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Furniture and Art Objects: The Last One Before the Holidays!

Furniture and Art Objects: The Last One Before the Holidays!

Wednesday, 1 July 2026 at 13:30

Salle 13 - Hôtel Drouot, 9, rue Drouot, 75009 Paris

360° virtual tour

Lots 1 to 50 of 353

Page 1 / 8

0 - mannette(s) sans live

Asia, Africa (24 volumes): Stanley, Livingstone, Stein (Serindia), Burton, Henri d'Orléans,…

1 - Asia, Africa (24 volumes): Stanley, Livingstone, Stein (Serindia), Burton, Henri d'Orléans,…

200 € - 300 €

South Pole, Antarctica (18 volumes): Scott (The Deadly Pole), Shackleton, Charcot, Amundsen,…

2 - South Pole, Antarctica (18 volumes): Scott (The Deadly Pole), Shackleton, Charcot, Amundsen,…

200 € - 300 €

North Pole, Arctic (50 volumes): Peaky, Hayes, Parry, Payer, Bellot, Nansen, Gourdault, Nikkelsen (Lost in the Arctic), Charcot, Duke of Orléans, Récamier, Greely, Nars, Ross, Duke of Abuzzes,…

3 - North Pole, Arctic (50 volumes): Peaky, Hayes, Parry, Payer, Bellot, Nansen, Gourdault, Nikkelsen (Lost in the Arctic), Charcot, Duke of Orléans, Récamier, Greely, Nars, Ross, Duke of Abuzzes,…

200 € - 300 €

4 - Set of paperback and hardcover books

Georges VIAL (20th century) - LOT of approximately 30 ORIGINAL COLOR ENGRAVINGS depicting FLOWERS. Most are on vellum paper and signed. Most measure approximately 50 x 70 cm. Condition A/B (good overall condition for the set, with occasional rare spots or marginal foxing).

11 - Georges VIAL (20th century) - LOT of approximately 30 ORIGINAL COLOR ENGRAVINGS depicting FLOWERS. Most are on vellum paper and signed. Most measure approximately 50 x 70 cm. Condition A/B (good overall condition for the set, with occasional rare spots or marginal foxing).

100 € - 200 €

Georges VIAL (20th century) - LOT of approximately 30 ORIGINAL COLOR ENGRAVINGS depicting FLOWERS and HORSES. Most are on vellum paper and signed. Most measure approximately 50 x 70 cm. Condition A/B (good overall condition for the set, with occasional rare spots or marginal foxing).

12 - Georges VIAL (20th century) - LOT of approximately 30 ORIGINAL COLOR ENGRAVINGS depicting FLOWERS and HORSES. Most are on vellum paper and signed. Most measure approximately 50 x 70 cm. Condition A/B (good overall condition for the set, with occasional rare spots or marginal foxing).

100 € - 200 €

Georges VIAL (20th century) - SET of 2 DRAWINGS on vellum paper, depicting HORSES. One of them is signed by the artist. 41 x 47.5 cm & 42 x 55 cm. Condition A/B.

13 - Georges VIAL (20th century) - SET of 2 DRAWINGS on vellum paper, depicting HORSES. One of them is signed by the artist. 41 x 47.5 cm & 42 x 55 cm. Condition A/B.

120 € - 200 €

TURKEY - MELLING - ISTANBUL - "Kiâhd-Hané, the Grand Seigneur's Place of Pleasure" (View of Kağıthane on the shores of the Golden Horn). 1819. Etching engraved by Bertaux & Pillement, and finished by Duparc, after Antoine Ignace MELLING (1763–1831). Proof with letter, on vellum paper. Plate from the series "Picturesque Journey through Constantinople and the Banks of the Bosphorus, based on drawings by Mr. Melling, architect to Emperor Selim III and draftsman to the Sultana Hadidge, his

14 - TURKEY - MELLING - ISTANBUL - "Kiâhd-Hané, the Grand Seigneur's Place of Pleasure" (View of Kağıthane on the shores of the Golden Horn). 1819. Etching engraved by Bertaux & Pillement, and finished by Duparc, after Antoine Ignace MELLING (1763–1831). Proof with letter, on vellum paper. Plate from the series "Picturesque Journey through Constantinople and the Banks of the Bosphorus, based on drawings by Mr. Melling, architect to Emperor Selim III and draftsman to the Sultana Hadidge, his

