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MOA: paintings, porcelain, assorted knickknacks...

MOA: paintings, porcelain, assorted knickknacks...

Wednesday, 7 October 2026 at 13:30

Salle 16 - Hôtel Drouot, 9, rue Drouot, 75009 Paris

Lots 1 to 50 of 328

Page 1 / 7

Gilded and blackened wooden frame with red fluting. 17th-century Italy. Missing sections along the edges and restorations. View: 68 x 58 cm; rebate: 71 x 61 cm; exterior: 86.5 x 76.5 cm.

1 - Gilded and blackened wooden frame with red fluting. 17th-century Italy. Missing sections along the edges and restorations. View: 68 x 58 cm; rebate: 71 x 61 cm; exterior: 86.5 x 76.5 cm.

600 € - 800 €

Charles LE BRUN (1619–1690) (after) - 1-"Virtue Is Worthy of World Domination" (THE BATTLE OF ARBELLES). I.F.F., No. 66. (70 x 161 cm). 2-"Virtue Overcomes Every Obstacle" (The Crossing of the Granicus). I.F.F., no. 70. (72 x 139 cm). 3-"Virtue is admirable even in defeat" (Alexander’s Magnanimity). Ref. I.F.F., No. 72. (71 x 160 cm). 3 large etchings and chisel engravings by Gérard AUDRAN (1640–1703) & Benoît AUDRAN (1661–1721). Late prints. Condition C/D (stretched on canvas and

2 - Charles LE BRUN (1619–1690) (after) - 1-"Virtue Is Worthy of World Domination" (THE BATTLE OF ARBELLES). I.F.F., No. 66. (70 x 161 cm). 2-"Virtue Overcomes Every Obstacle" (The Crossing of the Granicus). I.F.F., no. 70. (72 x 139 cm). 3-"Virtue is admirable even in defeat" (Alexander’s Magnanimity). Ref. I.F.F., No. 72. (71 x 160 cm). 3 large etchings and chisel engravings by Gérard AUDRAN (1640–1703) & Benoît AUDRAN (1661–1721). Late prints. Condition C/D (stretched on canvas and

30 € - 50 €

SET OF APPROXIMATELY 15 ENGRAVINGS. Various periods, subjects, and sizes. Condition: B/D (some mounted on the back of a frame).

3 - SET OF APPROXIMATELY 15 ENGRAVINGS. Various periods, subjects, and sizes. Condition: B/D (some mounted on the back of a frame).

50 € - 100 €

SET of 4 FRAMED PRINTS, including one by Pierre Drevet. Various subjects and sizes.

4 - SET of 4 FRAMED PRINTS, including one by Pierre Drevet. Various subjects and sizes.

20 € - 30 €

Claude Torricini (1930–2025), a box containing 25 drawings, medium size 50 x 40 cm.

5 - Claude Torricini (1930–2025), a box containing 25 drawings, medium size 50 x 40 cm.

50 € - 100 €

"Abstract School," a drawing portfolio containing 20 watercolors, some mounted on mat boards; each is signed "Ewa?" Various sizes.

6 - "Abstract School," a drawing portfolio containing 20 watercolors, some mounted on mat boards; each is signed "Ewa?" Various sizes.

50 € - 100 €

A portfolio containing 11 signed and numbered lithographs by various artists, including Huchet, Daumier, Schoendorff, Tran Long, Rolf Rafflewsky …

7 - A portfolio containing 11 signed and numbered lithographs by various artists, including Huchet, Daumier, Schoendorff, Tran Long, Rolf Rafflewsky …

50 € - 100 €

PITTONI Giovanni Battista the Elder (Attributed to). Vicenza 1520 – id.; 1583. Village in the Italian countryside near the church
Pen and brown ink. Mounted on paper (minor foxing). Top left: circular collector’s mark featuring a seated lion belonging to Ludwig Zataka (Vienna 1857 – Spital am Semmering 1925), an architect in Vienna (Lugt. 2672). On the reverse of the backing sheet, three annotations in black chalk in German; the second line reads G. B (?) Pittoni J. Altere. H. 11.8 – L.

