Engravings, lithographs, prints...

Engravings, lithographs, prints...

Wednesday, 18 September 2024 at 12:30
9 rue de Provence, 75009 Paris

Lots 1 to 50 of 279

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LOT of 11 ANCIENT ENGRAVINGS 18 & 19th C.: 1-"Le grand naufrage" engraved after J. VERNET. 33 x 44 cm. 2-"La Tempeste", engraved after J. VERNET. 33 x 44 cm. 3-"The Great Storm", engraved after J. VERNET. 36 x 50cm. (freckles, stains and insolation, damaged, as is). 4 & 5 "Betsy in trouble" & "The dog's first sight of himself". Color stipple engravings after J. Russell (marginal foxing).  6-"Camillus assiegeant la ville de Veies en Toscane",1776, engraved by Pierre-Antoine MARTINI (1

1 - LOT of 11 ANCIENT ENGRAVINGS 18 & 19th C.: 1-"Le grand naufrage" engraved after J. VERNET. 33 x 44 cm. 2-"La Tempeste", engraved after J. VERNET. 33 x 44 cm. 3-"The Great Storm", engraved after J. VERNET. 36 x 50cm. (freckles, stains and insolation, damaged, as is). 4 & 5 "Betsy in trouble" & "The dog's first sight of himself". Color stipple engravings after J. Russell (marginal foxing). 6-"Camillus assiegeant la ville de Veies en Toscane",1776, engraved by Pierre-Antoine MARTINI (1

Estimate
100 € - 200 €
LOT OF 3 ANCIENT ENGRAVINGS - 1-GRAVURE EVENTAIL on the theme of Mythology. 19th century. Engraving in old colors, on laid paper. 24 x 47 cm approx. per sheet. Condition B/C (a few stains and short tears, traces of folds). 2-ALLIGAND Bernard (born 1953) - "Horizon lumineux". Carborundum etching, with embossing. Proof numbered 13/30 and signed in pencil by the artist. Title annotated on verso in pencil. 67 x 50cm. Condition A (some foxing on margins and verso, good overall condition). 3- ORTEGA J

2 - LOT OF 3 ANCIENT ENGRAVINGS - 1-GRAVURE EVENTAIL on the theme of Mythology. 19th century. Engraving in old colors, on laid paper. 24 x 47 cm approx. per sheet. Condition B/C (a few stains and short tears, traces of folds). 2-ALLIGAND Bernard (born 1953) - "Horizon lumineux". Carborundum etching, with embossing. Proof numbered 13/30 and signed in pencil by the artist. Title annotated on verso in pencil. 67 x 50cm. Condition A (some foxing on margins and verso, good overall condition). 3- ORTEGA J

Estimate
80 € - 100 €
LOT of 9 AFFICHES - 1- 6 AFFICHETTES for INTERFLORA. Approx. 30x 40cm each. Condition A (slight traces of handling, good overall condition). 2- "Collection Provinciales - Horizons de France - Visages de l'ANJOU". Color lithograph after SAMSON. Wove paper. 54 x 34.5 cm. Condition B/C (tears and creases at the bottom of the poster, traces of handling...). 3- "Fête des mères - 31 mai 1953 - Offrez-lui du "Repos"". Color lithograph after J. JACQUELIN. Wove paper. Published by "Les Affiches Moderne

3 - LOT of 9 AFFICHES - 1- 6 AFFICHETTES for INTERFLORA. Approx. 30x 40cm each. Condition A (slight traces of handling, good overall condition). 2- "Collection Provinciales - Horizons de France - Visages de l'ANJOU". Color lithograph after SAMSON. Wove paper. 54 x 34.5 cm. Condition B/C (tears and creases at the bottom of the poster, traces of handling...). 3- "Fête des mères - 31 mai 1953 - Offrez-lui du "Repos"". Color lithograph after J. JACQUELIN. Wove paper. Published by "Les Affiches Moderne

Estimate
50 € - 100 €
LOT of 6 LITHOGRAPHIES in color (2 subjects in 3 copies). Proofs justified and signed "Agnès A[?]". 50 x 65 cm & 75 x 54 cm. Condition A (good condition).

4 - LOT of 6 LITHOGRAPHIES in color (2 subjects in 3 copies). Proofs justified and signed "Agnès A[?]". 50 x 65 cm & 75 x 54 cm. Condition A (good condition).