300 € - 400 €

TURKEY - MELLING - ISTANBUL - "Interior of a Part of the Grand Vizier's HAREM." 1819. Etching engraved by Duplessi-Bertaux and Desmaisons, finished by Née, after Antoine Ignace MELLING (1763–1831). Proof with letter, on vellum paper. Plate from the series "Picturesque Journey through Constantinople and the Banks of the Bosphorus, based on drawings by Mr. Melling, architect to Emperor Selim III and draftsman to the Sultana Hadidge, his sister." Margins. 65 x 99 cm. Condition B/C (trace of an o

15 - TURKEY - MELLING - ISTANBUL - "Interior of a Part of the Grand Vizier's HAREM." 1819. Etching engraved by Duplessi-Bertaux and Desmaisons, finished by Née, after Antoine Ignace MELLING (1763–1831). Proof with letter, on vellum paper. Plate from the series "Picturesque Journey through Constantinople and the Banks of the Bosphorus, based on drawings by Mr. Melling, architect to Emperor Selim III and draftsman to the Sultana Hadidge, his sister." Margins. 65 x 99 cm. Condition B/C (trace of an o

300 € - 400 €

Aloys SENEFELDER (1782–1834) — "A Collection of Various Essays in Drawing and Engraving to Serve as a Supplement to the Practical Instruction in Lithography." 1819. 1 folio volume, green half-basane with small corners, a gilt medallion in the center of the front cover bearing the inscription “Prize of the Academic Schools of the City of Lille.” 1 frontispiece and 20 plates. RARE COPY of this collection of 20 plates created by the inventor of lithography, Aloys SENEFELDER, to illustrate h

16 - Aloys SENEFELDER (1782–1834) — "A Collection of Various Essays in Drawing and Engraving to Serve as a Supplement to the Practical Instruction in Lithography." 1819. 1 folio volume, green half-basane with small corners, a gilt medallion in the center of the front cover bearing the inscription “Prize of the Academic Schools of the City of Lille.” 1 frontispiece and 20 plates. RARE COPY of this collection of 20 plates created by the inventor of lithography, Aloys SENEFELDER, to illustrate h

6 000 € - 8 000 €

"TABLEAUX DES FRANCAIS." c. 1800. Oblong in-4 album, bound, containing 12 plates engraved after paintings by Marillier or A. Borel. Titles: Philip Augustus; Battle of Bouvines; Devotion of the Burghers of Calais; Surrender of the City of Calais; The Siege of Beauvais; Chivalry of Knight Bayard; Siege of Orléans; The Courage of Pepin; The Coronation of Charlemagne; The Death of Bayard; Henry IV and Catherine de’ Medici & The Oath of Henry IV. Proofs on laid paper. For sale in Paris at Depe

17 - "TABLEAUX DES FRANCAIS." c. 1800. Oblong in-4 album, bound, containing 12 plates engraved after paintings by Marillier or A. Borel. Titles: Philip Augustus; Battle of Bouvines; Devotion of the Burghers of Calais; Surrender of the City of Calais; The Siege of Beauvais; Chivalry of Knight Bayard; Siege of Orléans; The Courage of Pepin; The Coronation of Charlemagne; The Death of Bayard; Henry IV and Catherine de’ Medici & The Oath of Henry IV. Proofs on laid paper. For sale in Paris at Depe

200 € - 300 €

Francesco PIRANESI (1758–1810) - [Fireworks at Castel Sant’Angelo in Rome]. “Fuoco artificiale detto la Girandola, which was set off at Castel Sant’Angelo, formerly the Mausoleum of Hadrian.” c. 1790. Etching after Louis Jean Desprez (c. 1743–1804), on laid paper. Ref.: Wollin, no. 3. Proof of the 3rd state out of 3, with the number 6 in the upper right corner. Title and artists’ names “Desprez disegn” & “Fran. Piranesi inc.” below the composition. Full margins. 89 x 60

