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In search of lost treasures

In search of lost treasures

Tuesday, 5 May 2026 at 14:00
9 rue de Provence, 75009 Paris
interencheres

Lots 101 to 150 of 298

Page 3 / 6

OISE (60) - "Le Parterre de l'ORANGERIE à CHANTILLY". 17th century. Etching by Adam PERELLE (1638 - 1695) after Israël SILVESTRE. Proof with the letter, on laid paper. With the address "A Paris chez N. Langlois rue St Jacques à la victoire avec priv. du roi". Margins. 22.2 x 31.8 cm for the engraving. 33 x 50.5 cm overall. Condition A/B (cut at the copperplate mark and formerly pasted on laid paper, subject in good condition).

102 - OISE (60) - "Le Parterre de l'ORANGERIE à CHANTILLY". 17th century. Etching by Adam PERELLE (1638 - 1695) after Israël SILVESTRE. Proof with the letter, on laid paper. With the address "A Paris chez N. Langlois rue St Jacques à la victoire avec priv. du roi". Margins. 22.2 x 31.8 cm for the engraving. 33 x 50.5 cm overall. Condition A/B (cut at the copperplate mark and formerly pasted on laid paper, subject in good condition).

Result
100 €
HAUT-RHIN (68) - [A street in COLMAR]. Watercolor drawing on paper, pasted on card stock. Signed by the artist lower right (unidentified signature). 24 x 28.8 cm. Condition A (good).

103 - HAUT-RHIN (68) - [A street in COLMAR]. Watercolor drawing on paper, pasted on card stock. Signed by the artist lower right (unidentified signature). 24 x 28.8 cm. Condition A (good).

Estimate
150 € - 200 €
HAUTE-SAVOIE (74) - CLUSES - "Stoup of the Church of CLUSES". 19th century. Original Sketch by Félix Benoist (1818-1896) in graphite on wove paper. PREPARATORY DRAW for the lithograph entitled "Bénitier de l'Eglise de Cluses" for the album "NICE ET SAVOIE", published in 1864 by Charpentier. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 28.7 x 20.7 cm. Cond

104 - HAUTE-SAVOIE (74) - CLUSES - "Stoup of the Church of CLUSES". 19th century. Original Sketch by Félix Benoist (1818-1896) in graphite on wove paper. PREPARATORY DRAW for the lithograph entitled "Bénitier de l'Eglise de Cluses" for the album "NICE ET SAVOIE", published in 1864 by Charpentier. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 28.7 x 20.7 cm. Cond

Estimate
250 € - 300 €
SEINE-MARITIME (76) - ETRETAT - TOURISM POSTER - "Du TREPORT au HAVRE - Les FALAISES et les plages de NORMANDIE - ETRETAT (Seine-Maritime) - France". c.1960. Photog. MACHATCHEK. Printed by Braun et CIe, Paris. Poster for the French Ministry of Public Works, Transport and Tourism. Early French poster promoting tourism in Normandy. Features a superb photograph of cliffs overlooking the beaches of Étretat, Seine-Maritime. 98.5 x 61.5 cm. A/B condition (creasing, rare folds, good overall condition)

105 - SEINE-MARITIME (76) - ETRETAT - TOURISM POSTER - "Du TREPORT au HAVRE - Les FALAISES et les plages de NORMANDIE - ETRETAT (Seine-Maritime) - France". c.1960. Photog. MACHATCHEK. Printed by Braun et CIe, Paris. Poster for the French Ministry of Public Works, Transport and Tourism. Early French poster promoting tourism in Normandy. Features a superb photograph of cliffs overlooking the beaches of Étretat, Seine-Maritime. 98.5 x 61.5 cm. A/B condition (creasing, rare folds, good overall condition)

Result
150 €
YVELINES (78) - MARLY - "Elévation du CHÂTEAU ROYAL DE MARLY". c.1715. Original etching and burin engraving by François BLONDEL (1683-1756). Proof formerly cut to the square line and mounted on laid paper, covered on verso with the collector's mark of Louis BONGARD ((1921-2008), architect) (Lugt 6176). 27.3 x 42 cm for the subject. 36 x 53.5 cm for the sheet. Condition A/B (rare small stains in upper right corner, otherwise good condition).

106 - YVELINES (78) - MARLY - "Elévation du CHÂTEAU ROYAL DE MARLY". c.1715. Original etching and burin engraving by François BLONDEL (1683-1756). Proof formerly cut to the square line and mounted on laid paper, covered on verso with the collector's mark of Louis BONGARD ((1921-2008), architect) (Lugt 6176). 27.3 x 42 cm for the subject. 36 x 53.5 cm for the sheet. Condition A/B (rare small stains in upper right corner, otherwise good condition).