Estimate
30 € - 50 €
LOT OF 7 ANCIENT ESTAMPES: 1-"[Attributes of the Church]. c.1773. Engraved by J.C. Delafosse (1734-1789), after Pierre-François Tardieu. Plate 5 of the Attributes of the Church in the "II ème volume des oeuvres de J.Ch. Delafosse", Paris, by Jacques François Chereau. 2-"The wolf and his prey", 1847. Lithographed by Pierre-Frédéric Kiörboe, by Pierre-Frédéric Lehnert. 16.1 x 24.5 cm. 3-"The last interview between King Charles I & his Children", 1794. Engraved by Thomas Gaugain, after

5 - LOT OF 7 ANCIENT ESTAMPES: 1-"[Attributes of the Church]. c.1773. Engraved by J.C. Delafosse (1734-1789), after Pierre-François Tardieu. Plate 5 of the Attributes of the Church in the "II ème volume des oeuvres de J.Ch. Delafosse", Paris, by Jacques François Chereau. 2-"The wolf and his prey", 1847. Lithographed by Pierre-Frédéric Kiörboe, by Pierre-Frédéric Lehnert. 16.1 x 24.5 cm. 3-"The last interview between King Charles I & his Children", 1794. Engraved by Thomas Gaugain, after

Estimate
80 € - 100 €
TUNISIA - MAP - "Esquisse de la Restauration de la Ville de CARTHAGE par P.A. Dedreux, Architecte. Autographed by L. Letronne in 1837. Wove paper. Good margins. Folded in half. 51.5 x 65 cm. Condition A (traces of folds).

6 - TUNISIA - MAP - "Esquisse de la Restauration de la Ville de CARTHAGE par P.A. Dedreux, Architecte. Autographed by L. Letronne in 1837. Wove paper. Good margins. Folded in half. 51.5 x 65 cm. Condition A (traces of folds).

Estimate
80 € - 100 €
TUNISIA - Zoubeir TURKI (1924 - 2009) - "La cuisine tunisienne (d'Ommok Sannafa)". 1971. Printed in red chalk on wove paper. Signed in the plate. Edition M.T.E. Margins. 21 x 15 cm. Condition A/B (slight yellow stain in left margin).

7 - TUNISIA - Zoubeir TURKI (1924 - 2009) - "La cuisine tunisienne (d'Ommok Sannafa)". 1971. Printed in red chalk on wove paper. Signed in the plate. Edition M.T.E. Margins. 21 x 15 cm. Condition A/B (slight yellow stain in left margin).

Estimate
80 € - 100 €
TUNISIA - Zoubeir TURKI (1924 - 2009) - "La cuisine tunisienne (d'Ommok Sannafa)". 1971. Etching on wove paper. Signed in the plate. Edition M.T.E. Margins. 21 x 15 cm. Condition A (well preserved).

8 - TUNISIA - Zoubeir TURKI (1924 - 2009) - "La cuisine tunisienne (d'Ommok Sannafa)". 1971. Etching on wove paper. Signed in the plate. Edition M.T.E. Margins. 21 x 15 cm. Condition A (well preserved).

Result
100 €
TUNISIA - Zoubeir TURKI (1924 - 2009) - "La cuisine tunisienne (d'Ommok Sannafa)". 1971. Etching on wove paper. Signed in the plate. Edition M.T.E. Margins. 21 x 15 cm. Condition A (well preserved).

9 - TUNISIA - Zoubeir TURKI (1924 - 2009) - "La cuisine tunisienne (d'Ommok Sannafa)". 1971. Etching on wove paper. Signed in the plate. Edition M.T.E. Margins. 21 x 15 cm. Condition A (well preserved).

Result
110 €
MADAGASCAR - MAP of "MADAGASCAR", drawn by L. Thuillier, after the map in "L'année carthographique 1894. 1895. Lithograph printed by Dufrénoy. Top left a map of France's communications with Madagascar; bottom right a map of the Bay of DIEGO-SUAREZ and the Environs of TANANARIVE. Margins. 56 x 45 cm. Condition A (sparse foxing, trace of original median horizontal fold).

10 - MADAGASCAR - MAP of "MADAGASCAR", drawn by L. Thuillier, after the map in "L'année carthographique 1894. 1895. Lithograph printed by Dufrénoy. Top left a map of France's communications with Madagascar; bottom right a map of the Bay of DIEGO-SUAREZ and the Environs of TANANARIVE. Margins. 56 x 45 cm. Condition A (sparse foxing, trace of original median horizontal fold).

Result
100 €
UNITED STATES - SAN FRANCISCO - "Along the way of TWA, San Francisco - A jewel proudly mounted above a Golden Gate". c.1950. Poster printed in color in the USA, for Trans World Airlines. Wove paper. Margins. 43 x 56 cm. Condition A/B (trace of water in lower margin and verso).

11 - UNITED STATES - SAN FRANCISCO - "Along the way of TWA, San Francisco - A jewel proudly mounted above a Golden Gate". c.1950. Poster printed in color in the USA, for Trans World Airlines. Wove paper. Margins. 43 x 56 cm. Condition A/B (trace of water in lower margin and verso).