8 - PITTONI Giovanni Battista the Elder (Attributed to). Vicenza 1520 – id.; 1583. Village in the Italian countryside near the church Pen and brown ink. Mounted on paper (minor foxing). Top left: circular collector’s mark featuring a seated lion belonging to Ludwig Zataka (Vienna 1857 – Spital am Semmering 1925), an architect in Vienna (Lugt. 2672). On the reverse of the backing sheet, three annotations in black chalk in German; the second line reads G. B (?) Pittoni J. Altere. H. 11.8 – L.

300 € - 400 €

CARRACCHI, Annibale (after) Bologna 1555 – id.; 1609. Christ with the Crown of Thorns. Oil on canvas (re-stretched and restored). H. 60 – W. 73 cm. Related to the composition by Annibal Carracci, also known as *Cristo deriso*, housed at the Pinacoteca di Bologna (Andrea Emiliani, *La Pinacoteca Nazionale di Bologna*, no. 206, Bologna 1967).

9 - CARRACCHI, Annibale (after) Bologna 1555 – id.; 1609. Christ with the Crown of Thorns. Oil on canvas (re-stretched and restored). H. 60 – W. 73 cm. Related to the composition by Annibal Carracci, also known as Cristo deriso, housed at the Pinacoteca di Bologna (Andrea Emiliani, La Pinacoteca Nazionale di Bologna, no. 206, Bologna 1967).

400 € - 600 €

GHEYN Jacob de (Attributed to) 1565 - 1628. Head of a man with a hat. Pen and brown ink. Glued to sheet at the top. H. 5.4 - L. 6.3 cm. Provenance: Galerie Jean - Paul Meulemeester, Brussels. The numbered card 264 issued by the gallery bears the provenance indication: Coll. Rops.

10 - GHEYN Jacob de (Attributed to) 1565 - 1628. Head of a man with a hat. Pen and brown ink. Glued to sheet at the top. H. 5.4 - L. 6.3 cm. Provenance: Galerie Jean - Paul Meulemeester, Brussels. The numbered card 264 issued by the gallery bears the provenance indication: Coll. Rops.

200 € - 250 €

RENI, Guido (School of) Bologna 1575 – id.; 1642. Penitent Mary Magdalene. Oil on canvas (re-stretched; some minor restorations). H. 55.5 – W. 45.5 cm. Related to Guido Reni’s composition, *Penitent Mary Magdalene*, held in Rome at the Galleria Nazionale d’Arte (see Lorenza Mochi Onori & Rossella Vodret, *Palazzo Barberini*, no. 42, p. 66—Rome 2006).

11 - RENI, Guido (School of) Bologna 1575 – id.; 1642. Penitent Mary Magdalene. Oil on canvas (re-stretched; some minor restorations). H. 55.5 – W. 45.5 cm. Related to Guido Reni’s composition, Penitent Mary Magdalene, held in Rome at the Galleria Nazionale d’Arte (see Lorenza Mochi Onori & Rossella Vodret, Palazzo Barberini, no. 42, p. 66—Rome 2006).

600 € - 800 €

18th-century FRENCH SCHOOL. Travelers’ Rest or The Fiddler’s Rest. Oil on canvas; removed from the stretcher (re-stretched; small areas missing, particularly around the edges and in the lower portion). On the reverse, an old label written in pen and brown ink: No. 119 / 120, a painting by Watteau measuring 12 p high by 9 p wide / No. 10. H. 32 - L. 23 cm.

12 - 18th-century FRENCH SCHOOL. Travelers’ Rest or The Fiddler’s Rest. Oil on canvas; removed from the stretcher (re-stretched; small areas missing, particularly around the edges and in the lower portion). On the reverse, an old label written in pen and brown ink: No. 119 / 120, a painting by Watteau measuring 12 p high by 9 p wide / No. 10. H. 32 - L. 23 cm.

250 € - 350 €

18th century English school. Portrait of a Child with a Cat. Oil on canvas. 43 x 36.5 cm.

13 - 18th century English school. Portrait of a Child with a Cat. Oil on canvas. 43 x 36.5 cm.

