Topography, engravings, various works on paper...

Thursday, 11 December 2025 at 13:00

9 rue de Provence, 75009 Paris

interencheres

Lots 51 to 100 of 305

Page 2 / 7

BRITTANY - ROAD MAP OF BRITTANY - "Carte de la Bretagne comprenant les départements du FINISTERE, des Côtes du Nord, d'ILLE-ET-VILAINE, du MORBIHAN, et de la Loire Inférieure". c.1850. Engraved map with colored boundaries. With the arms of the province of Brittany at top left. Logerot Editeur, Paris. Folded and canvas-backed map, in its original titled cover. 56.5 x 77 cm. Condition B (cloth weakened, few stains on verso, otherwise good condition).

52 - BRITTANY - ROAD MAP OF BRITTANY - "Carte de la Bretagne comprenant les départements du FINISTERE, des Côtes du Nord, d'ILLE-ET-VILAINE, du MORBIHAN, et de la Loire Inférieure". c.1850. Engraved map with colored boundaries. With the arms of the province of Brittany at top left. Logerot Editeur, Paris. Folded and canvas-backed map, in its original titled cover. 56.5 x 77 cm. Condition B (cloth weakened, few stains on verso, otherwise good condition).

Estimate

100 € - 200 €

PARIS - BATHS - CLUNY THERMAL BATHS - "BAINS DE JULIEN". 19th century. Lithographed by Godefroy ENGELMANN (1788-1839), after the painting by BOUTON. Proof with the letter, watercolored in blue, on wove paper. Margins. 48 x 35.3 cm. A/B condition (a few stains and short tears in the margins, otherwise good overall condition).

53 - PARIS - BATHS - CLUNY THERMAL BATHS - "BAINS DE JULIEN". 19th century. Lithographed by Godefroy ENGELMANN (1788-1839), after the painting by BOUTON. Proof with the letter, watercolored in blue, on wove paper. Margins. 48 x 35.3 cm. A/B condition (a few stains and short tears in the margins, otherwise good overall condition).

Estimate

100 € - 200 €

PARIS - Edouard GOERG - "BALCONY OF PARIS". 1964. Original lithograph by Edouard Goerg (1893-1969), printed in colors. Proof on Lana wove paper, justified "ép. D'artiste 3/10" and signed in pencil by the artist. All margins. 52 x 66 cm. Condition A (foxing in the margins, otherwise good condition).

54 - PARIS - Edouard GOERG - "BALCONY OF PARIS". 1964. Original lithograph by Edouard Goerg (1893-1969), printed in colors. Proof on Lana wove paper, justified "ép. D'artiste 3/10" and signed in pencil by the artist. All margins. 52 x 66 cm. Condition A (foxing in the margins, otherwise good condition).

Estimate

100 € - 200 €

PARIS - Gabriel BELOT - [Barges on the Seine]. c.1922. Engraved wood. Signed with the artist's monogram in the plate. Fine artist's proof, justified, on japon paper, dedicated "à Madame et à Raphaël Mancho, en souvenir affectueux" and countersigned in pencil by the artist. Margins. 25.5 x 33 cm. Condition A (well preserved).

55 - PARIS - Gabriel BELOT - [Barges on the Seine]. c.1922. Engraved wood. Signed with the artist's monogram in the plate. Fine artist's proof, justified, on japon paper, dedicated "à Madame et à Raphaël Mancho, en souvenir affectueux" and countersigned in pencil by the artist. Margins. 25.5 x 33 cm. Condition A (well preserved).

Estimate

150 € - 200 €

PARIS - "Rue de Passy". Original etching by Pierre BAZIRE (1933 - 2009), printed in colors. Fine proof on wove paper, numbered 9/60, titled and signed in pencil by the artist. Full margins. 32.5 x 25 cm. Condition A (well preserved).

56 - PARIS - "Rue de Passy". Original etching by Pierre BAZIRE (1933 - 2009), printed in colors. Fine proof on wove paper, numbered 9/60, titled and signed in pencil by the artist. Full margins. 32.5 x 25 cm. Condition A (well preserved).

