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Engravings & Drawings: Old and Modern Masters

Engravings & Drawings: Old and Modern Masters

Wednesday, 23 September 2026 at 14:00

9 rue de Provence, 75009 Paris

Lots 1 to 50 of 332

Page 1 / 7

(NORWAY-WHALES) Sigismond HIMELY (1801–1872) — “Landing and the Western Coast of Spitsbergen” — 19th century. Set of four aquatint engravings on vellum paper by Sigismond Himely, circa 1840, based on drawings by E. Robert. Published by Arthus Bertrand. Printed by Bougeard. These prints evoke both a historical maritime concept of Arctic navigation and a famous 19th-century lithographic work of art (355 x 550 mm) – Condition A-. Fine foxing.

1 - (NORWAY-WHALES) Sigismond HIMELY (1801–1872) — “Landing and the Western Coast of Spitsbergen” — 19th century. Set of four aquatint engravings on vellum paper by Sigismond Himely, circa 1840, based on drawings by E. Robert. Published by Arthus Bertrand. Printed by Bougeard. These prints evoke both a historical maritime concept of Arctic navigation and a famous 19th-century lithographic work of art (355 x 550 mm) – Condition A-. Fine foxing.

400 € - 600 €

(SWITZERLAND) Eugène CICERI (1813–1890) — “The Unerloch or Uri Hole — St. Gotthard Route” — 20th century. Color lithograph on vellum paper by Eugène Ciceri, circa 1860. Plate 83, part of a famous series of picturesque views dedicated to Switzerland and Savoy, printed by Lemercier and published by Goupil in Paris. (660 x 500 mm) - Grade B. Widespread foxing within the image. Stains and dust.

2 - (SWITZERLAND) Eugène CICERI (1813–1890) — “The Unerloch or Uri Hole — St. Gotthard Route” — 20th century. Color lithograph on vellum paper by Eugène Ciceri, circa 1860. Plate 83, part of a famous series of picturesque views dedicated to Switzerland and Savoy, printed by Lemercier and published by Goupil in Paris. (660 x 500 mm) - Grade B. Widespread foxing within the image. Stains and dust.

100 € - 200 €

(ITALY - EUROPE) - BOISSIEU, Jean-Jacques (1736–1810) - “View of the Lucano Bridge on the Road from Rome to Tivoli” - late 18th century. Engraving. On vellum paper. (296 × 440 mm). Condition A-: yellowing of the paper

3 - (ITALY - EUROPE) - BOISSIEU, Jean-Jacques (1736–1810) - “View of the Lucano Bridge on the Road from Rome to Tivoli” - late 18th century. Engraving. On vellum paper. (296 × 440 mm). Condition A-: yellowing of the paper

100 € - 200 €

(EGYPT—PRINTS) PELLERIN & CIE - "The Bombardment of Alexandria—The Massacre of the Europeans" - 19th century. Woodcut, stencil-colored on fine paper by Pellerin & Cie. Epinal Print No. 157. (295 x 400 mm) - Condition A: Good overall condition.

4 - (EGYPT—PRINTS) PELLERIN & CIE - "The Bombardment of Alexandria—The Massacre of the Europeans" - 19th century. Woodcut, stencil-colored on fine paper by Pellerin & Cie. Epinal Print No. 157. (295 x 400 mm) - Condition A: Good overall condition.

80 € - 120 €

(EGYPT-NAPOLEON) Charles MOTTE (1784–1836) – “Battle of Aboukir” – 19th century. Lithograph on vellum by Charles Motte, based on a work by the painter Alexandre-Gabriel Decamps. (400 x 500 mm) - Condition A-: Water stains, spots, traces of old adhesive on the corners.

5 - (EGYPT-NAPOLEON) Charles MOTTE (1784–1836) – “Battle of Aboukir” – 19th century. Lithograph on vellum by Charles Motte, based on a work by the painter Alexandre-Gabriel Decamps. (400 x 500 mm) - Condition A-: Water stains, spots, traces of old adhesive on the corners.

