FR | Free valuation


Topography, engravings, various works on paper...

Topography, engravings, various works on paper...

Thursday, 11 December 2025 at 13:00
9 rue de Provence, 75009 Paris
interencheres

Lots 201 to 250 of 305

Page 5 / 7

Hendrick GOLTZIUS (1558 - 1617) - "The Judgment of Solomon" (Allegory against the Inquisition). Etching and burin. Ref: Bartsch & Hollstein, n°76. Proof before the artist's monogram, on laid paper. Small margins. 27.2 x 19.1 cm. Condition A (tiny pinhole in lower right-hand corner of text, fine impression).

202 - Hendrick GOLTZIUS (1558 - 1617) - "The Judgment of Solomon" (Allegory against the Inquisition). Etching and burin. Ref: Bartsch & Hollstein, n°76. Proof before the artist's monogram, on laid paper. Small margins. 27.2 x 19.1 cm. Condition A (tiny pinhole in lower right-hand corner of text, fine impression).

Estimate
300 € - 400 €
Hendrick GOLTZIUS (1558 - 1617) (after) - "The Creation of the Universe". Title page for "The Metamorphoses of Ovid". 1589. Burin. Ref: Hollstein, Tome I, n°16-67. Proof on watermarked laid paper (lion and letters). Printed by Visscher around 1650. Margins. 22 x 28.7 cm. Condition A (good state of preservation).

203 - Hendrick GOLTZIUS (1558 - 1617) (after) - "The Creation of the Universe". Title page for "The Metamorphoses of Ovid". 1589. Burin. Ref: Hollstein, Tome I, n°16-67. Proof on watermarked laid paper (lion and letters). Printed by Visscher around 1650. Margins. 22 x 28.7 cm. Condition A (good state of preservation).

Estimate
80 € - 100 €
Hendrick GOLTZIUS (1558 - 1617) (after) - "Lycaon changed into a wolf". 1589. Burin. Ref: Hollstein, Tome I, n°16-67. Proof on watermarked laid paper (lion and letters). Plate 9 from the series "Les métamorphoses d'Ovide", printed by Visscher around 1650. Margins. 22 x 28.7 cm. Condition B (one vertical printing fold, otherwise good condition).

204 - Hendrick GOLTZIUS (1558 - 1617) (after) - "Lycaon changed into a wolf". 1589. Burin. Ref: Hollstein, Tome I, n°16-67. Proof on watermarked laid paper (lion and letters). Plate 9 from the series "Les métamorphoses d'Ovide", printed by Visscher around 1650. Margins. 22 x 28.7 cm. Condition B (one vertical printing fold, otherwise good condition).

Estimate
80 € - 100 €
Johann MEYSSENS (1612 - 1670) - "Portrait of Henriette Marie de France, Queen of England, daughter of Henri IV and wife of Charles I in 1625". c.1640-1650. Etching and burin after Anton VAN DYCK (1599 - 1641). Ref: Hollstein, no. 276. Proof with the address "Ioan. Meyssens fecit et excud.", on laid paper (truncated watermark), covered on verso with the collection mark of ARENBERG, Bruxelles et Nordkirchen (Lugt 567). Small copper margins. Fine impression. 23.8 x 17.8 cm. Condition A (cut at copp

205 - Johann MEYSSENS (1612 - 1670) - "Portrait of Henriette Marie de France, Queen of England, daughter of Henri IV and wife of Charles I in 1625". c.1640-1650. Etching and burin after Anton VAN DYCK (1599 - 1641). Ref: Hollstein, no. 276. Proof with the address "Ioan. Meyssens fecit et excud.", on laid paper (truncated watermark), covered on verso with the collection mark of ARENBERG, Bruxelles et Nordkirchen (Lugt 567). Small copper margins. Fine impression. 23.8 x 17.8 cm. Condition A (cut at copp

Result
150 €
REMBRANDT (after) - "The Buried Dead". Etching. Proof with address by Basan (1723-1797), on wove paper. Late print. Margins. 26.5 x 32.4 cm. A/B condition (some light foxing to margins and verso, subject in good condition).

206 - REMBRANDT (after) - "The Buried Dead". Etching. Proof with address by Basan (1723-1797), on wove paper. Late print. Margins. 26.5 x 32.4 cm. A/B condition (some light foxing to margins and verso, subject in good condition).

Estimate
100 € - 200 €
David TENIERS (1610 - 1685) - [Peasant]. Etching. Signed with the artist's monogram in the plate. Proof on laid paper. 9.5 x 5.5 cm. Condition A/B (cut on the subject, tiny little lack on the upper edge, paper a little rough on the reverse).

207 - David TENIERS (1610 - 1685) - [Peasant]. Etching. Signed with the artist's monogram in the plate. Proof on laid paper. 9.5 x 5.5 cm. Condition A/B (cut on the subject, tiny little lack on the upper edge, paper a little rough on the reverse).