Estimate

80 € - 100 €

PARIS - TOURISM POSTER - "SPRING IN FRANCE - PARIS (Le paravent de DUFY 1929-1930)". 1966. Illustrated after Raoul DUFY. Photog. ELSER. Printed by photolith. L. DELAPORTE, Paris. Poster for the Ministry of Public Works, Transport and Tourism. 98 x 61.5 cm. Condition A/B (Creases, some folds and handling marks, edges of poster damaged, tear and missing lower left corner).

57 - PARIS - TOURISM POSTER - "SPRING IN FRANCE - PARIS (Le paravent de DUFY 1929-1930)". 1966. Illustrated after Raoul DUFY. Photog. ELSER. Printed by photolith. L. DELAPORTE, Paris. Poster for the Ministry of Public Works, Transport and Tourism. 98 x 61.5 cm. Condition A/B (Creases, some folds and handling marks, edges of poster damaged, tear and missing lower left corner).

Result

100 €

BIG WHEEL PARIS - EXPOSITION UNIVERSELLE 1900 - Constructions of Ferry imagery in Nancy - "La Grande Roue de Paris". x.1900. 2 Sheets numbered 411 and 411 bis. E. Ferry éditeur à Nancy. Approx. 39.5 x 48 cm each. Condition A (good condition). Set of 2 pl.

58 - BIG WHEEL PARIS - EXPOSITION UNIVERSELLE 1900 - Constructions of Ferry imagery in Nancy - "La Grande Roue de Paris". x.1900. 2 Sheets numbered 411 and 411 bis. E. Ferry éditeur à Nancy. Approx. 39.5 x 48 cm each. Condition A (good condition). Set of 2 pl.

Estimate

90 € - 120 €

CORSICA - "Servante de l'Isle de CORSE". 18th century. Etching and burin on laid paper. Margins. 41 x 26 cm. Condition C (numerous stains mainly on margins and verso, small folds and short tears in margins, paper weakened).

59 - CORSICA - "Servante de l'Isle de CORSE". 18th century. Etching and burin on laid paper. Margins. 41 x 26 cm. Condition C (numerous stains mainly on margins and verso, small folds and short tears in margins, paper weakened).

Result

130 €

ALPES-MARITIMES (06) - MENTON - ORIGINAL TOURIST POSTER - "La rade et les jardins de Menton, RIVIERA, Côte d'Azur - France". 1960. Ph. FRONVAL. Printed by E. Desfossés in Paris. 98.5 x 61.5 cm. Condition B (Creasing, rare small creases and/or short tears at edges, larger tear at foot).

60 - ALPES-MARITIMES (06) - MENTON - ORIGINAL TOURIST POSTER - "La rade et les jardins de Menton, RIVIERA, Côte d'Azur - France". 1960. Ph. FRONVAL. Printed by E. Desfossés in Paris. 98.5 x 61.5 cm. Condition B (Creasing, rare small creases and/or short tears at edges, larger tear at foot).

Estimate

250 € - 300 €

ALPES-MARITIMES (06) - NICE - TOURISM POSTER - "FRANCE - CÔTE D'AZUR - NICE". 1958. Photog. TRUBERT. Printed by DRAEGER, Paris. Poster for the French Ministry of Public Works, Transport and Tourism. 98.5 x 61.5 cm. Condition A/B (Creasing, rare light creases, one very short tear to right).

61 - ALPES-MARITIMES (06) - NICE - TOURISM POSTER - "FRANCE - CÔTE D'AZUR - NICE". 1958. Photog. TRUBERT. Printed by DRAEGER, Paris. Poster for the French Ministry of Public Works, Transport and Tourism. 98.5 x 61.5 cm. Condition A/B (Creasing, rare light creases, one very short tear to right).

Estimate

150 € - 200 €

ALPES-MARITIMES (06) - CANNES - Robert VERNET-BONFORT - "La Croisette à CANNES". 1975. Lithograph in colors. Fine proof on wove paper, numbered 126/250 and signed in pencil by the artist. Margins. 54 x 75 cm. Condition A (very slight trace of fold at lower right, barely visible, good condition).