400 € - 500 €

FRENCH SCHOOL. Late 18th century. “Presumed portrait of the Lyon pharmacist and revolutionary deputy Deschamps.” Pastel. Annotated in the lower right corner on a note held in the left hand: “MEMOIRE SUR LES EXTRAITS” read at the Public Session of… by Deschamps, the pharmacist in Lyon, / 1798. H. 63 – W. 52.5 cm. Beautiful 18th-century gilded wooden frame. Citizen Deschamps, a pharmacist in Lyon, published in the Journal of the Society of Pharmacists of PARIS? his treatise on plant ex

14 - FRENCH SCHOOL. Late 18th century. “Presumed portrait of the Lyon pharmacist and revolutionary deputy Deschamps.” Pastel. Annotated in the lower right corner on a note held in the left hand: “MEMOIRE SUR LES EXTRAITS” read at the Public Session of… by Deschamps, the pharmacist in Lyon, / 1798. H. 63 – W. 52.5 cm. Beautiful 18th-century gilded wooden frame. Citizen Deschamps, a pharmacist in Lyon, published in the Journal of the Society of Pharmacists of PARIS? his treatise on plant ex

400 € - 600 €

SPANISH SCHOOL. Late 18th century. The Immaculate Conception. Oil on canvas (re-stretched). H. 99 - W. 70 cm.

15 - SPANISH SCHOOL. Late 18th century. The Immaculate Conception. Oil on canvas (re-stretched). H. 99 - W. 70 cm.

800 € - 1 000 €

French School, Late 18th Century. “Mill near La Roche-Guyon.” Oil on paper mounted on canvas. Missing areas, stains, and minor imperfections. 23.5 x 32 cm.

16 - French School, Late 18th Century. “Mill near La Roche-Guyon.” Oil on paper mounted on canvas. Missing areas, stains, and minor imperfections. 23.5 x 32 cm.

150 € - 200 €

BRUANDET, Lazare (Paris 1755 – id.; 1804.) 1 – “A Pair of Shepherds Tending Cows in a Meadow.” Gouache. Mounted on cardboard (traces of an irregular tear at the bottom and vertically on the left; stains and small pinholes). Signed and dated lower right: L. Bruandet 1790.0 On the back of the backing cardboard, an old handwritten label: Gouache. Vernet. H. 39.5 - W. 50.5 cm. 2 - “Peasants under a tree tending their flock by the river.” Gouache. Mounted on paper (stains and pinholes). S

17 - BRUANDET, Lazare (Paris 1755 – id.; 1804.) 1 – “A Pair of Shepherds Tending Cows in a Meadow.” Gouache. Mounted on cardboard (traces of an irregular tear at the bottom and vertically on the left; stains and small pinholes). Signed and dated lower right: L. Bruandet 1790.0 On the back of the backing cardboard, an old handwritten label: Gouache. Vernet. H. 39.5 - W. 50.5 cm. 2 - “Peasants under a tree tending their flock by the river.” Gouache. Mounted on paper (stains and pinholes). S

400 € - 600 €

Georges MICHEL (1763–1843): “View of the Val de Grâce.” Pencil drawing on paper. Waterstains. 13 x 21 cm.

18 - Georges MICHEL (1763–1843): “View of the Val de Grâce.” Pencil drawing on paper. Waterstains. 13 x 21 cm.

100 € - 150 €

PERNOT, François Alexandre (1793–1865), attributed to, *The Moats of Vincennes and the Tomb of the Duke of Enghien*, brown wash with gouache highlights on paper, unsigned, 16.5 x 12.5 cm. This work is related to two works by François-Alexandre Pernot depicting a view of the Vincennes Moats in 1815: an engraving made in 1819, and an oil painting on canvas exhibited in 1822 at the Salon and now held at the Musée des Beaux-Arts in Angers.See the identical painting signed “F. Pernot 1822” a

19 - PERNOT, François Alexandre (1793–1865), attributed to, The Moats of Vincennes and the Tomb of the Duke of Enghien, brown wash with gouache highlights on paper, unsigned, 16.5 x 12.5 cm. This work is related to two works by François-Alexandre Pernot depicting a view of the Vincennes Moats in 1815: an engraving made in 1819, and an oil painting on canvas exhibited in 1822 at the Salon and now held at the Musée des Beaux-Arts in Angers.See the identical painting signed “F. Pernot 1822” a

80 € - 120 €

ALFED JOHANNOT (1800–1837): “Bonaparte.” Pencil drawing with white highlights on paper. Signed in black ink at the bottom center. 7.4 x 12.5 cm.