Estimate
100 € - 200 €
Claude MELLAN (after) (1598 - 1688) - "Saint Alexis, lying at the foot of the stairs". Burin (subject reversed). 43.7 x 32 cm for the subject. 49.5 x 34.2 cm overall. Condition A (formerly cut from the subject and laminated).

208 - Claude MELLAN (after) (1598 - 1688) - "Saint Alexis, lying at the foot of the stairs". Burin (subject reversed). 43.7 x 32 cm for the subject. 49.5 x 34.2 cm overall. Condition A (formerly cut from the subject and laminated).

Estimate
60 € - 80 €
Claude MELLAN (1598 - 1688) - "Statue antique de marbre d'un faune haulte de 4 pieds 2 p. au Palais des Thuilleries". 1671. Original burin. Signed and dated in the plate. Proof on watermarked laid paper (letters), covered on verso with the handwritten collection mark of NAUDET (active 1763-circa 1830), print dealer, Paris (Lugt 1937). Foot margin. 41 x 27.2 cm. Condition A (cut inside the copperplate mark on three sides, good condition).

209 - Claude MELLAN (1598 - 1688) - "Statue antique de marbre d'un faune haulte de 4 pieds 2 p. au Palais des Thuilleries". 1671. Original burin. Signed and dated in the plate. Proof on watermarked laid paper (letters), covered on verso with the handwritten collection mark of NAUDET (active 1763-circa 1830), print dealer, Paris (Lugt 1937). Foot margin. 41 x 27.2 cm. Condition A (cut inside the copperplate mark on three sides, good condition).

Estimate
100 € - 200 €
Claude MELLAN (1598 - 1688) - "Statue antique de marbre d'un jeune homme haulte de 4 pieds 10 p. au Palais des Thuilleries". 1670. original burin. Signed and dated in the plate. Proof on watermarked laid paper, covered on verso with the handwritten collection mark of NAUDET (active 1763-verses 1830), print dealer, Paris (Lugt 1937). Foot margin. 41 x 27.2 cm. Condition A (cut inside the copperplate mark on three sides, a little foxing at foot, good condition).

210 - Claude MELLAN (1598 - 1688) - "Statue antique de marbre d'un jeune homme haulte de 4 pieds 10 p. au Palais des Thuilleries". 1670. original burin. Signed and dated in the plate. Proof on watermarked laid paper, covered on verso with the handwritten collection mark of NAUDET (active 1763-verses 1830), print dealer, Paris (Lugt 1937). Foot margin. 41 x 27.2 cm. Condition A (cut inside the copperplate mark on three sides, a little foxing at foot, good condition).

Result
100 €
Robert NANTEUIL (1623 - 1678) - "Portrait of the Abbé de Marolles". 1657. Burin. Fine proof of the 1st state of 4, on laid paper. Ref: Robert-Dumesnil, n°171. Petitjean & Wickert, n°152. Coated on verso with the collector's mark of Félix Joubert (London) (Lugt 1502a). A very fine proof of the first state (of four) of Nanteuil's depiction of Abbé Marolles, one of the most important collectors of the 17th century. Only the first and second states are from his lifetime, when Marolles was 5

211 - Robert NANTEUIL (1623 - 1678) - "Portrait of the Abbé de Marolles". 1657. Burin. Fine proof of the 1st state of 4, on laid paper. Ref: Robert-Dumesnil, n°171. Petitjean & Wickert, n°152. Coated on verso with the collector's mark of Félix Joubert (London) (Lugt 1502a). A very fine proof of the first state (of four) of Nanteuil's depiction of Abbé Marolles, one of the most important collectors of the 17th century. Only the first and second states are from his lifetime, when Marolles was 5

Estimate
300 € - 400 €
Andrea MANTEGNA (after) (1431-1506) - "The Battle of the Sea Gods". Copy engraved by an anonymous artist. 19th century print, on laid paper. Margins. 36.4 x 55 cm. Condition A (rare small foxing in the margins, good overall condition).

212 - Andrea MANTEGNA (after) (1431-1506) - "The Battle of the Sea Gods". Copy engraved by an anonymous artist. 19th century print, on laid paper. Margins. 36.4 x 55 cm. Condition A (rare small foxing in the margins, good overall condition).

Estimate
200 € - 300 €
Antonio TEMPESTA (1555 - 1630) - "Alexander fighting the Persians". Original etching. Proof on laid paper. Ref: Bartsch, n°548. Plate no. 4 in the series "The Acts of Alexander the Great". Fine copper margins. 22.5 x 28.7 cm. Condition A (cut at copperplate mark, good condition).