62 - ALPES-MARITIMES (06) - CANNES - Robert VERNET-BONFORT - "La Croisette à CANNES". 1975. Lithograph in colors. Fine proof on wove paper, numbered 126/250 and signed in pencil by the artist. Margins. 54 x 75 cm. Condition A (very slight trace of fold at lower right, barely visible, good condition).

Estimate

80 € - 100 €

ALPES-MARITIME (06) - CANNES - Ramon DILLEY (b. Madrid 1932) - "The Carlton Beach in Cannes". c.1970. Original lithograph, printed in colors. Fine proof on Arches wove paper, numbered 57/175 and signed in pencil by the artist. Good margins. 76 x 55.5 cm. Condition A (well preserved).

63 - ALPES-MARITIME (06) - CANNES - Ramon DILLEY (b. Madrid 1932) - "The Carlton Beach in Cannes". c.1970. Original lithograph, printed in colors. Fine proof on Arches wove paper, numbered 57/175 and signed in pencil by the artist. Good margins. 76 x 55.5 cm. Condition A (well preserved).

Estimate

100 € - 200 €

ALPES-MARITIMES (06) - "ISOLA". 19th century. Original Sketch (probably by Felix Benoist) in graphite on wove paper. Situated "Isola" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 22 x 31 cm. Condition A (well preserved).

64 - ALPES-MARITIMES (06) - "ISOLA". 19th century. Original Sketch (probably by Felix Benoist) in graphite on wove paper. Situated "Isola" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 22 x 31 cm. Condition A (well preserved).

Result

150 €

ALPES-MARITIMES (06) - "LANTOSQUE". 19th century. Original Sketch (probably by Felix Benoist) in graphite on wove paper. Situated "ST MARTIN LANTOSQUE" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 22 x 30.8 cm. Condition A (well preserved).

65 - ALPES-MARITIMES (06) - "LANTOSQUE". 19th century. Original Sketch (probably by Felix Benoist) in graphite on wove paper. Situated "ST MARTIN LANTOSQUE" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 22 x 30.8 cm. Condition A (well preserved).

Result

150 €

ALPES-MARITIMES (06) - "Convent of ST BARTHELEMY near NICE". 19th century. Original Sketch (probably by Felix Benoist) in graphite, on wove paper. Located lower left in pencil. Small character sketch on verso. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23 x 32.5 cm. Condition A (well preserved).

66 - ALPES-MARITIMES (06) - "Convent of ST BARTHELEMY near NICE". 19th century. Original Sketch (probably by Felix Benoist) in graphite, on wove paper. Located lower left in pencil. Small character sketch on verso. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23 x 32.5 cm. Condition A (well preserved).

Result

220 €

ALPES-MARITIMES (06) - "Villa St Acheul à CANNES". 19th century. Original Sketch (probably by Felix Benoist) in graphite on wove paper. Located lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23.7 x 32.8 cm. Condition A (well preserved).

67 - ALPES-MARITIMES (06) - "Villa St Acheul à CANNES". 19th century. Original Sketch (probably by Felix Benoist) in graphite on wove paper. Located lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23.7 x 32.8 cm. Condition A (well preserved).

Estimate

150 € - 200 €

ARDECHE (07) - "ANNONAY". Woodcut by Rose Seguin BECHETOILLE (1886-1941). Signed with the artist's monogram in the plate. Proof on cream wove paper, located, numbered 10/100 and countersigned in pencil by the artist. Full margins. 28 x 37.8 cm. Condition A (slight marks of handling in the margins, otherwise good condition).

68 - ARDECHE (07) - "ANNONAY". Woodcut by Rose Seguin BECHETOILLE (1886-1941). Signed with the artist's monogram in the plate. Proof on cream wove paper, located, numbered 10/100 and countersigned in pencil by the artist. Full margins. 28 x 37.8 cm. Condition A (slight marks of handling in the margins, otherwise good condition).

Estimate

80 € - 100 €

ARDECHE (07) - "The Dome of the Hospital in AUBENAS". Early 20th century. Original drypoint engraved by Pierre L. MOREAU (1883-1958). Proof on wove paper, numbered 27/30 and signed in pencil by the artist. Good margins. 28.3 x 37.8 cm. A/B condition (very slightly darkened, otherwise good condition).