18 - Francesco PIRANESI (1758–1810) - [Fireworks at Castel Sant’Angelo in Rome]. “Fuoco artificiale detto la Girandola, which was set off at Castel Sant’Angelo, formerly the Mausoleum of Hadrian.” c. 1790. Etching after Louis Jean Desprez (c. 1743–1804), on laid paper. Ref.: Wollin, no. 3. Proof of the 3rd state out of 3, with the number 6 in the upper right corner. Title and artists’ names “Desprez disegn” & “Fran. Piranesi inc.” below the composition. Full margins. 89 x 60

2 000 € - 3 000 €

Henri RIVIERE (1864–1951) – “L’Île des Cygnes.” 1900. Print from the series “Paysages parisiens.” Original lithograph, printed in color. Ref.: A. Fields, Henri Rivière, Paris, 1985, p. 87. V. Sueur-Hermel, Henri Rivière entre impressionnisme et japonisme, Paris, 2016, pp. 142–145. Signed on the plate. Beautiful print on glossy vellum paper, printed by Eugène Verneau in Paris. Full margins. Framed. 63.5 x 90 cm. 67 x 96 cm including the frame. Condition A (not examined outside

19 - Henri RIVIERE (1864–1951) – “L’Île des Cygnes.” 1900. Print from the series “Paysages parisiens.” Original lithograph, printed in color. Ref.: A. Fields, Henri Rivière, Paris, 1985, p. 87. V. Sueur-Hermel, Henri Rivière entre impressionnisme et japonisme, Paris, 2016, pp. 142–145. Signed on the plate. Beautiful print on glossy vellum paper, printed by Eugène Verneau in Paris. Full margins. Framed. 63.5 x 90 cm. 67 x 96 cm including the frame. Condition A (not examined outside

400 € - 500 €

Henri RIVIERE (1864–1951) – “Paris as Seen from Montmartre.” 1900. Print from the series “Parisian Landscapes.” Original lithograph, printed in color. Ref.: A. Fields, Henri Rivière, Paris, 1985, p. 87. V. Sueur-Hermel, Henri Rivière entre impressionnisme et japonisme, Paris, 2016, pp. 142–145. Signed on the plate. Beautiful print on glossy vellum paper, printed by Eugène Verneau in Paris. Full margins. Framed piece. 63.5 x 90 cm. 67 x 96 cm including the frame. Condition A (not

20 - Henri RIVIERE (1864–1951) – “Paris as Seen from Montmartre.” 1900. Print from the series “Parisian Landscapes.” Original lithograph, printed in color. Ref.: A. Fields, Henri Rivière, Paris, 1985, p. 87. V. Sueur-Hermel, Henri Rivière entre impressionnisme et japonisme, Paris, 2016, pp. 142–145. Signed on the plate. Beautiful print on glossy vellum paper, printed by Eugène Verneau in Paris. Full margins. Framed piece. 63.5 x 90 cm. 67 x 96 cm including the frame. Condition A (not

400 € - 500 €

Henri RIVIERE (1864–1951) – “The Saints-Pères Bridge and the Louvre.” 1900. Plate from the series “Parisian Landscapes.” Original lithograph, printed in color. Ref.: A. Fields, Henri Rivière, Paris, 1985, p. 87. V. Sueur-Hermel, Henri Rivière entre impressionnisme et japonisme, Paris, 2016, pp. 142–145. Signed on the plate. Beautiful print on glossy vellum paper, printed by Eugène Verneau in Paris. Full margins. Framed. 63.5 x 90 cm. 67 x 96 cm including the frame. Condition A

21 - Henri RIVIERE (1864–1951) – “The Saints-Pères Bridge and the Louvre.” 1900. Plate from the series “Parisian Landscapes.” Original lithograph, printed in color. Ref.: A. Fields, Henri Rivière, Paris, 1985, p. 87. V. Sueur-Hermel, Henri Rivière entre impressionnisme et japonisme, Paris, 2016, pp. 142–145. Signed on the plate. Beautiful print on glossy vellum paper, printed by Eugène Verneau in Paris. Full margins. Framed. 63.5 x 90 cm. 67 x 96 cm including the frame. Condition A