150 € - 200 €

(EGYPT) Gio COLUCCI (1892–1974) — “Harfleur (Seaside Evening)” — 20th century. Etching by Gio Colucci from 1925, signed in the lower right corner and numbered 12/50 in the lower left corner. Norbert "2ditions" drystamp. The scene is set in Abydos, Egypt. (415 x 515 mm) - Grade A. Fine foxing.

6 - (EGYPT) Gio COLUCCI (1892–1974) — “Harfleur (Seaside Evening)” — 20th century. Etching by Gio Colucci from 1925, signed in the lower right corner and numbered 12/50 in the lower left corner. Norbert "2ditions" drystamp. The scene is set in Abydos, Egypt. (415 x 515 mm) - Grade A. Fine foxing.

200 € - 300 €

(18th century—Middle East) Henri Abraham CHATELAIN (1684–1743) — "Secular History of the Fifth Age, Continuing with the Kingdom of Egypt" — 18th century. Engraving on laid paper, featuring a two-page spread of text from the universal chronology of the era, as well as a map of the Near East by Henri Abraham Châtelain circa 1720, taken from Volume I of Henri Abraham Châtelain’s monumental *Historical Atlas*. Decorative border. (470 x 600 mm) - Grade A. Good overall condition. Central f

7 - (18th century—Middle East) Henri Abraham CHATELAIN (1684–1743) — "Secular History of the Fifth Age, Continuing with the Kingdom of Egypt" — 18th century. Engraving on laid paper, featuring a two-page spread of text from the universal chronology of the era, as well as a map of the Near East by Henri Abraham Châtelain circa 1720, taken from Volume I of Henri Abraham Châtelain’s monumental Historical Atlas. Decorative border. (470 x 600 mm) - Grade A. Good overall condition. Central f

120 € - 150 €

(MIDDLE EAST) "Mathilde and Malek-Adhel during a truce between Christians and Muslims" - 19th century. Lithograph produced by Gosselin. On vellum paper. (415 x 510 mm) Condition A-: stain and dust on the paper

8 - (MIDDLE EAST) "Mathilde and Malek-Adhel during a truce between Christians and Muslims" - 19th century. Lithograph produced by Gosselin. On vellum paper. (415 x 510 mm) Condition A-: stain and dust on the paper

80 € - 120 €

(MIDDLE EAST) "Mathilde and Malek-Adhel" - 19th century. Lithograph produced by Gosselin. On vellum paper. (415 × 510 mm) Condition A-: stain

9 - (MIDDLE EAST) "Mathilde and Malek-Adhel" - 19th century. Lithograph produced by Gosselin. On vellum paper. (415 × 510 mm) Condition A-: stain

80 € - 120 €

(TUNISIA—PRINTS) PELLERIN & CIE - "Battle of Djebbel-Haddedah—April 28, 1881" - 19th century. Woodcut, hand-colored using a stencil, on fine paper by Pellerin & Cie. Epinal Print No. 155. (295 x 400 mm) - Condition A-: Good overall condition. Short tears along the edges and creases.

10 - (TUNISIA—PRINTS) PELLERIN & CIE - "Battle of Djebbel-Haddedah—April 28, 1881" - 19th century. Woodcut, hand-colored using a stencil, on fine paper by Pellerin & Cie. Epinal Print No. 155. (295 x 400 mm) - Condition A-: Good overall condition. Short tears along the edges and creases.

80 € - 120 €

(TUNISIA) Jean THOUVENIN (1781–1828) — “St. Vincent de Paul Escaping from Tunis” — 19th century. Engraving on vellum paper by Jean Thouvenin, circa 1830, after a drawing by Pierre Martinet. Published by Basset in Paris. (335 x 590 mm) - Condition A-: Mounted on a rigid backing. Water stain in the lower portion.

11 - (TUNISIA) Jean THOUVENIN (1781–1828) — “St. Vincent de Paul Escaping from Tunis” — 19th century. Engraving on vellum paper by Jean Thouvenin, circa 1830, after a drawing by Pierre Martinet. Published by Basset in Paris. (335 x 590 mm) - Condition A-: Mounted on a rigid backing. Water stain in the lower portion.