69 - ARDECHE (07) - "The Dome of the Hospital in AUBENAS". Early 20th century. Original drypoint engraved by Pierre L. MOREAU (1883-1958). Proof on wove paper, numbered 27/30 and signed in pencil by the artist. Good margins. 28.3 x 37.8 cm. A/B condition (very slightly darkened, otherwise good condition).

Result

180 €

AUDE (11) - CARCASSONNE - "The City of Carcassonne". c.1911. Photogravure after Antoine Guillemet (1841-1918). Titled proof, dedicated "A Mlle Marthe Kratké / som ami Antoine Guillemet" in pencil by the artist. Editions d'art A.D. Dupont, 8 rue Dupuytren, Paris. Good margins. 34.7 x 44 cm. Condition A (margins and verso slightly dusted).

70 - AUDE (11) - CARCASSONNE - "The City of Carcassonne". c.1911. Photogravure after Antoine Guillemet (1841-1918). Titled proof, dedicated "A Mlle Marthe Kratké / som ami Antoine Guillemet" in pencil by the artist. Editions d'art A.D. Dupont, 8 rue Dupuytren, Paris. Good margins. 34.7 x 44 cm. Condition A (margins and verso slightly dusted).

Estimate

100 € - 200 €

CALVADOS (14) - "HONFLEUR". Original lithograph by Marcel SALINAS (1913 - 2010), printed in colors. Fine proof on wove paper, titled, numbered 53/125 and signed in pencil by the artist. Good margins. Trained at the École des Beaux-Arts in Paris, Marcel Salinas was influenced by artists such as Piet Mondrian and François Morellet, but developed his own visual vocabulary, combining geometric rigor and expressive freedom. 34.3 x 50.5 cm. Condition A (well preserved).

71 - CALVADOS (14) - "HONFLEUR". Original lithograph by Marcel SALINAS (1913 - 2010), printed in colors. Fine proof on wove paper, titled, numbered 53/125 and signed in pencil by the artist. Good margins. Trained at the École des Beaux-Arts in Paris, Marcel Salinas was influenced by artists such as Piet Mondrian and François Morellet, but developed his own visual vocabulary, combining geometric rigor and expressive freedom. 34.3 x 50.5 cm. Condition A (well preserved).

Estimate

80 € - 100 €

CALVADOS (14) - "LISIEUX". 1923. Original etching and drypoint by Henry CHEFFER (1880 - 1957). Signed with the monogram and located in the plate lower left. Proof on cream wove paper, countersigned in pencil by the artist. Full margins. 50 x 38 cm. Condition A/B (a few marks of handling in the margins, partially and lightly soiled).

72 - CALVADOS (14) - "LISIEUX". 1923. Original etching and drypoint by Henry CHEFFER (1880 - 1957). Signed with the monogram and located in the plate lower left. Proof on cream wove paper, countersigned in pencil by the artist. Full margins. 50 x 38 cm. Condition A/B (a few marks of handling in the margins, partially and lightly soiled).

Result

105 €

CÔTES D'ARMOR (22) - "Chêne vert - Entrée de la plaine de MORDREUC, Bords de la RANCE". 19th century. Original Sketch (probably by Felix Benoist) in graphite, on chine paper. Located lower right in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 24 x 32.7 cm. Condition A (minor edgewear not affecting the subject, good condition).

73 - CÔTES D'ARMOR (22) - "Chêne vert - Entrée de la plaine de MORDREUC, Bords de la RANCE". 19th century. Original Sketch (probably by Felix Benoist) in graphite, on chine paper. Located lower right in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 24 x 32.7 cm. Condition A (minor edgewear not affecting the subject, good condition).

Estimate

150 € - 200 €

CÔTES D'ARMOR (22) - "DINAN". 19th century. Original Sketch (probably by Felix Benoist) in graphite, on China paper. Located "Dinan (Côtes du Nord)" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 22 x 31 cm. Condition A (minor handling marks, good condition).