400 € - 500 €

Henri RIVIERE (1864–1951) – “Le Trocadéro.” 1900. Print from the series “Paysages parisiens.” Original lithograph, printed in color. Ref.: A. Fields, Henri Rivière, Paris, 1985, p. 87. V. Sueur-Hermel, Henri Rivière entre impressionnisme et japonisme, Paris, 2016, pp. 142–145. Signed on the plate. Beautiful print on glossy vellum paper, printed by Eugène Verneau in Paris. Full margins. Framed piece. 63.5 x 90 cm. 67 x 96 cm including the frame. Condition A (not examined outside

22 - Henri RIVIERE (1864–1951) – “Le Trocadéro.” 1900. Print from the series “Paysages parisiens.” Original lithograph, printed in color. Ref.: A. Fields, Henri Rivière, Paris, 1985, p. 87. V. Sueur-Hermel, Henri Rivière entre impressionnisme et japonisme, Paris, 2016, pp. 142–145. Signed on the plate. Beautiful print on glossy vellum paper, printed by Eugène Verneau in Paris. Full margins. Framed piece. 63.5 x 90 cm. 67 x 96 cm including the frame. Condition A (not examined outside

400 € - 500 €

Henri RIVIERE (1864–1951) – “From the Top of the Notre-Dame Towers.” 1900. Plate from the series “Parisian Landscapes.” Original lithograph, printed in color. Ref.: A. Fields, Henri Rivière, Paris, 1985, p. 87. V. Sueur-Hermel, Henri Rivière entre impressionnisme et japonisme, Paris, 2016, pp. 142–145. Signed on the plate. Beautiful print on glossy vellum paper, printed by Eugène Verneau in Paris. Full margins. Framed piece. 63.5 x 90 cm. 67 x 96 cm including the frame. Conditio

23 - Henri RIVIERE (1864–1951) – “From the Top of the Notre-Dame Towers.” 1900. Plate from the series “Parisian Landscapes.” Original lithograph, printed in color. Ref.: A. Fields, Henri Rivière, Paris, 1985, p. 87. V. Sueur-Hermel, Henri Rivière entre impressionnisme et japonisme, Paris, 2016, pp. 142–145. Signed on the plate. Beautiful print on glossy vellum paper, printed by Eugène Verneau in Paris. Full margins. Framed piece. 63.5 x 90 cm. 67 x 96 cm including the frame. Conditio

400 € - 500 €

Henri RIVIERE (1864–1951) – “Notre Dame as Seen from the Quai d’Austerlitz.” 1900. Print from the series “Parisian Landscapes.” Original lithograph, printed in color. Ref.: A. Fields, Henri Rivière, Paris, 1985, p. 87. V. Sueur-Hermel, Henri Rivière entre impressionnisme et japonisme, Paris, 2016, pp. 142–145. Signed on the plate. Beautiful print on glossy vellum paper, printed by Eugène Verneau in Paris. Full margins. Framed piece. 63.5 x 90 cm. 67 x 96 cm including the frame

24 - Henri RIVIERE (1864–1951) – “Notre Dame as Seen from the Quai d’Austerlitz.” 1900. Print from the series “Parisian Landscapes.” Original lithograph, printed in color. Ref.: A. Fields, Henri Rivière, Paris, 1985, p. 87. V. Sueur-Hermel, Henri Rivière entre impressionnisme et japonisme, Paris, 2016, pp. 142–145. Signed on the plate. Beautiful print on glossy vellum paper, printed by Eugène Verneau in Paris. Full margins. Framed piece. 63.5 x 90 cm. 67 x 96 cm including the frame

400 € - 500 €

Henri RIVIERE (1864–1951) – “Les Fortifications.” 1900. Plate from the series “Paysages parisiens.” Original lithograph, printed in color. Ref.: A. Fields, Henri Rivière, Paris, 1985, p. 87. V. Sueur-Hermel, Henri Rivière entre impressionnisme et japonisme, Paris, 2016, pp. 142–145. Signed on the plate. Beautiful print on glossy vellum paper, printed by Eugène Verneau in Paris. Full margins. Framed piece. 63.5 x 90 cm. 67 x 96 cm including the frame. Condition A (not examined ou