Estimate
50 € - 100 €
UNITED STATES - "Third day of the SIEGE of MONTEREY, Sept. 23rd, 1846". Mexican-American War. 1846. Color lithograph, printed and published by Corrier. Margins. 29 x 42.5 cm. A/B condition (one short consolidated tear in upper margin, very faint trace of vertical fold, otherwise good condition).

12 - UNITED STATES - "Third day of the SIEGE of MONTEREY, Sept. 23rd, 1846". Mexican-American War. 1846. Color lithograph, printed and published by Corrier. Margins. 29 x 42.5 cm. A/B condition (one short consolidated tear in upper margin, very faint trace of vertical fold, otherwise good condition).

Result
150 €
GUADELOUPE - "Vue générale du Port et de la Ville de la POINTE A PITRE, Prise du Morne-à-Caille". 19th century. Lithographed by Emile VERNIER (1829-1887), after Armand BUDAN. Wove paper. Printed by Lemercier. Good margins. 50.5 x 86 cm. Condition B/C (traces of two median vertical folds consolidated on verso, a few traces of old folds, small worm hole in foliage, rare tears or small losses restored in margins).

13 - GUADELOUPE - "Vue générale du Port et de la Ville de la POINTE A PITRE, Prise du Morne-à-Caille". 19th century. Lithographed by Emile VERNIER (1829-1887), after Armand BUDAN. Wove paper. Printed by Lemercier. Good margins. 50.5 x 86 cm. Condition B/C (traces of two median vertical folds consolidated on verso, a few traces of old folds, small worm hole in foliage, rare tears or small losses restored in margins).

Estimate
500 € - 700 €
INDONESIA - "TERNATE" (MOLUKA ISLANDS). c.1724. Etching engraved by F. Ottens. Proof on watermarked laid paper (fleur de lys). Top left: PLAN du Fort de Gamma-Lamma. Margins. 33 x 43.5 cm. Condition A/B (traces of original folds and two small wormholes).

14 - INDONESIA - "TERNATE" (MOLUKA ISLANDS). c.1724. Etching engraved by F. Ottens. Proof on watermarked laid paper (fleur de lys). Top left: PLAN du Fort de Gamma-Lamma. Margins. 33 x 43.5 cm. Condition A/B (traces of original folds and two small wormholes).

Estimate
150 € - 200 €
EGYPT - "Colossi from the Plain of GOURNA to THEBES, Upper Egypt". c.1819. Lithographed by Hersent. Proof on wove paper, printed by ENGELMANN (1788-1839). Good margins. 48 x 39 cm. A/B condition (some foxing).

15 - EGYPT - "Colossi from the Plain of GOURNA to THEBES, Upper Egypt". c.1819. Lithographed by Hersent. Proof on wove paper, printed by ENGELMANN (1788-1839). Good margins. 48 x 39 cm. A/B condition (some foxing).

Estimate
150 € - 200 €
MIDDLE EAST - "Ruins of BABILONE (Babylon)". 18th century. OPTICAL VIEW. Etching in old colors. Proof on watermarked laid paper. Good margins. 32.5 x 50.5 cm. Condition B (a few freckles in the lightly dusted margins).

16 - MIDDLE EAST - "Ruins of BABILONE (Babylon)". 18th century. OPTICAL VIEW. Etching in old colors. Proof on watermarked laid paper. Good margins. 32.5 x 50.5 cm. Condition B (a few freckles in the lightly dusted margins).

Estimate
100 € - 150 €
JORDAN - JERASH - 2 VIEWS of "DJERASCH: View of the Great Temple of the Colonnade & General View of the Ancient City". 19th century. Two views lithographed by Deroy and printed by Engelmann on a single sheet of wove paper. Good margins. Approx. 21.5 x 35.5 cm for each subject. 71 x 54.5 cm. Condition B (a few tears and foxing in the good, slightly dusty margins).

17 - JORDAN - JERASH - 2 VIEWS of "DJERASCH: View of the Great Temple of the Colonnade & General View of the Ancient City". 19th century. Two views lithographed by Deroy and printed by Engelmann on a single sheet of wove paper. Good margins. Approx. 21.5 x 35.5 cm for each subject. 71 x 54.5 cm. Condition B (a few tears and foxing in the good, slightly dusty margins).

Estimate
80 € - 100 €
RUSSIA - TROITZA - VIEW of the "CATHEDRAL of the Virgin and Dome of the Archangel (MONASTERY of Troïtza, Government of MOSCOW". 19th century. Lithographed, on wove paper. Printed by Auguste Bry and published by Ernest Bourdin, Paris. Margins. 53.5 x 34 cm. Condition B (scattered light foxing and slight trace of wetness in lower margin).