200 € - 300 €

(ALGERIA—IMAGES) PELLERIN & CIE - “Prise de Mascara” - 19th century. Woodcut, stencil-colored on fine paper by Pellerin & Cie. (410 x 640 mm) - Condition A-: Good overall condition. Short tears along the edges, creases.

12 - (ALGERIA—IMAGES) PELLERIN & CIE - “Prise de Mascara” - 19th century. Woodcut, stencil-colored on fine paper by Pellerin & Cie. (410 x 640 mm) - Condition A-: Good overall condition. Short tears along the edges, creases.

80 € - 120 €

(ORIENTALISM) COUTOUY - "Shore Scene" - 19th century. Watercolor on vellum paper, signed in the lower left corner. (170 x 500 mm) - Condition A-. Foxing and stains. Water damage on the right side. Mounted on a flexible backing.

13 - (ORIENTALISM) COUTOUY - "Shore Scene" - 19th century. Watercolor on vellum paper, signed in the lower left corner. (170 x 500 mm) - Condition A-. Foxing and stains. Water damage on the right side. Mounted on a flexible backing.

100 € - 200 €

(ISRAEL) Henri Abraham CHATELAIN (1684–1743) — “Tactics, Laws, Government, Punishments, and Marriages of the Israelites” — 18th century. Engraving on laid paper, double-page spread of text, by Henri Abraham Châtelain circa 1720, taken from Volume I of Henri Abraham Châtelain’s monumental *Atlas Historique*. Decorative border. (450 x 610 mm) - Grade A. Good overall condition. Central fold from the printing process.

14 - (ISRAEL) Henri Abraham CHATELAIN (1684–1743) — “Tactics, Laws, Government, Punishments, and Marriages of the Israelites” — 18th century. Engraving on laid paper, double-page spread of text, by Henri Abraham Châtelain circa 1720, taken from Volume I of Henri Abraham Châtelain’s monumental Atlas Historique. Decorative border. (450 x 610 mm) - Grade A. Good overall condition. Central fold from the printing process.

100 € - 120 €

(RUSSIA-NAPOLEON) PELLERIN & CIE - "Battle of the Moskva" - 19th century. Woodcut on fine paper by Pellerin & Cie. Epinal Print No. 130. (280 x 390 mm) - Condition A: Good overall condition.

15 - (RUSSIA-NAPOLEON) PELLERIN & CIE - "Battle of the Moskva" - 19th century. Woodcut on fine paper by Pellerin & Cie. Epinal Print No. 130. (280 x 390 mm) - Condition A: Good overall condition.

100 € - 200 €

(UKRAINE-RUSSIA) ADAMS - "The Battle of Inkermann - Historical Military Quadrille" - 19th century. Sheet music for the military quadrille by Alphonse Leduc, illustration by Adam. (270 x 350 mm) - Condition A: Dust.

16 - (UKRAINE-RUSSIA) ADAMS - "The Battle of Inkermann - Historical Military Quadrille" - 19th century. Sheet music for the military quadrille by Alphonse Leduc, illustration by Adam. (270 x 350 mm) - Condition A: Dust.

80 € - 120 €

(RUSSIA) Amédée and Eugène VARIN (1818–1883) — “The Two Friends” — 19th century. Engraving on vellum paper by Amédée and Eugène Varin in 1869, based on a painting by Hippolyte Bellangé. (675 x 830 mm) - Grade A-. Good overall condition, some minor signs of handling, dust.

17 - (RUSSIA) Amédée and Eugène VARIN (1818–1883) — “The Two Friends” — 19th century. Engraving on vellum paper by Amédée and Eugène Varin in 1869, based on a painting by Hippolyte Bellangé. (675 x 830 mm) - Grade A-. Good overall condition, some minor signs of handling, dust.