25 - Henri RIVIERE (1864–1951) – “Les Fortifications.” 1900. Plate from the series “Paysages parisiens.” Original lithograph, printed in color. Ref.: A. Fields, Henri Rivière, Paris, 1985, p. 87. V. Sueur-Hermel, Henri Rivière entre impressionnisme et japonisme, Paris, 2016, pp. 142–145. Signed on the plate. Beautiful print on glossy vellum paper, printed by Eugène Verneau in Paris. Full margins. Framed piece. 63.5 x 90 cm. 67 x 96 cm including the frame. Condition A (not examined ou

400 € - 500 €

Henri RIVIERE (1864–1951) – “L’Institut et la Cité.” 1900. Plate from the series “Paysages parisiens.” Original lithograph, printed in color. Ref.: A. Fields, Henri Rivière, Paris, 1985, p. 87. V. Sueur-Hermel, Henri Rivière entre impressionnisme et japonisme, Paris, 2016, pp. 142–145. Signed on the plate. Beautiful print on glossy vellum paper, printed by Eugène Verneau in Paris. Full margins. Framed. 63.5 x 90 cm. 67 x 96 cm including the frame. Condition A (not examined ou

26 - Henri RIVIERE (1864–1951) – “L’Institut et la Cité.” 1900. Plate from the series “Paysages parisiens.” Original lithograph, printed in color. Ref.: A. Fields, Henri Rivière, Paris, 1985, p. 87. V. Sueur-Hermel, Henri Rivière entre impressionnisme et japonisme, Paris, 2016, pp. 142–145. Signed on the plate. Beautiful print on glossy vellum paper, printed by Eugène Verneau in Paris. Full margins. Framed. 63.5 x 90 cm. 67 x 96 cm including the frame. Condition A (not examined ou

400 € - 500 €

Michel ESTEBE (born in 1954) - "Blue Lobster from Brittany." 2016. Original color mezzotint. Beautiful print from the first state, on vellum paper, numbered "8/30 1st state," titled, dated, and signed in pencil by the artist. Good margins. Framed piece. 39.5 x 24.5 cm on copper. 57 x 39 cm including the frame. Condition A (two water stains at the edge of the lower margin; not examined outside of its frame).

27 - Michel ESTEBE (born in 1954) - "Blue Lobster from Brittany." 2016. Original color mezzotint. Beautiful print from the first state, on vellum paper, numbered "8/30 1st state," titled, dated, and signed in pencil by the artist. Good margins. Framed piece. 39.5 x 24.5 cm on copper. 57 x 39 cm including the frame. Condition A (two water stains at the edge of the lower margin; not examined outside of its frame).

150 € - 200 €

Bernard BUFFET (1928–1999) — "Poster for the Bernard Buffet: Japan exhibition at the Galerie Maurice Garnier in Paris, Friday, February 6 through March 31, 1981." Color lithograph. Ref.: Sorlier 354 bis. Printed by Mourlot. Signed and dated 81. Framed piece. 70 x 51 cm (viewable area of the poster). 73 x 54 cm (frame dimensions). Condition B (a few scattered foxing spots; not examined outside of the frame).

28 - Bernard BUFFET (1928–1999) — "Poster for the Bernard Buffet: Japan exhibition at the Galerie Maurice Garnier in Paris, Friday, February 6 through March 31, 1981." Color lithograph. Ref.: Sorlier 354 bis. Printed by Mourlot. Signed and dated 81. Framed piece. 70 x 51 cm (viewable area of the poster). 73 x 54 cm (frame dimensions). Condition B (a few scattered foxing spots; not examined outside of the frame).

200 € - 300 €

Erik DESMAZIERES (born 1948) - "Affiche Galerie Documents." 2004. Lithograph on aluminum, printed in color. Ref.: Fitch-Febvrel 194. Signed on the plate. Print on vellum paper. Framed piece. 118 x 75 cm (image size). 124 x 81 cm (frame size). Condition A (not examined outside of its frame; in excellent condition).

29 - Erik DESMAZIERES (born 1948) - "Affiche Galerie Documents." 2004. Lithograph on aluminum, printed in color. Ref.: Fitch-Febvrel 194. Signed on the plate. Print on vellum paper. Framed piece. 118 x 75 cm (image size). 124 x 81 cm (frame size). Condition A (not examined outside of its frame; in excellent condition).

