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In search of lost treasures

In search of lost treasures

Tuesday, 5 May 2026 at 14:00
9 rue de Provence, 75009 Paris
interencheres

Lots 151 to 200 of 298

Page 4 / 6

Carle VERNET (1758 - 1836) - "Regular Cossack Horse". Original lithograph. Ref: Dayot, #220(8). Signed in the plate. Proof on wove paper, printed and published by G. Engelmann. Plate from the eleven-piece suite "Suite de chevaux". 43 x 56.5 cm. Condition B (trace of wetness in lower left margin, short tear in lower margin, foxing).

152 - Carle VERNET (1758 - 1836) - "Regular Cossack Horse". Original lithograph. Ref: Dayot, #220(8). Signed in the plate. Proof on wove paper, printed and published by G. Engelmann. Plate from the eleven-piece suite "Suite de chevaux". 43 x 56.5 cm. Condition B (trace of wetness in lower left margin, short tear in lower margin, foxing).

Estimate
250 € - 300 €
CHAT - ALBERY (1944 - 2003) - [Coated cat]. Offset print on glossy paper. Proof numbered 51/200 and signed in pencil by the artist. 51 x 67 cm. Condition B (a few stains and light traces of wetness).

153 - CHAT - ALBERY (1944 - 2003) - [Coated cat]. Offset print on glossy paper. Proof numbered 51/200 and signed in pencil by the artist. 51 x 67 cm. Condition B (a few stains and light traces of wetness).

Estimate
70 € - 90 €
A. LANCON - [The stags]. Original etching engraved by Auguste LANCON (1836-1887). Fine proof on japon paper, printed by A. Salmon. Published by L. Baschet. Good margins. 33 x 47 cm. Condition A (good condition).

154 - A. LANCON - [The stags]. Original etching engraved by Auguste LANCON (1836-1887). Fine proof on japon paper, printed by A. Salmon. Published by L. Baschet. Good margins. 33 x 47 cm. Condition A (good condition).

Estimate
80 € - 100 €
"POST HORSES" - 1864. Original engraving by Amédée de BORET (1837-1916). Signed in the plate. Fine proof on laid paper, printed by Delâtre. Ref: I.F.F Après 1800, n°2. Planxche n°102 of the "Société des Aquafortistes" collection. Good margins. 51.5 x 36 cm. Condition A (well preserved).

155 - "POST HORSES" - 1864. Original engraving by Amédée de BORET (1837-1916). Signed in the plate. Fine proof on laid paper, printed by Delâtre. Ref: I.F.F Après 1800, n°2. Planxche n°102 of the "Société des Aquafortistes" collection. Good margins. 51.5 x 36 cm. Condition A (well preserved).

Estimate
80 € - 100 €
2 PHOTOS of Jean MARAIS, one in Jean COCTEAU's 1946 film "La Belle et la Bête". Silver photos, late 20th century prints. 23.5 x 18 cm. Condition A (good state of preservation).

156 - 2 PHOTOS of Jean MARAIS, one in Jean COCTEAU's 1946 film "La Belle et la Bête". Silver photos, late 20th century prints. 23.5 x 18 cm. Condition A (good state of preservation).

Estimate
80 € - 100 €
DRAWING after Sigmund FREUDENBERGER (1745-1801) - "Le lever". Ink and wash drawing on watermarked laid paper (letters), unsigned. Formerly pasted by the upper corners on strong bluish paper, annotated in pencil at foot "Freudenberg / engraved by Romanet in 1774". 24.5 x 19.3 cm for the drawing. A/B condition (small hole and tear at lower right and left corners).

157 - DRAWING after Sigmund FREUDENBERGER (1745-1801) - "Le lever". Ink and wash drawing on watermarked laid paper (letters), unsigned. Formerly pasted by the upper corners on strong bluish paper, annotated in pencil at foot "Freudenberg / engraved by Romanet in 1774". 24.5 x 19.3 cm for the drawing. A/B condition (small hole and tear at lower right and left corners).

Result
100 €
DRAWING by HERMANN-PAUL (1874 - 1940) - "Political allegory (resignation)". Original pen-and-ink drawing on fine wove paper. Signed by the artist lower right. 32 x 25 cm. A/B condition (occasional small stains, good overall condition).

158 - DRAWING by HERMANN-PAUL (1874 - 1940) - "Political allegory (resignation)". Original pen-and-ink drawing on fine wove paper. Signed by the artist lower right. 32 x 25 cm. A/B condition (occasional small stains, good overall condition).

Estimate
100 € - 200 €
DRAWING by Pierre JEANNIOT (1848 - 1934) - "La femme qui porte à manger aux cochons" ("The woman feeding the pigs"). Black ink drawing on wove paper. 35 x 28.5 cm. Condition A (rare and slight traces of handling, good condition).