200 € - 300 €

(RUSSIA - ASIA - EUROPE) - J. E. GOOSSENS - "Memories of the Bon Marché Department Stores" featuring portraits of Nicholas II, the last Tsar of Russia, and Émile Loubet, President of the French Republic, a view of the two men shaking hands, and a view of the Kremlin in Moscow. 1902. Chromolithograph with gold accents. On glossy paper. Made in Paris, 20 rue Gérando (280 × 215 mm). Condition B: minor tears that do not affect the subject

18 - (RUSSIA - ASIA - EUROPE) - J. E. GOOSSENS - "Memories of the Bon Marché Department Stores" featuring portraits of Nicholas II, the last Tsar of Russia, and Émile Loubet, President of the French Republic, a view of the two men shaking hands, and a view of the Kremlin in Moscow. 1902. Chromolithograph with gold accents. On glossy paper. Made in Paris, 20 rue Gérando (280 × 215 mm). Condition B: minor tears that do not affect the subject

80 € - 120 €

(CRIMEA) "Theater of the War in the East in 1854" - 19th century. Map of the Crimean War. Published by Marie and Bernard. Printed by Lemercier. (580 x 800 mm) - Grade A-. Good overall condition. Some dust and a few foxing spots.

19 - (CRIMEA) "Theater of the War in the East in 1854" - 19th century. Map of the Crimean War. Published by Marie and Bernard. Printed by Lemercier. (580 x 800 mm) - Grade A-. Good overall condition. Some dust and a few foxing spots.

80 € - 120 €

(INDIA) ANONYMOUS - "François Xavier, Apostle of India..." - 18th century. Color engraving on laid paper. (295 x 200 mm) - Condition A-. Yellowed paper, stains, wormholes. Print with margins.

20 - (INDIA) ANONYMOUS - "François Xavier, Apostle of India..." - 18th century. Color engraving on laid paper. (295 x 200 mm) - Condition A-. Yellowed paper, stains, wormholes. Print with margins.

80 € - 120 €

(SCOTLAND) Aristide Michel PERROT (1793–1879) — “Map of Scotland Showing the Places Mentioned in the Works of Sir Walter Scott” — 19th century. Map engraved on vellum and enhanced with watercolor by Aristide Michel Perrot in 1831, published in Paris by Furne and Garnier Frères. (465 x 395 mm) - Grade A. Good overall condition. Folding creases from the printing process.

21 - (SCOTLAND) Aristide Michel PERROT (1793–1879) — “Map of Scotland Showing the Places Mentioned in the Works of Sir Walter Scott” — 19th century. Map engraved on vellum and enhanced with watercolor by Aristide Michel Perrot in 1831, published in Paris by Furne and Garnier Frères. (465 x 395 mm) - Grade A. Good overall condition. Folding creases from the printing process.

100 € - 150 €

(MEXICO-PRINTS) PELLERIN & CIE - "Battle of San Andrés: Mexican Campaign" - 19th century. Woodcut print, stencil-colored on fine paper by Pellerin & Cie. Epinal Print No. 173. (295 x 400 mm) - Condition A-: Good overall condition. Short tears along the edges.

22 - (MEXICO-PRINTS) PELLERIN & CIE - "Battle of San Andrés: Mexican Campaign" - 19th century. Woodcut print, stencil-colored on fine paper by Pellerin & Cie. Epinal Print No. 173. (295 x 400 mm) - Condition A-: Good overall condition. Short tears along the edges.

80 € - 120 €

(SOUTH AFRICA—PRINTS) PELLERIN & CIE - "Battle of Maggersfontein" - 19th century. Woodcut, hand-colored with a stencil on fine paper by Pellerin & Cie. Epinal Print No. 181. (295 x 390 mm) - Condition A-: Good overall condition. Short tears along the edges.

23 - (SOUTH AFRICA—PRINTS) PELLERIN & CIE - "Battle of Maggersfontein" - 19th century. Woodcut, hand-colored with a stencil on fine paper by Pellerin & Cie. Epinal Print No. 181. (295 x 390 mm) - Condition A-: Good overall condition. Short tears along the edges.

80 € - 120 €

(SOUTH AFRICA—PRINTS) PELLERIN & CIE - "Battle of Spion Kopje" - 19th century. Woodcut, hand-colored with a stencil on fine paper by Pellerin & Cie. Epinal Print No. 182. (295 x 390 mm) - Condition A-: Good overall condition. Short tears along the edges.

24 - (SOUTH AFRICA—PRINTS) PELLERIN & CIE - "Battle of Spion Kopje" - 19th century. Woodcut, hand-colored with a stencil on fine paper by Pellerin & Cie. Epinal Print No. 182. (295 x 390 mm) - Condition A-: Good overall condition. Short tears along the edges.

