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Engravings, prints etc...

Engravings, prints etc...

Tuesday, 22 April 2025 at 13:00
9 rue de Provence, 75009 Paris

Lots 201 to 250 of 306

Page 5 / 7

Maarten de VOS (after) (1532 - 1603) - [Evening. Allegory with Luna in the clouds]. 17th. Plate from a series of 4 pieces "Les heures du jour]. Burin. Proof on laid paper. Small margins. 22.8 x 28.5 cm. Condition A Rare and slight traces of folds and rare small marginal foxing, fine impression).

201 - Maarten de VOS (after) (1532 - 1603) - [Evening. Allegory with Luna in the clouds]. 17th. Plate from a series of 4 pieces "Les heures du jour]. Burin. Proof on laid paper. Small margins. 22.8 x 28.5 cm. Condition A Rare and slight traces of folds and rare small marginal foxing, fine impression).

Estimate
150 € - 200 €
Maarten de VOS (after) (1532 - 1603) - [Morning. Dawn lying on clouds and holding a bouquet of flowers. Allegory]. 17th century. Plate from a series of 4 pieces "Les heures du jour]. Burin. Proof on laid paper. Small margins. 22.4 x 27.8 cm. Condition A Rare and slight traces of folding and a few small marginal foxing marks, fine impression).

202 - Maarten de VOS (after) (1532 - 1603) - [Morning. Dawn lying on clouds and holding a bouquet of flowers. Allegory]. 17th century. Plate from a series of 4 pieces "Les heures du jour]. Burin. Proof on laid paper. Small margins. 22.4 x 27.8 cm. Condition A Rare and slight traces of folding and a few small marginal foxing marks, fine impression).

Estimate
150 € - 200 €
Maarten van HEEMSKERCK (c.1494 - 1574) (after) - "Christ washing the feet of his disciples". 1563. Burin engraved by Philip GALLE (1537-1612). Proof on laid paper. Fine copper margins. 19.5 x 24.5 cm. Condition B/C (old small restorations visible, paper epidermized in some places, cut inside the copper mark, two tiny needle holes...).

203 - Maarten van HEEMSKERCK (c.1494 - 1574) (after) - "Christ washing the feet of his disciples". 1563. Burin engraved by Philip GALLE (1537-1612). Proof on laid paper. Fine copper margins. 19.5 x 24.5 cm. Condition B/C (old small restorations visible, paper epidermized in some places, cut inside the copper mark, two tiny needle holes...).

Estimate
50 € - 80 €
Claude MELLAN (after) (1598 - 1688) - "Saint Alexis, lying at the foot of the stairs". Burin (subject reversed). 43.7 x 32 cm for the subject. 49.5 x 34.2 cm overall. Condition A (formerly cut from the subject and laminated).

204 - Claude MELLAN (after) (1598 - 1688) - "Saint Alexis, lying at the foot of the stairs". Burin (subject reversed). 43.7 x 32 cm for the subject. 49.5 x 34.2 cm overall. Condition A (formerly cut from the subject and laminated).

Estimate
80 € - 100 €
Agostino VENEZIANO (Agostino Di MUSI) (c.1490 - c.1536-1540) - "The Emperor Hadrian granting freedom to the slave Androcles". Burin after a drawing by the school of Marcantonio Raimondi in the Metropolitan Museum of Art, New York (inv.no. 80.3.190), and after Raphael. Signed with the artist's monogram in the plate. Ref: Bartsch, Tome XIV, no. 196. Proof on laid paper. 40.7 x 27.1 cm. Condition B (cut at the edge of the plate, small printing crease at the foot, small epidermure of the paper on th

205 - Agostino VENEZIANO (Agostino Di MUSI) (c.1490 - c.1536-1540) - "The Emperor Hadrian granting freedom to the slave Androcles". Burin after a drawing by the school of Marcantonio Raimondi in the Metropolitan Museum of Art, New York (inv.no. 80.3.190), and after Raphael. Signed with the artist's monogram in the plate. Ref: Bartsch, Tome XIV, no. 196. Proof on laid paper. 40.7 x 27.1 cm. Condition B (cut at the edge of the plate, small printing crease at the foot, small epidermure of the paper on th

Estimate
200 € - 300 €
Enea VICO (1523 - 1567) - "Tarquin and Lucretia". Burin after Raphael. Proof of the 2nd state of 2, the two middle dogs erased, on watermarked laid paper (fleur-de-lys on 3 mounts in a double circle). Ref: Bartsch, Tome XV, n°15. 28.5 x 41.2 cm. Condition C (cut inside the copperplate mark, trace of wetness and a few stains, a consolidated tear at top left, rare short tears on the edges of the sheet, rare spotting of the paper).