20 - ALFED JOHANNOT (1800–1837): “Bonaparte.” Pencil drawing with white highlights on paper. Signed in black ink at the bottom center. 7.4 x 12.5 cm.

80 € - 100 €

ISABEY, Eugène, 1803–1886, Small Port in Holland, 1866, oil on canvas, monogram and date in the lower left corner; on the back of the stretcher, a catalog label marked “WATELIN Collection,” 27.5x37 cm. BIBLIOGRAPHY: Pierre Miquel, *Eugène Isabey: Marine Painting in the 19th Century*, Éditions de la Martinelle, Maurs-la-Jolie, 1980, described and reproduced under no. 372D, p. 119. HISTORY: Watelin Auction, Hôtel Drouot, November 17, 1919, lot 8.

21 - ISABEY, Eugène, 1803–1886, Small Port in Holland, 1866, oil on canvas, monogram and date in the lower left corner; on the back of the stretcher, a catalog label marked “WATELIN Collection,” 27.5x37 cm. BIBLIOGRAPHY: Pierre Miquel, Eugène Isabey: Marine Painting in the 19th Century, Éditions de la Martinelle, Maurs-la-Jolie, 1980, described and reproduced under no. 372D, p. 119. HISTORY: Watelin Auction, Hôtel Drouot, November 17, 1919, lot 8.

800 € - 1 000 €

DECAMPS Alexandre Gabriel, 1803-1860, Vaches au pré, black pencil and wash (insolation and traces of wear), stamp D.C lower right (L.734), red wax stamp VENTE DECAMPS on the back of the mount and a handwritten label with a n°127, 28.5x43.5cm on view.

22 - DECAMPS Alexandre Gabriel, 1803-1860, Vaches au pré, black pencil and wash (insolation and traces of wear), stamp D.C lower right (L.734), red wax stamp VENTE DECAMPS on the back of the mount and a handwritten label with a n°127, 28.5x43.5cm on view.

500 € - 600 €

DIAZ DE LA PENA Narcisse Virgile (1807–1876), in the style of, Peasant Woman by the Water, brown wash with gouache highlights on lined paper, monogram in the lower left: ND, 18x26.5 cm.

23 - DIAZ DE LA PENA Narcisse Virgile (1807–1876), in the style of, Peasant Woman by the Water, brown wash with gouache highlights on lined paper, monogram in the lower left: ND, 18x26.5 cm.

60 € - 90 €

Giuseppe BALDINI (1807–1876): “Portrait of a Woman with a Flower.” Watercolor on paper, signed lower left. 26.8 x 21 cm.

24 - Giuseppe BALDINI (1807–1876): “Portrait of a Woman with a Flower.” Watercolor on paper, signed lower left. 26.8 x 21 cm.

100 € - 150 €

Charles-Emile VACHER de TOURNEMINE (Toulon 1812 – id.; 1872). Four drawings on a single mount. 1 – “View of Elephantine Island taken from Aswan.” Red chalk, gray ink, and watercolor. Mounted on paper. Annotated in the upper right: view taken from Aswan / Aswan, Elephantine Island. H. 14 – W. 21 cm. 2 – “View of the Temple of Maharraqa in Egypt (?)”. Brush and brown wash. Mounted on paper. Labeled in black pencil in the upper right corner. H. 13.8 × W. 21.3 cm. 3 - “Whirling De

25 - Charles-Emile VACHER de TOURNEMINE (Toulon 1812 – id.; 1872). Four drawings on a single mount. 1 – “View of Elephantine Island taken from Aswan.” Red chalk, gray ink, and watercolor. Mounted on paper. Annotated in the upper right: view taken from Aswan / Aswan, Elephantine Island. H. 14 – W. 21 cm. 2 – “View of the Temple of Maharraqa in Egypt (?)”. Brush and brown wash. Mounted on paper. Labeled in black pencil in the upper right corner. H. 13.8 × W. 21.3 cm. 3 - “Whirling De

100 € - 150 €

19th-Century French School, *The Grenadiers' Rest*—Resting by the Water, a pair of oil paintings on panel, unsigned, 16x21 cm each.

