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Russian art

Russian art

Wednesday, 29 April 2026 at 14:00

Salle 14 - Hôtel Drouot, 9, rue Drouot, 75009 Paris

360° virtual tour

Lots 51 to 100 of 346

Page 2 / 7

Officers of the Regiment de Grenadiers des Gardes de Corps, the Regiment des Ulans des Gardes du Corps de Sa Majesté l'Impératrice and the Regiment des Ulans des Gardes du Corps de Sa Majesté l'Empereur. Paris, 1928.
Photograph, 18 x 23.5 cm.
The names of the officers appear on the reverse.
The photograph was taken in front of a Russian church on May 14/27, 1928, in Paris, on the occasion of the 125th anniversary of the creation of the Odessa Hussar Regiment, the ancestor of three regiments.

52 - Officers of the Regiment de Grenadiers des Gardes de Corps, the Regiment des Ulans des Gardes du Corps de Sa Majesté l'Impératrice and the Regiment des Ulans des Gardes du Corps de Sa Majesté l'Empereur. Paris, 1928. Photograph, 18 x 23.5 cm. The names of the officers appear on the reverse. The photograph was taken in front of a Russian church on May 14/27, 1928, in Paris, on the occasion of the 125th anniversary of the creation of the Odessa Hussar Regiment, the ancestor of three regiments.

200 € - 300 €

Auguste Ricard de Montferrand (1786-1858), after his own drawing. View of part of the Place d'Isaac and the new church. 1818-1820.
Engraving, 43 x 57.5 cm.
Огюст Рикар де Монферран (1786-1858), по собственному рисунку.
Вид Исаакиевской площади с Новой церковью". 1818-1820.
Гравюра 43 х 57,5 см.

53 - Auguste Ricard de Montferrand (1786-1858), after his own drawing. View of part of the Place d'Isaac and the new church. 1818-1820. Engraving, 43 x 57.5 cm. Огюст Рикар де Монферран (1786-1858), по собственному рисунку. Вид Исаакиевской площади с Новой церковью". 1818-1820. Гравюра 43 х 57,5 см.

200 € - 400 €

Auguste Ricard de Montferrand (1786-1858), after his own drawings. Vue en perspective de l'Église Saint-Isaac and Vue intérieure de l'Église Saint-Isaac. 1818-1820.
Two engravings enhanced with watercolor. 21 x 21 cm each.
For the edition of "Eglise de St Isaac restauré et augmentée d'après les ordres de l' Empereur et Roi" published by Montferrand in St. Petersburg in 1820.
Огюст Рикар де Монферран (1786-1858), по собственным рисункам. Вид пе

54 - Auguste Ricard de Montferrand (1786-1858), after his own drawings. Vue en perspective de l'Église Saint-Isaac and Vue intérieure de l'Église Saint-Isaac. 1818-1820. Two engravings enhanced with watercolor. 21 x 21 cm each. For the edition of "Eglise de St Isaac restauré et augmentée d'après les ordres de l' Empereur et Roi" published by Montferrand in St. Petersburg in 1820. Огюст Рикар де Монферран (1786-1858), по собственным рисункам. Вид пе

200 € - 300 €

Auguste Ricard de Montferrand (1786-1858). Project for St. Isaac's Cathedral, St. Petersburg N°1. Circa 1818._x000B_
Ink and wash on fine waxed laid paper (30 x 18 cm); pasted on a thick paper mount (39.5 x 26.5 cm)._x000B_
Center left: signature "Auguste de Monferrand" and stamp "L'architecte de SMI Travaux de l'Eglise d'Isaac".
Огюст Рикар де Монферран (1786-1858). Проект Исаакиевского собора в Санкт-Петербурге N°1. Ок. 1818.
�

55 - Auguste Ricard de Montferrand (1786-1858). Project for St. Isaac's Cathedral, St. Petersburg N°1. Circa 1818._x000B_ Ink and wash on fine waxed laid paper (30 x 18 cm); pasted on a thick paper mount (39.5 x 26.5 cm)._x000B_ Center left: signature "Auguste de Monferrand" and stamp "L'architecte de SMI Travaux de l'Eglise d'Isaac". Огюст Рикар де Монферран (1786-1858). Проект Исаакиевского собора в Санкт-Петербурге N°1. Ок. 1818. �

2 500 € - 3 000 €

Auguste Ricard de Montferrand (1786-1858). St. Isaac's Cathedral, St. Petersburg N°2. Circa 1818.
Ink and wash on fine waxed laid paper (25 x 16 cm); pasted on a thick paper mount (33 x 24 cm).
Center left: signature "Auguste de Monferrand", stamp "L'architecte de SMI Travaux de l'Eglise d'Isaac".
Handwritten annotations on the history of the baptismal font.
Огюст Рикар де Монферран (1786-1858). Проект Исаакиевского собора в Санкт-Петер�

56 - Auguste Ricard de Montferrand (1786-1858). St. Isaac's Cathedral, St. Petersburg N°2. Circa 1818. Ink and wash on fine waxed laid paper (25 x 16 cm); pasted on a thick paper mount (33 x 24 cm). Center left: signature "Auguste de Monferrand", stamp "L'architecte de SMI Travaux de l'Eglise d'Isaac". Handwritten annotations on the history of the baptismal font. Огюст Рикар де Монферран (1786-1858). Проект Исаакиевского собора в Санкт-Петер�

2 500 € - 3 000 €

Auguste Ricard de Montferrand (1786-1858). Project for St. Isaac's Cathedral, St. Petersburg N°3. Circa 1818.
Ink and wash on fine waxed laid paper (30.5 x 17.5 cm); pasted on a thick paper mount (39 x 26.5 cm).
Center left: signature "Auguste de Monferrand" and stamp "L'architecte de SMI Travaux de l'Eglise d'Isaac".
Center right, handwritten annotations.
Огюст Рикар де Монферран (1786-1858). Проект Исаакиевского собора в Санкт-Петербу