206 - Enea VICO (1523 - 1567) - "Tarquin and Lucretia". Burin after Raphael. Proof of the 2nd state of 2, the two middle dogs erased, on watermarked laid paper (fleur-de-lys on 3 mounts in a double circle). Ref: Bartsch, Tome XV, n°15. 28.5 x 41.2 cm. Condition C (cut inside the copperplate mark, trace of wetness and a few stains, a consolidated tear at top left, rare short tears on the edges of the sheet, rare spotting of the paper).

Estimate
200 € - 300 €
Jean-Jacques DE BOISSIEU (1736 - 1810) - "La fontaine de l'Orsière". Original etching. Reference: B.10. Proof of the 2nd state of 3, before Jean's print run, on laid paper. Coated on verso with the handwritten collector's mark of NAUDET (active 1760-c. 1830), print dealer in Paris (Lugt 1938). Fine copper margins. 11.2 x 14.5 cm. A/B condition (small lack or tear at the corners, cut inside the copperplate mark).

207 - Jean-Jacques DE BOISSIEU (1736 - 1810) - "La fontaine de l'Orsière". Original etching. Reference: B.10. Proof of the 2nd state of 3, before Jean's print run, on laid paper. Coated on verso with the handwritten collector's mark of NAUDET (active 1760-c. 1830), print dealer in Paris (Lugt 1938). Fine copper margins. 11.2 x 14.5 cm. A/B condition (small lack or tear at the corners, cut inside the copperplate mark).

Estimate
100 € - 200 €
Philibert Louis DEBUCOURT (1755 - 1832) - Reunion of 2 plates: "Les visites" & "L'Orange ou Le moderne Jugement de Pâris". c.1800. Two etchings and aquatints. Proofs with the letter, on wove paper. Two collector's marks on verso of "Visites" (Lugt 1702, unidentified mark & Lugt 1731, by L. LÉPINGLE († circa 1903), merchant in Brussels).A Paris, chez les Marchands de Nouveautés. Small margins. Approx. 30.5 x 42 cm per plate. Condition B/C (sunned proofs). Set of 2 pl.

208 - Philibert Louis DEBUCOURT (1755 - 1832) - Reunion of 2 plates: "Les visites" & "L'Orange ou Le moderne Jugement de Pâris". c.1800. Two etchings and aquatints. Proofs with the letter, on wove paper. Two collector's marks on verso of "Visites" (Lugt 1702, unidentified mark & Lugt 1731, by L. LÉPINGLE († circa 1903), merchant in Brussels).A Paris, chez les Marchands de Nouveautés. Small margins. Approx. 30.5 x 42 cm per plate. Condition B/C (sunned proofs). Set of 2 pl.

Estimate
100 € - 200 €
Jean-François JANINET (Paris 1752 - 1789) - "La Vertu de Lucrèce ou La Mort de Lucrèce". 1795. Chisel engraving and aquatint after Jean Guillaume Moitte (Paris 1746 1810). Proof in black and bistre, mounted on its original mount with an old 18th century handwritten collector's mark on verso (Lugt not described). Ref: I.F.F XVIIIè, n°153. Portalis et Béraldi, n°71. Rare. 31 x 60 cm. Condition B (small indentation of the paper in the bottom right-hand corner, some traces of handling).

209 - Jean-François JANINET (Paris 1752 - 1789) - "La Vertu de Lucrèce ou La Mort de Lucrèce". 1795. Chisel engraving and aquatint after Jean Guillaume Moitte (Paris 1746 1810). Proof in black and bistre, mounted on its original mount with an old 18th century handwritten collector's mark on verso (Lugt not described). Ref: I.F.F XVIIIè, n°153. Portalis et Béraldi, n°71. Rare. 31 x 60 cm. Condition B (small indentation of the paper in the bottom right-hand corner, some traces of handling).

Result
300 €
Albert BAERTSON (1866 - 1922) - "Poor houses, Kortrijk". c.1902. Original etching and drypoint. Proof on laid paper, signed in pencil by the artist. Margins. 45 x 48.5 cm. Condition A/B (trace of insolation in the margins, some light foxing on the reverse, subject in good condition).

210 - Albert BAERTSON (1866 - 1922) - "Poor houses, Kortrijk". c.1902. Original etching and drypoint. Proof on laid paper, signed in pencil by the artist. Margins. 45 x 48.5 cm. Condition A/B (trace of insolation in the margins, some light foxing on the reverse, subject in good condition).

Estimate
100 € - 120 €
Albert BESNARD (1849 - 1934) - "Portrait of Robert de MONTESQUIEU". 1899. Original etching and drypoint. Signed with the artist's monogram in the plate. Proof on laid paper, covered on verso with a collector's mark "J.J.S" not described by Lugt. Plate for "Les Perles rouges" by Robert de Montesquiou, published in 1899. Margins. 27.7 x 19.7 cm. A/B condition (rare small stains in lightly dusted margins, small scratch in subject).