26 - 19th-Century French School, The Grenadiers' Rest—Resting by the Water, a pair of oil paintings on panel, unsigned, 16x21 cm each.

70 € - 100 €

CLAIRIN, 19th century, Cavaliers devant un campement militaire, black pencil on paper (freckles), lower left: Clairin 1830, 64.5x81cm

27 - CLAIRIN, 19th century, Cavaliers devant un campement militaire, black pencil on paper (freckles), lower left: Clairin 1830, 64.5x81cm

80 € - 100 €

19th-century school, Romantic scene in a park, oil on canvas (minor losses), lower left: Ramey (fluoresces under a Wood's lamp), 24x33 cm.

28 - 19th-century school, Romantic scene in a park, oil on canvas (minor losses), lower left: Ramey (fluoresces under a Wood's lamp), 24x33 cm.

60 € - 80 €

19th-century FRENCH SCHOOL. Lively bridge and boats. Watercolor. Signed “RNicolle” in the lower left corner. H. 7.5 × W. 5.5 cm.

29 - 19th-century FRENCH SCHOOL. Lively bridge and boats. Watercolor. Signed “RNicolle” in the lower left corner. H. 7.5 × W. 5.5 cm.

60 € - 80 €

ANONYMOUS, 19th century, *The Monk's Drunkenness*, oil on canvas (damage, missing sections, and restorations), unsigned, 100x81 cm.

30 - ANONYMOUS, 19th century, The Monk's Drunkenness, oil on canvas (damage, missing sections, and restorations), unsigned, 100x81 cm.

150 € - 250 €

19th-century FRENCH SCHOOL. “Portrait of Pierre Paul Rubens and Antoine van Dyck.” Black chalk and stump. Mounted on paper (sun-faded; stains). Annotated on the reverse of the backing board in pen and brown ink. H. 19 – W. 16 & H. 19 – W. 15 cm. Gilded wooden frame (small losses).

31 - 19th-century FRENCH SCHOOL. “Portrait of Pierre Paul Rubens and Antoine van Dyck.” Black chalk and stump. Mounted on paper (sun-faded; stains). Annotated on the reverse of the backing board in pen and brown ink. H. 19 – W. 16 & H. 19 – W. 15 cm. Gilded wooden frame (small losses).

30 € - 50 €

19th-Century French School, La Ferté Milon, black pencil and white chalk on paper (sun damage and foxing), unsigned, inscription on the back of the mounting: Corot, Purchased in Aubourg, Place Pigalle, 1862, and Faure Auction of … 1910. Dimensions: 13.5 x 20 cm (image area).

32 - 19th-Century French School, La Ferté Milon, black pencil and white chalk on paper (sun damage and foxing), unsigned, inscription on the back of the mounting: Corot, Purchased in Aubourg, Place Pigalle, 1862, and Faure Auction of … 1910. Dimensions: 13.5 x 20 cm (image area).

80 € - 100 €

19th-Century French School, Snow-Covered Woodland, oil on re-stretched canvas (re-stretching, restorations, and missing areas), bears an apocryphal inscription in the lower left corner, 41x32 cm.

33 - 19th-Century French School, Snow-Covered Woodland, oil on re-stretched canvas (re-stretching, restorations, and missing areas), bears an apocryphal inscription in the lower left corner, 41x32 cm.

50 € - 80 €

19th-CENTURY ECOLE, Farm and Trees, 1861, graphite (foxing), monogram and date lower left, faint signature lower right, 24x31cm at sight.

34 - 19th-CENTURY ECOLE, Farm and Trees, 1861, graphite (foxing), monogram and date lower left, faint signature lower right, 24x31cm at sight.