74 - CÔTES D'ARMOR (22) - "DINAN". 19th century. Original Sketch (probably by Felix Benoist) in graphite, on China paper. Located "Dinan (Côtes du Nord)" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 22 x 31 cm. Condition A (minor handling marks, good condition).

Result

250 €

CÔTES D'ARMOR (22) - "SAINT-MICHEL-EN-GREVE". 19th century. Original Sketch (probably by Felix Benoist) in graphite, on wove paper. Located "St Michel en Grève Côtes du Nord" lower left and "St Michel en gr" lower right in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 24.5 x 32 cm. Condition A (well preserved).

75 - CÔTES D'ARMOR (22) - "SAINT-MICHEL-EN-GREVE". 19th century. Original Sketch (probably by Felix Benoist) in graphite, on wove paper. Located "St Michel en Grève Côtes du Nord" lower left and "St Michel en gr" lower right in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 24.5 x 32 cm. Condition A (well preserved).

Estimate

250 € - 300 €

CÔTES D'ARMOR (22) - "Chapelle de St Emilion à LOGUIVY-PLOUGRAS". 19th century. Original Sketch (probably by Felix Benoist) in graphite, on bluish wove paper. Situated "Chapelle de St Emilion à Loguivy-Plougras (Côtes du nord)" lower right in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes (from 1854). 31.7 x 23.5 cm. Condition A (well preserved).

76 - CÔTES D'ARMOR (22) - "Chapelle de St Emilion à LOGUIVY-PLOUGRAS". 19th century. Original Sketch (probably by Felix Benoist) in graphite, on bluish wove paper. Situated "Chapelle de St Emilion à Loguivy-Plougras (Côtes du nord)" lower right in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes (from 1854). 31.7 x 23.5 cm. Condition A (well preserved).

Estimate

300 € - 400 €

CÔTES D'ARMOR (22) - "LAMBALLE". 19th century. Original Sketch by Felix Benoist in graphite on wove grey paper. Located "Lamballe (Côtes du nord)" lower left in pencil. Annotated "Voir la femme de Lamballe Galerie" in pencil lower right. PREPARATORY DRAWING for the lithograph published in the album "La Bretagne Contemporaine". Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes

77 - CÔTES D'ARMOR (22) - "LAMBALLE". 19th century. Original Sketch by Felix Benoist in graphite on wove grey paper. Located "Lamballe (Côtes du nord)" lower left in pencil. Annotated "Voir la femme de Lamballe Galerie" in pencil lower right. PREPARATORY DRAWING for the lithograph published in the album "La Bretagne Contemporaine". Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes

Result

400 €

CÔTES D'ARMOR (22) - "DINAN CASTLE". 19th century. Original Sketch (probably by Felix Benoist) in graphite on chine paper. Located lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 24.5 x 35.5 cm. Condition A (good state of preservation).

78 - CÔTES D'ARMOR (22) - "DINAN CASTLE". 19th century. Original Sketch (probably by Felix Benoist) in graphite on chine paper. Located lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 24.5 x 35.5 cm. Condition A (good state of preservation).

Result

250 €

DORDOGNE (24) - SARLAT - G. BLAEU - CARTE du "Diocèse de Sarlat", J. TARDO. Engraved map with antique coloring. Formerly mounted on card. Title cartouche top left. Margins. 45.8 x 57.5 cm. Condition B/C (trace of an old vertical fold in the middle and insolation).

79 - DORDOGNE (24) - SARLAT - G. BLAEU - CARTE du "Diocèse de Sarlat", J. TARDO. Engraved map with antique coloring. Formerly mounted on card. Title cartouche top left. Margins. 45.8 x 57.5 cm. Condition B/C (trace of an old vertical fold in the middle and insolation).

Estimate

80 € - 100 €

DRÔME (26) - [View of GRIGNAN]. c.1900-1920. Original etching engraved by Louis MOREAU (1883-1958). Proof on cream laid paper, signed in pencil by the artist. Margins. 23 x 28.5 cm. Condition A (well preserved).

80 - DRÔME (26) - [View of GRIGNAN]. c.1900-1920. Original etching engraved by Louis MOREAU (1883-1958). Proof on cream laid paper, signed in pencil by the artist. Margins. 23 x 28.5 cm. Condition A (well preserved).