213 - Antonio TEMPESTA (1555 - 1630) - "Alexander fighting the Persians". Original etching. Proof on laid paper. Ref: Bartsch, n°548. Plate no. 4 in the series "The Acts of Alexander the Great". Fine copper margins. 22.5 x 28.7 cm. Condition A (cut at copperplate mark, good condition).

Result
150 €
Agostino VENEZIANO (Agostino Di MUSI) (c.1490 - c.1536-1540) - "The Emperor Hadrian granting freedom to the slave Androcles". Burin after a drawing by the school of Marcantonio Raimondi in the Metropolitan Museum of Art, New York (inv.no. 80.3.190), and after Raphael. Signed with the artist's monogram in the plate. Ref: Bartsch, Tome XIV, no. 196. Proof on laid paper. 40.7 x 27.1 cm. Condition B (cut at the edge of the plate, small printing crease at the foot, small epidermure of the paper on th

214 - Agostino VENEZIANO (Agostino Di MUSI) (c.1490 - c.1536-1540) - "The Emperor Hadrian granting freedom to the slave Androcles". Burin after a drawing by the school of Marcantonio Raimondi in the Metropolitan Museum of Art, New York (inv.no. 80.3.190), and after Raphael. Signed with the artist's monogram in the plate. Ref: Bartsch, Tome XIV, no. 196. Proof on laid paper. 40.7 x 27.1 cm. Condition B (cut at the edge of the plate, small printing crease at the foot, small epidermure of the paper on th

Estimate
150 € - 200 €
James BASIRE I (1730 - 1802) - "Portrait of Anne Hussey Delaval, Lady Stanhope (fl.1759-1811)" (Vanity). 1772. Etching and burin after Benjamin WILSON. State proof with artists' names only, on laid paper. Margins. 58.3 x 39.3 cm. Condition B (marginal foxing and on verso, slightly sunned, small trace of wetness in lower margin).

215 - James BASIRE I (1730 - 1802) - "Portrait of Anne Hussey Delaval, Lady Stanhope (fl.1759-1811)" (Vanity). 1772. Etching and burin after Benjamin WILSON. State proof with artists' names only, on laid paper. Margins. 58.3 x 39.3 cm. Condition B (marginal foxing and on verso, slightly sunned, small trace of wetness in lower margin).

Estimate
300 € - 400 €
François BOUCHER (1703-1770) (after) - "Le calandrier des vieillards". 18th century. Etching and burin by Nicolas De LARMESSIN (1684-1753). Proof on laid paper, with letter and address "A Paris chez De Larmessin, graveur du Roy rue des Noyers à la 2è porte cocher à gauche...". Ref: Portalis and Beraldi, no. 7. Plate from the Suite d'Estampes Nouvelles pour les Contes de la Fontaine. Good margins. 41.5 x 48 cm. Condition B (some light marginal foxing, rare short tears in the margins and sligh

216 - François BOUCHER (1703-1770) (after) - "Le calandrier des vieillards". 18th century. Etching and burin by Nicolas De LARMESSIN (1684-1753). Proof on laid paper, with letter and address "A Paris chez De Larmessin, graveur du Roy rue des Noyers à la 2è porte cocher à gauche...". Ref: Portalis and Beraldi, no. 7. Plate from the Suite d'Estampes Nouvelles pour les Contes de la Fontaine. Good margins. 41.5 x 48 cm. Condition B (some light marginal foxing, rare short tears in the margins and sligh

Estimate
100 € - 200 €
Jean-Jacques DE BOISSIEU (1736 - 1804) - "View of a waterfall falling from a high house". 1764. Etching after Bartholomeus BREENBERGH (1598-1657). Ref: I.F.F 18th, no. 33. Signed with the artist's initials in the plate. Proof of a slightly late edition, on wove paper. Margins. 19.5 x 19 cm. Condition B (a few foxes in the margins and on the reverse, very few affecting the subject).

217 - Jean-Jacques DE BOISSIEU (1736 - 1804) - "View of a waterfall falling from a high house". 1764. Etching after Bartholomeus BREENBERGH (1598-1657). Ref: I.F.F 18th, no. 33. Signed with the artist's initials in the plate. Proof of a slightly late edition, on wove paper. Margins. 19.5 x 19 cm. Condition B (a few foxes in the margins and on the reverse, very few affecting the subject).

Estimate
100 € - 200 €
Philibert Louis DEBUCOURT (1755 - 1832) - Reunion of 2 plates: "Les visites" & "L'Orange ou Le moderne Jugement de Pâris". c.1800. Two etchings and aquatints. Proofs with the letter, on wove paper. Two collector's marks on verso of "Visites" (Lugt 1702, unidentified mark & Lugt 1731, by L. LÉPINGLE († circa 1903), merchant in Brussels).A Paris, chez les Marchands de Nouveautés. Small margins. Approx. 30.5 x 42 cm per plate. Condition B/C (sunned proofs). Set of 2 pl.