18 - RUSSIA - TROITZA - VIEW of the "CATHEDRAL of the Virgin and Dome of the Archangel (MONASTERY of Troïtza, Government of MOSCOW". 19th century. Lithographed, on wove paper. Printed by Auguste Bry and published by Ernest Bourdin, Paris. Margins. 53.5 x 34 cm. Condition B (scattered light foxing and slight trace of wetness in lower margin).

Estimate
100 € - 200 €
CRIMEA - RUSSIA/UKRAINE - "VIEW of the Old Bazaar and MONT-MITHRIDATE, KERTSCH (Ancienne Panticapée) Crimée, October 8, 1837". c.1845. Lithograph by Auguste RAFFET (1804-1860), on China paper. Printed by Auguste Bry. Proof with publisher Ernest Bourdin's dry stamp in lower margin. Good margins. 35 x 54 cm. Condition A (rare marginal foxing, otherwise good condition).

19 - CRIMEA - RUSSIA/UKRAINE - "VIEW of the Old Bazaar and MONT-MITHRIDATE, KERTSCH (Ancienne Panticapée) Crimée, October 8, 1837". c.1845. Lithograph by Auguste RAFFET (1804-1860), on China paper. Printed by Auguste Bry. Proof with publisher Ernest Bourdin's dry stamp in lower margin. Good margins. 35 x 54 cm. Condition A (rare marginal foxing, otherwise good condition).

Estimate
100 € - 200 €
RUSSIAN IMAGERY - [Christ on the Cross]. 19th century. Woodcut in old colors. Proof on fine wove paper, published in Moscow. Margins. 43 x 32 cm. Condition B (some foxing).

20 - RUSSIAN IMAGERY - [Christ on the Cross]. 19th century. Woodcut in old colors. Proof on fine wove paper, published in Moscow. Margins. 43 x 32 cm. Condition B (some foxing).

Estimate
100 € - 200 €
RUSSIA - "Portrait of His Majesty NICOLAS II Emperor of Russia & His Majesty Alexandra Feodorovna, Empress of Russia". 19th century. Chromo-typographs. Antique colors. Printed by Marinoni. By Cassigneul. Prime du "Petit Journal". Folded. 44 x 61.5 cm. Condition A (trace of wetness in lower margin, otherwise good condition).

21 - RUSSIA - "Portrait of His Majesty NICOLAS II Emperor of Russia & His Majesty Alexandra Feodorovna, Empress of Russia". 19th century. Chromo-typographs. Antique colors. Printed by Marinoni. By Cassigneul. Prime du "Petit Journal". Folded. 44 x 61.5 cm. Condition A (trace of wetness in lower margin, otherwise good condition).

Estimate
80 € - 100 €
RUSSIA - "VUE du KREMLIN et de ses environs à MOSCOU". c.1800. Line engraving and aquatint by Antoine Guérard de La Barthe (1730-1810). Proof with only the title and Rittner's address, on wove paper. Small margins. 46 x 59 cm. Condition A (occasional minor spotting in the margins and very slightly darkened).

22 - RUSSIA - "VUE du KREMLIN et de ses environs à MOSCOU". c.1800. Line engraving and aquatint by Antoine Guérard de La Barthe (1730-1810). Proof with only the title and Rittner's address, on wove paper. Small margins. 46 x 59 cm. Condition A (occasional minor spotting in the margins and very slightly darkened).

Estimate
700 € - 1 000 €
RUSSIA - "KATCHELI Game and Russian Fair". 19th century. Anonymous lithograph. Proof on wove paper. Good margins. 30x 46.5 cm. A/B condition (some light foxing).

23 - RUSSIA - "KATCHELI Game and Russian Fair". 19th century. Anonymous lithograph. Proof on wove paper. Good margins. 30x 46.5 cm. A/B condition (some light foxing).

Estimate
400 € - 500 €
GREECE / RUSSIA - [RUSSIAN MONASTERY of St. Martyr Panteleimon in ATHOS]. 1890. Chromolithograph printed and published in Russia. Margins. 52.5 x 73.5 cm. Condition A (a few short tears and light foxing in the margins).

24 - GREECE / RUSSIA - [RUSSIAN MONASTERY of St. Martyr Panteleimon in ATHOS]. 1890. Chromolithograph printed and published in Russia. Margins. 52.5 x 73.5 cm. Condition A (a few short tears and light foxing in the margins).

Result
360 €
GREECE / RUSSIA - [RUSSIAN MONASTERY of St. Martyr Panteleimon in ATHOS]. 1901. Chromolithograph printed and published in Russia. Margins. 54 x 74 cm. Condition B (Short tears and small lacks in the margins, trace of old median vertical fold).