211 - Albert BESNARD (1849 - 1934) - "Portrait of Robert de MONTESQUIEU". 1899. Original etching and drypoint. Signed with the artist's monogram in the plate. Proof on laid paper, covered on verso with a collector's mark "J.J.S" not described by Lugt. Plate for "Les Perles rouges" by Robert de Montesquiou, published in 1899. Margins. 27.7 x 19.7 cm. A/B condition (rare small stains in lightly dusted margins, small scratch in subject).

Result
100 €
Julien BOILLY (1796 - 1874) - "Venus and Adonis". Lithograph after PRUD'HON. Proof with the letter, on papier chine appliqué. Printed by Bertauts and published by Marchant, Edt. Alliance des Arts, Paris. Margins. 44 x 30.5 cm. Condition A (good).

212 - Julien BOILLY (1796 - 1874) - "Venus and Adonis". Lithograph after PRUD'HON. Proof with the letter, on papier chine appliqué. Printed by Bertauts and published by Marchant, Edt. Alliance des Arts, Paris. Margins. 44 x 30.5 cm. Condition A (good).

Estimate
90 € - 120 €
Félix BRACQUEMOND (1833 - 1914) - "Dernière réflexion. Portrait of Meyer-Heine, chief enameller at the Sèvres factory". 1872. Original etching. Signed in point in the subject. Reference: Béraldi, n°80; I.F.F Après 1800, n°322. Proof of the final state, with letter and number, on laid paper. Printed and published by Veuve Cadart, Paris. Published for the Société des Aquafortistes in 1876. Coated with the collector's mark of Eugène Daurand Forgues (1857 - 1933), First President of the C

213 - Félix BRACQUEMOND (1833 - 1914) - "Dernière réflexion. Portrait of Meyer-Heine, chief enameller at the Sèvres factory". 1872. Original etching. Signed in point in the subject. Reference: Béraldi, n°80; I.F.F Après 1800, n°322. Proof of the final state, with letter and number, on laid paper. Printed and published by Veuve Cadart, Paris. Published for the Société des Aquafortistes in 1876. Coated with the collector's mark of Eugène Daurand Forgues (1857 - 1933), First President of the C

Result
40 €
Félix BRACQUEMOND (1833 - 1914) - "The Raven". Original etching. Signed in the plate. Proof with the letter, on papier chine appliqué, printed by Delâtre. Ref: Beraldi 115; I.F.F. 48. Published by Marchant, Alliance des Arts, Paris. Margins. 29.3 x 23.2 cm. Condition A (good state of preservation).

214 - Félix BRACQUEMOND (1833 - 1914) - "The Raven". Original etching. Signed in the plate. Proof with the letter, on papier chine appliqué, printed by Delâtre. Ref: Beraldi 115; I.F.F. 48. Published by Marchant, Alliance des Arts, Paris. Margins. 29.3 x 23.2 cm. Condition A (good state of preservation).

Result
115 €
Mary CASSATT (1844 - 1926) - "Mother and Child". c.1892. Etching and drypoint after Auguste Marie Lauzet (1865-1898). Proof on Arches laid paper, signed in pencil. Good margins. 26 x 20 cm. Condition B (a very short tear reaching the subject (hardly visible), in the background and slight traces of handling).

215 - Mary CASSATT (1844 - 1926) - "Mother and Child". c.1892. Etching and drypoint after Auguste Marie Lauzet (1865-1898). Proof on Arches laid paper, signed in pencil. Good margins. 26 x 20 cm. Condition B (a very short tear reaching the subject (hardly visible), in the background and slight traces of handling).

Result
440 €
Edgar CHAHINE (1874 - 1947) - "Portrait of Ninon de Lenclos". 1927. Original drypoint. Ref: I.F.F Après 1800, no. 189. Proof on cream wove paper, signed in pencil by the artist. Margins. 22.7 x 19 cm. Condition A (good).

216 - Edgar CHAHINE (1874 - 1947) - "Portrait of Ninon de Lenclos". 1927. Original drypoint. Ref: I.F.F Après 1800, no. 189. Proof on cream wove paper, signed in pencil by the artist. Margins. 22.7 x 19 cm. Condition A (good).

Estimate
100 € - 200 €
Jacques-Louis DAVID (1748 - 1825) (after) - "Leonidas at Thermopylae". 1826. Etching and burin by LAUGIER. State proof with artists' names only (before title and addresses), on wove paper. Coated with two collector's marks (Lugt not described). Copper margins. 75 x 92 cm. Condition A (mounted on frame spine, rather marginal foxing).