218 - Philibert Louis DEBUCOURT (1755 - 1832) - Reunion of 2 plates: "Les visites" & "L'Orange ou Le moderne Jugement de Pâris". c.1800. Two etchings and aquatints. Proofs with the letter, on wove paper. Two collector's marks on verso of "Visites" (Lugt 1702, unidentified mark & Lugt 1731, by L. LÉPINGLE († circa 1903), merchant in Brussels).A Paris, chez les Marchands de Nouveautés. Small margins. Approx. 30.5 x 42 cm per plate. Condition B/C (sunned proofs). Set of 2 pl.

Estimate
60 € - 80 €
J.B GREUZE (after) - "La malédiction paternelle". c.1779. Etching and burin engraving by René GAILLARD (c.1722-1790). Proof before letter but with arms. Small margins. 57.5 x 67 cm. Condition B/C (a few stains and foxing, mainly marginal, an old tear to the right and formerly laminated).

219 - J.B GREUZE (after) - "La malédiction paternelle". c.1779. Etching and burin engraving by René GAILLARD (c.1722-1790). Proof before letter but with arms. Small margins. 57.5 x 67 cm. Condition B/C (a few stains and foxing, mainly marginal, an old tear to the right and formerly laminated).

Estimate
80 € - 100 €
Giovanni Battista PIRANESI (1720 - 1778) - Frontispiece to "Prima Parte di Architetture, e Prospettive". c.1750. Etching. Proof on laid paper. Ref: Focillon, no. 2. Hind, n°79. Small margins. 37 x 26 cm. Condition A (a horizontal print crease on the right is barely visible, good condition).

220 - Giovanni Battista PIRANESI (1720 - 1778) - Frontispiece to "Prima Parte di Architetture, e Prospettive". c.1750. Etching. Proof on laid paper. Ref: Focillon, no. 2. Hind, n°79. Small margins. 37 x 26 cm. Condition A (a horizontal print crease on the right is barely visible, good condition).

Estimate
200 € - 300 €
Louis GERMAIN (1733 - c.1791) - "La marchande de Rogome (rogomme)". 18th century. Etching and burin after J.E. Schenau. laid paper. A Paris, chez Ouvrier grav., Place Maubert. Good margins. 27.5 x 38 cm. Condition A (good state of preservation).

221 - Louis GERMAIN (1733 - c.1791) - "La marchande de Rogome (rogomme)". 18th century. Etching and burin after J.E. Schenau. laid paper. A Paris, chez Ouvrier grav., Place Maubert. Good margins. 27.5 x 38 cm. Condition A (good state of preservation).

Estimate
50 € - 80 €
Frank Weston BENSON (American artist, 1862 - 1951) - "Souvenir of Long Point". 1918. Drypoint. Signed with initials, located and dated in the plate. Proof numbered 64 and countersigned in pencil by the artist. Margins. 29 x 22.5 cm. Condition B (insolation, a tear in the right margin reaching the edge of the subject, formerly glued by the edges).

222 - Frank Weston BENSON (American artist, 1862 - 1951) - "Souvenir of Long Point". 1918. Drypoint. Signed with initials, located and dated in the plate. Proof numbered 64 and countersigned in pencil by the artist. Margins. 29 x 22.5 cm. Condition B (insolation, a tear in the right margin reaching the edge of the subject, formerly glued by the edges).

Estimate
100 € - 200 €
Félix BRACQUEMOND (1833 - 1914) - "The Gale". 1905. Original etching and drypoint. Ref: I.F.F Après 1800, no. 496. Unlettered proof on cream wove paper. Margins. 38.2 x 51.3 cm. Condition B/C (partially and slightly darkened).

223 - Félix BRACQUEMOND (1833 - 1914) - "The Gale". 1905. Original etching and drypoint. Ref: I.F.F Après 1800, no. 496. Unlettered proof on cream wove paper. Margins. 38.2 x 51.3 cm. Condition B/C (partially and slightly darkened).

Estimate
150 € - 200 €
Auguste BROUET (1872 - 1941) - "Les Zemgara". 1924. Original etching. Trial proof on laid paper, annotated "Essai 1/4" and signed in pencil by the artist. Ref: I.F.F Après 1800, n°36.4. Boutitie, n°325. Coated with the Cercle de la Librairie dry stamp (Lugt 438) and the artist's dry stamp (Lugt 400b). Margins. 39 x 32 cm. Condition B (rare stains and small holes in the margins, a short tear in the lower margin and slightly sunned).

224 - Auguste BROUET (1872 - 1941) - "Les Zemgara". 1924. Original etching. Trial proof on laid paper, annotated "Essai 1/4" and signed in pencil by the artist. Ref: I.F.F Après 1800, n°36.4. Boutitie, n°325. Coated with the Cercle de la Librairie dry stamp (Lugt 438) and the artist's dry stamp (Lugt 400b). Margins. 39 x 32 cm. Condition B (rare stains and small holes in the margins, a short tear in the lower margin and slightly sunned).