80 € - 120 €

(BENIN-PRINTS) PELLERIN & CIE - "In Dahomey: Battle at Dgébé (October 4, 1892)" - 19th century. Woodcut, stencil-colored on fine paper by Pellerin & Cie. Epinal Print No. 190. (295 x 390 mm) - Condition A-: Good overall condition. Short tears along the edges.

25 - (BENIN-PRINTS) PELLERIN & CIE - "In Dahomey: Battle at Dgébé (October 4, 1892)" - 19th century. Woodcut, stencil-colored on fine paper by Pellerin & Cie. Epinal Print No. 190. (295 x 390 mm) - Condition A-: Good overall condition. Short tears along the edges.

80 € - 120 €

(MALI-IMAGERY) PELLERIN & CIE - "Lieutenant Colonel Bonnier's Column Enters Timbuktu (January 10, 1894)" - 19th century. Woodcut, stencil-colored on fine paper by Pellerin & Cie. Epinal Print No. 197. (295 x 400 mm) - Condition A-: Good overall condition. Short tears along the edges and creases.

26 - (MALI-IMAGERY) PELLERIN & CIE - "Lieutenant Colonel Bonnier's Column Enters Timbuktu (January 10, 1894)" - 19th century. Woodcut, stencil-colored on fine paper by Pellerin & Cie. Epinal Print No. 197. (295 x 400 mm) - Condition A-: Good overall condition. Short tears along the edges and creases.

80 € - 120 €

(MALI-IMAGERY) PELLERIN & CIE - "View of Timbuktu - The Surprise and Destruction of the Bonnier Column" - 19th century. Woodcut, stencil-colored on fine paper by Pellerin & Cie. Epinal Print No. 198. (300 x 370 mm) - Condition A-: Good overall condition. Short tears along the edges.

27 - (MALI-IMAGERY) PELLERIN & CIE - "View of Timbuktu - The Surprise and Destruction of the Bonnier Column" - 19th century. Woodcut, stencil-colored on fine paper by Pellerin & Cie. Epinal Print No. 198. (300 x 370 mm) - Condition A-: Good overall condition. Short tears along the edges.

80 € - 120 €

(ASIA) Auguste-Henri DUFOUR (1798–1865) — “Map of the British Possessions in India… Hindustan, Indochina, and China” — 19th century. Map engraved by Régnier and Dourdet, drawn by Auguste-Henri Dufour. Published by Paulin and Le Chevalier in Paris (585 x 775 mm) - Grade A-. Original folds. Creases, some foxing.

28 - (ASIA) Auguste-Henri DUFOUR (1798–1865) — “Map of the British Possessions in India… Hindustan, Indochina, and China” — 19th century. Map engraved by Régnier and Dourdet, drawn by Auguste-Henri Dufour. Published by Paulin and Le Chevalier in Paris (585 x 775 mm) - Grade A-. Original folds. Creases, some foxing.

150 € - 200 €

(CHINA) DAUMIER, Honoré (1808–1879) — “Journey to China: The Pleasures of Carnival” — January 30, 1845, in *Le Charivarie*. Original lithograph on newsprint. Printed by Aubert, 29 Place de la Bourse. (257 × 370 mm). Condition A-: central fold, some foxing.

29 - (CHINA) DAUMIER, Honoré (1808–1879) — “Journey to China: The Pleasures of Carnival” — January 30, 1845, in Le Charivarie. Original lithograph on newsprint. Printed by Aubert, 29 Place de la Bourse. (257 × 370 mm). Condition A-: central fold, some foxing.

90 € - 120 €

(CHINA) HECKEL, Augustin (1690–1770, after) — “The Fine River and Pleasant Town of Joesiwoe in China with Rice Plantation” — 18th century. Engraving by J. COUSE. On laid paper with “IV” watermark. (198 × 290 mm). Condition B: foxing, multiple tears

30 - (CHINA) HECKEL, Augustin (1690–1770, after) — “The Fine River and Pleasant Town of Joesiwoe in China with Rice Plantation” — 18th century. Engraving by J. COUSE. On laid paper with “IV” watermark. (198 × 290 mm). Condition B: foxing, multiple tears

200 € - 300 €

(CHINA) HECKEL, Augustin (1690–1770, after) — “A Summer Palace near Kiang in China Ornamented with Artificial Rocks” — 18th century. Engraving by J. COUSE. On laid paper with “IV” watermark. (198 × 290 mm). Condition B: foxing, multiple tears, crease.