25 - GREECE / RUSSIA - [RUSSIAN MONASTERY of St. Martyr Panteleimon in ATHOS]. 1901. Chromolithograph printed and published in Russia. Margins. 54 x 74 cm. Condition B (Short tears and small lacks in the margins, trace of old median vertical fold).

Result
420 €
SWITZERLAND - "View of GENEVA from the Rhone Falls". 18th century. OPTICAL VIEW. Etching engraved by Balth. F. LEIZEL. Old colors. Proof on laid paper. Copper margins. 31 x 43.2 cm. Condition A/B (cut at the copperplate mark at bottom right, good overall condition).

26 - SWITZERLAND - "View of GENEVA from the Rhone Falls". 18th century. OPTICAL VIEW. Etching engraved by Balth. F. LEIZEL. Old colors. Proof on laid paper. Copper margins. 31 x 43.2 cm. Condition A/B (cut at the copperplate mark at bottom right, good overall condition).

Estimate
100 € - 200 €
SWITZERLAND - "Vue perspective de la Ville de Basle (BÂLE) en Suisse du côté du Fauxbourg de SAINT ALBAN". 18th century. OPTICAL VIEW. Etching in old colors. Proof on laid paper, with the address "A Paris, chez Basset rue St Jacques à Ste Geneviève". Margins. 33.5 x 49.5 cm. Condition A/B (a few freckles and stains in the margins, traces of old mounting on verso, rare printing creases, lightly dusted).

27 - SWITZERLAND - "Vue perspective de la Ville de Basle (BÂLE) en Suisse du côté du Fauxbourg de SAINT ALBAN". 18th century. OPTICAL VIEW. Etching in old colors. Proof on laid paper, with the address "A Paris, chez Basset rue St Jacques à Ste Geneviève". Margins. 33.5 x 49.5 cm. Condition A/B (a few freckles and stains in the margins, traces of old mounting on verso, rare printing creases, lightly dusted).

Estimate
100 € - 200 €
SWITZERLAND - "125è Vue perspective de la Ville de GENEVE prise du côté du Lac". 18th century. OPTICAL VIEW. Etching in old colors. Proof on blue laid paper, with the address "à Paris chez Daumont rue St Martin / et presentement chez Basset rue St Jacques...". Margins. 30.5 x 45 cm. Condition A (rare small stains in the margins, good condition).

28 - SWITZERLAND - "125è Vue perspective de la Ville de GENEVE prise du côté du Lac". 18th century. OPTICAL VIEW. Etching in old colors. Proof on blue laid paper, with the address "à Paris chez Daumont rue St Martin / et presentement chez Basset rue St Jacques...". Margins. 30.5 x 45 cm. Condition A (rare small stains in the margins, good condition).

Estimate
100 € - 200 €
SWITZERLAND - "Vue perspective de la Ville de GENEVE, prise du côté du Lac". 18th century. OPTICAL VIEW. Etching in old colors. Proof on laid paper, with the address "à Paris chez Daumont rue St Martin". Margins. 34 x 49 cm. Condition A/B (a print crease in the sky, a few freckles and stains in the margins, rare freckles in the sky).

29 - SWITZERLAND - "Vue perspective de la Ville de GENEVE, prise du côté du Lac". 18th century. OPTICAL VIEW. Etching in old colors. Proof on laid paper, with the address "à Paris chez Daumont rue St Martin". Margins. 34 x 49 cm. Condition A/B (a print crease in the sky, a few freckles and stains in the margins, rare freckles in the sky).

Estimate
100 € - 200 €
SWITZERLAND - VIEW of "BASEL". 18th century. Etching engraved by A. Aveline. Old colors. Proof on laid paper, with the address "à Paris chez Jean rue Jean de Beauvais n°32". 33.5 x 50cm. Condition B (cut at the subject on two sides, short tears and folds at the edges sometimes reaching the subject).

30 - SWITZERLAND - VIEW of "BASEL". 18th century. Etching engraved by A. Aveline. Old colors. Proof on laid paper, with the address "à Paris chez Jean rue Jean de Beauvais n°32". 33.5 x 50cm. Condition B (cut at the subject on two sides, short tears and folds at the edges sometimes reaching the subject).

Estimate
100 € - 200 €
BELGIUM - BRUSSELS - Etching and aquatint of 1917 by Camille FONCE (1867-1937). Color proof on parchment, dry-stamped by Printsellers' Association and signed in pencil by the artist. Published by Arthur Tooth & sons in London and Paris. Margins. 67 x 53 cm. Condition A (generally good).