Result
140 €
François Nicolas CHIFFLART (1825 - 1901) - "Triumph of Justice and Truth" (Allegory). 1865-1867. Original etching and drypoint. Signed in the plate. Proof on Aqua-fortistes laid paper, published by Cadart et Luquet. Ref: Béraldi, n°3. I.F.F, n°8. Plate from the "Improvisations sur cuivre" series. All margins. 55.5 x 36.5 cm. Condition B (a few stains and rare short tears in the margins, subject in good condition).

225 - François Nicolas CHIFFLART (1825 - 1901) - "Triumph of Justice and Truth" (Allegory). 1865-1867. Original etching and drypoint. Signed in the plate. Proof on Aqua-fortistes laid paper, published by Cadart et Luquet. Ref: Béraldi, n°3. I.F.F, n°8. Plate from the "Improvisations sur cuivre" series. All margins. 55.5 x 36.5 cm. Condition B (a few stains and rare short tears in the margins, subject in good condition).

Estimate
150 € - 200 €
René COTTET (1902-1992) - [Sculptor at work]. 1945. Etching. Signed and dated in the plate. Proof on wove paper, numbered 7/20 in pencil. Full margins. 56 x 38.2 cm. Condition A (remnants of sticker on the edges of the sheet, good overall condition).

226 - René COTTET (1902-1992) - [Sculptor at work]. 1945. Etching. Signed and dated in the plate. Proof on wove paper, numbered 7/20 in pencil. Full margins. 56 x 38.2 cm. Condition A (remnants of sticker on the edges of the sheet, good overall condition).

Estimate
80 € - 100 €
Pascal DAGNAN-BOUVERET (1852 - 1929) (after) - "Chimeras". Color etching. 35 x 27 cm. Condition A/B (foxing on verso).

227 - Pascal DAGNAN-BOUVERET (1852 - 1929) (after) - "Chimeras". Color etching. 35 x 27 cm. Condition A/B (foxing on verso).

Estimate
100 € - 200 €
André DAUCHEZ (1870 - 1948) - "Pines in Varengeville". c.1924. Original etching and drypoint. Signed in the plate. Ref: Brugal, n°24. Fine proof of the final state, on J. Perrigot Arches wove paper, countersigned in pencil by the artist, numbered 123 and stamped Société Normande de gravure (Lugt 2300a). All margins. 56.5 x 45 cm. Condition A (good state of preservation).

228 - André DAUCHEZ (1870 - 1948) - "Pines in Varengeville". c.1924. Original etching and drypoint. Signed in the plate. Ref: Brugal, n°24. Fine proof of the final state, on J. Perrigot Arches wove paper, countersigned in pencil by the artist, numbered 123 and stamped Société Normande de gravure (Lugt 2300a). All margins. 56.5 x 45 cm. Condition A (good state of preservation).

Result
200 €
Gustave DORÉ (Strasbourg 1832 † Paris 1883) - "La guerre" (War/Krieg). 1867. Engraved by Paul GIRARDET (Switzerland 1821 † Paris 1893). Signed "G.ve Doré 1866" lower right in the plate. Proof on wove paper. Ref: I.F.F After 1800 (Girardet), not described. Printed and published by Goupil & Cie on April 1, 1867, in Paris, London & The Hague. Margins. 84.5 x 62.5 cm. Condition B (Few short tears and some foxing in partially dusted margins).

229 - Gustave DORÉ (Strasbourg 1832 † Paris 1883) - "La guerre" (War/Krieg). 1867. Engraved by Paul GIRARDET (Switzerland 1821 † Paris 1893). Signed "G.ve Doré 1866" lower right in the plate. Proof on wove paper. Ref: I.F.F After 1800 (Girardet), not described. Printed and published by Goupil & Cie on April 1, 1867, in Paris, London & The Hague. Margins. 84.5 x 62.5 cm. Condition B (Few short tears and some foxing in partially dusted margins).

Estimate
60 € - 80 €
Raoul DUFY (1877 - 1953) - "Souvenir de NICE", 1938. Lithograph. Fine proof on wove paper, from an edition at 120 copies, numbered 7/120 in pencil. All margins. 32.5 x 43 cm. Condition A (well preserved).

230 - Raoul DUFY (1877 - 1953) - "Souvenir de NICE", 1938. Lithograph. Fine proof on wove paper, from an edition at 120 copies, numbered 7/120 in pencil. All margins. 32.5 x 43 cm. Condition A (well preserved).

Result
210 €
Raoul DUFY (1877 - 1953) - "DUFY" exhibition POSTER at the Galerie Beyeler in BASEL in 1957. Lithograph printed in color. 76 x 50.5 cm. Condition B (some creases).

