Prints, etchings and lithographs
Thursday 10 July 2025 at 13:00
9 rue de Provence, 75009 Paris
306 lots
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201 - Jacques STELLA (1596 - 1657) (after) - Sainte Marguerite du Saint Sacrement, Carmélite de Beaune, kneeling before an altar and holding the infant Jesus in her arms. 1655. Burin engraved by Pierre Le Doyen (French engraver active between 1651 and 1693). Ref : Hennin, n°3542. Proof on laid paper. Plate used as Frontispiece for "La vie de sœur Marie-Marguerite du Saint-Sacrement". (18.2 x 11.7 cm) Condition A/B (Cut at the edge of the copper mark on the right and small margins on the other sides
Result €80Estimate €80 - €100 -
202 - Cesare BASSANO (1584 - 1648) - Christ crowned with thorns. Burin after Giulio Cesare Bedeschini (L'Aquila 1582 - 1627), printed in red chalk. Proof on laid paper, with a trace of a collector's mark on the lower left corner. (27.4 x 16 cm) Condition B (Cut inside the copperplate mark on two sides and on the subject at the bottom and top. Some traces of old vertical and horizontal folds. Small holes at the intersections of the latter consolidated on verso. A short consolidated tear at top right.
Estimate €150 - €200 -
203 - Stefano DELLA BELLA (1610 - 1664) - "Two children playing with a goat". Original etching. Ref: De Vesme, n°102. Proof of the 2nd state of 2, with the artist's signature, on laid paper, with the mark of the collection d'ARENBERG, Bruxelles et Nordkirchen (Lugt 567) on the reverse. Approx. 22.3 x 24.2 cm (oval subject). A/B condition (cut on the subject, otherwise good condition).
Estimate €200 - €300 -
204 - Giovanni GEORGI (Italian engraver, active between 1625 and 1670.) - La Cuve ou Vénus, Mercure et Cupidon au bain. c.1630-1650Copy in counterpart engraved with a burin after Giulio Bonasone (Bologna c. 1498 - c. 1570), himself after a painting by Raffaello Santi, known as Raphael (Urbino 1483 - Rome 1520). Proof on laid paper. (23.3 x 34.1 cm) Condition B/C (Previously restored tears and traces of folds. Slightly missing and filled holes. Proof lined. Small epidermal marks. The artist's signatur
Estimate €300 - €400 -
205 - Giorgio GHISI (1520 - 1582) - "Pluto, Neptune, Minerva and Apollo". c.1560. Burin after a composition by Francesco Le Primatice. Ref: Bartsch, vol.XV, n°51. Proof of a late edition (prob. 18th), on watermarked laid paper. Fine margins. 18 x 24 cm. Condition A (good state of preservation).
Estimate €150 - €200 -
206 - Luca GIORDANO (1634 - 1705) - Sancta Anna (Christ holding a crown and the Virgin receiving Saint Anne in heaven). c.1680. Original etching. Ref : Ch. Le Blanc, Tome II, n°6. Proof of the 2 nd of 2 states, inscribed in point "Lucas Iordanus. In et Sculp" lower right in the composition and the publisher's address "Pa. Petrini excu Neapoli", on watermarked laid paper (animal in a double circle surmounted by the letter P). Filleted margins. (33.5 x 25.8 cm) Condition B (Some foxing and sun spots. F
Estimate €400 - €600 -
207 - MAÎTRE AU DE (student of Marc Antonio Raimondi, he worked in Rome from 1532 to 1550.) - Apollo and Marsyas supplicated. Burin after Raffaello Santi, known as Raphael (Urbino 1483 - Rome 1520), retouched on the Muse's left leg by Ph. Thomassin. Ref : Bartsch, Tome XV, p.206, n°31. Bartsch states that this is a copy in the same sense, with the addition of a die. Signed with the artist's monogram lower right. (17.8 x 28.6-28.4 cm.) Condition B/C (Cut at the border of the subject at top right; 2m
Estimate €300 - €400 -
208 - Lorenzo de MUSI (attributed to) (Italian engraver, born 1535.) - Allegory of Peace. Burin after the engraving by Marcantonio Raimondi (born in Bologna around 1480 and died between 1527 and 1534), after Raffaello Santi, known as Raphael (Urbino 1483 - Rome 1520). Reference: Bartsch, Tome XIV, n°393 (copy C). Signed with the artist's monogram in the plate. Proof of a late edition, on wove paper. Fine margins. (21.8) x W 12.4 cm) Condition A/B (Few small scattered stains.)