Result
260 €
VAR (83) - TOULON - OZANNE - "Le port vieux de Toulon, vu de l'atelier de Peinture". 1776. Etching and burin engraving by Y. Le Gouac (1742-1816), after a drawing by Nicolas OZANNE (1728 - 1811). Proof with the letter, on laid paper, with the address "A Paris chez Le Gouaz Graveur, rue St Hyacinthe la première porte cochère à gauche par la Place St Michel". Copper margins. 22 x 31 cm. Condition A/B (cut at the edge of the copperplate mark, two tiny fold marks in the subject and rare light mar

107 - VAR (83) - TOULON - OZANNE - "Le port vieux de Toulon, vu de l'atelier de Peinture". 1776. Etching and burin engraving by Y. Le Gouac (1742-1816), after a drawing by Nicolas OZANNE (1728 - 1811). Proof with the letter, on laid paper, with the address "A Paris chez Le Gouaz Graveur, rue St Hyacinthe la première porte cochère à gauche par la Place St Michel". Copper margins. 22 x 31 cm. Condition A/B (cut at the edge of the copperplate mark, two tiny fold marks in the subject and rare light mar

Estimate
100 € - 200 €
VENDEE (85) - MAILLE - "Eglise paroissiale Notre-Dame de l'Assomption de MAILLE". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on gray wove paper. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 31.2 x 22 cm. Condition A (well preserved).

108 - VENDEE (85) - MAILLE - "Eglise paroissiale Notre-Dame de l'Assomption de MAILLE". 19th century. Original Sketch (probably by Félix Benoist (1818-1896)) in graphite, on gray wove paper. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 31.2 x 22 cm. Condition A (well preserved).

Estimate
250 € - 300 €
VENDEE (85) - "Bell tower of Notre-Dame de FONTENAY-LE-COMTE, Vendée". 1869. Original etching, engraved by Octave de ROCHEBRUNE (1824 - 1900). Proof with the letter, on laid paper. Margins. 48.5 x 32 cm. Condition A (good condition).

109 - VENDEE (85) - "Bell tower of Notre-Dame de FONTENAY-LE-COMTE, Vendée". 1869. Original etching, engraved by Octave de ROCHEBRUNE (1824 - 1900). Proof with the letter, on laid paper. Margins. 48.5 x 32 cm. Condition A (good condition).

Estimate
100 € - 200 €
CANON D'AUTEL. Engraving with polychrome decoration of biblical scenes and saints in medallions on a classical architectural background. Designed by J. Desmarest and engraved by G.J.B Scotin l'ainé. Antique colors. With address "à Paris, chez Lenoir Pillaut, rue Saint Jacques, n°6". Margins. Framed piece. 52 x 76 cm for the sheet. 58 x 83 cm for the frame. Condition A (a few marginal tears, subject in good condition when viewed... not examined outside its frame).

110 - CANON D'AUTEL. Engraving with polychrome decoration of biblical scenes and saints in medallions on a classical architectural background. Designed by J. Desmarest and engraved by G.J.B Scotin l'ainé. Antique colors. With address "à Paris, chez Lenoir Pillaut, rue Saint Jacques, n°6". Margins. Framed piece. 52 x 76 cm for the sheet. 58 x 83 cm for the frame. Condition A (a few marginal tears, subject in good condition when viewed... not examined outside its frame).

Result
460 €
ALTARPIECE (MARCILLY). 19th century. Color lithograph by A. Bouillon. Printed by Lemercier, Bénard & Cie and published in Paris by Marcilly. Framed piece. 42 x 55 cm for the subject. 50 x 62 cm for the frame. Condition B/C (foxing and dusting, not examined outside its frame). Attached is a reproduction of a map after Cassanus depicting "Terra d'Otranto". 45 x 55 cm for the frame. Condition A. Set of 2 pieces.

111 - ALTARPIECE (MARCILLY). 19th century. Color lithograph by A. Bouillon. Printed by Lemercier, Bénard & Cie and published in Paris by Marcilly. Framed piece. 42 x 55 cm for the subject. 50 x 62 cm for the frame. Condition B/C (foxing and dusting, not examined outside its frame). Attached is a reproduction of a map after Cassanus depicting "Terra d'Otranto". 45 x 55 cm for the frame. Condition A. Set of 2 pieces.

Estimate
60 € - 80 €
Pierre DREVET - PORTRAIT of Olivier CROMWEL, Protector. 18th century. Etching and burin by Pierre DREVET (1663 - 1738), after the tablea painted by Adriaen Vander WERFF. Small margins. (31.8 x 19.3 cm. Condition A/B (cut at the limit of the copper mark at the foot, traces of old mounting and some foxing on verso, marginal foxing).

112 - Pierre DREVET - PORTRAIT of Olivier CROMWEL, Protector. 18th century. Etching and burin by Pierre DREVET (1663 - 1738), after the tablea painted by Adriaen Vander WERFF. Small margins. (31.8 x 19.3 cm. Condition A/B (cut at the limit of the copper mark at the foot, traces of old mounting and some foxing on verso, marginal foxing).

Estimate
90 € - 120 €
PORTRAIT of OSCAR WILDE. Frontispiece for the book "Oscar Wilde" by André GIDE, published in 1911. Heliogravure. Proof on wove paper, bearing the collector's mark of HENRI LEDOUX (XXth century) in Paris(Lugt 4052). Margins for three sides and copper margin on right. 18 x 11.3 cm. Condition A (cut at the copper mark on the right, good condition).

113 - PORTRAIT of OSCAR WILDE. Frontispiece for the book "Oscar Wilde" by André GIDE, published in 1911. Heliogravure. Proof on wove paper, bearing the collector's mark of HENRI LEDOUX (XXth century) in Paris(Lugt 4052). Margins for three sides and copper margin on right. 18 x 11.3 cm. Condition A (cut at the copper mark on the right, good condition).