217 - Jacques-Louis DAVID (1748 - 1825) (after) - "Leonidas at Thermopylae". 1826. Etching and burin by LAUGIER. State proof with artists' names only (before title and addresses), on wove paper. Coated with two collector's marks (Lugt not described). Copper margins. 75 x 92 cm. Condition A (mounted on frame spine, rather marginal foxing).

Result
260 €
Auguste DELÂTRE (1822 - 1907) - "Stag in the Moonlight". 1879. Original etching, roulette and drypoint. Signed and dated in the plate. Proof on cream wove paper. Signature partly faded lower right, in the margin. 45 x 61.5 cm. Condition A (generally good).

218 - Auguste DELÂTRE (1822 - 1907) - "Stag in the Moonlight". 1879. Original etching, roulette and drypoint. Signed and dated in the plate. Proof on cream wove paper. Signature partly faded lower right, in the margin. 45 x 61.5 cm. Condition A (generally good).

Result
130 €
DILLON Henri Patrice (1850 - 1909) - "Affiche pour l'Exposition de Dessins et Aquarelles de Constantin Guÿs à la Galerie Laffitte, du jeudi 28 mars au samedi 20 avril 1895". Rare original lithograph. Signed in the plate. Proof on wove paper. 53 x 45 cm. Condition B (a few tears on the edges reaching a little into the subject, small creases in the margins and slightly dusty verso).

219 - DILLON Henri Patrice (1850 - 1909) - "Affiche pour l'Exposition de Dessins et Aquarelles de Constantin Guÿs à la Galerie Laffitte, du jeudi 28 mars au samedi 20 avril 1895". Rare original lithograph. Signed in the plate. Proof on wove paper. 53 x 45 cm. Condition B (a few tears on the edges reaching a little into the subject, small creases in the margins and slightly dusty verso).

Estimate
100 € - 200 €
Gustave DORÉ (Strasbourg 1832 † Paris 1883) - "La guerre" (War/Krieg). 1867. Engraved by Paul GIRARDET (Switzerland 1821 † Paris 1893). Signed "G.ve Doré 1866" lower right in the plate. Proof on wove paper. Ref: I.F.F After 1800 (Girardet), not described. Printed and published by Goupil & Cie on April 1, 1867, in Paris, London & The Hague. Margins. 84.5 x 62.5 cm. Condition B (Few short tears and some foxing in partially dusted margins).

220 - Gustave DORÉ (Strasbourg 1832 † Paris 1883) - "La guerre" (War/Krieg). 1867. Engraved by Paul GIRARDET (Switzerland 1821 † Paris 1893). Signed "G.ve Doré 1866" lower right in the plate. Proof on wove paper. Ref: I.F.F After 1800 (Girardet), not described. Printed and published by Goupil & Cie on April 1, 1867, in Paris, London & The Hague. Margins. 84.5 x 62.5 cm. Condition B (Few short tears and some foxing in partially dusted margins).

Estimate
80 € - 100 €
Ignace FANTIN-LATOUR (1836 - 1904) - "Victor Hugo". Original lithograph. Ref: I.F.F Après 1800, no. 66. Proof on china paper, signed in pencil by the artist. Margins. 51.3 x 35 cm. Condition C (top margin cut, some marginal tears and some consolidated and filled reaching the subject).

221 - Ignace FANTIN-LATOUR (1836 - 1904) - "Victor Hugo". Original lithograph. Ref: I.F.F Après 1800, no. 66. Proof on china paper, signed in pencil by the artist. Margins. 51.3 x 35 cm. Condition C (top margin cut, some marginal tears and some consolidated and filled reaching the subject).

Result
95 €
Lucien FAURE (1828 - 1904) - Poster "Les Fétards, Pièce en 3 actes de Hennequin". 1897. Original lithograph, printed in colors. Signed and dated in the plate. Proof on wove paper, stamped "C.G" (Lugt not described). Printed and published by Charles Verneau, Paris. Margins. 57.5 x 40 cm. Condition A (two short tears and small pinholes in the margins, very slight trace of median horizontal crease and crease in lower margin, good condition).

222 - Lucien FAURE (1828 - 1904) - Poster "Les Fétards, Pièce en 3 actes de Hennequin". 1897. Original lithograph, printed in colors. Signed and dated in the plate. Proof on wove paper, stamped "C.G" (Lugt not described). Printed and published by Charles Verneau, Paris. Margins. 57.5 x 40 cm. Condition A (two short tears and small pinholes in the margins, very slight trace of median horizontal crease and crease in lower margin, good condition).

Estimate
400 € - 600 €
Ferdinand GAILLARD (1834 - 1887) - "The Mona Lisa". 1886. Etching after Leonardo de VINCI. Ref: I.F.F Après 1800, n°80. Fine proof on wove paper (J. Perrigot). Good margins. 28.5 x 23 cm. Condition A (well preserved).