159 - DRAWING by Pierre JEANNIOT (1848 - 1934) - "La femme qui porte à manger aux cochons" ("The woman feeding the pigs"). Black ink drawing on wove paper. 35 x 28.5 cm. Condition A (rare and slight traces of handling, good condition).

Estimate
60 € - 80 €
DRAWING - Camille Paul Josso (1902 - 1986) - [Cartesian Elucubration]. Original pencil drawing on wove paper. Signed by the artist lower right. Drawing dedicated "For my excellent friend Léon Varnier / this first Cartesian elucubration, Sincerely" in pencil. 32 x 25 cm. Condition A (well preserved).

160 - DRAWING - Camille Paul Josso (1902 - 1986) - [Cartesian Elucubration]. Original pencil drawing on wove paper. Signed by the artist lower right. Drawing dedicated "For my excellent friend Léon Varnier / this first Cartesian elucubration, Sincerely" in pencil. 32 x 25 cm. Condition A (well preserved).

Result
150 €
DRAWING - Tom KEOGH (1922 - 1980, American illustrator) - [Costume design for the FOLIES BERGERES]. 20th century. Ink drawing heightened with white gouache, on red wove paper (paper strip stapled at top). Signed. 47 x 33 cm. Condition A (good condition).

161 - DRAWING - Tom KEOGH (1922 - 1980, American illustrator) - [Costume design for the FOLIES BERGERES]. 20th century. Ink drawing heightened with white gouache, on red wove paper (paper strip stapled at top). Signed. 47 x 33 cm. Condition A (good condition).

Result
220 €
DRAWING - Eugène LAMI (1800 - 1890) - [Seated man wearing a mask]. 19th century. Wash drawing heightened with white goiache, on brown paper, signed lower right. 28.5 x 20.5 cm. Condition B (remains of pasted paper, subject not affected, rare scattered foxing).

162 - DRAWING - Eugène LAMI (1800 - 1890) - [Seated man wearing a mask]. 19th century. Wash drawing heightened with white goiache, on brown paper, signed lower right. 28.5 x 20.5 cm. Condition B (remains of pasted paper, subject not affected, rare scattered foxing).

Result
105 €
Robert LEBOUCHEZ (XX ème) - [Seaside and boats]. 1958. Original watercolor on paper, dated and signed by the artist. 47.5 x 61 cm. Condition A/B (edges of sheet very badly insolated, otherwise good condition).

163 - Robert LEBOUCHEZ (XX ème) - [Seaside and boats]. 1958. Original watercolor on paper, dated and signed by the artist. 47.5 x 61 cm. Condition A/B (edges of sheet very badly insolated, otherwise good condition).

Estimate
60 € - 80 €
DRAWING - LEGRAND (XX th) - [Composition of trees]. Watercolor on paper, signed "Legrand" lower right. 34.5 x 43 cm for the drawing. 50 x 60 cm for the support. Condition A (edge-mounted, good condition).

164 - DRAWING - LEGRAND (XX th) - [Composition of trees]. Watercolor on paper, signed "Legrand" lower right. 34.5 x 43 cm for the drawing. 50 x 60 cm for the support. Condition A (edge-mounted, good condition).

Estimate
100 € - 200 €
DRAWING - [Stray Dog]. Ink drawing on paper formerly glued by the corners to strong paper with framing fillets. Annotated "Lançon" lower left on backing. 16 x 21 cm. Condition B (lower left corner of drawing cut).

165 - DRAWING - [Stray Dog]. Ink drawing on paper formerly glued by the corners to strong paper with framing fillets. Annotated "Lançon" lower left on backing. 16 x 21 cm. Condition B (lower left corner of drawing cut).

Result
90 €
Olivia CLAVEL (b. 1955) - "The Guardian of the Trees". 2009. Original acrylic on canvas. Titled on the subject and on the reverse. Olivia Clavel, known to the Bazooka collective under the pseudonym Electric Clito, is a French visual artist and comic strip author. 65 x 81 cm. Condition A (well preserved).

166 - Olivia CLAVEL (b. 1955) - "The Guardian of the Trees". 2009. Original acrylic on canvas. Titled on the subject and on the reverse. Olivia Clavel, known to the Bazooka collective under the pseudonym Electric Clito, is a French visual artist and comic strip author. 65 x 81 cm. Condition A (well preserved).

Result
1 800 €
Armand QUEYROY (1830 - 1893) - [Study of a naked, crouching woman]. 19th century. Original drawing, on paper. Signed by the artist. 46.8 x 29.5 cm. Condition A (few tiny handling stains, good condition).

167 - Armand QUEYROY (1830 - 1893) - [Study of a naked, crouching woman]. 19th century. Original drawing, on paper. Signed by the artist. 46.8 x 29.5 cm. Condition A (few tiny handling stains, good condition).