Result

100 €

EURE-ET-LOIRE (28) - "CHARTRES, le Pont Bouju". Original etching by Jacques DESCHAMPS (1933-2023). Signed with the artist's monogram in the plate. Proof on wove paper, justified "III-XV" and countersigned in pencil by the artist. Full margins. 50 x 33 cm. Condition A/B (slightly darkened, otherwise good condition).

81 - EURE-ET-LOIRE (28) - "CHARTRES, le Pont Bouju". Original etching by Jacques DESCHAMPS (1933-2023). Signed with the artist's monogram in the plate. Proof on wove paper, justified "III-XV" and countersigned in pencil by the artist. Full margins. 50 x 33 cm. Condition A/B (slightly darkened, otherwise good condition).

Result

105 €

EURE-ET-LOIRE (28) - "Cathédrale de CHARTRES, Les Rois veillent sur la ville". Original lithograph by Maurice BUFFET (1909 - 2000). Signed with the artist's monogram in the plate. Proof on wove paper, countersigned in pencil by the artist. Dedication by the artist in ink on verso: "à M. Robert Vrinat / en amical hommage / avec mes meilleurs voeux pour la nouvelle année". All margins. 51.5 x 33 cm. Condition A/B (Minor foxing in the margins, edges slightly sunned, subject in good condition).

82 - EURE-ET-LOIRE (28) - "Cathédrale de CHARTRES, Les Rois veillent sur la ville". Original lithograph by Maurice BUFFET (1909 - 2000). Signed with the artist's monogram in the plate. Proof on wove paper, countersigned in pencil by the artist. Dedication by the artist in ink on verso: "à M. Robert Vrinat / en amical hommage / avec mes meilleurs voeux pour la nouvelle année". All margins. 51.5 x 33 cm. Condition A/B (Minor foxing in the margins, edges slightly sunned, subject in good condition).

Result

185 €

FINISTERE (29) - "Church of PENCRAN near LANDERNEAU". 19th century. Original Sketch (probably by Felix Benoist) in graphite on wove paper. Located lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 29.7 x 22.7 cm. Condition A (good state of preservation).

83 - FINISTERE (29) - "Church of PENCRAN near LANDERNEAU". 19th century. Original Sketch (probably by Felix Benoist) in graphite on wove paper. Located lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 29.7 x 22.7 cm. Condition A (good state of preservation).

Result

250 €

FINISTERE (29) - "PLOUJEAN". 19th century. Original Sketch (probably by Felix Benoist) in graphite on wove paper. Located "Ploujean Finistère" lower right in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes (from 1854). 20 x 28.5 cm. Condition A (good state of preservation).

84 - FINISTERE (29) - "PLOUJEAN". 19th century. Original Sketch (probably by Felix Benoist) in graphite on wove paper. Located "Ploujean Finistère" lower right in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes (from 1854). 20 x 28.5 cm. Condition A (good state of preservation).

Result

150 €

FINISTERE (29) - "à PENMARCH". 19th century. Original Sketch (probably by Felix Benoist) in graphite on wove paper. Situated "à Penmarch" lower right in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 28.3 x 22.7 cm. Condition A (well preserved).

85 - FINISTERE (29) - "à PENMARCH". 19th century. Original Sketch (probably by Felix Benoist) in graphite on wove paper. Situated "à Penmarch" lower right in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 28.3 x 22.7 cm. Condition A (well preserved).

Result

150 €

FINISTERE (29) - "KERGADOR". 19th century. Original Sketch (probably by Felix Benoist) in graphite on wove paper. Located lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 22.5 x 28 cm. Condition A (well preserved).

86 - FINISTERE (29) - "KERGADOR". 19th century. Original Sketch (probably by Felix Benoist) in graphite on wove paper. Located lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 22.5 x 28 cm. Condition A (well preserved).

Result

200 €

FINISTERE (29) - "Church of FOLGOËT". 19th century. Original Sketch (probably by Felix Benoist) in graphite on wove paper. Situated "Le Folgoet" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 22 x 29.7 cm. Condition A (well preserved).