31 - (CHINA) HECKEL, Augustin (1690–1770, after) — “A Summer Palace near Kiang in China Ornamented with Artificial Rocks” — 18th century. Engraving by J. COUSE. On laid paper with “IV” watermark. (198 × 290 mm). Condition B: foxing, multiple tears, crease.

300 € - 400 €

(CHINA) HECKEL, Augustin (1690–1770, after) — “A Perspective View of that great city Canton in China” — 18th century. Engraving by J. COUSE. On laid paper with watermark. (194 × 285 mm). Condition A-: foxing.

32 - (CHINA) HECKEL, Augustin (1690–1770, after) — “A Perspective View of that great city Canton in China” — 18th century. Engraving by J. COUSE. On laid paper with watermark. (194 × 285 mm). Condition A-: foxing.

300 € - 400 €

(CHINA) HECKEL, Augustin (1690–1770, after) — “The Pleasant River of Kiang in China, Where Summer Houses on Each Side Adorn the Rocks” — 18th century. Engraving by J. COUSE. On laid paper with watermark. (194 × 285 mm). Condition A-: foxing.

33 - (CHINA) HECKEL, Augustin (1690–1770, after) — “The Pleasant River of Kiang in China, Where Summer Houses on Each Side Adorn the Rocks” — 18th century. Engraving by J. COUSE. On laid paper with watermark. (194 × 285 mm). Condition A-: foxing.

300 € - 400 €

(AFRICA) Charles-Eugène GLEMAREC (1820–1896) — “Cruel Disaster in Africa” — 19th century. Woodcut on fine paper by Charles-Eugène Glémarec. Popular imagery. (540 x 410 mm) - Grade A-. Good overall condition. A few foxing spots.

34 - (AFRICA) Charles-Eugène GLEMAREC (1820–1896) — “Cruel Disaster in Africa” — 19th century. Woodcut on fine paper by Charles-Eugène Glémarec. Popular imagery. (540 x 410 mm) - Grade A-. Good overall condition. A few foxing spots.

200 € - 300 €

(LA REUNION, SENEGAL) MARTINET, Alexandre (1725–1804) — “Flycatchers of the Island of Bourbon and Senegal” — late 18th century. Copper engraving, hand-colored at the time. On laid paper. (425 × 280 mm). Condition A-: yellowing of the paper

35 - (LA REUNION, SENEGAL) MARTINET, Alexandre (1725–1804) — “Flycatchers of the Island of Bourbon and Senegal” — late 18th century. Copper engraving, hand-colored at the time. On laid paper. (425 × 280 mm). Condition A-: yellowing of the paper

150 € - 200 €

(ANTILLES—SLAVERY) - EISEN, Charles (1720–1778, attributed) - “Abundance spreads coins in exchange for bales containing spices and goods from the Indies” - 18th century. Set of two engravings by de Longueil (1730–1792). They are identical; only one is a pre-print. On laid paper. (182 × 115 mm). Condition A-: some foxing.

36 - (ANTILLES—SLAVERY) - EISEN, Charles (1720–1778, attributed) - “Abundance spreads coins in exchange for bales containing spices and goods from the Indies” - 18th century. Set of two engravings by de Longueil (1730–1792). They are identical; only one is a pre-print. On laid paper. (182 × 115 mm). Condition A-: some foxing.

100 € - 200 €

(ITALY—FLORENCE SCHOOL) Luigi SCOTTI (Livorno, 1750–Florence, 1816) — “Shepherds and Flocks in Tuscany” — 19th century. Black pencil drawing by Luigi Scotti on vellum, signed in the lower left corner. Florence School. (315 x 470 mm) - Condition A: Good overall condition.