223 - Ferdinand GAILLARD (1834 - 1887) - "The Mona Lisa". 1886. Etching after Leonardo de VINCI. Ref: I.F.F Après 1800, n°80. Fine proof on wove paper (J. Perrigot). Good margins. 28.5 x 23 cm. Condition A (well preserved).

Estimate
100 € - 200 €
Théodore GERICAULT (1791 - 1824) (after) - "Chasseur de la Garde Impériale". Etching engraved by Gaston Albert MANCHON (1855-1951). Proof with the artists' names in point, two remarks engraved in the tablet, signed in pencil by the artist. Good margins. 72 x 52.5 cm. Condition A/B (proof formerly mounted on strong wove paper, otherwise good condition).

224 - Théodore GERICAULT (1791 - 1824) (after) - "Chasseur de la Garde Impériale". Etching engraved by Gaston Albert MANCHON (1855-1951). Proof with the artists' names in point, two remarks engraved in the tablet, signed in pencil by the artist. Good margins. 72 x 52.5 cm. Condition A/B (proof formerly mounted on strong wove paper, otherwise good condition).

Result
80 €
Eugène GRASSET (1841 - 1917) - "Worry". 1897. Lithograph printed in colors, on wove paper. Artist's monogram lower left in the plate. Published by "Art et Décoration". Margins. 20.3 x 28.8 cm. Condition A (rare short edge tears and light foxing in the margins, subject in good condition).

225 - Eugène GRASSET (1841 - 1917) - "Worry". 1897. Lithograph printed in colors, on wove paper. Artist's monogram lower left in the plate. Published by "Art et Décoration". Margins. 20.3 x 28.8 cm. Condition A (rare short edge tears and light foxing in the margins, subject in good condition).

Result
80 €
Henri GUERARD (1846 - 1897) - "Forced doe on the snow". 1889. Etching after the painting by Gustave COURBET. Signed in the plate. Proof with the letter, on laid paper. Ref: Bertin, n°554. Printed by Eudes and published by the Gazette des Beaux-Arts. Margins. 18.5 x 27.3 cm. Condition A (well preserved).

226 - Henri GUERARD (1846 - 1897) - "Forced doe on the snow". 1889. Etching after the painting by Gustave COURBET. Signed in the plate. Proof with the letter, on laid paper. Ref: Bertin, n°554. Printed by Eudes and published by the Gazette des Beaux-Arts. Margins. 18.5 x 27.3 cm. Condition A (well preserved).

Result
50 €
HUET René Paul (Paris 1844 - 1928, son of Paul Huet) - [Chasseur au bord de la rivière] (Set of 8 prints). Original etchings. Proofs in various states, with the remark, on wove or Japon paper. Signed in the lower left-hand corner of the composition. Five of them countersigned in pencil by the artist. Fine proofs with margins. 55 x 70 cm approx. each plate - Condition A (Creases and stains in two proofs, otherwise good condition throughout) - Set of 8 plates.

227 - HUET René Paul (Paris 1844 - 1928, son of Paul Huet) - [Chasseur au bord de la rivière] (Set of 8 prints). Original etchings. Proofs in various states, with the remark, on wove or Japon paper. Signed in the lower left-hand corner of the composition. Five of them countersigned in pencil by the artist. Fine proofs with margins. 55 x 70 cm approx. each plate - Condition A (Creases and stains in two proofs, otherwise good condition throughout) - Set of 8 plates.

Estimate
80 € - 100 €
Louis ICART (1888 - 1951) - "Fair dancer or Ballerina". 1939. Original etching, drypoint and aquatint, enhanced with colors. Proof on wove paper, signed in pencil by the artist and stamped with the dry mill stamp. Margins. 60 x 68.8 cm. Condition B/C (a few foxes and slightly darkened).

228 - Louis ICART (1888 - 1951) - "Fair dancer or Ballerina". 1939. Original etching, drypoint and aquatint, enhanced with colors. Proof on wove paper, signed in pencil by the artist and stamped with the dry mill stamp. Margins. 60 x 68.8 cm. Condition B/C (a few foxes and slightly darkened).

Estimate
80 € - 120 €
Marie LAURENCIN (1883 - 1956) - "Eight girls in a meadow". 1926. Original etching. Plate for "Dix filles dans un pré", published by Au sans pareil, Paris. Proof justified "EA" (épreuve d'artiste), on laid paper, signed in pencil by the artist. Margins. 19 x 13.7 cm. Condition A (well preserved).

229 - Marie LAURENCIN (1883 - 1956) - "Eight girls in a meadow". 1926. Original etching. Plate for "Dix filles dans un pré", published by Au sans pareil, Paris. Proof justified "EA" (épreuve d'artiste), on laid paper, signed in pencil by the artist. Margins. 19 x 13.7 cm. Condition A (well preserved).