Estimate
100 € - 200 €
DRAWING - Jack ROBERTS (XX ème) - Draft program for "La Berceuse du LIDO, Valse musette chantée, from the film "le Monsieur de minuit". c.1930. For Editions Salabert, Paris. Print and collage on paper. Signed "Jack Roberts" upper right. 34.5 x 26.7 cm. Condition A (good condition).

168 - DRAWING - Jack ROBERTS (XX ème) - Draft program for "La Berceuse du LIDO, Valse musette chantée, from the film "le Monsieur de minuit". c.1930. For Editions Salabert, Paris. Print and collage on paper. Signed "Jack Roberts" upper right. 34.5 x 26.7 cm. Condition A (good condition).

Estimate
300 € - 400 €
SKORSKI (?) - [Landscape, river and bridge]. Pencil and watercolor drawing on paper. Unidentified signature lower right "H. Skorski (?)". 22 x 19 cm for the drawing. 46 x 36 cm for the backing sheet. Condition B (pasted in full on strong paper, a few stains and foxing on the slightly dusty backing).

169 - SKORSKI (?) - [Landscape, river and bridge]. Pencil and watercolor drawing on paper. Unidentified signature lower right "H. Skorski (?)". 22 x 19 cm for the drawing. 46 x 36 cm for the backing sheet. Condition B (pasted in full on strong paper, a few stains and foxing on the slightly dusty backing).

Estimate
80 € - 100 €
Ange Jacques SUPPARO (1870 - 1948) - [Because this is the dining room - Good intention]. Watercolor drawing, signed lower right. Formerly pasted on Whatman board. Annotated on verso "Parce que... parce que / c'est la salle à manger / page 20 / Bonne intention". 38 x 26.8 cm. Condition A (rare tiny needle holes on the edges, good overall condition).

170 - Ange Jacques SUPPARO (1870 - 1948) - [Because this is the dining room - Good intention]. Watercolor drawing, signed lower right. Formerly pasted on Whatman board. Annotated on verso "Parce que... parce que / c'est la salle à manger / page 20 / Bonne intention". 38 x 26.8 cm. Condition A (rare tiny needle holes on the edges, good overall condition).

Estimate
150 € - 200 €
H. de TRIQUETI (1803 - 1874) - [Angels]. Brown ink drawing on tracing paper, formerly pasted on blue wove paper. Signed. Subject approx. 14 x 13 cm. A/B condition (rare slight traces of folding and a few small stains).

171 - H. de TRIQUETI (1803 - 1874) - [Angels]. Brown ink drawing on tracing paper, formerly pasted on blue wove paper. Signed. Subject approx. 14 x 13 cm. A/B condition (rare slight traces of folding and a few small stains).

Result
80 €
15th century GERMAN INCUNABLE - "The Resurrection of Lazarus". c.1474. Woodcut by an anonymous person, in antique coloring. "Typographed text on verso. Proof on laid paper. Small margins. This woodcut would have been engraved in Cologne before 1474, then reprinted in Basel in 1476. This proof comes from the work ""Le Mirouer de la rédemption de l'humain lignage"" published in Lyon in 1478 by Martin Huss (c.1445-c.1482, printer of French incunabula). The work was reprinted in 1479, 1482, 1483 an

172 - 15th century GERMAN INCUNABLE - "The Resurrection of Lazarus". c.1474. Woodcut by an anonymous person, in antique coloring. "Typographed text on verso. Proof on laid paper. Small margins. This woodcut would have been engraved in Cologne before 1474, then reprinted in Basel in 1476. This proof comes from the work ""Le Mirouer de la rédemption de l'humain lignage"" published in Lyon in 1478 by Martin Huss (c.1445-c.1482, printer of French incunabula). The work was reprinted in 1479, 1482, 1483 an

Estimate
500 € - 800 €
15th century GERMAN INCUNABLE - "The Flight into Egypt". c.1474. Woodcut by an anonymous artist, in antique colors. Typographic text on verso. Proof on laid paper. Small margins. This woodcut would have been engraved in Cologne before 1474, then reprinted in Basel in 1476. This proof comes from the work "Le Mirouer de la rédemption de l'humain lignage" published in Lyon in 1478 by Martin Huss (c.1445-c.1482, printer of French incunabula). The work was reprinted in 1479, 1482, 1483 and 1484, in

173 - 15th century GERMAN INCUNABLE - "The Flight into Egypt". c.1474. Woodcut by an anonymous artist, in antique colors. Typographic text on verso. Proof on laid paper. Small margins. This woodcut would have been engraved in Cologne before 1474, then reprinted in Basel in 1476. This proof comes from the work "Le Mirouer de la rédemption de l'humain lignage" published in Lyon in 1478 by Martin Huss (c.1445-c.1482, printer of French incunabula). The work was reprinted in 1479, 1482, 1483 and 1484, in