57 - Auguste Ricard de Montferrand (1786-1858). Project for St. Isaac's Cathedral, St. Petersburg N°3. Circa 1818. Ink and wash on fine waxed laid paper (30.5 x 17.5 cm); pasted on a thick paper mount (39 x 26.5 cm). Center left: signature "Auguste de Monferrand" and stamp "L'architecte de SMI Travaux de l'Eglise d'Isaac". Center right, handwritten annotations. Огюст Рикар де Монферран (1786-1858). Проект Исаакиевского собора в Санкт-Петербу

2 500 € - 3 000 €

Auguste Ricard de Montferrand (1786-1858). St. Isaac's Cathedral, St. Petersburg N°4. Circa 1818.
Ink and wash on fine waxed laid paper (30 x 18 cm); pasted on a thick paper mount (39.5 x 26.5 cm).
Center left: signature "Auguste de Monferrand" and stamp "L'architecte de SMI Travaux de l'Eglise d'Isaac".
Огюст Рикар де Монферран (1786-1858). Проект Исаакиевского собора в Санкт-Петербурге N°4. Ок. 1818.
Тонкая бумага �

58 - Auguste Ricard de Montferrand (1786-1858). St. Isaac's Cathedral, St. Petersburg N°4. Circa 1818. Ink and wash on fine waxed laid paper (30 x 18 cm); pasted on a thick paper mount (39.5 x 26.5 cm). Center left: signature "Auguste de Monferrand" and stamp "L'architecte de SMI Travaux de l'Eglise d'Isaac". Огюст Рикар де Монферран (1786-1858). Проект Исаакиевского собора в Санкт-Петербурге N°4. Ок. 1818. Тонкая бумага �

2 500 € - 3 000 €

Auguste Ricard de Montferrand (1786-1858). Project for St. Isaac's Cathedral, St. Petersburg N°5. Circa 1818.
Ink and wash on fine waxed laid paper (30.5 x 17.5 cm); pasted on a thick paper mount (39.5 x 26.5 cm).
Center left: signature "Auguste de Monferrand" and stamp "L'architecte de SMI Travaux de l'Eglise d'Isaac".
Огюст Рикар де Монферран (1786-1858). Проект Исаакиевского собора в Санкт-Петербурге N°5. Ок. 1818.
Тонка�

59 - Auguste Ricard de Montferrand (1786-1858). Project for St. Isaac's Cathedral, St. Petersburg N°5. Circa 1818. Ink and wash on fine waxed laid paper (30.5 x 17.5 cm); pasted on a thick paper mount (39.5 x 26.5 cm). Center left: signature "Auguste de Monferrand" and stamp "L'architecte de SMI Travaux de l'Eglise d'Isaac". Огюст Рикар де Монферран (1786-1858). Проект Исаакиевского собора в Санкт-Петербурге N°5. Ок. 1818. Тонка�

2 500 € - 3 000 €

Auguste Ricard de Montferrand (1786-1858). Elevation of the facade of Saint Isaac's Cathedral. 1818-1820.
Ink and wash on fine waxed laid paper (53 x 50 cm); pasted on a thick paper mount (55 x 52.5 cm).
Top left: signature "Auguste de Monferrand" and stamp "L'architecte de SMI Travaux de l'Eglise d'Isaac".
Огюст Рикар де Монферран (1786-1858). Фасад Исакиевского собора. 1818-1820.
Тонкая бумага верже (восковка) (53 х 50 см)

60 - Auguste Ricard de Montferrand (1786-1858). Elevation of the facade of Saint Isaac's Cathedral. 1818-1820. Ink and wash on fine waxed laid paper (53 x 50 cm); pasted on a thick paper mount (55 x 52.5 cm). Top left: signature "Auguste de Monferrand" and stamp "L'architecte de SMI Travaux de l'Eglise d'Isaac". Огюст Рикар де Монферран (1786-1858). Фасад Исакиевского собора. 1818-1820. Тонкая бумага верже (восковка) (53 х 50 см)

2 500 € - 3 000 €

Auguste Ricard de Montferrand (1786-1858). Plan of existing building under construction. 1818-1820.
Ink and wash on fine waxed laid paper (55.5 x 57 cm); pasted on a thick paper mount (60.5 x 63.5 cm).
Lower left: signature "Auguste de Monferrand" and stamp "L'architecte de SMI Travaux de l'Eglise d'Isaac"; long annotation lower right: "The new foundations are finished 30 feet deep from the ground, built on stilts whose vuide is equal to the full. All main points and corners are built of granite

61 - Auguste Ricard de Montferrand (1786-1858). Plan of existing building under construction. 1818-1820. Ink and wash on fine waxed laid paper (55.5 x 57 cm); pasted on a thick paper mount (60.5 x 63.5 cm). Lower left: signature "Auguste de Monferrand" and stamp "L'architecte de SMI Travaux de l'Eglise d'Isaac"; long annotation lower right: "The new foundations are finished 30 feet deep from the ground, built on stilts whose vuide is equal to the full. All main points and corners are built of granite

2 500 € - 3 000 €

Auguste Ricard de Montferrand (1786-1858). Section along the CD line. 1818-1820.
Ink and wash on fine waxed laid paper (50.5 x 64 cm); pasted on a thick paper mount (53.5 x 68 cm).
Center left: signature "Auguste de Monferrand" and stamp "L'architecte de SMI Travaux de l'Eglise d'Isaac".
Огюст Рикар де Монферран (1786-1858). Разрез по линии CD. 1818-1820.
Тонкая бумага верже (восковка) (50,5 х 64 см), наклееннная на пл�

62 - Auguste Ricard de Montferrand (1786-1858). Section along the CD line. 1818-1820. Ink and wash on fine waxed laid paper (50.5 x 64 cm); pasted on a thick paper mount (53.5 x 68 cm). Center left: signature "Auguste de Monferrand" and stamp "L'architecte de SMI Travaux de l'Eglise d'Isaac". Огюст Рикар де Монферран (1786-1858). Разрез по линии CD. 1818-1820. Тонкая бумага верже (восковка) (50,5 х 64 см), наклееннная на пл�

2 500 € - 3 000 €

Auguste Ricard de Montferrand (1786-1858). Section along line AB. 1818-1820.
Ink and wash on fine waxed laid paper (50 x 63.5 cm); pasted on a thick paper mount (53.5 x 67.5 cm).
Center left: signature "Auguste de Monferrand" and stamp "L'architecte de SMI Travaux de l'Eglise d'Isaac".
Handwritten annotations center right: "The five domes are requested by [...]. The four smaller domes will house the bells. The interior marble is white, all the pilasters and columns are red and white, the capital

63 - Auguste Ricard de Montferrand (1786-1858). Section along line AB. 1818-1820. Ink and wash on fine waxed laid paper (50 x 63.5 cm); pasted on a thick paper mount (53.5 x 67.5 cm). Center left: signature "Auguste de Monferrand" and stamp "L'architecte de SMI Travaux de l'Eglise d'Isaac". Handwritten annotations center right: "The five domes are requested by [...]. The four smaller domes will house the bells. The interior marble is white, all the pilasters and columns are red and white, the capital

2 500 € - 3 000 €

Auguste Ricard de Montferrand (1786-1858). Section of foundations along line AB. 1818-1820.
Ink and wash on fine waxed laid paper (60 x 50 cm); pasted on a thick paper mount (62 x 53 cm).
Lower left: signature "Auguste de Monferrand" and stamp "L'architecte de SMI Travaux de l'Eglise d'Isaac".
Handwritten annotations lower right.
Огюст Рикар де Монферран (1786-1858). Разрез фундамента по линии AB. 1818-1820.
Тонкая бумага верже (вос

64 - Auguste Ricard de Montferrand (1786-1858). Section of foundations along line AB. 1818-1820. Ink and wash on fine waxed laid paper (60 x 50 cm); pasted on a thick paper mount (62 x 53 cm). Lower left: signature "Auguste de Monferrand" and stamp "L'architecte de SMI Travaux de l'Eglise d'Isaac". Handwritten annotations lower right. Огюст Рикар де Монферран (1786-1858). Разрез фундамента по линии AB. 1818-1820. Тонкая бумага верже (вос

2 500 € - 3 000 €

Auguste Ricard de Montferrand (1786-1858). Elevation of the façade of Saint-Isaac Cathedral with portico. 1818-1820.
Ink and wash on fine waxed laid paper (54 x 51 cm); pasted on a thick paper mount (58 x 54.5 cm), .
Top left: signature "Auguste de Monferrand" and stamp "L'architecte de SMI Travaux de l'Eglise d'Isaac".
Annotations top right.
Огюст Рикар де Монферран (1786-1858). Фасад Исакиевского собора с портиком. 1818-1820.
Тонкая �

65 - Auguste Ricard de Montferrand (1786-1858). Elevation of the façade of Saint-Isaac Cathedral with portico. 1818-1820. Ink and wash on fine waxed laid paper (54 x 51 cm); pasted on a thick paper mount (58 x 54.5 cm), . Top left: signature "Auguste de Monferrand" and stamp "L'architecte de SMI Travaux de l'Eglise d'Isaac". Annotations top right. Огюст Рикар де Монферран (1786-1858). Фасад Исакиевского собора с портиком. 1818-1820. Тонкая �

2 500 € - 3 000 €

Jacques-Philippe Le Bas, after Jean-Baptiste Leprince. View of St. Petersburg [on the Neva quay, in front of the palace of the Marquis de l'Hospital, ambassador of the King of France to the Empress of Russia]. Paris, 1778.
Burin engraving. 54 x 74 cm. Under glass, in a frame.
Dedicated to Empress Catherine II, Sovereign of all the Russias.
Жак-Филипп Ле Ба, по картине Жана Батиста Лепренса, писанной с натуры. Вид Санкт-Петерб�

66 - Jacques-Philippe Le Bas, after Jean-Baptiste Leprince. View of St. Petersburg [on the Neva quay, in front of the palace of the Marquis de l'Hospital, ambassador of the King of France to the Empress of Russia]. Paris, 1778. Burin engraving. 54 x 74 cm. Under glass, in a frame. Dedicated to Empress Catherine II, Sovereign of all the Russias. Жак-Филипп Ле Ба, по картине Жана Батиста Лепренса, писанной с натуры. Вид Санкт-Петерб�

600 € - 800 €

André Durand, based on drawings by André Durand and Auguste Raffet. Two lithographs with views of Saint Petersburg. Paris, Gihaut frères, printed by Auguste Bry. 1844-1848.
- Palace of Paul I. Garden side. July 16, 1839.
- Cathedral of N.D. de Kasan and the statue of Koutouzoff. October 25, 1839.
Андре Дюран, по собственным рисункам с участием Огюста Раффе. Две литографии с видами Санкт-Петербурга. Пари�

67 - André Durand, based on drawings by André Durand and Auguste Raffet. Two lithographs with views of Saint Petersburg. Paris, Gihaut frères, printed by Auguste Bry. 1844-1848. - Palace of Paul I. Garden side. July 16, 1839. - Cathedral of N.D. de Kasan and the statue of Koutouzoff. October 25, 1839. Андре Дюран, по собственным рисункам с участием Огюста Раффе. Две литографии с видами Санкт-Петербурга. Пари�

100 € - 200 €

Two color photographs, views of St. Petersburg. Circa 1900:
- Academy of Fine Arts
- Paving the Anitchkov Bridge.
16 x 22 cm each, mounted on cardboard 25.5 x 35.5 cm.
Framed in modern frames.
Две хромофотографии с видами Санкт-Петербурга. Ок. 1900.
- Академия Художеств.
- Кладка мостовой на Аничковом мосту.
16 х 22 см каждая; наклеены на картон 25,5 35,5 см. В современн�

68 - Two color photographs, views of St. Petersburg. Circa 1900: - Academy of Fine Arts - Paving the Anitchkov Bridge. 16 x 22 cm each, mounted on cardboard 25.5 x 35.5 cm. Framed in modern frames. Две хромофотографии с видами Санкт-Петербурга. Ок. 1900. - Академия Художеств. - Кладка мостовой на Аничковом мосту. 16 х 22 см каждая; наклеены на картон 25,5 35,5 см. В современн�

200 € - 400 €

Easter egg, effigy of Saint Peter. Saint Petersburg, Imperial Porcelain Manufactory. Circa 1860.
White, painted and gilded porcelain. 9 × 6 cm.
On the main side, Saint Peter is shown holding the keys in his right hand and a scroll of parchment in his left.
The other side is entirely gilded, decorated with a star in a large radiance.
The two sides are separated by a white fillet in reserve.
Пасхальное яйцо c изображением Святого Апостола Петра. Са�

69 - Easter egg, effigy of Saint Peter. Saint Petersburg, Imperial Porcelain Manufactory. Circa 1860. White, painted and gilded porcelain. 9 × 6 cm. On the main side, Saint Peter is shown holding the keys in his right hand and a scroll of parchment in his left. The other side is entirely gilded, decorated with a star in a large radiance. The two sides are separated by a white fillet in reserve. Пасхальное яйцо c изображением Святого Апостола Петра. Са�

800 € - 1 200 €

Easter egg. Saint Petersburg, Imperial Porcelain Manufactory. Circa 1850.
Porcelain, painted and gilded. Height: 9.5 cm.
Пасхальное яйцо. Санкт-Петербург, Императорский фарфоровый завод. Ок. 1850.
Фарфор, роспись, позолота. 9.5 см.

70 - Easter egg. Saint Petersburg, Imperial Porcelain Manufactory. Circa 1850. Porcelain, painted and gilded. Height: 9.5 cm. Пасхальное яйцо. Санкт-Петербург, Императорский фарфоровый завод. Ок. 1850. Фарфор, роспись, позолота. 9.5 см.

1 000 € - 2 000 €

Goblet (stopka). Moscow, 1830.
Silver niello, vermeil interior. 5.5 × 5 cm. Weight : 56 g.
Hallmarks: ◊ silver 84 ◊ city ◊ year, master assayer Н-Д (Nikolai Doubrovine) ◊ master ДШ.
Стопка. Москва, 1830.
Серебро, чернь. 5.5 х 5 см. Клейма: серебра 84, города, года, пробирного мастера Н-Д (Николай Дубровин), мастера ДШ.

71 - Goblet (stopka). Moscow, 1830. Silver niello, vermeil interior. 5.5 × 5 cm. Weight : 56 g. Hallmarks: ◊ silver 84 ◊ city ◊ year, master assayer Н-Д (Nikolai Doubrovine) ◊ master ДШ. Стопка. Москва, 1830. Серебро, чернь. 5.5 х 5 см. Клейма: серебра 84, города, года, пробирного мастера Н-Д (Николай Дубровин), мастера ДШ.

400 € - 500 €

Goblet (stopka). Saint Petersburg, Alexander Loubavine Manufactory, 1899-1908.
Silver, enamel. 5 × 4.2 cm. Weight : 66 g.
Hallmarks: ◊ silver 88 ◊ kokoshnik turned left ◊ master assayer Y. L. (Yakov Lyapunov) ◊ mark of the Loubavine factory.
Стопка. Санкт-Петербург,фабрика Александра Любавина. 1899-1908.
Серебро, эмаль. 5 х 4,2 см. Клейма: серебра 88, голова девушки в кокошнике влево, п

72 - Goblet (stopka). Saint Petersburg, Alexander Loubavine Manufactory, 1899-1908. Silver, enamel. 5 × 4.2 cm. Weight : 66 g. Hallmarks: ◊ silver 88 ◊ kokoshnik turned left ◊ master assayer Y. L. (Yakov Lyapunov) ◊ mark of the Loubavine factory. Стопка. Санкт-Петербург,фабрика Александра Любавина. 1899-1908. Серебро, эмаль. 5 х 4,2 см. Клейма: серебра 88, голова девушки в кокошнике влево, п

550 € - 700 €

Jug. Saint Petersburg, late 19th century.
Crystal, silver 22 × 12 × 10 cm. Weight: 1275 g.
Hallmarks: ◊ silver 84 ◊ city ◊ master C.A.
Crack.
Кувшин. Санкт-Петербург. Кон. XIX в.
Хрусталь, серебро. 22 х 12 х 10 см.
Клейма: серебра 84, города, мастера С.А.
Трещина.

73 - Jug. Saint Petersburg, late 19th century. Crystal, silver 22 × 12 × 10 cm. Weight: 1275 g. Hallmarks: ◊ silver 84 ◊ city ◊ master C.A. Crack. Кувшин. Санкт-Петербург. Кон. XIX в. Хрусталь, серебро. 22 х 12 х 10 см. Клейма: серебра 84, города, мастера С.А. Трещина.

500 € - 700 €

Gardner. Cup & saucer, blue and gilded decoration. Moscow (Verbilki), Gardner porcelain factory, circa 1820.
Painted & gilded porcelain.
Cup 9.5 x 8 cm, saucer 2 x 13 cm.
Blue factory mark and GARDNER paste.

74 - Gardner. Cup & saucer, blue and gilded decoration. Moscow (Verbilki), Gardner porcelain factory, circa 1820. Painted & gilded porcelain. Cup 9.5 x 8 cm, saucer 2 x 13 cm. Blue factory mark and GARDNER paste.

400 € - 500 €

Gardner. Cup & saucer, polychrome and gilded decoration. Moscow (Verbilki), Gardner porcelain factory, circa 1820.
Painted & gilded porcelain.
Cup 6 x 10 x 8.5 cm, saucer 2.5 x 14.5 cm.
Blue factory mark.

75 - Gardner. Cup & saucer, polychrome and gilded decoration. Moscow (Verbilki), Gardner porcelain factory, circa 1820. Painted & gilded porcelain. Cup 6 x 10 x 8.5 cm, saucer 2.5 x 14.5 cm. Blue factory mark.

400 € - 500 €

Gardner. Cup & saucer, polychrome and gilded decoration. Moscow (Verbilki), Gardner porcelain factory, circa 1820.
Painted & gilded porcelain.
Cup 6 x 10 x 8.5 cm, saucer 2.5 x 14.5 cm.
Manufactory blue mark and GARDNER paste mark.