Result
155 €
Alphonse LEGROS (1937 - 1911) - "L'incendie". Original etching. Fine proof on laid paper, printed by A. Salmon and published by L'Art. Good margins. 30.5 x 43.7 cm. Condition A (well preserved).

230 - Alphonse LEGROS (1937 - 1911) - "L'incendie". Original etching. Fine proof on laid paper, printed by A. Salmon and published by L'Art. Good margins. 30.5 x 43.7 cm. Condition A (well preserved).

Estimate
80 € - 100 €
Edouard MANET (1832 - 1883) (after) - "L'Olympia". 1926. Aquatint engraved by Jacques VILLON (1875-1963) and printed in colors on strong wove paper. Ref: Ginestet & Pouillin, n°E647. Fine margins. 41 x 58.8 cm. Condition A (trace of old mounting and wetness on verso).

231 - Edouard MANET (1832 - 1883) (after) - "L'Olympia". 1926. Aquatint engraved by Jacques VILLON (1875-1963) and printed in colors on strong wove paper. Ref: Ginestet & Pouillin, n°E647. Fine margins. 41 x 58.8 cm. Condition A (trace of old mounting and wetness on verso).

Estimate
300 € - 400 €
Alphonse Charles MASSON (1810 - 1898) - "Portrait de M. Cadart, Fondateur de la Société des Aqua-Fortistes". Etching. Signed in the plate. Ref: Béraldi, Tome IX, p.247. Fine proof with the letter, on laid paper. Margins. 17 x 12.3 cm. Condition A (well preserved).

232 - Alphonse Charles MASSON (1810 - 1898) - "Portrait de M. Cadart, Fondateur de la Société des Aqua-Fortistes". Etching. Signed in the plate. Ref: Béraldi, Tome IX, p.247. Fine proof with the letter, on laid paper. Margins. 17 x 12.3 cm. Condition A (well preserved).

Estimate
100 € - 200 €
Augustin MONGIN (1843 - 1911) - "The death of the firstborn: the last of the ten plagues of Egypt". 1883. Etching after Lawrence Alma-Tadema. Proof before the artists' names and title, on parchment, signed in pencil by the artist. Published by The British & Foreign Artist's Association. Copper margins. 33.5 x 49.3 cm. Condition A (cut inside the copper mark, good condition).

233 - Augustin MONGIN (1843 - 1911) - "The death of the firstborn: the last of the ten plagues of Egypt". 1883. Etching after Lawrence Alma-Tadema. Proof before the artists' names and title, on parchment, signed in pencil by the artist. Published by The British & Foreign Artist's Association. Copper margins. 33.5 x 49.3 cm. Condition A (cut inside the copper mark, good condition).

Estimate
150 € - 200 €
Francisque POULBOT (1879 - 1946) - "Et maintenant fais moi voir la tienne" (for the 100th Dîner du Cornet). Lithograph. Signed in the plate. Proof on glazed wove paper. 30 x 23.7 cm. Condition B (some minor soiling).

234 - Francisque POULBOT (1879 - 1946) - "Et maintenant fais moi voir la tienne" (for the 100th Dîner du Cornet). Lithograph. Signed in the plate. Proof on glazed wove paper. 30 x 23.7 cm. Condition B (some minor soiling).

Estimate
80 € - 100 €
Francisque POULBOT (1879 - 1946) - "Où est encore le coton hydrophile? / - C'est celle là qui se fait de la poitrine avec". Lithograph in colors. Signed in the plate. Proof on wove paper. Margins. 28 x 37 cm. Condition B/C (foxing, margins and verso partially dusted).

235 - Francisque POULBOT (1879 - 1946) - "Où est encore le coton hydrophile? / - C'est celle là qui se fait de la poitrine avec". Lithograph in colors. Signed in the plate. Proof on wove paper. Margins. 28 x 37 cm. Condition B/C (foxing, margins and verso partially dusted).

Estimate
60 € - 80 €
Francisque POULBOT (1879 - 1946) - "Nothing but grain! You eat well at home! Well ... we're not Krauts!...". Original lithograph, printed in colors. Signed in the plate. Proof on wove paper. Good margins. 37.3 x 28.2 cm. A/B condition (foxing on verso, subject in good condition).

236 - Francisque POULBOT (1879 - 1946) - "Nothing but grain! You eat well at home! Well ... we're not Krauts!...". Original lithograph, printed in colors. Signed in the plate. Proof on wove paper. Good margins. 37.3 x 28.2 cm. A/B condition (foxing on verso, subject in good condition).

Estimate
80 € - 100 €
Charles Paul RENOUARD (1845 - 1924) - [Animals on the road fleeing an automobile]. Etching and point. Proof on laid paper. 51.7 x 35 cm. Condition A (cut to subject at right and top, margin fillet at left and small margin at foot, traces of folds on verso, fine impression).