31 - BELGIUM - BRUSSELS - Etching and aquatint of 1917 by Camille FONCE (1867-1937). Color proof on parchment, dry-stamped by Printsellers' Association and signed in pencil by the artist. Published by Arthur Tooth & sons in London and Paris. Margins. 67 x 53 cm. Condition A (generally good).

Estimate
80 € - 100 €
ITALY - [View of VENICE: The Bucentaurus on Ascension Day]. "Bucentaurus et Nundinae Venetae in die Ascensionis". 18th century. Etching engraved by Antonio Visentini (1688-1782), after CANALETTO (1697-1768). Coloris. Proof on watermarked laid paper. Small copper margins. 27.5 x 42.8 cm. Condition A (cut at the copperplate mark, very slightly darkened).

32 - ITALY - [View of VENICE: The Bucentaurus on Ascension Day]. "Bucentaurus et Nundinae Venetae in die Ascensionis". 18th century. Etching engraved by Antonio Visentini (1688-1782), after CANALETTO (1697-1768). Coloris. Proof on watermarked laid paper. Small copper margins. 27.5 x 42.8 cm. Condition A (cut at the copperplate mark, very slightly darkened).

Result
200 €
ITALY - [View of TIVOLI]. 19th century. Pencil drawing on wove paper. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 43.5 x 29.5 cm. A/B condition (a few small spots in the sky, otherwise good condition).

33 - ITALY - [View of TIVOLI]. 19th century. Pencil drawing on wove paper. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 43.5 x 29.5 cm. A/B condition (a few small spots in the sky, otherwise good condition).

Estimate
400 € - 600 €
ENGLAND - LONDON - 18th century OPTICAL VIEW - "View of the monument erected in memory of the disastrous fire of 1666 in London". Etching engraved by J.F. Leizel. Antique coloring. Proof on laid paper, with the address of Georg Balthazar Probst. Title in English, French, Spanish and German. Good margins. 36 x 51 cm. Condition A (a few stains and small handling creases in the margins, subject in good condition).

34 - ENGLAND - LONDON - 18th century OPTICAL VIEW - "View of the monument erected in memory of the disastrous fire of 1666 in London". Etching engraved by J.F. Leizel. Antique coloring. Proof on laid paper, with the address of Georg Balthazar Probst. Title in English, French, Spanish and German. Good margins. 36 x 51 cm. Condition A (a few stains and small handling creases in the margins, subject in good condition).

Estimate
100 € - 200 €
ENGLAND - LONDON - 18th century OPTICAL VIEW - "View of the Royal House of Somerset with the Church of S. Mary in LONDON". Etching engraved by I.G. Winckler. Old-fashioned coloring. Proof on laid paper, with the address of Georg Balthazar Probst. Title in English, French, Spanish and German. Good margins. 36.2 x 51.3 cm. Condition A (rare foxing and small handling creases in the margins, good condition).

35 - ENGLAND - LONDON - 18th century OPTICAL VIEW - "View of the Royal House of Somerset with the Church of S. Mary in LONDON". Etching engraved by I.G. Winckler. Old-fashioned coloring. Proof on laid paper, with the address of Georg Balthazar Probst. Title in English, French, Spanish and German. Good margins. 36.2 x 51.3 cm. Condition A (rare foxing and small handling creases in the margins, good condition).

Estimate
100 € - 200 €
MAP OF FRANCE - J. JANSSONIUS - "GALLIA". c.1616. Engraved map on laid paper, with address "Amstelodami / Excudebat Joannes Janssonius / A. 1616". Margins. 41 x 53.5 cm. Condition A (trace of original median vertical fold, one printing fold in right margin, well preserved).

36 - MAP OF FRANCE - J. JANSSONIUS - "GALLIA". c.1616. Engraved map on laid paper, with address "Amstelodami / Excudebat Joannes Janssonius / A. 1616". Margins. 41 x 53.5 cm. Condition A (trace of original median vertical fold, one printing fold in right margin, well preserved).

Result
100 €
PARIS (75) - "Eglise Saint-Bernard de la Chapelle". 19th century. Sketch in pencil on fine wove paper. Situated "Eglise de La Chapelle" in gray pencil lower right. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 35.3 x 24.5 cm. Condition A (good state of preservation).

37 - PARIS (75) - "Eglise Saint-Bernard de la Chapelle". 19th century. Sketch in pencil on fine wove paper. Situated "Eglise de La Chapelle" in gray pencil lower right. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 35.3 x 24.5 cm. Condition A (good state of preservation).