400 € - 600 €

Gilded and painted wooden frame. Early 19th-century work. Overall dimensions: 73 x 63 cm; image dimensions: 43 x 33.5 cm.

31 - Gilded and painted wooden frame. Early 19th-century work. Overall dimensions: 73 x 63 cm; image dimensions: 43 x 33.5 cm.

200 € - 300 €

Oval gilded wooden frame. 19th-century work. A few chips. Exterior: 63 x 54 cm; image: 41.5 x 33.5 cm.

32 - Oval gilded wooden frame. 19th-century work. A few chips. Exterior: 63 x 54 cm; image: 41.5 x 33.5 cm.

60 € - 80 €

Louis XV-style gilded oak frame. Overall dimensions: 74.5 x 65.5 cm; image dimensions: 57.5 x 48 cm.

33 - Louis XV-style gilded oak frame. Overall dimensions: 74.5 x 65.5 cm; image dimensions: 57.5 x 48 cm.

50 € - 80 €

19th century gilded wood frame. Misses. Exterior dimensions:34 x 28.5 cm. Rebate background: 25.5 x 20 cm.

34 - 19th century gilded wood frame. Misses. Exterior dimensions:34 x 28.5 cm. Rebate background: 25.5 x 20 cm.

50 € - 60 €

Pair of molded, blackened wooden frames. 56 x 53 cm - 33 x 29.5 cm (visible area). 17th-century style.

35 - Pair of molded, blackened wooden frames. 56 x 53 cm - 33 x 29.5 cm (visible area). 17th-century style.

40 € - 60 €

Gilded wooden frame, openwork and carved with foliage motifs (includes reproduction). Damage and restorations. 92 x 79 cm.

36 - Gilded wooden frame, openwork and carved with foliage motifs (includes reproduction). Damage and restorations. 92 x 79 cm.

20 € - 40 €

A set of several framed pieces.

37 - A set of several framed pieces.

20 € - 40 €

Batch of framed pieces

38 - Batch of framed pieces

60 € - 80 €

Lot of approximately 150 gallery posters by various artists

39 - Lot of approximately 150 gallery posters by various artists

100 € - 120 €

PITTONI Giovanni Battista the Elder (Attributed to). Vicenza 1520 – id.; 1583. Village in the Italian countryside near the church
Pen and brown ink. Mounted on paper (minor foxing). Top left: circular collector’s mark featuring a seated lion belonging to Ludwig Zataka (Vienna 1857 – Spital am Semmering 1925), an architect in Vienna (Lugt. 2672). On the reverse of the backing sheet, three annotations in black chalk in German; the second line reads G. B (?) Pittoni J. Altere. H. 11.8 – L.

40 - PITTONI Giovanni Battista the Elder (Attributed to). Vicenza 1520 – id.; 1583. Village in the Italian countryside near the church Pen and brown ink. Mounted on paper (minor foxing). Top left: circular collector’s mark featuring a seated lion belonging to Ludwig Zataka (Vienna 1857 – Spital am Semmering 1925), an architect in Vienna (Lugt. 2672). On the reverse of the backing sheet, three annotations in black chalk in German; the second line reads G. B (?) Pittoni J. Altere. H. 11.8 – L.

300 € - 400 €

TENIERS, David II, known as the Younger (Sequel to) 1610–1690. 1—A game of boules (small missing section in the upper left); 2—Villagers and their dog in front of their house near a stream (missing section in the upper left). Oil on panel. H. 11.6 – W. 16.7 cm. Provenance notes: On the reverse of old handwritten labels bearing the numbers 13162 and 13163, and two other labels bearing the number 85.

41 - TENIERS, David II, known as the Younger (Sequel to) 1610–1690. 1—A game of boules (small missing section in the upper left); 2—Villagers and their dog in front of their house near a stream (missing section in the upper left). Oil on panel. H. 11.6 – W. 16.7 cm. Provenance notes: On the reverse of old handwritten labels bearing the numbers 13162 and 13163, and two other labels bearing the number 85.

150 € - 200 €

18th-century French school, from the circle of Nicolas de LARGILLIERE (1656–1746), Portrait of a Young Woman of Distinction as Flora, unsigned oil on canvas, possibly re-stretched? Damage and restorations. 100 x 77 cm. In a very pretty gilded wooden frame carved with flowers.