37 - (ITALY—FLORENCE SCHOOL) Luigi SCOTTI (Livorno, 1750–Florence, 1816) — “Shepherds and Flocks in Tuscany” — 19th century. Black pencil drawing by Luigi Scotti on vellum, signed in the lower left corner. Florence School. (315 x 470 mm) - Condition A: Good overall condition.

300 € - 400 €

(ITALY-NAPOLEON) Charles MOTTE (1784–1836) – “Battle of St. Georges” – 19th century. Lithograph on vellum by Charles Motte, based on an original drawing by François Grenier. (440 × 575 mm) - Condition A-: Foxing, creases, dust, and several tears along the edges.

38 - (ITALY-NAPOLEON) Charles MOTTE (1784–1836) – “Battle of St. Georges” – 19th century. Lithograph on vellum by Charles Motte, based on an original drawing by François Grenier. (440 × 575 mm) - Condition A-: Foxing, creases, dust, and several tears along the edges.

100 € - 200 €

(ITALY) Joseph Friedrich LEOPOLD (1668–1727) — “Virgin of the Holy Rosary of the Dominican Friars of Fontanellato” — 18th century. Colored engraving on laid paper by Joseph Friedrich Leopold. (310 x 195 mm) - Grade A-. Subject in good condition. Trimmed margins.

39 - (ITALY) Joseph Friedrich LEOPOLD (1668–1727) — “Virgin of the Holy Rosary of the Dominican Friars of Fontanellato” — 18th century. Colored engraving on laid paper by Joseph Friedrich Leopold. (310 x 195 mm) - Grade A-. Subject in good condition. Trimmed margins.

120 € - 150 €

(ITALY—PRINTS) BONNART - "Saint Francis of Assisi" - 18th century. Engraving on laid paper, published by Bonnart. (425 x 260 mm) - Condition B. Creases, stains, very dusty.

40 - (ITALY—PRINTS) BONNART - "Saint Francis of Assisi" - 18th century. Engraving on laid paper, published by Bonnart. (425 x 260 mm) - Condition B. Creases, stains, very dusty.

100 € - 200 €

(ITALY) Gabriel Antoine BARLANGUE (1874–1956) - “Venice: View Across the Canal” - 20th century. Aquatint engraving on vellum paper, by Gabriel Antoine Barlangue. Signed in pencil in the lower right corner. (675 x 520 mm) - Grade A-. Mounted on a rigid backing. Foxing spots.

41 - (ITALY) Gabriel Antoine BARLANGUE (1874–1956) - “Venice: View Across the Canal” - 20th century. Aquatint engraving on vellum paper, by Gabriel Antoine Barlangue. Signed in pencil in the lower right corner. (675 x 520 mm) - Grade A-. Mounted on a rigid backing. Foxing spots.

100 € - 200 €

(ITALY - EUROPE) - DIDIER Adrien (1838–1924) - "Mariano Fortuny" - 19th century. Engraving. On vellum paper. (Paper: 352 × 256 mm. Image: 145 × 125 mm). Condition A-: slight yellowing of the paper

42 - (ITALY - EUROPE) - DIDIER Adrien (1838–1924) - "Mariano Fortuny" - 19th century. Engraving. On vellum paper. (Paper: 352 × 256 mm. Image: 145 × 125 mm). Condition A-: slight yellowing of the paper

80 € - 120 €

(GERMANY-NAPOLEON) Charles MOTTE (1784–1836) - “The Battle of Leipzig” - 19th century. Early lithograph on vellum paper by Charles Motte, based on an original drawing by François Grenier. (420 × 585 mm) - Condition A-: Foxing, stains, dust.

43 - (GERMANY-NAPOLEON) Charles MOTTE (1784–1836) - “The Battle of Leipzig” - 19th century. Early lithograph on vellum paper by Charles Motte, based on an original drawing by François Grenier. (420 × 585 mm) - Condition A-: Foxing, stains, dust.

100 € - 200 €

(GERMANY-NAPOLEON) Charles MOTTE (1784–1836) – “Ratisbonne” – 19th century. Early lithograph on vellum paper by Charles Motte, based on an original drawing by Antoine-Alphonse Montfort. (405 x 540 mm) - Condition A-: Waterstains, dust.