76 - Gardner. Cup & saucer, polychrome and gilded decoration. Moscow (Verbilki), Gardner porcelain factory, circa 1820. Painted & gilded porcelain. Cup 6 x 10 x 8.5 cm, saucer 2.5 x 14.5 cm. Manufactory blue mark and GARDNER paste mark.

400 € - 500 €

Teapot. Saint Petersburg, 1867 (?).
Silver. 15 x 20 x 10 cm. Weight 433 g.
Hallmarks: ◊ silver 84 ◊ year (illegible), ◊ city ◊ assayer A-M (Alexander Mor) ◊ master G.S. (Carl Gustav Simonson).
Чайник. Санкт-Петербург, 1867(?)
Серебро. 15 х 20 х 10 см. Клейма: серебра 84, года (неразб.), города, пробирного мастера А-М (Александр Мор), мастера G.S. (Карл Густав Симонсон).

77 - Teapot. Saint Petersburg, 1867 (?). Silver. 15 x 20 x 10 cm. Weight 433 g. Hallmarks: ◊ silver 84 ◊ year (illegible), ◊ city ◊ assayer A-M (Alexander Mor) ◊ master G.S. (Carl Gustav Simonson). Чайник. Санкт-Петербург, 1867(?) Серебро. 15 х 20 х 10 см. Клейма: серебра 84, года (неразб.), города, пробирного мастера А-М (Александр Мор), мастера G.S. (Карл Густав Симонсон).

300 € - 500 €

Tcharka. Russia, circa 1900.
Silver, gilding, enamel. 3 × 10 × 7 cm. Weight : 123 g.
On the reverse, on the blue enamel background: inscription "Work of the Pav. Ovchinnikov".
Чарка. Россия, ок. 1900.
Серебро, позолота, эмаль. 3 х 10 х 7 см. С внешней стороны дна по голубой эмали надпись: "Работа фаб: Пав. Овчинникова".

78 - Tcharka. Russia, circa 1900. Silver, gilding, enamel. 3 × 10 × 7 cm. Weight : 123 g. On the reverse, on the blue enamel background: inscription "Work of the Pav. Ovchinnikov". Чарка. Россия, ок. 1900. Серебро, позолота, эмаль. 3 х 10 х 7 см. С внешней стороны дна по голубой эмали надпись: "Работа фаб: Пав. Овчинникова".

2 000 € - 3 000 €

Ovchinnikov. Two small cream pots. Moscow, late 19th c.
Silver, 5.7 x 4 cm each.
Weight : 87 g.
Hallmarks: ◊ 84 ◊ П. Овчинниковъ ◊ Moscow ◊ two-headed eagle.
Два молочника. Москва, Павел Овчинников. Кон. XIX в.
Серебро. Клейма: серебра 84, Москвы, фирмы П. Овчинниковъ, двуглавого орла. 5.7 х 4 см.

79 - Ovchinnikov. Two small cream pots. Moscow, late 19th c. Silver, 5.7 x 4 cm each. Weight : 87 g. Hallmarks: ◊ 84 ◊ П. Овчинниковъ ◊ Moscow ◊ two-headed eagle. Два молочника. Москва, Павел Овчинников. Кон. XIX в. Серебро. Клейма: серебра 84, Москвы, фирмы П. Овчинниковъ, двуглавого орла. 5.7 х 4 см.

300 € - 400 €

Three salt shakers. Saint Petersburg, 1843.
Silver, gilt interior.
11.5 x 6 x 8.5 cm each.
◊ silver 84, city, year
◊ assayer Д-Т,
◊ master goldsmith -CMS- (Karl Magnus Stähle).
Weight: 239 g
Provenance: von Rauch family.
Три солонки. Санкт-Петербург, 1843.
Серебро, позолота. 11.5 х 6 х 8.5 см каждая.
Клейма: серебра 84, города, года, пробирного мастера Д-Т, мастера -CMS- (Карл Магн

80 - Three salt shakers. Saint Petersburg, 1843. Silver, gilt interior. 11.5 x 6 x 8.5 cm each. ◊ silver 84, city, year ◊ assayer Д-Т, ◊ master goldsmith -CMS- (Karl Magnus Stähle). Weight: 239 g Provenance: von Rauch family. Три солонки. Санкт-Петербург, 1843. Серебро, позолота. 11.5 х 6 х 8.5 см каждая. Клейма: серебра 84, города, года, пробирного мастера Д-Т, мастера -CMS- (Карл Магн

300 € - 400 €

Pie server. Saint Petersburg, 1843.
Silver. 34 cm.
◊ silver 84, city, year.
◊ assayer Д-Т
◊ master goldsmith ITB (Johann Theodor Buntzell).
◊ double-headed eagle.
Weight: 145 g.
Provenance: von Rauch family.
Лопатка сервировочная. Санкт-Петербург, 1843.w
Серебро. 34 см.
Клейма: серебра 84, города, года, пробирного мастера Д-Т, мастера ITB (Иоганн Теодор Бунцель), двугла�

81 - Pie server. Saint Petersburg, 1843. Silver. 34 cm. ◊ silver 84, city, year. ◊ assayer Д-Т ◊ master goldsmith ITB (Johann Theodor Buntzell). ◊ double-headed eagle. Weight: 145 g. Provenance: von Rauch family. Лопатка сервировочная. Санкт-Петербург, 1843.w Серебро. 34 см. Клейма: серебра 84, города, года, пробирного мастера Д-Т, мастера ITB (Иоганн Теодор Бунцель), двугла�

100 € - 200 €

Kovch. Russia, 1896-1908.
Glaze, enamels. 4 × 8 × 4 cm. Weight : 44 g.
Hallmarks: ◊ silver 84 ◊ kokochnik to left ◊ master MC (Maria Semionova?).
Ковш. 1896-1908.
Серебро, позолота, эмаль. 4 х 8 х 4 см.
Клейма: серебра 84, головка девушки в кокошнике влево, мастера МС.

82 - Kovch. Russia, 1896-1908. Glaze, enamels. 4 × 8 × 4 cm. Weight : 44 g. Hallmarks: ◊ silver 84 ◊ kokochnik to left ◊ master MC (Maria Semionova?). Ковш. 1896-1908. Серебро, позолота, эмаль. 4 х 8 х 4 см. Клейма: серебра 84, головка девушки в кокошнике влево, мастера МС.