Estimate
500 € - 800 €
15th century GERMAN INCUNABLE - "The Council of Caiaphas and the Pharisees". c.1474. Woodcut by an anonymous artist, in antique colors. Typographic text on verso. Proof on laid paper. Small margins. This woodcut would have been engraved in Cologne before 1474, then reprinted in Basel in 1476. This proof comes from the work "Le Mirouer de la rédemption de l'humain lignage" published in Lyon in 1478 by Martin Huss (c.1445-c.1482, printer of French incunabula). The work was reprinted in 1479, 1482

174 - 15th century GERMAN INCUNABLE - "The Council of Caiaphas and the Pharisees". c.1474. Woodcut by an anonymous artist, in antique colors. Typographic text on verso. Proof on laid paper. Small margins. This woodcut would have been engraved in Cologne before 1474, then reprinted in Basel in 1476. This proof comes from the work "Le Mirouer de la rédemption de l'humain lignage" published in Lyon in 1478 by Martin Huss (c.1445-c.1482, printer of French incunabula). The work was reprinted in 1479, 1482

Estimate
500 € - 800 €
Albrecht DÜRER (1471 - 1528) - "The Martyrdom of Saint Catherine". Woodcut. References: Bartsch, no. 120. Meder, no. 236. Hollstein, n°236. Proof of a 19th-century print on wove paper. Signed with the artist's monogram at the bottom of the composition. Margins. 48.2 x 36.3 cm. Condition A/B (slightly unstained).

175 - Albrecht DÜRER (1471 - 1528) - "The Martyrdom of Saint Catherine". Woodcut. References: Bartsch, no. 120. Meder, no. 236. Hollstein, n°236. Proof of a 19th-century print on wove paper. Signed with the artist's monogram at the bottom of the composition. Margins. 48.2 x 36.3 cm. Condition A/B (slightly unstained).

Result
400 €
Heinruch GOLTZIUS (1558 - 1617) - "The Two Sybils". 1592. Burin after Polidoro Caldara, known as Polidoro da Caravaggio (1495 - 1543). Ref: Bartsch, no. 248. Hollstein, no. 304. Proof of the 2nd state, with verses in Latin, on thin watermarked laid paper (coat of arms). Numbered 9 in brown ink in the right-hand tablet. Small copperplate margins. 24 x 16.3 cm. Condition B (cut on or at the edge of the copperplate mark, very slight trace of old median horizontal fold visible on verso and rare smal

176 - Heinruch GOLTZIUS (1558 - 1617) - "The Two Sybils". 1592. Burin after Polidoro Caldara, known as Polidoro da Caravaggio (1495 - 1543). Ref: Bartsch, no. 248. Hollstein, no. 304. Proof of the 2nd state, with verses in Latin, on thin watermarked laid paper (coat of arms). Numbered 9 in brown ink in the right-hand tablet. Small copperplate margins. 24 x 16.3 cm. Condition B (cut on or at the edge of the copperplate mark, very slight trace of old median horizontal fold visible on verso and rare smal

Estimate
300 € - 400 €
Lucas de LEYDE (1494 - 1533) - "The suicide of Lucretia". Burin. Signed with the artist's monogram in the plate. Ref. Bartsch, n°134. Proof of a late print on parchment. 11.3 x 6.8 cm the subject. 15 x 13 cm per sheet. Condition A (traces of adhesive on the edges and verso, trace of oblique fold in the lower left margin).

177 - Lucas de LEYDE (1494 - 1533) - "The suicide of Lucretia". Burin. Signed with the artist's monogram in the plate. Ref. Bartsch, n°134. Proof of a late print on parchment. 11.3 x 6.8 cm the subject. 15 x 13 cm per sheet. Condition A (traces of adhesive on the edges and verso, trace of oblique fold in the lower left margin).

Estimate
300 € - 400 €
Jan MULLER (1571 - 1628) - "The Resurrection of Lazarus". c.1600. Etching and burin after Abraham BLOEMAERT (1564-1651). Proof on laid paper. Ref: New Hollstein, n027. 34.8 x 48.1 cm. Condition B (cut inside the copperplate mark but before the subject, rare short consolidated tears at the edges, foxing and blotchy paper on verso, slight trace of old median vertical fold, rare printing creases, shelf missing).

178 - Jan MULLER (1571 - 1628) - "The Resurrection of Lazarus". c.1600. Etching and burin after Abraham BLOEMAERT (1564-1651). Proof on laid paper. Ref: New Hollstein, n027. 34.8 x 48.1 cm. Condition B (cut inside the copperplate mark but before the subject, rare short consolidated tears at the edges, foxing and blotchy paper on verso, slight trace of old median vertical fold, rare printing creases, shelf missing).