231 - Raoul DUFY (1877 - 1953) - "DUFY" exhibition POSTER at the Galerie Beyeler in BASEL in 1957. Lithograph printed in color. 76 x 50.5 cm. Condition B (some creases).

Estimate
80 € - 100 €
Emile FABRY (1865 - 1966) - "Portrait of Suzanne (Fabry) and Barthélémy". 1920. Lithograph. Signed and dated in the plate. Fine proof on wove paper. Margins. Before the war, Fabry was an influential Symbolist artist and member of leading artists' groups such as Pour l'Art and La Rose+Croix. When the First World War plunged continental Europe into crisis, Fabry took refuge in St. Ives, England. War and peace were recurring themes in many of his works, even long after the fighting had ended. The

232 - Emile FABRY (1865 - 1966) - "Portrait of Suzanne (Fabry) and Barthélémy". 1920. Lithograph. Signed and dated in the plate. Fine proof on wove paper. Margins. Before the war, Fabry was an influential Symbolist artist and member of leading artists' groups such as Pour l'Art and La Rose+Croix. When the First World War plunged continental Europe into crisis, Fabry took refuge in St. Ives, England. War and peace were recurring themes in many of his works, even long after the fighting had ended. The

Estimate
80 € - 100 €
Jean-Louis FORAIN (1852 - 1931) - LOT OF 5 ESTAMPES: 1-"Elle ne mordra plus, ses dents sont brisées". 1918. Original lithograph. Signed in the plate. Proof on MBM wove paper, numbered 133/300 and signed with the initial "F" in pencil. Full margins. 37.5 x 56 cm. Condition A/B (formerly glued at the top edge to card and very slightly sunned). 2- "Les Français ne savent pas faire la Guerre" ("The French don't know how to fight a war"). 1918. Original lithograph. Signed in the plate. Proof on MBM

233 - Jean-Louis FORAIN (1852 - 1931) - LOT OF 5 ESTAMPES: 1-"Elle ne mordra plus, ses dents sont brisées". 1918. Original lithograph. Signed in the plate. Proof on MBM wove paper, numbered 133/300 and signed with the initial "F" in pencil. Full margins. 37.5 x 56 cm. Condition A/B (formerly glued at the top edge to card and very slightly sunned). 2- "Les Français ne savent pas faire la Guerre" ("The French don't know how to fight a war"). 1918. Original lithograph. Signed in the plate. Proof on MBM

Estimate
80 € - 100 €
Alexandre-Evarist FRAGONNARD (1780 - 1850) - "La Romance". 1824. Original lithograph. Proof with the letter, on wove paper, printed by Delpech. Ref: Béraldi, n°7. Good margins. 44 x 29.5 cm. Condition B (some scattered foxing).

234 - Alexandre-Evarist FRAGONNARD (1780 - 1850) - "La Romance". 1824. Original lithograph. Proof with the letter, on wove paper, printed by Delpech. Ref: Béraldi, n°7. Good margins. 44 x 29.5 cm. Condition B (some scattered foxing).

Estimate
80 € - 100 €
Alexandre-Evarist FRAGONNARD (1780 - 1850) - "Le contre-tems". Original lithograph. Proof with the letter, on wove paper, printed by Lemercier. Ref: Béraldi, n°33. Good margins. 28 x 43 cm. Condition B (rare light marginal foxing and trace of median vertical fold).

235 - Alexandre-Evarist FRAGONNARD (1780 - 1850) - "Le contre-tems". Original lithograph. Proof with the letter, on wove paper, printed by Lemercier. Ref: Béraldi, n°33. Good margins. 28 x 43 cm. Condition B (rare light marginal foxing and trace of median vertical fold).

Estimate
80 € - 100 €
Georges GOBO (1876 - 1958) - "Woman with a coat". Original etching. Fine proof on MBM wove paper, numbered 14/50 and signed in pencil by the artist. Margins. 31.5 x 22.5 cm. Condition A (well preserved).

236 - Georges GOBO (1876 - 1958) - "Woman with a coat". Original etching. Fine proof on MBM wove paper, numbered 14/50 and signed in pencil by the artist. Margins. 31.5 x 22.5 cm. Condition A (well preserved).

Result
100 €
HANSI Jean-Jacques Waltz, dit (1873 - 1951) - [Two Alsatian girls]. Lithograph in color. Signed in the plate. Proof on wove paper. Good margins. 31 x 48 cm. Condition B (stains and traces of insolation in margins and verso, subjects in good condition).

237 - HANSI Jean-Jacques Waltz, dit (1873 - 1951) - [Two Alsatian girls]. Lithograph in color. Signed in the plate. Proof on wove paper. Good margins. 31 x 48 cm. Condition B (stains and traces of insolation in margins and verso, subjects in good condition).