Estimate
300 € - 400 €
"LE CARNAVAL à PARIS, Bal masqué à l'Opéra" (Imagerie nouvelle, 3rd series, Pl. n°7. 19th century. Anonymous lithograph in old colors, on wove paper. Printed by Haguenthal in Pont-à-Mousson (Meurthe). Margins. The grand bal de l'Opéra, also known as the "grand veglione de l'Opéra" (the Italian word "veglione" meaning "New Year's Eve"), was one of the highlights of the Paris carnival and nightlife scene; a veritable multicolored enchantment, it was distinguished by the munificence of its

38 - "LE CARNAVAL à PARIS, Bal masqué à l'Opéra" (Imagerie nouvelle, 3rd series, Pl. n°7. 19th century. Anonymous lithograph in old colors, on wove paper. Printed by Haguenthal in Pont-à-Mousson (Meurthe). Margins. The grand bal de l'Opéra, also known as the "grand veglione de l'Opéra" (the Italian word "veglione" meaning "New Year's Eve"), was one of the highlights of the Paris carnival and nightlife scene; a veritable multicolored enchantment, it was distinguished by the munificence of its

Result
150 €
PARIS - "Vue générale de l'Exposition Universelle de Paris en 1889" (Champ-de-Mars). Original lithograph in colors by SERVANDO. Proof on fine wove paper. Published at Dépôt R.J. 15 rue de la Verrerie, Paris. Margins. 46.5 x 71.7 cm. Condition A (some restorations).

39 - PARIS - "Vue générale de l'Exposition Universelle de Paris en 1889" (Champ-de-Mars). Original lithograph in colors by SERVANDO. Proof on fine wove paper. Published at Dépôt R.J. 15 rue de la Verrerie, Paris. Margins. 46.5 x 71.7 cm. Condition A (some restorations).

Estimate
400 € - 600 €
KOWALSKI (XX ème) - "L'Arche de Noé" (Noah's Ark at the foot of the Eiffel Tower). Lithograph in colors. Proof on Arches wove paper, numbered 52/275 and signed in pencil by the artist. All margins. 56 x 76 cm. Condition A (well preserved).

40 - KOWALSKI (XX ème) - "L'Arche de Noé" (Noah's Ark at the foot of the Eiffel Tower). Lithograph in colors. Proof on Arches wove paper, numbered 52/275 and signed in pencil by the artist. All margins. 56 x 76 cm. Condition A (well preserved).

Estimate
100 € - 200 €
MAP OF PICARDY (Aisne) - HONDIUS - "VERMANDOIS". 17th century. Engraved map on laid paper, with address "A Amsterdam, imprimé chez Henry Hondius demeurant sur le Dam à l'enseigne du grand Atlas". Title cartouche lower left. Margins. 41 x 53.5 cm. Condition B (trace of original vertical centerfold, wormhole at foot, slightly sunned at centerfold).

41 - MAP OF PICARDY (Aisne) - HONDIUS - "VERMANDOIS". 17th century. Engraved map on laid paper, with address "A Amsterdam, imprimé chez Henry Hondius demeurant sur le Dam à l'enseigne du grand Atlas". Title cartouche lower left. Margins. 41 x 53.5 cm. Condition B (trace of original vertical centerfold, wormhole at foot, slightly sunned at centerfold).

Estimate
100 € - 200 €
LORRAINE MAP - "Lothairingia septentrionalis, Loraine vers le sept.". 17th century. Engraved map on laid paper. Title cartouche at upper right. Margins. 41 x 53.5 cm. Condition A (trace of original median vertical fold, slightly darkened at center fold).

42 - LORRAINE MAP - "Lothairingia septentrionalis, Loraine vers le sept.". 17th century. Engraved map on laid paper. Title cartouche at upper right. Margins. 41 x 53.5 cm. Condition A (trace of original median vertical fold, slightly darkened at center fold).

Estimate
100 € - 200 €
BRETAGNE - [Four Breton figures]. 19th century. Pencil drawing on wove paper. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23.7 x 32.3 cm. Condition A (slight traces of handling, good condition).

43 - BRETAGNE - [Four Breton figures]. 19th century. Pencil drawing on wove paper. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 23.7 x 32.3 cm. Condition A (slight traces of handling, good condition).

Estimate
150 € - 200 €
CORSICA - "Vue de la ville de BASTIA, Capitale de l'Isle de Corse, prise du pied de la Tour de Toga, sur le Chemin Cap Corse". c.1784. Engraved with etching and burin by Née, after D'Aubigny. Proof on watermarked laid paper (letters). Good margins. 34.5 x 52 cm. Condition A (a few freckles and stains in the margins, slight trace of median vertical fold).