Estimate €200 - €300 -
209 - Marcantonio RAIMONDI (Born in Bologna around 1480 and died between 1527 and 1534.) (after) - The Last Supper. Etching and burin after Raffaello Santi, known as Raphael (Urbino 1483 - Rome 1520). Ref : Bartsch, Tome XIV, p.33, n°26. Proof of a 19th-century print on laid paper (29.2 x 43.1 cm) Condition A/B (Cut shortly before the square line.)
Estimate €300 - €400 -
210 - Guido RENI (1575 - 1642) (after) - Frontispiece to the work "Fonte prima d'Aritmetica", by Giovanni Battista Fontanelli. Etching engraved by an anonymous artist or a pupil of Guido Reni. Ref: Bartsch ill. 40, p.247, no. 35. Bartsch, Catalogue raisonné des estampes gravées à l'eau-forte par Guido Reni et de celles de ses disciples, p.49, n°30 (rare according to Bartsch). Proof on laid paper (watermark very difficult to read), covered on verso with a collection mark handwritten in brown ink "
Result €200Estimate €200 - €300 -
211 - Cesare ROBERTI (Italian engraver, born in Borgo San Sepolcro before 1581.) - The vineyard owner hires workers to work. Parable of the vineyard workers. Burin after a fresco painted by Andrea Del Sarto (Florence 1486 - 1530) and after the plate engraved by Cornelis Cort (1533 - 1578). Ref: New Hollstein (Cort), no. 49 (copy). Le Blanc, no. 3. Signed in the plate. Proof with artists' names, on thin laid paper (watermark very difficult to read). (25.8 x 38.6 cm) Condition B/C (Cut at copperplate m
Estimate €300 - €400 -
212 - Pietro TESTA, known as LUCCHESINO (1617 - 1650) (after) - Saint Roch and Saint Nicholas invoking the help of the Blessed Virgin for the cessation of the plague. Etched copy by an anonymous artist. Monogrammed by Pietro Testa in the plate. Proof on watermarked laid paper (pot). Margins. (32.8 x 23.8 cm) Condition B (Formerly lined, with minor handling soiling in the margins).
Estimate €200 - €300 -
213 - Jusepe de RIBERA (1591 - 1652) (after) - The Martyrdom of Saint Bartholomew. Copy engraved by an anonymous artist? Proof on watermarked laid paper (bunch of grapes and letters), covered on verso with a blue collector's mark (EL) (Lugt not described). (33 x 24.5 cm) Condition A (A small brown spot in the upper left sky.)
Estimate €400 - €600 -
214 - Anonymous 18th-century German - Wem Gott ein Amt giebt dem giebt er auch den Verstand. [To whom God gives an office, he also gives intelligence]. Etching engraved by an anonymous artist. Proof on watermarked laid paper. Margins. (34.7 x 27.5 cm) Condition A/B (Some scattered freckling and rare handling soiling. Few traces of old folds, including a strongly marked median horizontal fold. Slightly dusty)
Estimate €100 - €150 -
215 - BODENEHR George Conrad (1673-1710) - CEILING OF AN ANTICHAMBER - "Plafond des Vorgemachs an dem Parade Zimer [...]". c.1711. (Ceiling of the antechamber of the ceremonial hall, which is made of stucco and plaster, but the painting is frescoed). Etching and burin after Paulus Decker (Architect). Proof on watermarked laid paper (coat of arms). Margins. 42.5 x 47.7 cm. Condition A (good general condition).
Estimate €100 - €200 -
216 - François BOUCHER (1703 - 1770) (after) - "Deux nymphes et deux Amour regardant des colombes". Pencil engraving by Gilles DEMARTEAU (1722 - 1776), printed in red chalk. Ref: I.F.F. XVIIIe, n°204. Proof on laid paper, with the address "A Paris, chez Desmarteau Graveur du Roi rue de la Pelterie à la cloche". Margins. 36.5 x 26.5 cm. Condition B (a few stains and slightly darkened, a consolidated tear in the lower margin and a weakened plate cut).
Estimate €80 - €100 -
217 - Jean-Jacques DE BOISSIEU (1736 - 1810) - "Winter". 1795. Original etching. Ref: Pérez, no. 98. Signed with the artist's initials in the tablet on the right. Proof of the final state, on watermarked laid paper. Small margins. 27.5 x 20.8 cm. Condition A (a few light freckles).
