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Furniture and objets d'art

Furniture and objets d'art

Wednesday, 26 June 2024 at 13:30
Salle 13 - Hôtel Drouot, 9, rue Drouot, 75009 Paris
360° virtual tour

Lots 1 to 50 of 312

Page 1 / 7

1 - BOOK CONTROLLER

Estimate
100 € - 200 €

2 - BOOK CONTROLLER

Estimate
100 € - 200 €

2-a - Hors CATAL

Estimate
0 € - 0 €
LOT OF ENGRAVINGS & DRAWING. 6 pieces representing landscapes, flowers... 20th. Various formats. A/B condition.

3 - LOT OF ENGRAVINGS & DRAWING. 6 pieces representing landscapes, flowers... 20th. Various formats. A/B condition.

Estimate
20 € - 50 €
LOT of APPROXIMATELY 100 reproduction POSTERS, mostly by Editions Euros (Paris). Various formats. A/B condition.

4 - LOT of APPROXIMATELY 100 reproduction POSTERS, mostly by Editions Euros (Paris). Various formats. A/B condition.

Estimate
50 € - 100 €
LOT of 6 LITHOGRAPHIES in color (2 subjects in 3 copies). Proofs justified and signed "Agnès A[?]". 50 x 65 cm & 75 x 54 cm. Condition A (good condition).

5 - LOT of 6 LITHOGRAPHIES in color (2 subjects in 3 copies). Proofs justified and signed "Agnès A[?]". 50 x 65 cm & 75 x 54 cm. Condition A (good condition).

Estimate
50 € - 100 €
RUSSIA - "VUE du KREMLIN et de ses environs à MOSCOU". c.1800. Line engraving and aquatint by Antoine Guérard de La Barthe (1730-1810). Proof with only the title and Rittner's address, on wove paper. Small margins. 46 x 59 cm. Condition A (occasional minor spotting in the margins and very slightly darkened).

6 - RUSSIA - "VUE du KREMLIN et de ses environs à MOSCOU". c.1800. Line engraving and aquatint by Antoine Guérard de La Barthe (1730-1810). Proof with only the title and Rittner's address, on wove paper. Small margins. 46 x 59 cm. Condition A (occasional minor spotting in the margins and very slightly darkened).

Estimate
800 € - 1 000 €
Funny, anthropomorphic MAP OF EUROPE - "MAP OF EUROPE in 1870 ("Isolated England plagues with rage and almost forgets Ireland, which she keeps on a leash. Spain smokes, leaning on the Porftugal [...]". 19th century. Lithograph in antique colors. Proof on wove paper, printed by Ant. E. Mockly, Pellisserie 7, Geneva. Margins. 25 x 35.5 cm. Condition A (rare small foxing in the margins, good overall condition).

7 - Funny, anthropomorphic MAP OF EUROPE - "MAP OF EUROPE in 1870 ("Isolated England plagues with rage and almost forgets Ireland, which she keeps on a leash. Spain smokes, leaning on the Porftugal [...]". 19th century. Lithograph in antique colors. Proof on wove paper, printed by Ant. E. Mockly, Pellisserie 7, Geneva. Margins. 25 x 35.5 cm. Condition A (rare small foxing in the margins, good overall condition).

Estimate
150 € - 200 €
AEROSTATION by Antonio CAMASCHI. BALLON by aeronaut Antonio Comaschi of Bologna. 1842. Lithograph, on wove paper. 41.5 x 48.2 cm. Condition A (traces of folds and a tear in the upper left corner at the level of a fold).

8 - AEROSTATION by Antonio CAMASCHI. BALLON by aeronaut Antonio Comaschi of Bologna. 1842. Lithograph, on wove paper. 41.5 x 48.2 cm. Condition A (traces of folds and a tear in the upper left corner at the level of a fold).

Estimate
400 € - 500 €
EX-LIBRIS - LOT of approximately 150 bookplates (19th/20th). Various formats. A/B condition.

9 - EX-LIBRIS - LOT of approximately 150 bookplates (19th/20th). Various formats. A/B condition.