Result
150 €
HAYDN - PORTRAIT of "JOSEPH HAYDN (1732-1809), Austrian composer". c.1790. Dotted engraving. Proof with the letter, on wove paper. Published in Vienna by Artaria. Small margins. Artaria was the leading Viennese publisher of Mozart's works during his lifetime, publishing 49 of his works between 1778 and 1791. 27 x 20.3 cm. B/C condition (some foxing, traces of glue on verso).

114 - HAYDN - PORTRAIT of "JOSEPH HAYDN (1732-1809), Austrian composer". c.1790. Dotted engraving. Proof with the letter, on wove paper. Published in Vienna by Artaria. Small margins. Artaria was the leading Viennese publisher of Mozart's works during his lifetime, publishing 49 of his works between 1778 and 1791. 27 x 20.3 cm. B/C condition (some foxing, traces of glue on verso).

Result
230 €
PORTRAIT OF ROBESPIERRE (REVOLUTION) - Jean-Baptiste GAUTIER (b. 1757) - "Portrait of M.M.J. ROBESPIERRE, born in Arras in 1759, Deputy of the Dept of Paris at the National Convention in 1792". 18th century. Dotted engraving after a drawing by François BONNEVILLE (1755-1844). Proof with the letter, on laid paper (fragment of watermark), with the address "A Paris, chez l'Auteur, rue St Jacques n°195". Margins. 30.3 x 21.8 cm. A/B condition (some foxing on margins and verso, subject in good cond

115 - PORTRAIT OF ROBESPIERRE (REVOLUTION) - Jean-Baptiste GAUTIER (b. 1757) - "Portrait of M.M.J. ROBESPIERRE, born in Arras in 1759, Deputy of the Dept of Paris at the National Convention in 1792". 18th century. Dotted engraving after a drawing by François BONNEVILLE (1755-1844). Proof with the letter, on laid paper (fragment of watermark), with the address "A Paris, chez l'Auteur, rue St Jacques n°195". Margins. 30.3 x 21.8 cm. A/B condition (some foxing on margins and verso, subject in good cond

Result
100 €
PORTRAIT of King GUILLAUME III (1650-1702), 1691. Etching engraved by Romeyn de HOOGHE (1645 - 1708). Proof on laid paper, published by Arnout Leers in 1692 in The Hague (2nd edition). Title page featuring an oval medallion in the center with the effigy of William III, supported by a woman on the left and an angel on the right; several allegorical figures surround the medallion; the coat of arms of England appears in the left corner; title from Govert Bidloo's work, "Komste van Zyne Majesteit Wi

116 - PORTRAIT of King GUILLAUME III (1650-1702), 1691. Etching engraved by Romeyn de HOOGHE (1645 - 1708). Proof on laid paper, published by Arnout Leers in 1692 in The Hague (2nd edition). Title page featuring an oval medallion in the center with the effigy of William III, supported by a woman on the left and an angel on the right; several allegorical figures surround the medallion; the coat of arms of England appears in the left corner; title from Govert Bidloo's work, "Komste van Zyne Majesteit Wi

Estimate
200 € - 300 €
HENRI IV - "Portrait du très Haut, très puissant, très excellent PRINCE HENRY LE GRAND par la grâce de Dieu, Roy de France & de Navarre [...] qui trépassa en son Palais du Louvre le vendredy 14 May 1610". Etching and burin engraving by Isaac BRIOT (1585-1670), after F. Quesnel. Ref: Hennin, n°1576. Le Blanc, no. 65. Robert-Dumesnil, n°125. Proof on laid paper, with the address "A Paris chez Nicolas de Mathonière à la Rue de Montorgueil à la Corne de Dain, 1610". King Henri IV's bo

117 - HENRI IV - "Portrait du très Haut, très puissant, très excellent PRINCE HENRY LE GRAND par la grâce de Dieu, Roy de France & de Navarre [...] qui trépassa en son Palais du Louvre le vendredy 14 May 1610". Etching and burin engraving by Isaac BRIOT (1585-1670), after F. Quesnel. Ref: Hennin, n°1576. Le Blanc, no. 65. Robert-Dumesnil, n°125. Proof on laid paper, with the address "A Paris chez Nicolas de Mathonière à la Rue de Montorgueil à la Corne de Dain, 1610". King Henri IV's bo

Result
280 €
Anton VAN DYCK (1599-1641) (after) - "PORTRAIT of Philippe LE ROY (1596-1679)", Baron de Broechem, high official of the Spanish Netherlands. 18th century. Black manière engraved by an anonymous artist. Proof on laid paper. Filleted margins. 24.6 x 18 cm. Condition A (traces of old mounting and minor spotting of paper on verso, subject in good condition).

118 - Anton VAN DYCK (1599-1641) (after) - "PORTRAIT of Philippe LE ROY (1596-1679)", Baron de Broechem, high official of the Spanish Netherlands. 18th century. Black manière engraved by an anonymous artist. Proof on laid paper. Filleted margins. 24.6 x 18 cm. Condition A (traces of old mounting and minor spotting of paper on verso, subject in good condition).