Result
80 €
Henri HARPIGNIES (1819 - 1916) - [Landscape, house]. Original etching. Signed in the plate. Fine proof on Arches laid paper. Good margins. 22 x 30.5 cm. Condition A (well preserved).

238 - Henri HARPIGNIES (1819 - 1916) - [Landscape, house]. Original etching. Signed in the plate. Fine proof on Arches laid paper. Good margins. 22 x 30.5 cm. Condition A (well preserved).

Estimate
100 € - 200 €
René Paul HUET (Paris 1844 - 1928, son of Paul Huet) - [Chasseur au bord de la rivière] (Set of 8 prints). Original etchings. Proofs in various states, with the remark, on wove or Japon paper. Signed in the lower left-hand corner of the composition. Five of them countersigned in pencil by the artist. Fine proofs with margins. 55 x 70 cm approx. each plate - Condition A (Creases and stains in two proofs, otherwise good condition throughout) - Set of 8 pl.

239 - René Paul HUET (Paris 1844 - 1928, son of Paul Huet) - [Chasseur au bord de la rivière] (Set of 8 prints). Original etchings. Proofs in various states, with the remark, on wove or Japon paper. Signed in the lower left-hand corner of the composition. Five of them countersigned in pencil by the artist. Fine proofs with margins. 55 x 70 cm approx. each plate - Condition A (Creases and stains in two proofs, otherwise good condition throughout) - Set of 8 pl.

Estimate
80 € - 100 €
Jules JACQUEMART (1837 - 1880) - "Souvenir de voyage". c.1862. Original etching. Signed and dated in the plate. Fine proof on laid paper. Ref: Béraldi, n°329. I.F.F Après 1800, n°31. Printed by Delâtre, Paris. Covered with the dry stamp of the publisher A. Cadart et F. Chevalier (Lugt 3270). Good margins. Plate evoking, in addition to Van Gogh's shoes, those of the landscape artists who traveled the countryside on foot. Jacquemart was also a fetish collector of antique shoes and brodequins.

240 - Jules JACQUEMART (1837 - 1880) - "Souvenir de voyage". c.1862. Original etching. Signed and dated in the plate. Fine proof on laid paper. Ref: Béraldi, n°329. I.F.F Après 1800, n°31. Printed by Delâtre, Paris. Covered with the dry stamp of the publisher A. Cadart et F. Chevalier (Lugt 3270). Good margins. Plate evoking, in addition to Van Gogh's shoes, those of the landscape artists who traveled the countryside on foot. Jacquemart was also a fetish collector of antique shoes and brodequins.

Estimate
400 € - 500 €
André JACQUES (1880 - 1960) - "Saint François de Sales en CHABLAIS". 1935. Original etching. Signed and dated in the plate. Fine proof on Arches laid paper, annotated "avant la lettre", numbered 58/60 and countersigned in pencil by the artist. Margins. 38 x 29 cm. Condition A (well preserved).

241 - André JACQUES (1880 - 1960) - "Saint François de Sales en CHABLAIS". 1935. Original etching. Signed and dated in the plate. Fine proof on Arches laid paper, annotated "avant la lettre", numbered 58/60 and countersigned in pencil by the artist. Margins. 38 x 29 cm. Condition A (well preserved).

Result
80 €
Lucien LAFORGE (1889 - 1952) - "The Red Cross". Stencil on laid paper. Signed in the plate. With the address "se trouve à la librairie Lutetia 66 boulevard Raspail Paris". Margins. 31 x 23.3 cm. Condition A (well preserved).

242 - Lucien LAFORGE (1889 - 1952) - "The Red Cross". Stencil on laid paper. Signed in the plate. With the address "se trouve à la librairie Lutetia 66 boulevard Raspail Paris". Margins. 31 x 23.3 cm. Condition A (well preserved).

Estimate
100 € - 200 €
Lionel LECOUTEUX (1847 - 1909) - "Au pâturage". Etching after the 1882 painting by Julien DUPRE (1851 - 1910). Signed in the plate. Nice proof before letter but with the address of E. Lecadre & Cie, on japon paper. Good margins. 54.5 x 69.5 cm. Condition A (well preserved).

243 - Lionel LECOUTEUX (1847 - 1909) - "Au pâturage". Etching after the 1882 painting by Julien DUPRE (1851 - 1910). Signed in the plate. Nice proof before letter but with the address of E. Lecadre & Cie, on japon paper. Good margins. 54.5 x 69.5 cm. Condition A (well preserved).

Estimate
200 € - 300 €
Auguste Louis LEPERE (1849 - 1918) - "Marchandes au panier, rue Montorgueil". 1889. Woodcut in colors. Signed with the artist's monogram in the plate. Ref: Lotz - Brissoneau 187. Fine proof on cream laid paper, countersigned in pencil by the artist. Good margins. 21.5 x 30 cm. Condition A (small spots of oxidation in the margins, otherwise good condition).