42 - 18th-century French school, from the circle of Nicolas de LARGILLIERE (1656–1746), Portrait of a Young Woman of Distinction as Flora, unsigned oil on canvas, possibly re-stretched? Damage and restorations. 100 x 77 cm. In a very pretty gilded wooden frame carved with flowers.

700 € - 1 000 €

18th-century FRENCH SCHOOL. Travelers’ Rest or The Fiddler’s Rest. Oil on canvas; removed from the stretcher (re-stretched; small areas missing, particularly around the edges and in the lower portion). On the reverse, an old label written in pen and brown ink: No. 119 / 120, a painting by Watteau measuring 12 p high by 9 p wide / No. 10. H. 32 - L. 23 cm.

43 - 18th-century FRENCH SCHOOL. Travelers’ Rest or The Fiddler’s Rest. Oil on canvas; removed from the stretcher (re-stretched; small areas missing, particularly around the edges and in the lower portion). On the reverse, an old label written in pen and brown ink: No. 119 / 120, a painting by Watteau measuring 12 p high by 9 p wide / No. 10. H. 32 - L. 23 cm.

250 € - 350 €

18th-century FRENCH SCHOOL. Coat of arms featuring a helmet and stags. Watercolor and gilded gouache. Watermark featuring the coat of arms. Inscribed in Latin in beautiful calligraphic script at the bottom, and numbered 38 in the upper right corner. H. 27.5 – W. 17.5 cm.

44 - 18th-century FRENCH SCHOOL. Coat of arms featuring a helmet and stags. Watercolor and gilded gouache. Watermark featuring the coat of arms. Inscribed in Latin in beautiful calligraphic script at the bottom, and numbered 38 in the upper right corner. H. 27.5 – W. 17.5 cm.

60 € - 80 €

18th-century French school. Portrait of Barthélémy Étienne de Compaigné. Pastel on antique paper. 56 x 45.5 cm. Presented under period glass in its original frame.

45 - 18th-century French school. Portrait of Barthélémy Étienne de Compaigné. Pastel on antique paper. 56 x 45.5 cm. Presented under period glass in its original frame.

1 000 € - 1 500 €

FRENCH SCHOOL, Last Third of the 18th Century. A village woman seated on her horse and a walker on a bridge over a small waterfall. Oil on panel. Oak (Small chip in the upper right corner; old, soiled varnish). H. 15.6 - W. 12 cm.

46 - FRENCH SCHOOL, Last Third of the 18th Century. A village woman seated on her horse and a walker on a bridge over a small waterfall. Oil on panel. Oak (Small chip in the upper right corner; old, soiled varnish). H. 15.6 - W. 12 cm.

70 € - 80 €

FRENCH SCHOOL, circa 1800. Portrait of Emmanuel de Courtavel with his dog against a landscape background. Black pencil, pen, black ink, wash in black, gray, and blue. Pen-drawn border lines. Mounted on paper (small pinholes). Inscribed at the bottom: EMANUEL DE COURTAVEL BORN IN 1791. H. 8.5 – W. 5.8 cm. Small original gilded wooden border.

47 - FRENCH SCHOOL, circa 1800. Portrait of Emmanuel de Courtavel with his dog against a landscape background. Black pencil, pen, black ink, wash in black, gray, and blue. Pen-drawn border lines. Mounted on paper (small pinholes). Inscribed at the bottom: EMANUEL DE COURTAVEL BORN IN 1791. H. 8.5 – W. 5.8 cm. Small original gilded wooden border.

60 € - 80 €

SCHMITZ Antoine - Guillaume (Attributed to) Paris 1788–1849. Bust portrait of a man wearing a white waistcoat and frock coat, displaying the Legion of Honor. Oil on canvas (On the reverse, a small reinforcement patch; small losses and small holes). Signed and dated lower left: Schmitz / 1825. H. 26.5 – W. 21.5 cm. 19th-century gilded frame with a single row of pearls at the bottom.