Estimate €150 - €200 -
218 - Jean-Jacques DE BOISSIEU (1736 - 1810) - "Ruins of an aqueduct". 1763. Original etching. Ref: Pérez, no. 24. Signed with initials and dated in the subject. Proof of the 3rd state of 4, on laid paper (truncated watermark: fleur-de-lys in a shield surmounted by the number 4 & letters VB). Margins. 18.5 x 23.7 cm. Condition A (occasional light foxing on margins and verso).
Estimate €100 - €200 -
219 - Jean-Jacques DE BOISSIEU (1736 - 1810) - "Thirteen Studies of Heads", 1770. Original etching. Signed and dated in the plate. ref: Pérez, n°49. Proof of the 2nd state of 3, on laid paper. Margins. Boissieu's graphic work includes several sketch plates, like this one, where an etching needle was used to draw independent sketches directly on a prepared copper plate. A format initially associated with apprenticeship and the artist's first forays into the medium, the sketchboard became, in the hand
Estimate €100 - €200 -
220 - Philibert Louis DEBUCOURT (1755 - 1832) - Reunion of 2 plates: "Les visites" & "L'Orange ou Le moderne Jugement de Pâris". c.1800. Two etchings and aquatints. Proofs with the letter, on wove paper. Two collector's marks on verso of "Visites" (Lugt 1702, unidentified mark & Lugt 1731, by L. LÉPINGLE († circa 1903), merchant in Brussels).A Paris, chez les Marchands de Nouveautés. Small margins. Approx. 30.5 x 42 cm per plate. Condition B/C (sunned proofs). Set of 2 pl.
Estimate €80 - €100 -
221 - Jean-Baptiste GREUZE (1725 - 1805) (after) - "Le silence". Etching and burin by Laurent CARS (1699-1771). Proof of a 19th century print, on wove paper. Margins. 52 x 39 cm. Condition B (rare foxing and traces of insolation in the margins and verso, subject in good condition).
Estimate €100 - €200 -
222 - OPTICS - William HOGARTH (1697 - 1764) - "Southwark Fair". 1733. Original etching and burin. Ref: Paulson, n°131. Single state proof, with artist's name and date engraved in the tablet, on laid paper. Margins. 40.5 x 53 cm. Condition B (rare small foxing in the margins and on the reverse, slightly darkened, subject in good condition).
Estimate €200 - €300 -
223 - William HOGARTH (1697 - 1764) - PRINTERS' WORKSHOP - "The Fellow's Prentices, at their Looms, Industry and Idleness". 1747. Original etching and burin. Proof on laid paper. Margins. 28.7 x 41 cm. Condition B (freckles in margins and on verso, subject in good condition).
Estimate €100 - €200 -
224 - William HOGARTH (1697 - 1764) - [Time smocking a picture]. 1761. Satirical etching and black manner mocking dealers who, in order to smoke out buyers, deceive them by aging simple copies: at the same time, the artist mocks himself, reminding amateurs that not everything that looks old is necessarily valuable. Ref: Paulson, Hogarth's Graphice Work, n°208. Proof on wove paper. Margins. 25.5 x 19 cm. Condition A (well preserved).
Result €200Estimate €200 - €300 -
225 - Nicolas DE LARMESSIN (1684 - 1753) - "Youth". Etching and burin after N. LANCRET. Proof of a 19th century print, on wove paper. Formerly glued under marie-louise. 43 x 52.7 cm overall. Condition B (slightly darkened).
Estimate €180 - €200 -
226 - Carlo LASINIO (1759 - 1838) - "SOL" (APOLLON ON A CHAR ATTACKED BY FOUR HORSES). Early 19th century. Etching and burin after Raphael. Antique coloring. Proof with the letter, on wove paper. Plate from the suite "Les sept planètes peintes par Raphaël". Margins. 36.5 x 45.8 cm. Condition B (formerly doubled, some foxing and marginal stains, good overall condition).
Result €120Estimate €120 - €150 -
227 - Carlo LASINIO (1759 - 1838) - "JUPITER". Early 19th century. Etching and burin after Raphael. Old-fashioned coloring. Proof with the letter, on wove paper. Plate from the suite "The seven planets painted by Raphael". Margins. 36.5 x 45.8 cm. Condition B (foxing and traces of insolation especially in the margins, formerly lined).
Result €120Estimate €120 - €150 -
228 - Jan Piotr NORBLIN DE LA GOURDAINE (Polish artist, 1745 - 1830) - "La chaste Suzanne". 1776. Original etching. Ref: Hillemacher, no. 3. Proof on wove paper, formerly mounted by the corners on wove paper. Margins. 18.5 x 24 cm. Condition A (a very short tear in the left margin, small marked crease in the lower corners, otherwise good condition).