800 € - 1 000 €

Plate with floral decoration. Saint Petersburg, Imperial Porcelain Manufactory. Circa 1840-1850.
Porcelain, painted and gilded decoration. Diameter: 24.5 cm. Manufactory mark "НI" under imperial crown.
Тарелка, украшенная росписью с изображением стеблей с астрами и стилизованными цветами в сиреневых тонах. Санкт-Петербург, Императорский фарфоровый завод. 1840-1850

83 - Plate with floral decoration. Saint Petersburg, Imperial Porcelain Manufactory. Circa 1840-1850. Porcelain, painted and gilded decoration. Diameter: 24.5 cm. Manufactory mark "НI" under imperial crown. Тарелка, украшенная росписью с изображением стеблей с астрами и стилизованными цветами в сиреневых тонах. Санкт-Петербург, Императорский фарфоровый завод. 1840-1850

300 € - 500 €

Plate from the Babigon service (addition to the 1834 service). Saint Petersburg, Imperial Porcelain Manufactory. Circa 1900.
Porcelain, painted and gilded decoration. Diameter: 24.5 cm.
Manufactory mark "Н II" under imperial crown.
Тарелка из Бабигонского сервиза (дополнение в сервизу 1834 г.)
Санкт-Петербург, Императорский фарфоровый завод. Ок. 1900.
Фарфор, роспись, позолота. 24.5 �

84 - Plate from the Babigon service (addition to the 1834 service). Saint Petersburg, Imperial Porcelain Manufactory. Circa 1900. Porcelain, painted and gilded decoration. Diameter: 24.5 cm. Manufactory mark "Н II" under imperial crown. Тарелка из Бабигонского сервиза (дополнение в сервизу 1834 г.) Санкт-Петербург, Императорский фарфоровый завод. Ок. 1900. Фарфор, роспись, позолота. 24.5 �

300 € - 500 €

Gothic service plate. Saint Petersburg. Imperial Porcelain Manufactory. 1830s.
Porcelain, painted and gilded decoration. Diameter: 24.5 cm. Manufactory mark "Н I" under imperial crown. Restored.
Тарелка из готического сервиза. Санкт-Петербург, Императорский фарфоровый завод. 1830-е гг.
Фарфор, роспись, позолота. 24.5 см.
Марка мануфактуры Н I под императорской кор

85 - Gothic service plate. Saint Petersburg. Imperial Porcelain Manufactory. 1830s. Porcelain, painted and gilded decoration. Diameter: 24.5 cm. Manufactory mark "Н I" under imperial crown. Restored. Тарелка из готического сервиза. Санкт-Петербург, Императорский фарфоровый завод. 1830-е гг. Фарфор, роспись, позолота. 24.5 см. Марка мануфактуры Н I под императорской кор

300 € - 500 €

Dessert plate with floral design. Saint Petersburg, Imperial Porcelain Manufactory. Circa 1840-1850.
Porcelain, painted and gilded decoration. Diameter: 22 cm.
Manufactory mark "Н I" under imperial crown.
Тарелка, десертная с цветочным орнаментом. Санкт-Петербург, Императорский фарфоровый завод. 1840-1850 гг.
Фарфор, роспись, позолота. 22 см.
Марка мануфактуры НI под им�

86 - Dessert plate with floral design. Saint Petersburg, Imperial Porcelain Manufactory. Circa 1840-1850. Porcelain, painted and gilded decoration. Diameter: 22 cm. Manufactory mark "Н I" under imperial crown. Тарелка, десертная с цветочным орнаментом. Санкт-Петербург, Императорский фарфоровый завод. 1840-1850 гг. Фарфор, роспись, позолота. 22 см. Марка мануфактуры НI под им�

300 € - 500 €

Plate from the "Pour le Service et la Bravoure" service. Saint Petersburg, Imperial Porcelain Manufactory. Circa 1840.
Porcelain, painted and gilded decoration. Diameter: 24.5 cm. Manufactory mark "НI" under imperial crown.
The plate features a gilded double-headed eagle holding in its talons a ribbon and the cross of the Order of St. George, as well as the ribbon and order of the Holy Prince Vladimir, accompanied by the motto: "Pour le Service et la Bravoure" ("For Service and Bravery").
The "

87 - Plate from the "Pour le Service et la Bravoure" service. Saint Petersburg, Imperial Porcelain Manufactory. Circa 1840. Porcelain, painted and gilded decoration. Diameter: 24.5 cm. Manufactory mark "НI" under imperial crown. The plate features a gilded double-headed eagle holding in its talons a ribbon and the cross of the Order of St. George, as well as the ribbon and order of the Holy Prince Vladimir, accompanied by the motto: "Pour le Service et la Bravoure" ("For Service and Bravery"). The "

300 € - 500 €

Beveled mirror in silver frame. Astrakhan, 1775.
55 × 43 cm. Gross weight: 3500 g.
Hallmarks: ◊ city ◊ year ◊ assayer Ф.Б ◊ master-orfèvre LCB
Зеркалос фасцетами в серебряной раме. Астрахань, 1775.
55 х 43 см. Клейма: города, года, пробирного мастера Ф.Б, мастера LCB.

88 - Beveled mirror in silver frame. Astrakhan, 1775. 55 × 43 cm. Gross weight: 3500 g. Hallmarks: ◊ city ◊ year ◊ assayer Ф.Б ◊ master-orfèvre LCB Зеркалос фасцетами в серебряной раме. Астрахань, 1775. 55 х 43 см. Клейма: города, года, пробирного мастера Ф.Б, мастера LCB.

