 €

LASTEYRIE Charles Philibert, Count of (Brive-la-Gaillarde 1759 † 1849 Paris). Autograph and unpublished letters of Henri IV. Paris, circa 1816. Small collection in-folio (33.5 x 25.5 cm) containing 8 facsimile letters from Henri IV, accompanied by a portrait of the monarch drawn by Baron GÉRARD, and lithographed by Charles de Lasteyrie (Ref.: I.F.F. n°12). Prints on laid paper. Condition B/C (loose notebooks; freckles). Charles de Lasteyrie dedicated its publication to Count Élie Decazes,

47 - LASTEYRIE Charles Philibert, Count of (Brive-la-Gaillarde 1759 † 1849 Paris). Autograph and unpublished letters of Henri IV. Paris, circa 1816. Small collection in-folio (33.5 x 25.5 cm) containing 8 facsimile letters from Henri IV, accompanied by a portrait of the monarch drawn by Baron GÉRARD, and lithographed by Charles de Lasteyrie (Ref.: I.F.F. n°12). Prints on laid paper. Condition B/C (loose notebooks; freckles). Charles de Lasteyrie dedicated its publication to Count Élie Decazes,

300 € - 400 €

QUAGLIO Lorenzo (the young, said) (Munich 1793 † 1869) (AFTER). Aloys Senefelder, inventor of lithography. Around 1818. Lithography by S. FREEMAN (active in the 19th century). Proof on strong vellum, printed by L. Letronne in Paris. Good margins. 30.5 x 21.5 cm (sheet). Condition B (slight marginal staining; one restored tear at the right edge, subtly restored).

48 - QUAGLIO Lorenzo (the young, said) (Munich 1793 † 1869) (AFTER). Aloys Senefelder, inventor of lithography. Around 1818. Lithography by S. FREEMAN (active in the 19th century). Proof on strong vellum, printed by L. Letronne in Paris. Good margins. 30.5 x 21.5 cm (sheet). Condition B (slight marginal staining; one restored tear at the right edge, subtly restored).

150 € - 200 €

[Aloys SENEFELDER's three-quarter-face portrait of Aloys SENEFELDER] Medallion in tinted plaster (traces of gilding). Inserted in a cardboard box. Diameter of the medallion: 13 cm. Mounting : 27 x 23.5 cm. Condition B (dusty plaster; a few small lacks; plaster split over 1 cm in the upper left corner).

49 - [Aloys SENEFELDER's three-quarter-face portrait of Aloys SENEFELDER] Medallion in tinted plaster (traces of gilding). Inserted in a cardboard box. Diameter of the medallion: 13 cm. Mounting : 27 x 23.5 cm. Condition B (dusty plaster; a few small lacks; plaster split over 1 cm in the upper left corner).

400 € - 500 €

STOTHARD Thomas (London 1755 † 1834). The Lost Apple. 1803. Pen lithograph. Plate from the album Specimens of Polyautography (London, P. Andre, April 1803). Proof on thick laid paper, trimmed to the subject, signed and titled in the plate. 32.2 x 22.5 cm (sheet). Condition B. (One soft fold in the lower left corner. Slight deposits of grey ink in the lower right hand corner. Remnants of a mounting miter on the back). Rare lithographic incunabulum.

50 - STOTHARD Thomas (London 1755 † 1834). The Lost Apple. 1803. Pen lithograph. Plate from the album Specimens of Polyautography (London, P. Andre, April 1803). Proof on thick laid paper, trimmed to the subject, signed and titled in the plate. 32.2 x 22.5 cm (sheet). Condition B. (One soft fold in the lower left corner. Slight deposits of grey ink in the lower right hand corner. Remnants of a mounting miter on the back). Rare lithographic incunabulum.

800 € - 1 000 €

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