Result €85Estimate €80 - €100 -
229 - Jan Piotr NORBLIN DE LA GOURDAINE (Polish artist, 1745 - 1830) - "The Resurrection of Lazarus (large plate)". Original etching. Ref: Hillemacher, n°7. Proof on wove paper, formerly mounted by the corners on brown wove paper. Margins. 19.5 x 17.8 cm. Condition A (good condition).
Result €100Estimate €100 - €200 -
230 - Jan Piotr NORBLIN DE LA GOURDAINE (Polish artist, 1745 - 1830) - "Landscape with village". 1778. Original etching. Ref: Hillemacher, no. 37. Signed and dated in the plate. Proof on chine paper, formerly mounted by the corners on brown wove paper. Margins. 8 x 13 cm. Condition A (well preserved).
Result €90Estimate €80 - €100 -
231 - Jacques RIGAUD (1680 - 1754) - "The Return of the Prodigal Son". Early 18th century. Original etching. Proof with the letter, on watermarked laid paper (letters). Good margins. 38.5 x 54.5 cm. Condition B (some scorch marks and slightly darkened).
Estimate €100 - €150 -
232 - Andrea SCACCIATI (1644 - 1710) - "The handing over of the keys to Saint Peter" (Jesus appoints Peter head of the Church). 1766. Engraving after Jacopo Chimenti (1551 - 1640), printed in colors. Proof with artists' names, before title and address, on watermarked laid paper (nail in a circle). Margins. 54.5 x 39 cm. Condition B (stains and creases in margins and verso, one stain reaching slightly to edge of subject).
Estimate €100 - €200 -
233 - Andrea SCACCIATI (1644 - 1710) - "The Circumcision of Jesus". 1774. Engraving after Le Guerchin (1591 - 1666). Proof with artists' names, before title and address, on watermarked laid paper (nail in a circle). Margins. 52.7 x 39.5 cm. Condition B (a few marginal stains, subject in good condition).
Estimate €100 - €200 -
234 - NU - [Nude man, squatting]. 19th century. Drypoint, on wove paper. (18.8 x 140 cm) Condition A/B (A tear on the right reaching a little into the subject consolidated. Some brown spots on the margins and verso).
Estimate €200 - €300 -
235 - Adolphe APPIAN (1819 - 1898) - "Before the rain (Village of Villeneuve)". 1869. Original etching. Signed and dated in the plate. Fine proof of the final state, with the letter, on Arches laid paper. Printed and published by Cadart & Luce, Paris. Good margins. 28.5 x 45 cm. Condition A (well preserved).
Estimate €100 - €200 -
236 - BELEY (or BELLEY) (Active in Lyon in the late 19th century.) - Mausoleum of Jean Joseph Méallet, Comte de Fargues (1777 - 1818), former Mayor of Lyon. Lithograph after a drawing by Alexandre Thierriat (Lyon 1789 - 1870). Proof with the signature in the plate of "Thierriat" erased, on wove paper. Under the left-hand border: "première lithogr. de Lyon sur pierre de Beleÿ de L.C.H". Good margins. Allegorical scene depicting the City of Lyon mourning the death of the Comte de Fargues, leaning o
Estimate €300 - €400 -
237 - Emile BERNARD (1868 - 1941, Ecole de PONT-AVEN) - "The Way of the Cross". 1895. Lithograph. Ref: I.F.F After 1800, not described. Morane, n°41 ("While this plate was clearly intended to be part of a Ymagier album, the significance of P.5 (in the margin) is not obvious. This print is the only one with such a numbering. Nor is it the 5th station of the Stations of the Cross, the scene depicted corresponding to the 6th station, Veronique wiping Christ's face"). Signed with the maple leaf monogram
Estimate €200 - €300 -
238 - Emile BERNARD (1868 - 1941, Ecole de PONT-AVEN) - "The Nativity of N. S. Jesus Christ". 1894-1897. Lithograph. Ref: Morane, no. 53. Signed with the maple leaf monogram lower right in the composition. Proof on thin wove paper. Published by L'Ymagier. Good margins. 62 x 45.5 cm. Condition A (good state of preservation).