244 - Auguste Louis LEPERE (1849 - 1918) - "Marchandes au panier, rue Montorgueil". 1889. Woodcut in colors. Signed with the artist's monogram in the plate. Ref: Lotz - Brissoneau 187. Fine proof on cream laid paper, countersigned in pencil by the artist. Good margins. 21.5 x 30 cm. Condition A (small spots of oxidation in the margins, otherwise good condition).

Estimate
100 € - 200 €
Alexandre LUNOIS (1863 - 1916) - "The Toilet". 1893. Lithograph printed in colors. Proof on chine paper. Good margins. 38 x 28 cm. A/B condition (rare small handling stains and short tears in the margins, subject in good condition).

245 - Alexandre LUNOIS (1863 - 1916) - "The Toilet". 1893. Lithograph printed in colors. Proof on chine paper. Good margins. 38 x 28 cm. A/B condition (rare small handling stains and short tears in the margins, subject in good condition).

Estimate
100 € - 200 €
Mariette LYDIS (1887 - 1970) - "Jeanne la folle". Original lithograph, enhanced. Proof on wove paper, titled, dedicated "Pour Mr et Mme Le Guyade / un très cordial souvenir de Mariette Lydis" and signed in pencil by the artist. Margins. 42.5 x 37.5 cm. Condition A (good state of preservation).

246 - Mariette LYDIS (1887 - 1970) - "Jeanne la folle". Original lithograph, enhanced. Proof on wove paper, titled, dedicated "Pour Mr et Mme Le Guyade / un très cordial souvenir de Mariette Lydis" and signed in pencil by the artist. Margins. 42.5 x 37.5 cm. Condition A (good state of preservation).

Estimate
150 € - 200 €
Edouard MANET (1832 - 1883) (after) - "L'Olympia". 1926. Aquatint engraved by Jacques VILLON (1875-1963) and printed in colors on strong wove paper. Ref: Ginestet & Pouillin, n°E647. Fine margins. 41 x 58.8 cm. Condition A (trace of old mounting and wetness on verso).

247 - Edouard MANET (1832 - 1883) (after) - "L'Olympia". 1926. Aquatint engraved by Jacques VILLON (1875-1963) and printed in colors on strong wove paper. Ref: Ginestet & Pouillin, n°E647. Fine margins. 41 x 58.8 cm. Condition A (trace of old mounting and wetness on verso).

Result
300 €
Charles MARTIN (1884 - 1934) - "The Italian Comedy". 1916. Stencil created for the "Sports and Entertainment" portfolio (1916). Signed in the plate below the subject on the right. Good margins. 39 x 43 cm. Condition A (good condition).

248 - Charles MARTIN (1884 - 1934) - "The Italian Comedy". 1916. Stencil created for the "Sports and Entertainment" portfolio (1916). Signed in the plate below the subject on the right. Good margins. 39 x 43 cm. Condition A (good condition).

Estimate
100 € - 200 €
Charles MERYON (1821 - 1868) - "Passerelle du Pont-au-change". Original etching. Signed with initials in the plate. Ref: Delteil, n°50. Proof of the final state, on papier chine appliqué. Printed by Chardon-Wittmann. Margins. 21.5 x 30.3 cm. Condition A (good condition).

249 - Charles MERYON (1821 - 1868) - "Passerelle du Pont-au-change". Original etching. Signed with initials in the plate. Ref: Delteil, n°50. Proof of the final state, on papier chine appliqué. Printed by Chardon-Wittmann. Margins. 21.5 x 30.3 cm. Condition A (good condition).

Estimate
100 € - 200 €
Jean-Baptiste MILLET (1830 - 1906) - [Peasant Woman at Work]. Etching. Signed with the artist's initials in the plate. Fine proof on bluish laid paper. Good margins. 22.2 x 17.5 cm. Condition A (well preserved).

250 - Jean-Baptiste MILLET (1830 - 1906) - [Peasant Woman at Work]. Etching. Signed with the artist's initials in the plate. Fine proof on bluish laid paper. Good margins. 22.2 x 17.5 cm. Condition A (well preserved).

Estimate
100 € - 200 €
Célestin NANTEUIL (1813 - 1873) - "The Blood of Giants". 1869. Original etching. Signed in the plate. Ref: Béraldi, n°70, proof on laid paper. Good margins. 25.8 x 34.7 cm. Condition A (slightly darkened, otherwise good condition).

251 - Célestin NANTEUIL (1813 - 1873) - "The Blood of Giants". 1869. Original etching. Signed in the plate. Ref: Béraldi, n°70, proof on laid paper. Good margins. 25.8 x 34.7 cm. Condition A (slightly darkened, otherwise good condition).

Estimate
100 € - 200 €
Go to