30 € - 40 €

FRENCH SCHOOL First half of the 19th century. Presumed portrait of a painting-obsessed individual, with an obsessive gaze, clasped hands, and the lapel of his frock coat stained with paint. Oil on canvas. H. 60.5 - W. 53.5 cm. For further reading on the iconography of monomania and its various types, see Claude Quétel’s *Images de la folie: L’Essai des portraits cliniques*, pp. 106–110 (Gallimard, 2010). The emergence of the theme of monomania in nineteenth-century painting—particularly

35 - FRENCH SCHOOL First half of the 19th century. Presumed portrait of a painting-obsessed individual, with an obsessive gaze, clasped hands, and the lapel of his frock coat stained with paint. Oil on canvas. H. 60.5 - W. 53.5 cm. For further reading on the iconography of monomania and its various types, see Claude Quétel’s Images de la folie: L’Essai des portraits cliniques, pp. 106–110 (Gallimard, 2010). The emergence of the theme of monomania in nineteenth-century painting—particularly

500 € - 800 €

Émile BERNARD (1826–1897), ATTRIBUTED TO. Portrait of Mr. Albert Chasseray, circa 1925. Oil on cardboard (varnish discolored, minor losses). Unsigned. 41x35 cm. Accompanied by an exhibition booklet for the Émile Bernard exhibition at the Charpentier Gallery, May 26–June 13, 1926, inscribed to Mr. Chasseray: “To Chasseray, who wants to be a man of the woods... these solemn, engraved woods—E. Bernard,” and an engraved woodcut enhanced with brown wash, *La Ballade des pendus* (as is, wi

36 - Émile BERNARD (1826–1897), ATTRIBUTED TO. Portrait of Mr. Albert Chasseray, circa 1925. Oil on cardboard (varnish discolored, minor losses). Unsigned. 41x35 cm. Accompanied by an exhibition booklet for the Émile Bernard exhibition at the Charpentier Gallery, May 26–June 13, 1926, inscribed to Mr. Chasseray: “To Chasseray, who wants to be a man of the woods... these solemn, engraved woods—E. Bernard,” and an engraved woodcut enhanced with brown wash, La Ballade des pendus (as is, wi

500 € - 800 €

BRACQUEMOND Félix, 1833-1914, d'après Gustave MOREAU, Le roi David, 1884, etching in black, engraved by Félix Bracquemond, 7th state, before the letter and with the note: David's name in Hebrew, edition of 50 proofs, signed lower right: Gustave Moreau / Bracquemond, dry stamp lower left illegible, plate: 58.5x35.5cm; sheet: 75x47cm. Beraldi 348 (7); this print won Félix Bracquemond the medal of honor at the 1884 Salon.

37 - BRACQUEMOND Félix, 1833-1914, d'après Gustave MOREAU, Le roi David, 1884, etching in black, engraved by Félix Bracquemond, 7th state, before the letter and with the note: David's name in Hebrew, edition of 50 proofs, signed lower right: Gustave Moreau / Bracquemond, dry stamp lower left illegible, plate: 58.5x35.5cm; sheet: 75x47cm. Beraldi 348 (7); this print won Félix Bracquemond the medal of honor at the 1884 Salon.

300 € - 400 €

19th-Century School, after Carle Vernet: “Horse Fight.” Graphite and stump. Bears a barely legible signature and a date in the lower left corner. Stains and imperfections. 19 x 26.7 cm.

38 - 19th-Century School, after Carle Vernet: “Horse Fight.” Graphite and stump. Bears a barely legible signature and a date in the lower left corner. Stains and imperfections. 19 x 26.7 cm.

30 € - 40 €

French School, Second Half of the 19th Century: “Portrait of a Woman in a Lace Bonnet.” Oil on panel, monogrammed “D-D” on the left. Craquelure and restorations.

39 - French School, Second Half of the 19th Century: “Portrait of a Woman in a Lace Bonnet.” Oil on panel, monogrammed “D-D” on the left. Craquelure and restorations.

60 € - 80 €

FRENCH SCHOOL, second half of the 19th century, Woman with a Parasol on a Path, oil on paper (minor imperfections and slight warping), unsigned, 24x34 cm.

40 - FRENCH SCHOOL, second half of the 19th century, Woman with a Parasol on a Path, oil on paper (minor imperfections and slight warping), unsigned, 24x34 cm.

70 € - 100 €

Late 19th-Century Orientalist Painting: “Lively Street Scene Under Coconut Palms.” Oil on canvas, signed “Podevin” in the lower left corner. Remounted. 55 x 40.5 cm. In a gilded wooden frame with fluting.