Estimate
150 € - 200 €
Cornelis GALLE II (1615 - 1678) - "PORTRAIT of Johannes DECKHER van Valckenburg (1583-1646)". 1686. Etching and burin after Nicolas Van der Horst (1587/98-1646). Ref: Le Blanc, n°57. Proof of a late print with date modified to "M.DC.LXXXVI", on laid paper. Margins. 31.5 x 21.5 cm. Condition B (horizontal printing fold).

119 - Cornelis GALLE II (1615 - 1678) - "PORTRAIT of Johannes DECKHER van Valckenburg (1583-1646)". 1686. Etching and burin after Nicolas Van der Horst (1587/98-1646). Ref: Le Blanc, n°57. Proof of a late print with date modified to "M.DC.LXXXVI", on laid paper. Margins. 31.5 x 21.5 cm. Condition B (horizontal printing fold).

Estimate
100 € - 200 €
Gérard EDELINCK (1640 - 1707) - "Portrait de François Chauveau (1613-1676), graveur ordinaire du Roy". c.1696-1700. Etching and burin after the painting by Claude Lefebure (Lefèbvre) (1632 - 1675). Ref: I.F.F, n°227. Robert-Dumesnil, no. 166. Proof on laid paper. Margins. Fine condition. 31 x 21.5 cm. Condition A (well preserved).

120 - Gérard EDELINCK (1640 - 1707) - "Portrait de François Chauveau (1613-1676), graveur ordinaire du Roy". c.1696-1700. Etching and burin after the painting by Claude Lefebure (Lefèbvre) (1632 - 1675). Ref: I.F.F, n°227. Robert-Dumesnil, no. 166. Proof on laid paper. Margins. Fine condition. 31 x 21.5 cm. Condition A (well preserved).

Result
150 €
LOUIS XIV - Gérard EDELINCK (1640 - 1707) - [LOUIS XIV in Roman Emperor costume]. c.1677. Plate for "La vision parfaite ou le concours des deux axes de la vision en un seul point de l'objet" by Père Chérubin d'Orléans. 18th century. Etching and burin engraving by Edelinck, after Henri Watelé. Double proof. Copper margins. 32.3 x 20.5 cm. Condition A/B (cut at copper mark).

121 - LOUIS XIV - Gérard EDELINCK (1640 - 1707) - [LOUIS XIV in Roman Emperor costume]. c.1677. Plate for "La vision parfaite ou le concours des deux axes de la vision en un seul point de l'objet" by Père Chérubin d'Orléans. 18th century. Etching and burin engraving by Edelinck, after Henri Watelé. Double proof. Copper margins. 32.3 x 20.5 cm. Condition A/B (cut at copper mark).

Estimate
100 € - 200 €
PORTRAIT of French numismatist Josephus Pellerin, age 98. 1781. Etching and burin by Augustin de SAINT-AUBIN (1736 - 1807). Ref: Bocher, n°208. Proof on laid paper. Copper margins. 32.5 x 25.3 cm. Condition A/B (cut at the copperplate mark, rare small stains at the foot and small traces of old mounting on the reverse).

122 - PORTRAIT of French numismatist Josephus Pellerin, age 98. 1781. Etching and burin by Augustin de SAINT-AUBIN (1736 - 1807). Ref: Bocher, n°208. Proof on laid paper. Copper margins. 32.5 x 25.3 cm. Condition A/B (cut at the copperplate mark, rare small stains at the foot and small traces of old mounting on the reverse).

Result
440 €
William PETHER (1731 - 1795) - "A Jew Rabbi" (The Old Rabbi). 1764. Manière noire after a painting by REMBRANDT. Proof of the 2nd state of 3, with letter and date 1764, on laid paper. Ref: Le Blanc, n°27. Published by J. Boydell, London. 51 x 35.8 cm. Condition B (slight traces of rubbing, cut at the edge of the copper mark and foxing).

123 - William PETHER (1731 - 1795) - "A Jew Rabbi" (The Old Rabbi). 1764. Manière noire after a painting by REMBRANDT. Proof of the 2nd state of 3, with letter and date 1764, on laid paper. Ref: Le Blanc, n°27. Published by J. Boydell, London. 51 x 35.8 cm. Condition B (slight traces of rubbing, cut at the edge of the copper mark and foxing).

Estimate
200 € - 300 €
NAPOLEON - LEVACHEZ & DUPLESSI-BERTAUX - PORTRAIT of BONAPARTE First Consul of the French Republic. Revue du Quintidi. 1802. Etching and aquatint after Louis-Léopold Boilly (1761-1845), printed in colors on wove paper. Ref: I.F.F. After 1800, no. 6. A Paris, chez Auber Editeur, Rue St Lazare, Chaussée d'Antin n°88. Margins. 46 x 31.5 cm. Condition B/C (traces of folds in the shelf, darkened proof, traces of handling and rare scratches, slight traces of old mounting on verso).

124 - NAPOLEON - LEVACHEZ & DUPLESSI-BERTAUX - PORTRAIT of BONAPARTE First Consul of the French Republic. Revue du Quintidi. 1802. Etching and aquatint after Louis-Léopold Boilly (1761-1845), printed in colors on wove paper. Ref: I.F.F. After 1800, no. 6. A Paris, chez Auber Editeur, Rue St Lazare, Chaussée d'Antin n°88. Margins. 46 x 31.5 cm. Condition B/C (traces of folds in the shelf, darkened proof, traces of handling and rare scratches, slight traces of old mounting on verso).