Result
155 €
Jan van der Straet known as STRADANUS (1536-1605) (after) - "Boar Hunt". Burin. Ref: New Hollstein, no. 427. Plate 75 from the series "Venationes Ferarum, Avium, Piscium...", published by Philippe GALLE (Haarlem 1537 † 1612). Proof on watermarked laid paper. Beautiful impression. 21.7 x 29.5 cm. Condition A/B (cut on or at the edge of the copperplate mark, formerly glued by the corners on strong laid paper).

179 - Jan van der Straet known as STRADANUS (1536-1605) (after) - "Boar Hunt". Burin. Ref: New Hollstein, no. 427. Plate 75 from the series "Venationes Ferarum, Avium, Piscium...", published by Philippe GALLE (Haarlem 1537 † 1612). Proof on watermarked laid paper. Beautiful impression. 21.7 x 29.5 cm. Condition A/B (cut on or at the edge of the copperplate mark, formerly glued by the corners on strong laid paper).

Estimate
150 € - 200 €
Hieronymus WIERIX (1553 - 1619) (after) - "The Descent from the Cross". Copy engraved by an anonymous 17th-century artist. Proof on laid paper, with the excudit of Pierre Firens. Beautiful impression. Fine margins. 22.4 x 26.2 cm. B condition (one small wormhole and one tiny tear in the subject, tiny printing crease, otherwise good overall condition).

180 - Hieronymus WIERIX (1553 - 1619) (after) - "The Descent from the Cross". Copy engraved by an anonymous 17th-century artist. Proof on laid paper, with the excudit of Pierre Firens. Beautiful impression. Fine margins. 22.4 x 26.2 cm. B condition (one small wormhole and one tiny tear in the subject, tiny printing crease, otherwise good overall condition).

Estimate
200 € - 300 €
Abraham BOSSE (1602 - 1676) - Title of the suite of 9 plates "Les Figures au naturel tant des Vestements que des postures des Gardes français du Roy très Chrétien". 1632. Original etching. Ref: Blum, n°89. Lothe, n°209. Proof of the 2nd state, with Melchior Tavernier's address, on laid paper. Coated on verso with the collector's mark of LEROY KIRWIN BURKET (1920-Akron 2003), artist and collector (Lugt 3389). 18.5 x 10.9 cm. Condition B (cut at the edge of the subject, small epidermis in the

181 - Abraham BOSSE (1602 - 1676) - Title of the suite of 9 plates "Les Figures au naturel tant des Vestements que des postures des Gardes français du Roy très Chrétien". 1632. Original etching. Ref: Blum, n°89. Lothe, n°209. Proof of the 2nd state, with Melchior Tavernier's address, on laid paper. Coated on verso with the collector's mark of LEROY KIRWIN BURKET (1920-Akron 2003), artist and collector (Lugt 3389). 18.5 x 10.9 cm. Condition B (cut at the edge of the subject, small epidermis in the

Result
80 €
Abraham BOSSE (1602 - 1676) - "Frontispiece for the Fourth Part of Polexandre". Original etching and burin. Signed "Abosse in et fe" in point in the plate. Ref: Blum, n°165. Lothe, n°1302. Fine proof from the unique state, on laid paper, with the address "A Paris, chez Augustin Courbén au Palais, en la petite salle à la Palme". Margins. 18 x 13.5 cm. Condition A (well preserved).

182 - Abraham BOSSE (1602 - 1676) - "Frontispiece for the Fourth Part of Polexandre". Original etching and burin. Signed "Abosse in et fe" in point in the plate. Ref: Blum, n°165. Lothe, n°1302. Fine proof from the unique state, on laid paper, with the address "A Paris, chez Augustin Courbén au Palais, en la petite salle à la Palme". Margins. 18 x 13.5 cm. Condition A (well preserved).

Estimate
100 € - 200 €
Abraham BOSSE (1602 - 1676) (published by) - Plate 5 for "Sentiments sur la distinction des diverses manières de peinture, dessin et gravure...". 1649. Etching. Proof on watermarked laid paper (letters P & C with a heart). Good margins. 29 x 22 cm. Condition B (marginal foxing and on verso, rare short marginal tears, subject in good condition).

183 - Abraham BOSSE (1602 - 1676) (published by) - Plate 5 for "Sentiments sur la distinction des diverses manières de peinture, dessin et gravure...". 1649. Etching. Proof on watermarked laid paper (letters P & C with a heart). Good margins. 29 x 22 cm. Condition B (marginal foxing and on verso, rare short marginal tears, subject in good condition).

Estimate
80 € - 100 €
Michel DORIGNY (1617 - c.1666) - "Sainte Anne". Etching and burin after Jacques Sarazin. Ref: Le Blanc, n°31. Robert-Dumesnil, T.IV, n°48. Proof of the 1st state, before Mariette's address, on watermarked laid paper. 26 x 12.6 cm. Condition B (cut on or inside the copper mark, rare small stains, rare and slight traces of folds).