44 - CORSICA - "Vue de la ville de BASTIA, Capitale de l'Isle de Corse, prise du pied de la Tour de Toga, sur le Chemin Cap Corse". c.1784. Engraved with etching and burin by Née, after D'Aubigny. Proof on watermarked laid paper (letters). Good margins. 34.5 x 52 cm. Condition A (a few freckles and stains in the margins, slight trace of median vertical fold).

Result
80 €
ALPES-MARITIMES (06) - COUNTY OF NICE - "Un sentier de la Vallée de la Tinée, Comté de NICE, Jour de foire". 19th century. Sketch in graphite by Félix BENOIST (Saumur 1818-Nantes 1896), enhanced with white gouache, on tracing paper. In the upper part, pencil text explaining the drawing and the modifications to be made for the lithographed version. Preparatory drawing for the lithograph 'Une route dans les montages du comté de Nice un jour de foire', published in "Nice et Savoie", Paris, Cha

45 - ALPES-MARITIMES (06) - COUNTY OF NICE - "Un sentier de la Vallée de la Tinée, Comté de NICE, Jour de foire". 19th century. Sketch in graphite by Félix BENOIST (Saumur 1818-Nantes 1896), enhanced with white gouache, on tracing paper. In the upper part, pencil text explaining the drawing and the modifications to be made for the lithographed version. Preparatory drawing for the lithograph 'Une route dans les montages du comté de Nice un jour de foire', published in "Nice et Savoie", Paris, Cha

Estimate
300 € - 500 €
ALPES-MARITIMES (06) - NICE - [PANORAMIC VIEW OF NICE FROM THE SEA". 2 sheets. Color photomechanical printing. Published by the Comité d'Intérêt local de la ville de Nice. Printed by Robaudy, Cannes. Folded in 6. Illustrations and advertising on verso. 152 x 36.5 cm. Condition A (generally good).

46 - ALPES-MARITIMES (06) - NICE - [PANORAMIC VIEW OF NICE FROM THE SEA". 2 sheets. Color photomechanical printing. Published by the Comité d'Intérêt local de la ville de Nice. Printed by Robaudy, Cannes. Folded in 6. Illustrations and advertising on verso. 152 x 36.5 cm. Condition A (generally good).

Estimate
100 € - 200 €
BOUCHES-DU-RHÔNE (13) - VIEW of "Port de MARSEILLE, Vu de N.D. de la Garde". c.1860. Original graphite drawing on wove paper. Titled in gray pencil lower right. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 24.5 x 35 - Condition A (well preserved).

47 - BOUCHES-DU-RHÔNE (13) - VIEW of "Port de MARSEILLE, Vu de N.D. de la Garde". c.1860. Original graphite drawing on wove paper. Titled in gray pencil lower right. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 24.5 x 35 - Condition A (well preserved).

Estimate
500 € - 800 €
CALVADOS (14) - "Entrée du Port à HONFLEUR". Woodcut by Henri Liénard de SAINT-DELIS (1878 - 1949). Signed in the plate. Proof on wove paper. Good margins. 37.5 x 55 cm. Condition A (a few light freckles and stains in the margins, subject in good condition).

48 - CALVADOS (14) - "Entrée du Port à HONFLEUR". Woodcut by Henri Liénard de SAINT-DELIS (1878 - 1949). Signed in the plate. Proof on wove paper. Good margins. 37.5 x 55 cm. Condition A (a few light freckles and stains in the margins, subject in good condition).

Estimate
200 € - 300 €
CALVADOS (14) - "Place Sainte Catherine in 1922, market day (HONFLEUR)". Woodcut by Henri Liénard de SAINT-DELIS (1878 - 1949). Proof on wove paper. Good margins. 37.5 x 55 cm. Condition A (a few stains on verso, good overall condition).

49 - CALVADOS (14) - "Place Sainte Catherine in 1922, market day (HONFLEUR)". Woodcut by Henri Liénard de SAINT-DELIS (1878 - 1949). Proof on wove paper. Good margins. 37.5 x 55 cm. Condition A (a few stains on verso, good overall condition).

Estimate
100 € - 200 €
CALVADOS (14) - "Falaise (Calvados)". 19th century. Sketch in pencil, on fine wove paper, lined. Situated "Falaise (Calvados)" in gray pencil lower left. Preparatory drawing by Félix BENOIST for the lithograph titled "Falaise (vue générale)" published in "La Normandie illsutrée". Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 29 x 42 cm. Condition A (good

50 - CALVADOS (14) - "Falaise (Calvados)". 19th century. Sketch in pencil, on fine wove paper, lined. Situated "Falaise (Calvados)" in gray pencil lower left. Preparatory drawing by Félix BENOIST for the lithograph titled "Falaise (vue générale)" published in "La Normandie illsutrée". Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 29 x 42 cm. Condition A (good

Estimate
400 € - 500 €
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