87 - FINISTERE (29) - "Church of FOLGOËT". 19th century. Original Sketch (probably by Felix Benoist) in graphite on wove paper. Situated "Le Folgoet" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 22 x 29.7 cm. Condition A (well preserved).

Estimate

250 € - 300 €

FINISTERE (29) - "ROSCOFF, view from Chapelle Ste Barbe and Ile de Batz". 19th century. Original Sketch (probably by Felix Benoist) in graphite, on wove paper. Located lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23.5 x 32 cm. Condition A (well preserved).

88 - FINISTERE (29) - "ROSCOFF, view from Chapelle Ste Barbe and Ile de Batz". 19th century. Original Sketch (probably by Felix Benoist) in graphite, on wove paper. Located lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23.5 x 32 cm. Condition A (well preserved).

Result

250 €

FINISTERE (29) - "The Church of TREBOUL" near Douarnenez. 1921. Original etching engraved by Eugène BEJOT (1867 - 1931). Ref: Laran, no. 347. Signed, dated and located in the plate. Proof on Eug. Béjot laid paper. Good margins. 32.5 x 23.5 cm. Condition A (rare light foxing in the margins, good condition).

89 - FINISTERE (29) - "The Church of TREBOUL" near Douarnenez. 1921. Original etching engraved by Eugène BEJOT (1867 - 1931). Ref: Laran, no. 347. Signed, dated and located in the plate. Proof on Eug. Béjot laid paper. Good margins. 32.5 x 23.5 cm. Condition A (rare light foxing in the margins, good condition).

Estimate

80 € - 100 €

FINISTERE (29) - "QUIMPER, old fortifications". Etching and aquatint. Located in the plate. Fine proof on wove paper, located and signed in pencil. Good margins. 32.5 x 25 cm. Condition A (well preserved).

90 - FINISTERE (29) - "QUIMPER, old fortifications". Etching and aquatint. Located in the plate. Fine proof on wove paper, located and signed in pencil. Good margins. 32.5 x 25 cm. Condition A (well preserved).

Estimate

80 € - 100 €

ILLE-ET-VILAINE (35) - "BOURG-DES-COMPTES near RENNES". 19th century. Original Sketch (probably by Felix Benoist) in graphite, on wove paper. Located lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23 x 32.5 cm. Condition A (well preserved).

91 - ILLE-ET-VILAINE (35) - "BOURG-DES-COMPTES near RENNES". 19th century. Original Sketch (probably by Felix Benoist) in graphite, on wove paper. Located lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23 x 32.5 cm. Condition A (well preserved).

Estimate

250 € - 300 €

ILLE-ET-VILAINE (35) - "MOULINS à ST MALO". 19th century. Original Sketch (probably by Felix Benoist) in graphite on wove paper. Located lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 22.5 x 29.7 cm. Condition A (good state of preservation).

92 - ILLE-ET-VILAINE (35) - "MOULINS à ST MALO". 19th century. Original Sketch (probably by Felix Benoist) in graphite on wove paper. Located lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 22.5 x 29.7 cm. Condition A (good state of preservation).

Estimate

150 € - 200 €

ILLE-ET-VILAINE (35) - "RENNES". 19th century. Original Sketch (probably by Felix Benoist) in graphite on wove paper. Located lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 25.5 x 35 cm. Condition A (good state of preservation).

93 - ILLE-ET-VILAINE (35) - "RENNES". 19th century. Original Sketch (probably by Felix Benoist) in graphite on wove paper. Located lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 25.5 x 35 cm. Condition A (good state of preservation).

Result

330 €

ILLE-ET-VILAINE (35) - "Le SOLIDOR St SERVAN". 19th century. Original Sketch (probably by Felix Benoist) in graphite, on wove paper. Located "Le Solidor St Servan (Ille et Vilaine)" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes (from 1854). 19.5 x 30.5 cm. Condition A (very few small stains, otherwise good condition).

94 - ILLE-ET-VILAINE (35) - "Le SOLIDOR St SERVAN". 19th century. Original Sketch (probably by Felix Benoist) in graphite, on wove paper. Located "Le Solidor St Servan (Ille et Vilaine)" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes (from 1854). 19.5 x 30.5 cm. Condition A (very few small stains, otherwise good condition).