2 000 € - 3 000 €

Enameled silver goblet. Russia, late 19th - early 20th c.
Silver "88", vermeil, enamel. 4 x 4.2 cm. Weight : 53 g.
Hallmarks: ◊ silver 88 ◊ kokochnik left, ◊ assayer ◊ ФАБЕРЖЕ.
In a wooden case, with Fabergé cipher; missing inner cushion.
Chips in the enamel.
Provenance: von Rauch family.
Стопка. Россия, кон. XIX-нач. XX вв.
Серебро, позолота, эмаль. 4 х 4,2 см. Вес: 53 г. Клейма: серебра 88, голова девушки

89 - Enameled silver goblet. Russia, late 19th - early 20th c. Silver "88", vermeil, enamel. 4 x 4.2 cm. Weight : 53 g. Hallmarks: ◊ silver 88 ◊ kokochnik left, ◊ assayer ◊ ФАБЕРЖЕ. In a wooden case, with Fabergé cipher; missing inner cushion. Chips in the enamel. Provenance: von Rauch family. Стопка. Россия, кон. XIX-нач. XX вв. Серебро, позолота, эмаль. 4 х 4,2 см. Вес: 53 г. Клейма: серебра 88, голова девушки

600 € - 800 €

Fabergé. Rose-shaped desk bell. 1908-1917.
Silver, opaline. 7.5 × 15 × 9 cm. Weight: 436 g.
Hallmarks: ◊ silver 88 ◊ kokochnik right ◊ mark ФАБЕРЖЕ ◊ master illegible (probably ЯА).
Фаберже. Настольный звонок в виде розы. 1908-1917.
Серебро, опалин. 7,5 х 15 х 9 см. Клейма: серебра 88, голова девушки в кокошнике вправо, фирмы ФАБЕРЖЕ, мастера неразб. (ЯА (?).

90 - Fabergé. Rose-shaped desk bell. 1908-1917. Silver, opaline. 7.5 × 15 × 9 cm. Weight: 436 g. Hallmarks: ◊ silver 88 ◊ kokochnik right ◊ mark ФАБЕРЖЕ ◊ master illegible (probably ЯА). Фаберже. Настольный звонок в виде розы. 1908-1917. Серебро, опалин. 7,5 х 15 х 9 см. Клейма: серебра 88, голова девушки в кокошнике вправо, фирмы ФАБЕРЖЕ, мастера неразб. (ЯА (?).

2 000 € - 3 000 €

Elisabeth Demidoff, née Stroganov (1776-1818). Among the ancient ruins. 1808.
Pencil, ink and watercolor on paper. 51 x 40 cm.
Monogrammed ED and dated lower left. Framed in gilt, early 19th century. In a period frame.
Elisabeth Demidoff, daughter of Baron Alexander Nikolayevich Stroganov, and wife of industrialist Nikolai Nikitich Demidov (1773-1828). She spent most of her life in Paris, where she ran an aristocratic salon. In the 1800s, she took drawing lessons from the famous artist Hubert R

91 - Elisabeth Demidoff, née Stroganov (1776-1818). Among the ancient ruins. 1808. Pencil, ink and watercolor on paper. 51 x 40 cm. Monogrammed ED and dated lower left. Framed in gilt, early 19th century. In a period frame. Elisabeth Demidoff, daughter of Baron Alexander Nikolayevich Stroganov, and wife of industrialist Nikolai Nikitich Demidov (1773-1828). She spent most of her life in Paris, where she ran an aristocratic salon. In the 1800s, she took drawing lessons from the famous artist Hubert R

1 500 € - 2 000 €

Elisabeth Demidoff, née Stroganov (1776-1818). Street comedian with a dog and a parrot in an Italian courtyard. 1808.
Pencil, ink and watercolor on paper. 50 x 40 cm. Monogrammed "ED" lower right and dated upper right. In a period frame.
Елизавета Демидова, ур. Строганова (1776-1818). Уличный комедиант с собакой и попугаем в итальянском дворе. 1808.
Бумага, карандаш, тушь, акварель. 50 х 40

92 - Elisabeth Demidoff, née Stroganov (1776-1818). Street comedian with a dog and a parrot in an Italian courtyard. 1808. Pencil, ink and watercolor on paper. 50 x 40 cm. Monogrammed "ED" lower right and dated upper right. In a period frame. Елизавета Демидова, ур. Строганова (1776-1818). Уличный комедиант с собакой и попугаем в итальянском дворе. 1808. Бумага, карандаш, тушь, акварель. 50 х 40

1 500 € - 2 000 €

Russian school, after the painting by Timofei Neff. The Angel of Prayer. 19th century.
Oil on canvas. 64 × 50 cm.
Русская школа, по картине Тимофея Неффа "Ангел молитвы". XIX в.
Холст, масло. 64 х 50 см.

93 - Russian school, after the painting by Timofei Neff. The Angel of Prayer. 19th century. Oil on canvas. 64 × 50 cm. Русская школа, по картине Тимофея Неффа "Ангел молитвы". XIX в. Холст, масло. 64 х 50 см.

500 € - 700 €

Monogrammed L. P. View of a Russian city (probably the Annunciation Cathedral in Tomsk). Circa 1850.
Oil on canvas. 35 x 44 cm. Lined canvas.
Monogram LP lower right.
Монограммист L. P. Вид русского города (предположительно, вид на Благовещенский собор в Томске). Ок. 1850.
Холст, масло. 35 х 44 см.
Монограмма LP снизу справа. Холст дублирован.

94 - Monogrammed L. P. View of a Russian city (probably the Annunciation Cathedral in Tomsk). Circa 1850. Oil on canvas. 35 x 44 cm. Lined canvas. Monogram LP lower right. Монограммист L. P. Вид русского города (предположительно, вид на Благовещенский собор в Томске). Ок. 1850. Холст, масло. 35 х 44 см. Монограмма LP снизу справа. Холст дублирован.

800 € - 1 000 €

Pierre Vernet (1897-1873). Sleigh ride. Saint Petersburg, 1838.
Watercolor and gouache on paper. 19 x 35 cm.
Signed, dated and placed lower left.
Under glass, in a 19th-century frame.
Пьер Верне (1897-1873). Прогулка в санях. Санкт-Петербург, 1838.
Бумага, акварель, гуашь. 19 х 35 см.
Подпись, дата и место внизу слева.
Под стеклом, в раме XIX в.