Estimate
300 € - 400 €
PORTRAIT of Francesco de BACKER, painter. Late 17th century. Burin. Artists' names in the subject. Proof before letter, on laid paper. 26.1 x 18.4 cm. A/B condition (thin margins, fragile plate edge).

125 - PORTRAIT of Francesco de BACKER, painter. Late 17th century. Burin. Artists' names in the subject. Proof before letter, on laid paper. 26.1 x 18.4 cm. A/B condition (thin margins, fragile plate edge).

Estimate
100 € - 200 €
FRENCH REVOLUTION - LOUIS CAPET beheaded - "Journée du 31 janvier 1793, la mort de LOUIS CAPET sur la Place de la Révolution, présenté à la Convention Nationale le 30 Germinal par Helman". 18th century. Etching and burin engraving by HELMAN (1743-1836), after a drawing by Monnet. Proof with the letter, on laid paper. Paris, chez l'Auteur, rue Honoré n°1497 near the Jacobins. Copper margins. 35.3 x 45.8 cm. Condition A/B (cut at copperplate mark, slight trace of oblique fold in shelf, very

126 - FRENCH REVOLUTION - LOUIS CAPET beheaded - "Journée du 31 janvier 1793, la mort de LOUIS CAPET sur la Place de la Révolution, présenté à la Convention Nationale le 30 Germinal par Helman". 18th century. Etching and burin engraving by HELMAN (1743-1836), after a drawing by Monnet. Proof with the letter, on laid paper. Paris, chez l'Auteur, rue Honoré n°1497 near the Jacobins. Copper margins. 35.3 x 45.8 cm. Condition A/B (cut at copperplate mark, slight trace of oblique fold in shelf, very

Result
250 €
NAPOLEON - "Arrival of Napoleon's funeral procession at the INVALIDES in Paris on December 15, 1840. The great Captain's chariot advanced slowly between these two rows of heroes, who seemed to await him in respectful immobility". 19th century. Original lithograph by Victor ADAM (1801-1866). Proof on wove paper, printed by Lemercier, Benard & Cie. Stamped by HENRI JEANNIN (active 1830-1854), publisher of prints in Paris (Lugt 1397c). Coated on verso with the collector's mark of LOUIS BONGARD

127 - NAPOLEON - "Arrival of Napoleon's funeral procession at the INVALIDES in Paris on December 15, 1840. The great Captain's chariot advanced slowly between these two rows of heroes, who seemed to await him in respectful immobility". 19th century. Original lithograph by Victor ADAM (1801-1866). Proof on wove paper, printed by Lemercier, Benard & Cie. Stamped by HENRI JEANNIN (active 1830-1854), publisher of prints in Paris (Lugt 1397c). Coated on verso with the collector's mark of LOUIS BONGARD

Estimate
100 € - 200 €
NAPOLEON - PLACARD - "NAPOLEON'S ABDICATION", April 13, 1814. "The allied powers having proclaimed that Emperor Napoleon was the only obstacle to the restoration of peace in Europe, Emperor Napoleon, faithful to his oath, declares that he renounces, for himself and his heirs, the thrones of France and Italy, and that there is no personal sacrifice, even that of life, that he is not ready to make in the interest of France [...]". laid paper. Folded. 53 x 46 cm. Condition A (good state of preserva

128 - NAPOLEON - PLACARD - "NAPOLEON'S ABDICATION", April 13, 1814. "The allied powers having proclaimed that Emperor Napoleon was the only obstacle to the restoration of peace in Europe, Emperor Napoleon, faithful to his oath, declares that he renounces, for himself and his heirs, the thrones of France and Italy, and that there is no personal sacrifice, even that of life, that he is not ready to make in the interest of France [...]". laid paper. Folded. 53 x 46 cm. Condition A (good state of preserva

Result
590 €
Ferdinand BAC (1859-1952) - [A ST HELENE / Même pas comediante! Tragédiante!" (Caricature of NAPOLEON). 1918. Original DRAWING in ink and colored pencil, on paper. Signed and dated "F Bac 11 nov 1918" in ink lower left in the composition. 20.7 x 25.8 cm. A/B condition (very slight foxing).

129 - Ferdinand BAC (1859-1952) - [A ST HELENE / Même pas comediante! Tragédiante!" (Caricature of NAPOLEON). 1918. Original DRAWING in ink and colored pencil, on paper. Signed and dated "F Bac 11 nov 1918" in ink lower left in the composition. 20.7 x 25.8 cm. A/B condition (very slight foxing).

Estimate
100 € - 200 €
LOUIS XVI - "Vue du Char funèbre, de la translation à St DENIS (93), des Corps de LOUIS XVI et de la Reine MARIE ANTOINETTE, prise sur le Boulevard de la Madeleine le 21 janvier 1815". Copper margins. 30.5 x 45 cm. Condition B/C (cut inside copperplate mark, some light foxing at margins and verso, sheet edges dusted).

130 - LOUIS XVI - "Vue du Char funèbre, de la translation à St DENIS (93), des Corps de LOUIS XVI et de la Reine MARIE ANTOINETTE, prise sur le Boulevard de la Madeleine le 21 janvier 1815". Copper margins. 30.5 x 45 cm. Condition B/C (cut inside copperplate mark, some light foxing at margins and verso, sheet edges dusted).