184 - Michel DORIGNY (1617 - c.1666) - "Sainte Anne". Etching and burin after Jacques Sarazin. Ref: Le Blanc, n°31. Robert-Dumesnil, T.IV, n°48. Proof of the 1st state, before Mariette's address, on watermarked laid paper. 26 x 12.6 cm. Condition B (cut on or inside the copper mark, rare small stains, rare and slight traces of folds).

Estimate
100 € - 200 €
Raymond LAFAGE (1656-1684) - [Nymphs and Satyrs at the Bath]. 1683. Etching engraved by Franz ERTINGER (1640 - 1700), signed in the plate. Proof of a slightly late edition, on watermarked laid paper (fleur-de-lys in a crowned shield). 30 x 45.8 cm. Condition B (cut at the edge of the square line, a short tear at the lower edge, rare small foxing at the edges and lightly dusted).

185 - Raymond LAFAGE (1656-1684) - [Nymphs and Satyrs at the Bath]. 1683. Etching engraved by Franz ERTINGER (1640 - 1700), signed in the plate. Proof of a slightly late edition, on watermarked laid paper (fleur-de-lys in a crowned shield). 30 x 45.8 cm. Condition B (cut at the edge of the square line, a short tear at the lower edge, rare small foxing at the edges and lightly dusted).

Estimate
150 € - 200 €
Jacques LAGNIET (c.1600 - 1675) (published by) - "L'espiègle servant un marchand de la ville de Rostre le suit avec les soufflets comme il lui avait commandé". 1663. Burin engraved by an anonymous artist. Proof of the only state, on laid paper, published by Jacques LAGNIET. Plate for "L'Histoire de la Vie de Tiel l'Espiègle". Fine margins. 20.2 x 18 cm. A/B condition (two short tears at right edge, Lagniet's address scratched).

186 - Jacques LAGNIET (c.1600 - 1675) (published by) - "L'espiègle servant un marchand de la ville de Rostre le suit avec les soufflets comme il lui avait commandé". 1663. Burin engraved by an anonymous artist. Proof of the only state, on laid paper, published by Jacques LAGNIET. Plate for "L'Histoire de la Vie de Tiel l'Espiègle". Fine margins. 20.2 x 18 cm. A/B condition (two short tears at right edge, Lagniet's address scratched).

Result
100 €
Jacques LAGNIET (c.1600 - 1675) (published by) - "L'espiègle ayant mesclé tous les souliers du pied droit de quantité d'enfants sous prétexte de faire quelque tour subtil sur la corde...". 1663. Burin engraved by an anonymous artist. Proof of the only state, on laid paper, published by Jacques LAGNIET. Plate for "L'Histoire de la Vie de Tiel l'Espiègle". Fine margins. 20.2 x 18 cm. A/B condition (two short tears at right edge, Lagniet's address scratched).

187 - Jacques LAGNIET (c.1600 - 1675) (published by) - "L'espiègle ayant mesclé tous les souliers du pied droit de quantité d'enfants sous prétexte de faire quelque tour subtil sur la corde...". 1663. Burin engraved by an anonymous artist. Proof of the only state, on laid paper, published by Jacques LAGNIET. Plate for "L'Histoire de la Vie de Tiel l'Espiègle". Fine margins. 20.2 x 18 cm. A/B condition (two short tears at right edge, Lagniet's address scratched).

Estimate
100 € - 200 €
Claude MELLAN (1598 - 1688) - "Bust of Jesus the Child". Burin. Ref: I.F.F, n°16. Proof on laid paper (watermark difficult to read), bearing the collection mark of HENRI LEDOUX (XXth century), Paris (Lugt 4052). 25.8 x 21.1 cm. Condition C (cut several centimeters inside the subject, two small stains).

188 - Claude MELLAN (1598 - 1688) - "Bust of Jesus the Child". Burin. Ref: I.F.F, n°16. Proof on laid paper (watermark difficult to read), bearing the collection mark of HENRI LEDOUX (XXth century), Paris (Lugt 4052). 25.8 x 21.1 cm. Condition C (cut several centimeters inside the subject, two small stains).

Result
130 €
Annibale CARRACCI (1560 - 1609) (after) - "The Sleep of Endymion". 17th century. Copy engraved in counterpart after the same subject executed by Carlo Cesio (1622 - 1682). Proof on watermarked laid paper, formerly glued at the corners on cream laid paper. Small margins. 26 x 22.2 cm. A/B condition (minor handling marks and creases).

189 - Annibale CARRACCI (1560 - 1609) (after) - "The Sleep of Endymion". 17th century. Copy engraved in counterpart after the same subject executed by Carlo Cesio (1622 - 1682). Proof on watermarked laid paper, formerly glued at the corners on cream laid paper. Small margins. 26 x 22.2 cm. A/B condition (minor handling marks and creases).