44 - (GERMANY-NAPOLEON) Charles MOTTE (1784–1836) – “Ratisbonne” – 19th century. Early lithograph on vellum paper by Charles Motte, based on an original drawing by Antoine-Alphonse Montfort. (405 x 540 mm) - Condition A-: Waterstains, dust.

100 € - 200 €

(POLAND-MILITARY) JULIAN - "Poniatowski" - 19th century. Lithograph on vellum by Julian. (245 x 160 mm) - Condition A-: Waterstains, dust.

45 - (POLAND-MILITARY) JULIAN - "Poniatowski" - 19th century. Lithograph on vellum by Julian. (245 x 160 mm) - Condition A-: Waterstains, dust.

80 € - 120 €

(TOPO-SPAIN) ALLARD-CAMBRAY, Célestin (1840–1881) — "An Orange Seller in Madrid" — 1868. Engraving on Japanese paper. Anat-lettre proof. (Paper: 402 × 285 mm. Subject: 220 × 144 mm). Condition A-: dog-eared corners, creased paper on the left side

46 - (TOPO-SPAIN) ALLARD-CAMBRAY, Célestin (1840–1881) — "An Orange Seller in Madrid" — 1868. Engraving on Japanese paper. Anat-lettre proof. (Paper: 402 × 285 mm. Subject: 220 × 144 mm). Condition A-: dog-eared corners, creased paper on the left side

200 € - 300 €

(SPAIN) Godefroy ENGELMANN (1788–1839) – “Crossing the Guadarana...” - 19th century. Engraving on vellum by Godefroy Engelmann after a drawing by Nicolas-Antoine Taunay. (525 x 270 mm) - Condition A-. Marginal tears, fine foxing, and soiling.

47 - (SPAIN) Godefroy ENGELMANN (1788–1839) – “Crossing the Guadarana...” - 19th century. Engraving on vellum by Godefroy Engelmann after a drawing by Nicolas-Antoine Taunay. (525 x 270 mm) - Condition A-. Marginal tears, fine foxing, and soiling.

150 € - 200 €

(BULGARIA—PRINTS) PELLERIN & CIE - "War in the East—Attack on the Chipka Pass" - 19th century. Woodcut, stencil-colored on fine paper by Pellerin & Cie. Epinal Print No. 148. (295 x 400 mm) - Condition A-: Good overall condition. Short tears along the edges and creases.

48 - (BULGARIA—PRINTS) PELLERIN & CIE - "War in the East—Attack on the Chipka Pass" - 19th century. Woodcut, stencil-colored on fine paper by Pellerin & Cie. Epinal Print No. 148. (295 x 400 mm) - Condition A-: Good overall condition. Short tears along the edges and creases.

80 € - 120 €

(GREECE-PRINTS) PELLERIN & CIE - "Battle of Haydra" - 19th century. Woodcut, hand-colored with a stencil on fine paper by Pellerin & Cie. Epinal Print No. 156. (290 x 400 mm) - Condition A-: Good overall condition. Short tears along the edges and creases.

49 - (GREECE-PRINTS) PELLERIN & CIE - "Battle of Haydra" - 19th century. Woodcut, hand-colored with a stencil on fine paper by Pellerin & Cie. Epinal Print No. 156. (290 x 400 mm) - Condition A-: Good overall condition. Short tears along the edges and creases.

80 € - 120 €

(CROATIA-PRINTS) PELLERIN & CIE - "Naval Battle of Lissa between the Italian and Austrian Fleets (July 20, 1866)" - 19th century. Woodcut, hand-colored with a stencil on fine paper by Pellerin & Cie. Epinal Print Series No. 167. (290 x 400 mm) - Condition A-: Good overall condition. Short tears along the edges, creases, and a small loss.

50 - (CROATIA-PRINTS) PELLERIN & CIE - "Naval Battle of Lissa between the Italian and Austrian Fleets (July 20, 1866)" - 19th century. Woodcut, hand-colored with a stencil on fine paper by Pellerin & Cie. Epinal Print Series No. 167. (290 x 400 mm) - Condition A-: Good overall condition. Short tears along the edges, creases, and a small loss.

80 € - 120 €

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