41 - Late 19th-Century Orientalist Painting: “Lively Street Scene Under Coconut Palms.” Oil on canvas, signed “Podevin” in the lower left corner. Remounted. 55 x 40.5 cm. In a gilded wooden frame with fluting.

40 € - 60 €

L. ANNET (French School, Late 19th Century): “Flowers.” Two gouaches on paper forming a pair. Signed lower right. 30.5 x 16 cm.

42 - L. ANNET (French School, Late 19th Century): “Flowers.” Two gouaches on paper forming a pair. Signed lower right. 30.5 x 16 cm.

50 € - 80 €

43 - French School, Late 19th Century: “Portrait of a Man.” Oil on canvas. Signed lower right, inscribed “To Mr. Defly?” and dated 1881. Damage and restoration. 46 x 37.8 cm. Traces of a preparatory sketch of a woman’s profile on the back of the canvas. In a lovely period frame of wood and gilded stucco (damage).

250 € - 350 €

CONSTANT Benjamin, 1845-1902, Miséricorde, un village bulgare repris, les habitants présentés au commandant de l'armée ottomane, episode of the Russo-Turkish War of 1877-1878, charcoal and white chalk on beige paper (some traces of folds), signed lower left, 39x63.5cm sight. BIBLIOGRAPHY: Harper's Weekly, Oct. 27, 1877, pp.844-845, under the title Mercy.

43-1 - CONSTANT Benjamin, 1845-1902, Miséricorde, un village bulgare repris, les habitants présentés au commandant de l'armée ottomane, episode of the Russo-Turkish War of 1877-1878, charcoal and white chalk on beige paper (some traces of folds), signed lower left, 39x63.5cm sight. BIBLIOGRAPHY: Harper's Weekly, Oct. 27, 1877, pp.844-845, under the title Mercy.

800 € - 1 000 €

TANZI, Léon, 1846–1913, Portrait of a Man in a Fur Coat, 1881, oil on canvas (with damage and restorations), signed and dated lower right, 73 x 59 cm.

43-2 - TANZI, Léon, 1846–1913, Portrait of a Man in a Fur Coat, 1881, oil on canvas (with damage and restorations), signed and dated lower right, 73 x 59 cm.

200 € - 300 €

ROLL Alfred, 1846-1919, Seated nude, charcoal and white chalk on brown paper (freckles), signed lower left, 36x52cm at sight.

44 - ROLL Alfred, 1846-1919, Seated nude, charcoal and white chalk on brown paper (freckles), signed lower left, 36x52cm at sight.

700 € - 900 €

Eugène Henri CAUCHOIS (1850-1911): "Basket of Roses". Oil on canvas signed lower right (denting, small missing parts, traces of cracking). 51 x 69 cm

45 - Eugène Henri CAUCHOIS (1850-1911): "Basket of Roses". Oil on canvas signed lower right (denting, small missing parts, traces of cracking). 51 x 69 cm

500 € - 600 €

BOUDOT, Léon, 1851–1930, *Riverbank*, oil on re-stretched canvas (traces of cracking and restoration), signed lower right, 46 x 61 cm.

46 - BOUDOT, Léon, 1851–1930, Riverbank, oil on re-stretched canvas (traces of cracking and restoration), signed lower right, 46 x 61 cm.

80 € - 120 €

KAUFMANN, Isidore, after, *Young Rabbi*, oil on re-stretched canvas (restored), bears an apocryphal inscription in the lower right corner, 30.5 x 23.5 cm.

47 - KAUFMANN, Isidore, after, Young Rabbi, oil on re-stretched canvas (restored), bears an apocryphal inscription in the lower right corner, 30.5 x 23.5 cm.

300 € - 500 €

KAUFMANN, Isidore, after, *Old Scholar*, oil on canvas (restored), bears an apocryphal inscription in the lower left corner, 21x15.5 cm.

48 - KAUFMANN, Isidore, after, Old Scholar, oil on canvas (restored), bears an apocryphal inscription in the lower left corner, 21x15.5 cm.

150 € - 250 €

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