Estimate
100 € - 200 €
MAÎTRE AU DE (Bernardo DADDI, born in the early 16th century, a pupil of Marc Antonio Raimondi, he worked in Rome from 1532 to 1550) - "Envy driven from the temple of the Muses". c.1530. Burin after Baldassarre PERUZZI (1481-1536). Ref: Bartsch, Tome XV, p.195, n°17. Artist's monogram lower right. Proof before retouching and the name of P. Thomassin in the tablet, on laid paper, published by Antonio Lafrery (born in Salins in 1512, he worked in Rome from 1540 to 1580). Margins. 30.7 x 22.8 cm.

190 - MAÎTRE AU DE (Bernardo DADDI, born in the early 16th century, a pupil of Marc Antonio Raimondi, he worked in Rome from 1532 to 1550) - "Envy driven from the temple of the Muses". c.1530. Burin after Baldassarre PERUZZI (1481-1536). Ref: Bartsch, Tome XV, p.195, n°17. Artist's monogram lower right. Proof before retouching and the name of P. Thomassin in the tablet, on laid paper, published by Antonio Lafrery (born in Salins in 1512, he worked in Rome from 1540 to 1580). Margins. 30.7 x 22.8 cm.

Result
250 €
Giacomo PICCINI (b. Venice c.1617) - "Flora". 17th century. Burin after Titian. Proof on laid paper, with Stefano Scolari's address. Ref: Le Blanc, n°27. Small margins. 27.8 x 19.8 cm. A/B condition (very slight traces of insolation, otherwise good condition).

191 - Giacomo PICCINI (b. Venice c.1617) - "Flora". 17th century. Burin after Titian. Proof on laid paper, with Stefano Scolari's address. Ref: Le Blanc, n°27. Small margins. 27.8 x 19.8 cm. A/B condition (very slight traces of insolation, otherwise good condition).

Result
160 €
Agostino VENEZIANO (Agostino Di MUSI) (c.1490 - c.1536-1540) - "The Emperor Hadrian granting freedom to the slave Androcles". Burin after a drawing by the school of Marcantonio Raimondi in the Metropolitan Museum of Art, New York (inv.no. 80.3.190), and after Raphael. Signed with the artist's monogram in the plate. Ref: Bartsch, Tome XIV, no. 196. Proof on laid paper. 40.7 x 27.1 cm. Condition B (cut at the edge of the plate, small printing crease at the foot, small epidermure of the paper on th

192 - Agostino VENEZIANO (Agostino Di MUSI) (c.1490 - c.1536-1540) - "The Emperor Hadrian granting freedom to the slave Androcles". Burin after a drawing by the school of Marcantonio Raimondi in the Metropolitan Museum of Art, New York (inv.no. 80.3.190), and after Raphael. Signed with the artist's monogram in the plate. Ref: Bartsch, Tome XIV, no. 196. Proof on laid paper. 40.7 x 27.1 cm. Condition B (cut at the edge of the plate, small printing crease at the foot, small epidermure of the paper on th

Estimate
200 € - 300 €
Francesco BARTOLOZZI (1735 - 1813) - [Mother and child]. 18th century. Dotted engraving after Angelika KAUFFMAN (1741 - 1807), printed in colors. Proof on laid paper. Copper magi. 12.7 x 9.8 cm. Condition B (cut at the copper mark, edges of the sheet slightly insolated, some foxing and traces of old mounting on verso).

193 - Francesco BARTOLOZZI (1735 - 1813) - [Mother and child]. 18th century. Dotted engraving after Angelika KAUFFMAN (1741 - 1807), printed in colors. Proof on laid paper. Copper magi. 12.7 x 9.8 cm. Condition B (cut at the copper mark, edges of the sheet slightly insolated, some foxing and traces of old mounting on verso).

Estimate
80 € - 100 €
François BOUCHER (1703 - 1770) (after) - "A ramonner du haut en bas". Etching engraved by Jacques-Philippe LE BAS (1707-1783). Proof on laid paper (watermark, letters truncated), with the address "A Paris chez Huquier, avec privilège du Roi". This print is part of a suite of twelve etchings, "Les Cris de Paris", engraved by Le Bas and Ravenet after drawings by Boucher made in 1735/36. Margins. 34 x 24.4 cm. Condition A (two tiny pinholes in upper margin).

194 - François BOUCHER (1703 - 1770) (after) - "A ramonner du haut en bas". Etching engraved by Jacques-Philippe LE BAS (1707-1783). Proof on laid paper (watermark, letters truncated), with the address "A Paris chez Huquier, avec privilège du Roi". This print is part of a suite of twelve etchings, "Les Cris de Paris", engraved by Le Bas and Ravenet after drawings by Boucher made in 1735/36. Margins. 34 x 24.4 cm. Condition A (two tiny pinholes in upper margin).