Result

150 €

ILLE-ET-VILAINE (35) - "Church of VITRE". 19th century. Original Sketch (probably by Felix Benoist) in graphite, on wove paper. Situated "Eglise de Vitré" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 25.5 x 24.8 cm. Condition A (well preserved).

95 - ILLE-ET-VILAINE (35) - "Church of VITRE". 19th century. Original Sketch (probably by Felix Benoist) in graphite, on wove paper. Situated "Eglise de Vitré" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 25.5 x 24.8 cm. Condition A (well preserved).

Result

180 €

ILLE-ET-VILAINE (35) - "DOL-DE-BRETAGNE Cathedral". 1866. Original Sketch (probably by Felix Benoist) in graphite, on wove paper. Situated "1866 Eglise de Dol" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 31.5 x 24 cm. Condition A (well preserved).

96 - ILLE-ET-VILAINE (35) - "DOL-DE-BRETAGNE Cathedral". 1866. Original Sketch (probably by Felix Benoist) in graphite, on wove paper. Situated "1866 Eglise de Dol" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 31.5 x 24 cm. Condition A (well preserved).

Estimate

200 € - 300 €

ILLE-ET-VILAINE (35) - "FOUGERES". 1866. Original Sketch (probably by Felix Benoist) in graphite on wove paper. Situated "Fougères" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 25.2 x 32.6 cm. Condition A (well preserved).

97 - ILLE-ET-VILAINE (35) - "FOUGERES". 1866. Original Sketch (probably by Felix Benoist) in graphite on wove paper. Situated "Fougères" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 25.2 x 32.6 cm. Condition A (well preserved).

Estimate

300 € - 400 €

ILLE-ET-VILAINE (35) - "REDON". 1866. Original Sketch (probably by Felix Benoist) in graphite on brown wove paper. Situated "Redon (Ille et Vilaine)" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes (from 1854). 23.3 x 31.5 cm. Condition B/C (traces of oxidation and slightly unstained).

98 - ILLE-ET-VILAINE (35) - "REDON". 1866. Original Sketch (probably by Felix Benoist) in graphite on brown wove paper. Situated "Redon (Ille et Vilaine)" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes (from 1854). 23.3 x 31.5 cm. Condition B/C (traces of oxidation and slightly unstained).

Estimate

150 € - 200 €

ILLE-ET-VILAINE (35) - "Château de HEDE". 1866. Original Sketch (probably by Felix Benoist) in graphite, on laid chine paper. Situated "Château de Hédé Ille et Vilaine" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes (from 1854). 27.5 x 36.2 cm. Condition A (some foxing in the slightly dusty outlines, subject in good condition).

99 - ILLE-ET-VILAINE (35) - "Château de HEDE". 1866. Original Sketch (probably by Felix Benoist) in graphite, on laid chine paper. Situated "Château de Hédé Ille et Vilaine" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes (from 1854). 27.5 x 36.2 cm. Condition A (some foxing in the slightly dusty outlines, subject in good condition).

Estimate

300 € - 400 €

ILLE-ET-VILAINE (35) - "à VITRE". 19th century. Original Sketch (probably by Felix Benoist) in graphite on blue wove paper. Situated "à Vitré" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23.7 x 31.5 cm. Condition A (well preserved).

100 - ILLE-ET-VILAINE (35) - "à VITRE". 19th century. Original Sketch (probably by Felix Benoist) in graphite on blue wove paper. Situated "à Vitré" lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23.7 x 31.5 cm. Condition A (well preserved).

Result

290 €

ILLE-ET-VILAINE (35) - "Plage des Bains de ST MALO". 19th century. Original Sketch (probably by Felix Benoist) in graphite on chine paper. Located lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 26 x 35 cm. Condition A (edges slightly dusted, good condition).

101 - ILLE-ET-VILAINE (35) - "Plage des Bains de ST MALO". 19th century. Original Sketch (probably by Felix Benoist) in graphite on chine paper. Located lower left in pencil. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 26 x 35 cm. Condition A (edges slightly dusted, good condition).

Estimate

300 € - 400 €

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