Result
190 €
LOUIS XVI - "Vue des CHAMPS-EYSEES le 18août 1789 le matin. Le Roy passe en revue une division de la Garde Nationale". 18th century. Etching. Proof on laid paper, with the address "Au bureau des Révolutions de Paris, rue Jacob, Faubg. St. G. n°28". 10.8 x 14.5 cm. Condition C (missing sky and shelf on right, proof doubled).

131 - LOUIS XVI - "Vue des CHAMPS-EYSEES le 18août 1789 le matin. Le Roy passe en revue une division de la Garde Nationale". 18th century. Etching. Proof on laid paper, with the address "Au bureau des Révolutions de Paris, rue Jacob, Faubg. St. G. n°28". 10.8 x 14.5 cm. Condition C (missing sky and shelf on right, proof doubled).

Estimate
50 € - 80 €
REVOLUTION - "Massacre of the prisoners of Orleans at VERSAILLES, September 8, 1792". Late 18th century. Etching engraved by an anonymous artist. laid paper. Small margins. 13 x 19.8 cm. Condition B (stains, folds and traces of insolation in the margins slightly reaching the subject).

132 - REVOLUTION - "Massacre of the prisoners of Orleans at VERSAILLES, September 8, 1792". Late 18th century. Etching engraved by an anonymous artist. laid paper. Small margins. 13 x 19.8 cm. Condition B (stains, folds and traces of insolation in the margins slightly reaching the subject).

Estimate
50 € - 80 €
REVOLUTION - "Procession in memory of the Mayor of ETAMPES. On Sunday, June 3, 1792, the procession departed from the end of the Boulevards at the Place de la Bastille, to the Champ de la Fédération". Late 18th century. Etching engraved by an anonymous artist. Laid paper. Small copper margins. 12 x 16.8 cm. Condition B (formerly pasted from above on colored paper, slight trace of wetness).

133 - REVOLUTION - "Procession in memory of the Mayor of ETAMPES. On Sunday, June 3, 1792, the procession departed from the end of the Boulevards at the Place de la Bastille, to the Champ de la Fédération". Late 18th century. Etching engraved by an anonymous artist. Laid paper. Small copper margins. 12 x 16.8 cm. Condition B (formerly pasted from above on colored paper, slight trace of wetness).

Estimate
50 € - 80 €
CANON DE LA REVOLUTION - "Porte de Stanislas à NANCY. The wife of HUMBERG, janitor of the Porte de Stanislas in Nancy, wishing to prevent the firing of a cannon, which was at the said gate, took a bucket of water and spilled it on the light, despite the opposition of the cannoneers". Late 18th century. Etching engraved by an anonymous artist. laid paper. Bureau des Révolutions de Paris, rue des Marais F. St G. n°20. Small copper margins. 18.5 x 10.3 cm. Condition B/C (a few stains).

134 - CANON DE LA REVOLUTION - "Porte de Stanislas à NANCY. The wife of HUMBERG, janitor of the Porte de Stanislas in Nancy, wishing to prevent the firing of a cannon, which was at the said gate, took a bucket of water and spilled it on the light, despite the opposition of the cannoneers". Late 18th century. Etching engraved by an anonymous artist. laid paper. Bureau des Révolutions de Paris, rue des Marais F. St G. n°20. Small copper margins. 18.5 x 10.3 cm. Condition B/C (a few stains).

Estimate
50 € - 80 €
"BASTRINGUE". Late 18th century. Etching. Proof on laid paper, bearing the collection mark of HENRI LEDOUX (20th century) in Paris (Lugt 4052). 16.5 x 21.2 cm. Condition B (margins cut, two traces of vertical folds, rare small stains, remnants of sticker on verso).

135 - "BASTRINGUE". Late 18th century. Etching. Proof on laid paper, bearing the collection mark of HENRI LEDOUX (20th century) in Paris (Lugt 4052). 16.5 x 21.2 cm. Condition B (margins cut, two traces of vertical folds, rare small stains, remnants of sticker on verso).

Estimate
100 € - 200 €
CARICATURE by MARIN ALLEMAND - [Made de Germanie]. Etching. Proof on wove paper. Good margins. 32.5 x 20.5 cm. Condition A (good condition).

136 - CARICATURE by MARIN ALLEMAND - [Made de Germanie]. Etching. Proof on wove paper. Good margins. 32.5 x 20.5 cm. Condition A (good condition).

Estimate
100 € - 200 €
PLACARD - "ESSAI de GEOMETRIE et de TRIGONOMETRIE, dedicated to Monsieur le Général de Division Charles FREGEVILLE, commandant de la Légion d'honneur, et de la 9è Division militaire". 1813. Typographed text and engraved border. A MONTPELLIER, de l'Imprimerie de BONNARIQ, Félix-Avignon et Migueyron, Rue Arc-d'Arène, n°56. AN XIII". 58.5 x 42.5 cm. Condition B (a few stains and scuffs, tears formerly restored, lined on japon).

137 - PLACARD - "ESSAI de GEOMETRIE et de TRIGONOMETRIE, dedicated to Monsieur le Général de Division Charles FREGEVILLE, commandant de la Légion d'honneur, et de la 9è Division militaire". 1813. Typographed text and engraved border. A MONTPELLIER, de l'Imprimerie de BONNARIQ, Félix-Avignon et Migueyron, Rue Arc-d'Arène, n°56. AN XIII". 58.5 x 42.5 cm. Condition B (a few stains and scuffs, tears formerly restored, lined on japon).