237 - Charles Paul RENOUARD (1845 - 1924) - [Animals on the road fleeing an automobile]. Etching and point. Proof on laid paper. 51.7 x 35 cm. Condition A (cut to subject at right and top, margin fillet at left and small margin at foot, traces of folds on verso, fine impression).

Estimate
200 € - 300 €
Théodule RIBOT (1823 - 1891) - "The Peelers". 1863. Original etching. Signed in point in the plate. Ref: Béraldi, n°5 (ii/ii). Fine proof of the final state, with the letter, on laid paper. Covered with the dry stamp of the publisher A. Cadart & F. Chevalier (Lugt 3270). Good margins. 54 x 35 cm. Condition A (well preserved).

238 - Théodule RIBOT (1823 - 1891) - "The Peelers". 1863. Original etching. Signed in point in the plate. Ref: Béraldi, n°5 (ii/ii). Fine proof of the final state, with the letter, on laid paper. Covered with the dry stamp of the publisher A. Cadart & F. Chevalier (Lugt 3270). Good margins. 54 x 35 cm. Condition A (well preserved).

Estimate
80 € - 100 €
Théodule RIBOT (1823 - 1891) - "The Cat's Lunch". 1867. Original etching. Signed in the plate. Fine proof of the final state, with the letter, on Aqua-fortiste laid paper. Printed by Delâtre. Covered with the dry stamp of the publisher A. Cadart & F. Chevalier (Lugt 3270), with full margins. 56 x 37 cm. Condition A (well preserved).

239 - Théodule RIBOT (1823 - 1891) - "The Cat's Lunch". 1867. Original etching. Signed in the plate. Fine proof of the final state, with the letter, on Aqua-fortiste laid paper. Printed by Delâtre. Covered with the dry stamp of the publisher A. Cadart & F. Chevalier (Lugt 3270), with full margins. 56 x 37 cm. Condition A (well preserved).

Estimate
80 € - 100 €
SEM, Georges GOURSAT dit (1863 - 1934) - "Boldini, Kate Moore, Madeleine Lemaire, Montesquioi, Jean-Louis Forain & Yturri". 1905. Lithograph in colors. Signed in the plate. Proof on wove paper. Margins. 45.5 x 61.5 cm. A/B condition (trace of original median vertical fold, rare small marginal stains and short consolidated tear in upper margin).

240 - SEM, Georges GOURSAT dit (1863 - 1934) - "Boldini, Kate Moore, Madeleine Lemaire, Montesquioi, Jean-Louis Forain & Yturri". 1905. Lithograph in colors. Signed in the plate. Proof on wove paper. Margins. 45.5 x 61.5 cm. A/B condition (trace of original median vertical fold, rare small marginal stains and short consolidated tear in upper margin).

Estimate
100 € - 150 €
Lucien SIMON (1861 - 1945) - "Les Marguilliers" (Brittany). 1897. Original lithograph, printed in colors. Signed in the plate. Proof of the deluxe edition on simili japon paper, with the dry stamp of "L'Estampe Moderne". On verso, the deluxe edition stamp and numbered 69. Good margins. 40.5 x 55 cm. Condition A/B (margins and verso slightly sunned and dusty, subject in good condition).

241 - Lucien SIMON (1861 - 1945) - "Les Marguilliers" (Brittany). 1897. Original lithograph, printed in colors. Signed in the plate. Proof of the deluxe edition on simili japon paper, with the dry stamp of "L'Estampe Moderne". On verso, the deluxe edition stamp and numbered 69. Good margins. 40.5 x 55 cm. Condition A/B (margins and verso slightly sunned and dusty, subject in good condition).

Estimate
80 € - 100 €
STEINLEN Théophile Alexandre (1859 - 1923) - "Le secours national". Original lithograph. Signed in the plate. Proof on wove paper, numbered 186/400. All margins. 37.5 x 54 cm. Condition A (some light foxing on margins and verso).

242 - STEINLEN Théophile Alexandre (1859 - 1923) - "Le secours national". Original lithograph. Signed in the plate. Proof on wove paper, numbered 186/400. All margins. 37.5 x 54 cm. Condition A (some light foxing on margins and verso).

Estimate
100 € - 200 €
STEINLEN Théophile Alexandre (1859 - 1923) - "Dialogue" (two soldiers). 1915. Original lithograph. Signed and dated in the plate. Fine proof with remarks, on simili japon paper, numbered 41/100 and countersigned in pencil by the artist. Full margins. 56 x 38 cm. Condition A (well preserved).

243 - STEINLEN Théophile Alexandre (1859 - 1923) - "Dialogue" (two soldiers). 1915. Original lithograph. Signed and dated in the plate. Fine proof with remarks, on simili japon paper, numbered 41/100 and countersigned in pencil by the artist. Full margins. 56 x 38 cm. Condition A (well preserved).