48 - SCHMITZ Antoine - Guillaume (Attributed to) Paris 1788–1849. Bust portrait of a man wearing a white waistcoat and frock coat, displaying the Legion of Honor. Oil on canvas (On the reverse, a small reinforcement patch; small losses and small holes). Signed and dated lower left: Schmitz / 1825. H. 26.5 – W. 21.5 cm. 19th-century gilded frame with a single row of pearls at the bottom.

100 € - 150 €

49 - TERNIER Joséphine, née Toulza. Active between 1817 and 1833. Portrait of a young boy in profile. Oval-shaped miniature. Diameter: 5.5 cm. Dated, titled, and signed in pen and brown ink on the reverse: 1823 / Édouard at age 11 / by Made Téniers. Rectangular frame made of blackened wood. Mounting hook with palmette motifs in gilded, chiseled metal. Back sealed with black adhesive tape.

80 € - 100 €

FRENCH SCHOOL First half of the 19th century. Portrait of a young woman with blue eyes against a sky background. Oval-shaped miniature. Gilded, chiseled metal border. H. 7 - W. 5.5 cm. Veneered wood frame (missing in the upper right and lower left corners; small cracks and warping).

50 - FRENCH SCHOOL First half of the 19th century. Portrait of a young woman with blue eyes against a sky background. Oval-shaped miniature. Gilded, chiseled metal border. H. 7 - W. 5.5 cm. Veneered wood frame (missing in the upper right and lower left corners; small cracks and warping).

60 € - 80 €

FRENCH SCHOOL First half of the 19th century. Portrait of Marie-Thérèse of France, Duchess of Angoulême (1778–1851). Black chalk (small holes and smudges). Annotated on the reverse in pen and brown ink on each of the two drawings by OL. Lemareschal in (year) 1816. H. 19 – W. 16 cm.

51 - FRENCH SCHOOL First half of the 19th century. Portrait of Marie-Thérèse of France, Duchess of Angoulême (1778–1851). Black chalk (small holes and smudges). Annotated on the reverse in pen and brown ink on each of the two drawings by OL. Lemareschal in (year) 1816. H. 19 – W. 16 cm.

60 € - 80 €

French School, First Half of the 19th Century: “Monomane by the Mad Artist.” Oil on canvas. Unsigned. Restored. 60.5 x 53.5 cm. In a beautiful 19th-century gilded wooden frame with fluting.

52 - French School, First Half of the 19th Century: “Monomane by the Mad Artist.” Oil on canvas. Unsigned. Restored. 60.5 x 53.5 cm. In a beautiful 19th-century gilded wooden frame with fluting.

500 € - 800 €

FRENCH SCHOOL First half of the 19th century. Portrait of a man with blue eyes wearing the Legion of Honor and the medal of a military order. Oil on canvas. On the reverse, a trace of the canvas dealer’s stamp (small loss in the upper right corner; damage and gaps; minor restorations). H. 61 - W. 50.5 cm.

53 - FRENCH SCHOOL First half of the 19th century. Portrait of a man with blue eyes wearing the Legion of Honor and the medal of a military order. Oil on canvas. On the reverse, a trace of the canvas dealer’s stamp (small loss in the upper right corner; damage and gaps; minor restorations). H. 61 - W. 50.5 cm.

100 € - 150 €

Lot withdrawn

54 - Lot withdrawn

19th-century FRENCH SCHOOL. Portrait of a man wearing a shirt, tie, buttoned vest, and frock coat. Black pencil. Mounted on paper (slightly sun-faded). Signed or inscribed “Jul. Boilly” in the lower left corner. H. 11.2 × W. 7.5 cm.

55 - 19th-century FRENCH SCHOOL. Portrait of a man wearing a shirt, tie, buttoned vest, and frock coat. Black pencil. Mounted on paper (slightly sun-faded). Signed or inscribed “Jul. Boilly” in the lower left corner. H. 11.2 × W. 7.5 cm.

30 € - 50 €

19th-century FRENCH SCHOOL. Lively bridge and boats. Watercolor. Signed “RNicolle” in the lower left corner. H. 7.5 × W. 5.5 cm.

56 - 19th-century FRENCH SCHOOL. Lively bridge and boats. Watercolor. Signed “RNicolle” in the lower left corner. H. 7.5 × W. 5.5 cm.

60 € - 80 €

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