Estimate
70 € - 100 €
ECOLE POLYTECHNIQUE - France 1865. 19th century. DRANER. Original lithograph by DRANER (1833 - 1926), in antique colors. Signed in the plate. Proof on wove paper, printed by Lemercier. Published by Dusacq & Cie, Paris. Margins. 44.5 x 31.5 cm. Condition B/C (foxing, a few tears in the slightly dusty margins).

138 - ECOLE POLYTECHNIQUE - France 1865. 19th century. DRANER. Original lithograph by DRANER (1833 - 1926), in antique colors. Signed in the plate. Proof on wove paper, printed by Lemercier. Published by Dusacq & Cie, Paris. Margins. 44.5 x 31.5 cm. Condition B/C (foxing, a few tears in the slightly dusty margins).

Estimate
100 € - 200 €
SORCELLERIE - "Departure for SABAT". Etching and burin engraving by Jacques ALIAMET (1726-1788), after the painting by David TENIERS. Proof with the letter, on laid paper. Published in Paris by Aliamet graveur, rue des Mathurins la 4è porte cochère à gauche en entrant par le rue de la Harpe. Margins. 42.5 x 31.5 cm. Condition B/C (a few stains and freckles, a consolidated tear in the upper margin, proof soiled).

139 - SORCELLERIE - "Departure for SABAT". Etching and burin engraving by Jacques ALIAMET (1726-1788), after the painting by David TENIERS. Proof with the letter, on laid paper. Published in Paris by Aliamet graveur, rue des Mathurins la 4è porte cochère à gauche en entrant par le rue de la Harpe. Margins. 42.5 x 31.5 cm. Condition B/C (a few stains and freckles, a consolidated tear in the upper margin, proof soiled).

Estimate
80 € - 100 €
ALLEGORY OF LIFE - "ATROPOS third Parque". c.1790. Etching and burin after Robert BONNART (). Proof with the letter, on laid paper, published by Nicolas BONNART (c.1646 † 1718). Margins. 33 x 22.5 cm. Condition B (light foxing to margins and verso, and slight traces of insolation).

140 - ALLEGORY OF LIFE - "ATROPOS third Parque". c.1790. Etching and burin after Robert BONNART (). Proof with the letter, on laid paper, published by Nicolas BONNART (c.1646 † 1718). Margins. 33 x 22.5 cm. Condition B (light foxing to margins and verso, and slight traces of insolation).

Estimate
200 € - 300 €
AEROSTATION 18ème - "AEROSTATIC FISH taken from PLAZENTIA City of Spain located in the middle of the Mountains, and directed by Dom Joseph Patinho to the city of Coria at the edge of the River of Arragon, distant of 12 leagues from Plazentia on March 10, 1784". 18th century. Etching in old colors. Proof on bluish laid paper, with the address "A Paris, chez J. Chereau rue St Jacques au-dessus de la Fontaine St Séverin aux 2 colonnes n°257". Margins. 34 x 52.5 cm. Condition A (rare small stains

141 - AEROSTATION 18ème - "AEROSTATIC FISH taken from PLAZENTIA City of Spain located in the middle of the Mountains, and directed by Dom Joseph Patinho to the city of Coria at the edge of the River of Arragon, distant of 12 leagues from Plazentia on March 10, 1784". 18th century. Etching in old colors. Proof on bluish laid paper, with the address "A Paris, chez J. Chereau rue St Jacques au-dessus de la Fontaine St Séverin aux 2 colonnes n°257". Margins. 34 x 52.5 cm. Condition A (rare small stains

Result
390 €
AUTOMOBILE - SINGILS (XX ème) - "Dangerous turn". Original lithograph, printed in colors. Signed in the plate. Proof on wove paper, numbered 6/50 in pencil. Margins. 43 x 56 cm. Condition A/B (slight trace of insolation, otherwise good condition).

142 - AUTOMOBILE - SINGILS (XX ème) - "Dangerous turn". Original lithograph, printed in colors. Signed in the plate. Proof on wove paper, numbered 6/50 in pencil. Margins. 43 x 56 cm. Condition A/B (slight trace of insolation, otherwise good condition).

Estimate
200 € - 300 €
FASHION - "DENTELLE POINT DE BAYEUX - Manufacture VICKERS MONARD, Paris, rue des Jeuneurs 42 - London: 149 Cheapside". 19th century. Lithograph. Proof on wove paper, printed by Lemercier & Cie, Paris. 27.5 x 36 cm. Condition A (lightly dusted, good condition).

143 - FASHION - "DENTELLE POINT DE BAYEUX - Manufacture VICKERS MONARD, Paris, rue des Jeuneurs 42 - London: 149 Cheapside". 19th century. Lithograph. Proof on wove paper, printed by Lemercier & Cie, Paris. 27.5 x 36 cm. Condition A (lightly dusted, good condition).

Result
230 €
FASHION - FASHION DRAWING. Late 19th century. Ink and watercolor drawing on heavy paper, unsigned. 38.8 x 25.8 cm. Condition B (approx. 5 cm tear consolidated on the right in the subject, formerly pasted in full on strong paper, traces of handling).