Estimate
100 € - 200 €
STEINLEN Théophile Alexandre (1859 - 1923) - "Coeur sensible". 1915. Original lithograph. Signed in the plate. Fine proof with remarks, on wove paper, numbered 41/100 and countersigned in pencil by the artist. Full margins. 56.5 x 38 cm. Condition A (well preserved).

244 - STEINLEN Théophile Alexandre (1859 - 1923) - "Coeur sensible". 1915. Original lithograph. Signed in the plate. Fine proof with remarks, on wove paper, numbered 41/100 and countersigned in pencil by the artist. Full margins. 56.5 x 38 cm. Condition A (well preserved).

Estimate
100 € - 200 €
STEINLEN Théophile Alexandre (1859 - 1923) - "Le Mome". 1917. Original lithograph. Signed, titled and dated in the plate. Fine proof with remarks, on wove paper, numbered 41/100 and countersigned in pencil by the artist. Full margins. 57 x 38 cm. Condition A (well preserved).

245 - STEINLEN Théophile Alexandre (1859 - 1923) - "Le Mome". 1917. Original lithograph. Signed, titled and dated in the plate. Fine proof with remarks, on wove paper, numbered 41/100 and countersigned in pencil by the artist. Full margins. 57 x 38 cm. Condition A (well preserved).

Estimate
100 € - 200 €
STEINLEN Théophile Alexandre (1859 - 1923) - "Gares". c.1917. Original lithograph. Signed and titled in the plate. Fine proof with remarks, on simili japon paper, numbered 41/100 and countersigned in red pencil by the artist. Full margins. 56.5 x 38 cm. Condition A (well preserved).

246 - STEINLEN Théophile Alexandre (1859 - 1923) - "Gares". c.1917. Original lithograph. Signed and titled in the plate. Fine proof with remarks, on simili japon paper, numbered 41/100 and countersigned in red pencil by the artist. Full margins. 56.5 x 38 cm. Condition A (well preserved).

Estimate
100 € - 200 €
STEINLEN Théophile Alexandre (1859 - 1923) - [Les retrouvailles]. 1916. Original lithograph. Signed and dated in the plate. Fine proof with remarks, on wove paper, numbered 41/100 and countersigned in pencil by the artist. Good margins. 56.5 x 38 cm. Condition A (good state of preservation).

247 - STEINLEN Théophile Alexandre (1859 - 1923) - [Les retrouvailles]. 1916. Original lithograph. Signed and dated in the plate. Fine proof with remarks, on wove paper, numbered 41/100 and countersigned in pencil by the artist. Good margins. 56.5 x 38 cm. Condition A (good state of preservation).

Estimate
100 € - 200 €
STEINLEN Théophile Alexandre (1859 - 1923) - [Soldiers at Rest]. 1916. Original etching. Signed and dated in the plate. Proof on wove paper, numbered 41/100 and countersigned in pencil by the artist. All margins. 38 x 56 cm. Condition A (slightly darkened, otherwise good condition).

248 - STEINLEN Théophile Alexandre (1859 - 1923) - [Soldiers at Rest]. 1916. Original etching. Signed and dated in the plate. Proof on wove paper, numbered 41/100 and countersigned in pencil by the artist. All margins. 38 x 56 cm. Condition A (slightly darkened, otherwise good condition).

Estimate
100 € - 200 €
STEINLEN Théophile Alexandre (1859 - 1923) - "L'aide aux mutilés". 1915. Original lithograph. Signed and dated in the plate. Proof with remarks, on wove paper, numbered 41/100 and countersigned in pencil by the artist. Full margins. 54 x 37.5 cm. Condition A (rare marginal foxing and foxing on verso, subject in good condition).

249 - STEINLEN Théophile Alexandre (1859 - 1923) - "L'aide aux mutilés". 1915. Original lithograph. Signed and dated in the plate. Proof with remarks, on wove paper, numbered 41/100 and countersigned in pencil by the artist. Full margins. 54 x 37.5 cm. Condition A (rare marginal foxing and foxing on verso, subject in good condition).

Estimate
100 € - 200 €
STEINLEN Théophile Alexandre (1859 - 1923) - "Convalescents". 1915. Original lithograph. Signed and dated in the plate. Proof with remarks, on wove paper, numbered 41/100 and countersigned in pencil by the artist. Good margins. 54 x 38 cm. A/B condition (some foxing).

250 - STEINLEN Théophile Alexandre (1859 - 1923) - "Convalescents". 1915. Original lithograph. Signed and dated in the plate. Proof with remarks, on wove paper, numbered 41/100 and countersigned in pencil by the artist. Good margins. 54 x 38 cm. A/B condition (some foxing).

Estimate
100 € - 200 €
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