Estimate €200 - €300 -
239 - Emile BERNARD (1868 - 1941, Ecole de PONT-AVEN) - "Saint François d'Assise". 1894-1897. Lithograph. Ref: Morane, n°51. Proof with a column of text on either side of the image, the Complainte sur l'air du "juif errant" (Lament to the tune of the "Wandering Jew") and on the left, halfway up the image, "Celui-là s'est fait pauvre pour être riche d'amour" (He who became poor in order to be rich in love). Proof on thin wove paper. Published by L'Ymagier. Good margins. 62 x 45.5 cm. Condition A (g
Estimate €200 - €300 -
240 - Emile BERNARD (1868 - 1941, Ecole de PONT-AVEN) - "The Passion". 1894-1897. Lithograph. Ref: Morane, n°40. Signed with the maple leaf monogram and dated lower right in the composition. Proof of the 1st state (of 2), before the steeples in the background, on thin wove paper. Published by L'Ymagier, 9 rue de Varennes, Paris. Good margins. 45.5 x 62 cm. Condition A (good state of preservation).
Estimate €200 - €300 -
241 - Emile BERNARD (1868 - 1941, Ecole de PONT-AVEN) - "Hérodiade ou la Décollation de Saint Jean-Baptiste". 1894-1897. Lithograph. Ref: Morane, n°50. Proof on thin wove paper. Published by L'Ymagier. Good margins. 45.5 x 62 cm. Condition A (rare scattered foxing, otherwise good condition).
Estimate €200 - €300 -
242 - Emile BERNARD (1868 - 1941, Ecole de PONT-AVEN) - "Saint Georges". 1894-1897. Lithograph. Ref: Morane, no. 52. Signed with the maple leaf monogram lower right in the composition. Proof on thin wove paper. Published by L'Ymagier. Good margins. 62 x 45.5 cm. Condition A (good state of preservation).
Estimate €200 - €300 -
243 - Emile BERNARD (1868 - 1941, Ecole de PONT-AVEN) - "The Holy Family". 1896. Lithograph. Ref: Morane, n°44. Proof on thin wove paper. Produced for the Journal Perhinderion (June 1896). Good margins. 62 x 45.5 cm. Condition A (rare short tears and two freckles in the good margins, good condition).
Estimate €200 - €300 -
244 - Emile BERNARD (1868 - 1941, Ecole de PONT-AVEN) - "Sainte Marie, Mère de Dieu". 1895. Lithograph. Ref: Morane, n°42. Signed with the maple leaf monogram and dated lower left in the composition. Proof on thin wove paper. Good margins. 62 x 45.5 cm. Condition A (scattered foxing in the good margins, good condition).
Estimate €200 - €300 -
245 - Emile BERNARD (1868 - 1941, Ecole de PONT-AVEN) - "The Cross with the Holy Women". 1894. Lithograph. Ref: Morane, n°38. Signed with the artist's monogram and dated lower left in the composition. Proof on thin wove paper. Published by l'Ymagier. Good margins. 62 x 45.5 cm. Condition A (good state of preservation).
Estimate €200 - €300 -
246 - Emile BERNARD (1868 - 1941, Ecole de PONT-AVEN) - "La Vierge aux Saintes". 1895. Lithograph. Ref: Morane, n°39. Proof on thin wove paper. Published by l'Ymagier. Good margins. 62 x 45.5 cm. Condition A (good state of preservation).
Estimate €200 - €300 -
247 - Emile BERNARD (1868 - 1941, Ecole de PONT-AVEN) - "Sainte Marie Mère de Dieu". 1895. Lithograph. Proof on thin wove paper. Good margins. 62 x 45.5 cm. Condition A (rare light creases in the margins, good condition).
Estimate €200 - €300 -
248 - Jacques BEURDELEY (1874 - 1954) - "Carte adresse Ed. Sagot, Paris 1914 (Les sources de la Voulzie)." Original etching. Signed lower right in the plate. Fine proof on "Eug. Delâtre". Margins. 16 x 21 cm. Condition A (well preserved).
Estimate €80 - €100 -
249 - Jacques BEURDELEY (1874 - 1954) - "Carte adresse 1927, Maurice Le Garrec Succ. D'Ed. Sagot Editeur et Marchand d'Estampes". Original etching. Signed in point lower right in the plate. Fine proof on cream laid paper. Margins. 15.5 x 20.5 cm. Condition A (well preserved).
Estimate €80 - €100 -
250 - Félix BRACQUEMOND (1833 - 1914) - "Portrait of Charles Meryon". 1853. Original etching. Ref: Béraldi, n°77. I.F.F After 1800, no. 36. Signed and dated "à Ch.M / B. / 1853" in the upper left corner of the plate. Printed by A. Salmon. Fine proof of the 2nd state of 2 (published by the Gazette des Beaux-Arts in 1884), on laid paper (truncated watermark). Margins. 28 x 18.7 cm. Condition A (good).
Result €290Estimate €100 - €150
About the sale
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