144 - FASHION - FASHION DRAWING. Late 19th century. Ink and watercolor drawing on heavy paper, unsigned. 38.8 x 25.8 cm. Condition B (approx. 5 cm tear consolidated on the right in the subject, formerly pasted in full on strong paper, traces of handling).

Estimate
80 € - 100 €
ARTIST'S WORKSHOP - Léon Auguste POITREAU (b. 1876, student of Gérôme). [Engraver at work]. 1898. Lithograph. Signed and dated in the plate. Proof on papier chine appliqué, printed by Gérardin & Cie in Versailles. Margins. 42 x 30.5 cm. Condition B/C (foxing).

145 - ARTIST'S WORKSHOP - Léon Auguste POITREAU (b. 1876, student of Gérôme). [Engraver at work]. 1898. Lithograph. Signed and dated in the plate. Proof on papier chine appliqué, printed by Gérardin & Cie in Versailles. Margins. 42 x 30.5 cm. Condition B/C (foxing).

Result
190 €
ECRAN - "Dame de qualité en surtout d'hyver". Burin engraving. Colored proof on laid paper, with the address "A Paris chez F. Gérard Jollain rue St Jacques à l'Enfant Jesus proche la rüe de la parcheminerie, avec privilège". Small copperplate margins. 31.8 x 20 cm. Condition C (filled in and redrawn at top left and bottom right, stains on the right edge of the subject, a tear in the lower margin, reembossed on the right).

146 - ECRAN - "Dame de qualité en surtout d'hyver". Burin engraving. Colored proof on laid paper, with the address "A Paris chez F. Gérard Jollain rue St Jacques à l'Enfant Jesus proche la rüe de la parcheminerie, avec privilège". Small copperplate margins. 31.8 x 20 cm. Condition C (filled in and redrawn at top left and bottom right, stains on the right edge of the subject, a tear in the lower margin, reembossed on the right).

Result
80 €
OPERA SCENERY - "L'OPERA sous la République". 1845. Etching and burin after a painting by MEUNIER. Proof on wove paper. Copper margins. 19 x 24.5 cm. Condition B (cut inside the copperplate mark and darkened).

147 - OPERA SCENERY - "L'OPERA sous la République". 1845. Etching and burin after a painting by MEUNIER. Proof on wove paper. Copper margins. 19 x 24.5 cm. Condition B (cut inside the copperplate mark and darkened).

Result
115 €
BILLARD - "Vue de la salle de Billard au Château de MARLY". c.1860. Etching and burin by Auguste-Alexandre GUILLAUMOT (1815 - 1892). Avant toute lettre proof, on Chine appliqué paper. Small margins. "Academically trained, Guillaumot took part in numerous editions of architectural works, as well as the Salon des artistes français. He was a close friend of Eugène Viollet-le-Duc, whose son owned a property in Louveciennes. This led the artist to take an interest in Marly and its royal past, whi

148 - BILLARD - "Vue de la salle de Billard au Château de MARLY". c.1860. Etching and burin by Auguste-Alexandre GUILLAUMOT (1815 - 1892). Avant toute lettre proof, on Chine appliqué paper. Small margins. "Academically trained, Guillaumot took part in numerous editions of architectural works, as well as the Salon des artistes français. He was a close friend of Eugène Viollet-le-Duc, whose son owned a property in Louveciennes. This led the artist to take an interest in Marly and its royal past, whi

Estimate
250 € - 300 €
JEU DE LA GRENOUILLE - Preserved in its original illustrated sleeve. Created by the former imageries of PONT-A-MOUSSON. Set includes game board, 2 rule booklets and illustrated pouch with three playing frogs. 13.5 x 25.5 cm, folded, for the cover (slightly damaged). 25 x 25 cm for the board.

149 - JEU DE LA GRENOUILLE - Preserved in its original illustrated sleeve. Created by the former imageries of PONT-A-MOUSSON. Set includes game board, 2 rule booklets and illustrated pouch with three playing frogs. 13.5 x 25.5 cm, folded, for the cover (slightly damaged). 25 x 25 cm for the board.

Result
125 €
PIPE - TABAC - "Uncle Toby and the widow". 1877. Engraved by L. STOCKS, after the painting by C.R. Leslie. Proof in color and with the letter, on wove paper. Published by John W. Foke, London. Margins. 45 x 34.5 cm. Condition A (margins slightly dusted, otherwise good condition).

150 - PIPE - TABAC - "Uncle Toby and the widow". 1877. Engraved by L. STOCKS, after the painting by C.R. Leslie. Proof in color and with the letter, on wove paper. Published by John W. Foke, London. Margins. 45 x 34.5 cm. Condition A (margins slightly dusted, otherwise good condition).

Estimate
80 € - 100 €
Carle VERNET (1758 - 1836) (after) - "The horse dealer". c.1800. Aquatint engraved by Coqueret. Proof with the letter, on laid paper. A Paris, chez Rolland. 49 x 57.5 cm. Condition B (stains in the margins).

151 - Carle VERNET (1758 - 1836) (after) - "The horse dealer". c.1800. Aquatint engraved by Coqueret. Proof with the letter, on laid paper. A Paris, chez Rolland. 49 x 57.5 cm. Condition B (stains in the margins).

Estimate
150 € - 200 €
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