Result
110 €
Dominique Vivant DENON (1747 - 1825) (after) - "Self-portrait of the artist". Etching. Proof of a pure etching state, before any letter, on laid paper. Copper margins. 21.5 x 17.2 cm. State A (cut on or inside the copperplate mark, small light stain at upper right).

195 - Dominique Vivant DENON (1747 - 1825) (after) - "Self-portrait of the artist". Etching. Proof of a pure etching state, before any letter, on laid paper. Copper margins. 21.5 x 17.2 cm. State A (cut on or inside the copperplate mark, small light stain at upper right).

Estimate
250 € - 300 €
Jacob GOLE (1660 - 1737) - "The Tomb of Marie Magdeleine". Manière noire. Proof with the letter, on watermarked laid paper. 23.7 x 18.2 cm. Condition A/B (small fold and short tear in the tablet, subject in good condition).

196 - Jacob GOLE (1660 - 1737) - "The Tomb of Marie Magdeleine". Manière noire. Proof with the letter, on watermarked laid paper. 23.7 x 18.2 cm. Condition A/B (small fold and short tear in the tablet, subject in good condition).

Estimate
150 € - 200 €
Jan Piotr NORBLIN DE LA GOURDAINE (Polish artist, 1745 - 1830) - "Polish man standing in profile to the right". Original etching. Ref: Hillemacher, no. 86. Proof on chine paper, mounted at the corners on brown wove paper. Margins. 5.7 x 4 cm. Condition A (small crease in right margin, good condition).

197 - Jan Piotr NORBLIN DE LA GOURDAINE (Polish artist, 1745 - 1830) - "Polish man standing in profile to the right". Original etching. Ref: Hillemacher, no. 86. Proof on chine paper, mounted at the corners on brown wove paper. Margins. 5.7 x 4 cm. Condition A (small crease in right margin, good condition).

Estimate
100 € - 200 €
Jan Piotr NORBLIN DE LA GOURDAINE (Polish artist, 1745 - 1830) - "Two standing figures, facing left, conversing". Original etching. Ref: Hillemacher, no. 82, proof on chine paper, mounted at the corners on brown wove paper. Margins. 5.5 x 3.8 cm. Condition A (good condition).

198 - Jan Piotr NORBLIN DE LA GOURDAINE (Polish artist, 1745 - 1830) - "Two standing figures, facing left, conversing". Original etching. Ref: Hillemacher, no. 82, proof on chine paper, mounted at the corners on brown wove paper. Margins. 5.5 x 3.8 cm. Condition A (good condition).

Estimate
80 € - 100 €
Jan Piotr NORBLIN DE LA GOURDAINE (Polish artist, 1745 - 1830) - "Old man, bust in straight profile, wearing a skullcap". Original etching. Ref: Hillemacher, no. 47. Proof on chine paper, mounted at the corners on brown wove paper. Margins. 7.5 x 6 cm. Condition A (good state of preservation).

199 - Jan Piotr NORBLIN DE LA GOURDAINE (Polish artist, 1745 - 1830) - "Old man, bust in straight profile, wearing a skullcap". Original etching. Ref: Hillemacher, no. 47. Proof on chine paper, mounted at the corners on brown wove paper. Margins. 7.5 x 6 cm. Condition A (good state of preservation).

Estimate
80 € - 100 €
Jan Piotr NORBLIN DE LA GOURDAINE (Polish artist, 1745 - 1830) - [Landscape]. 1777. Original etching. Signed and dated in the plate. Proof on fine wove paper, mounted at the corners on strong paper. Margins. 6.5 x 10 cm. Condition A (good condition).

200 - Jan Piotr NORBLIN DE LA GOURDAINE (Polish artist, 1745 - 1830) - [Landscape]. 1777. Original etching. Signed and dated in the plate. Proof on fine wove paper, mounted at the corners on strong paper. Margins. 6.5 x 10 cm. Condition A (good condition).

Result
150 €
Joseph VERNET (1714 - 1789) (after) - "The Return of Fishing at Sunset". 18th century. Etching and burin by Jean-Jacques AVRIL (1744-1831). Ref: I.F.F XVIIIth, n°45. Proof with the letter, on watermarked laid paper. With the address of Basan et Poignant in Paris and P. Fouquet in Amsterdam. Margins. 53 x 65 cm. Condition B (a few light freckles and small stains in the margins, slightly sunned, traces of old mounting on verso, slight handling marks).

201 - Joseph VERNET (1714 - 1789) (after) - "The Return of Fishing at Sunset". 18th century. Etching and burin by Jean-Jacques AVRIL (1744-1831). Ref: I.F.F XVIIIth, n°45. Proof with the letter, on watermarked laid paper. With the address of Basan et Poignant in Paris and P. Fouquet in Amsterdam. Margins. 53 x 65 cm. Condition B (a few light freckles and small stains in the margins, slightly sunned, traces of old mounting on verso, slight handling marks).

Estimate
200 € - 300 €
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