95 - Pierre Vernet (1897-1873). Sleigh ride. Saint Petersburg, 1838. Watercolor and gouache on paper. 19 x 35 cm. Signed, dated and placed lower left. Under glass, in a 19th-century frame. Пьер Верне (1897-1873). Прогулка в санях. Санкт-Петербург, 1838. Бумага, акварель, гуашь. 19 х 35 см. Подпись, дата и место внизу слева. Под стеклом, в раме XIX в.

1 000 € - 1 200 €

Egoroff (20th c.), after Alexandre Butchkuri (1870-1942). Female portrait.
Oil on cardboard. 34 x 24.5 cm.
Signed lower right "Egoroff".
On reverse: label "L'art de la Vieille Russie".

99 - Egoroff (20th c.), after Alexandre Butchkuri (1870-1942). Female portrait. Oil on cardboard. 34 x 24.5 cm. Signed lower right "Egoroff". On reverse: label "L'art de la Vieille Russie".

600 € - 800 €

Judèle Pène (1854-1937). Portrait of actress Iraïda Barbu-Lepstein. 1912.
Oil on canvas, pasted on cardboard. 35 x 28.5 cm.
Signed and dated lower left.
J. M. Pène was born in Novo-Aleksandrovsk, in the province of Kovno. After graduating from the St. Petersburg Academy of Fine Arts in 1886, he moved to Vitebsk, where he founded a private drawing and painting school. His pupils included Marc Chagall, Lazare Lissitzky, Ilya Tchachnik and many others.
Юдель Пэн (1854-1937). Портр

100 - Judèle Pène (1854-1937). Portrait of actress Iraïda Barbu-Lepstein. 1912. Oil on canvas, pasted on cardboard. 35 x 28.5 cm. Signed and dated lower left. J. M. Pène was born in Novo-Aleksandrovsk, in the province of Kovno. After graduating from the St. Petersburg Academy of Fine Arts in 1886, he moved to Vitebsk, where he founded a private drawing and painting school. His pupils included Marc Chagall, Lazare Lissitzky, Ilya Tchachnik and many others. Юдель Пэн (1854-1937). Портр

600 € - 800 €

Alexei Yassinsky. Bouquet of lilacs in front of the window. 1912.
Oil on canvas. 77 × 105 cm.
Signed and dated lower left.
Alexei Yassinsky (Iassinski) (1884-1943) studied painting at the Munich Academy of Fine Arts from 1900 to 1903. He was a member of the Union of Russian Artists and took part in exhibitions organized by the Moscow Artists' Association and the Union of Russian Artists. His paintings are preserved in museums in Ekaterinburg, Saratov, Penza, Krasnodar and others.
Алексей

101 - Alexei Yassinsky. Bouquet of lilacs in front of the window. 1912. Oil on canvas. 77 × 105 cm. Signed and dated lower left. Alexei Yassinsky (Iassinski) (1884-1943) studied painting at the Munich Academy of Fine Arts from 1900 to 1903. He was a member of the Union of Russian Artists and took part in exhibitions organized by the Moscow Artists' Association and the Union of Russian Artists. His paintings are preserved in museums in Ekaterinburg, Saratov, Penza, Krasnodar and others. Алексей

2 000 € - 3 000 €

Ivan Bilibine (1876-1942). Queen of Сhamakhan. Illustration for The Golden Cockerel, a tale by Alexander Pushkin. 1908.
Аquarelle on paper. 28 x 20 cm. Signed, dated and titled lower right.
Иван Билибин (1876-1942). Шамаханская царица. Иллюстрация к " Сказке о Золотом петушке" А.С. Пушкина. 1908.
Бумага, акварель. 28 х 20 см. Подпись, дата и название внизу справа.

102 - Ivan Bilibine (1876-1942). Queen of Сhamakhan. Illustration for The Golden Cockerel, a tale by Alexander Pushkin. 1908. Аquarelle on paper. 28 x 20 cm. Signed, dated and titled lower right. Иван Билибин (1876-1942). Шамаханская царица. Иллюстрация к " Сказке о Золотом петушке" А.С. Пушкина. 1908. Бумага, акварель. 28 х 20 см. Подпись, дата и название внизу справа.

6 000 € - 8 000 €

Russian school (Constantin Somov or Soloviev?). Boats caught in the ice. 1908.
Canvas pasted on cardboard. 17.5 x 25.5 cm. Signed and dated lower right.
On verso: stamp of the Krivolai collection.
Provenance: collection of Pavel Krivolai (1900-1969), former naval cadet in Sevastopol, then geologist, bibliophile and collector of Russian art during emigration; then the collection of G. and K. M., French diplomats of Russian origin.
Русская школа (К. Сомов или Соловьев?

103 - Russian school (Constantin Somov or Soloviev?). Boats caught in the ice. 1908. Canvas pasted on cardboard. 17.5 x 25.5 cm. Signed and dated lower right. On verso: stamp of the Krivolai collection. Provenance: collection of Pavel Krivolai (1900-1969), former naval cadet in Sevastopol, then geologist, bibliophile and collector of Russian art during emigration; then the collection of G. and K. M., French diplomats of Russian origin. Русская школа (К. Сомов или Соловьев?

500 € - 800 €

Alexis Harlamoff (Kharlamov) (1840-1925). Set of twelve drawings to illustrate the romance Tristan & Iseult. Circa 1895-1900.
Charcoal on laid paper, in-8° & in-4° format.
Charcoal signature in the image: "Harlamoff" "A. Harlamoff", "А. Харламов".
Of these twelve leaves:
- five are loose (two without captions).
- seven are laminated on a large sheet (on one of which a captioned space is empty).

Watermarks: "L. BERVILLE" and "Lalanne". These watermarks appear on very uniformly grained

104 - Alexis Harlamoff (Kharlamov) (1840-1925). Set of twelve drawings to illustrate the romance Tristan & Iseult. Circa 1895-1900. Charcoal on laid paper, in-8° & in-4° format. Charcoal signature in the image: "Harlamoff" "A. Harlamoff", "А. Харламов". Of these twelve leaves: - five are loose (two without captions). - seven are laminated on a large sheet (on one of which a captioned space is empty). Watermarks: "L. BERVILLE" and "Lalanne". These watermarks appear on very uniformly grained

4 000 € - 6 000 €

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