Estimate
200 € - 300 €
PROSPECTUS de la Table analytique & raisonnée des matières contenues dans les trente-neuf Volumes in-4° du DICTIONNAIRE DES SCIENCES, des ARTS & des METIERS, imprimée sur les mêmes caractères, & proposée par souscription, chez Amable le Roy, Libraire à Lyon, 1779. 8pp. laid paper. Annotated on 1st page in brown ink: "je vous prie M. de me marquer dans le courant de ce mois si vous souscrivés pour cette table après ce délai, il ne sera absolument plus tems, le 14 janvier 17

10 - PROSPECTUS de la Table analytique & raisonnée des matières contenues dans les trente-neuf Volumes in-4° du DICTIONNAIRE DES SCIENCES, des ARTS & des METIERS, imprimée sur les mêmes caractères, & proposée par souscription, chez Amable le Roy, Libraire à Lyon, 1779. 8pp. laid paper. Annotated on 1st page in brown ink: "je vous prie M. de me marquer dans le courant de ce mois si vous souscrivés pour cette table après ce délai, il ne sera absolument plus tems, le 14 janvier 17

Estimate
400 € - 500 €
PROSPECTUS of a third edition of the ENCYCLOPEDIE, which will contain 32 or 36 Volumes in-4°, with two columns, proposed by Subscription at the Société Typographique de Neufchâtel, of which a delivery will be made in July 1778 & which will be entirely completed in the year 1779. 8pp. laid paper. 26.5 x 21 cm. B condition (brown stain and rare wormholes).

11 - PROSPECTUS of a third edition of the ENCYCLOPEDIE, which will contain 32 or 36 Volumes in-4°, with two columns, proposed by Subscription at the Société Typographique de Neufchâtel, of which a delivery will be made in July 1778 & which will be entirely completed in the year 1779. 8pp. laid paper. 26.5 x 21 cm. B condition (brown stain and rare wormholes).

Estimate
400 € - 500 €
BRITTANY - [Sketches of Breton women]. 19th century. Sketch in pencil, on fine wove paper. Annotated "Costumes de travail" in gray pencil at left center. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 20.8 x 13 cm. Condition A (a few stains and traces of folding).

12 - BRITTANY - [Sketches of Breton women]. 19th century. Sketch in pencil, on fine wove paper. Annotated "Costumes de travail" in gray pencil at left center. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 20.8 x 13 cm. Condition A (a few stains and traces of folding).

Estimate
150 € - 200 €
BRITTANY - [View from the top of a hill]. 19th century. Pencil drawing probably by Félix BENOIST, on cream wove paper. Covered with a dry stamp with the letters "F.B" (Lugt not described). Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 31 x 46.8 cm. Condition A (a few stains and traces of folding).

13 - BRITTANY - [View from the top of a hill]. 19th century. Pencil drawing probably by Félix BENOIST, on cream wove paper. Covered with a dry stamp with the letters "F.B" (Lugt not described). Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 31 x 46.8 cm. Condition A (a few stains and traces of folding).

Estimate
400 € - 500 €
CALVADOS (14) - EURE (27) - "Vallée d'Harcourt". 19th century. Pencil drawing on fine wove paper, lined. Located "Vallée d'Harcourt (Calvados)" in gray pencil lower left. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 27 x 41 cm. Condition A (few marks of handling, good condition).

14 - CALVADOS (14) - EURE (27) - "Vallée d'Harcourt". 19th century. Pencil drawing on fine wove paper, lined. Located "Vallée d'Harcourt (Calvados)" in gray pencil lower left. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 27 x 41 cm. Condition A (few marks of handling, good condition).

Estimate
300 € - 400 €
ILLE-ET-VILAINE (35) - "St Servan (St Malo). View of the Port from the Pointe de la Cité". 19th century. Preparatory pencil drawing on wove paper, with numerous indications in the artist's hand, making comparisons with other drawings he had made... "My old view of St Servan was, it seems to me, the prettiest view of this town, and I didn't think it necessary to make another one. I only increased the 1st plan on the left, in order to have the grandeur of my large views. I have revised this entir

15 - ILLE-ET-VILAINE (35) - "St Servan (St Malo). View of the Port from the Pointe de la Cité". 19th century. Preparatory pencil drawing on wove paper, with numerous indications in the artist's hand, making comparisons with other drawings he had made... "My old view of St Servan was, it seems to me, the prettiest view of this town, and I didn't think it necessary to make another one. I only increased the 1st plan on the left, in order to have the grandeur of my large views. I have revised this entir

Estimate
400 € - 500 €
DÜRER Albrecht (1471 - 1528) - "Saint Jerome in His Study". 1514. Original burin. Signed with the artist's monogram and dated in the composition on the right. Ref: Bartsch, no. 60. Meder, no. 59c. Proof of the c/f state (according to Meder), before the curved scratch on the ceiling, on laid paper. The scholar Saint Jerome (c. 347-420 CE) diligently translates the Bible while seated in his comfortable study. He is accompanied by a lion who became his faithful companion when Jerome removed a thor

16 - DÜRER Albrecht (1471 - 1528) - "Saint Jerome in His Study". 1514. Original burin. Signed with the artist's monogram and dated in the composition on the right. Ref: Bartsch, no. 60. Meder, no. 59c. Proof of the c/f state (according to Meder), before the curved scratch on the ceiling, on laid paper. The scholar Saint Jerome (c. 347-420 CE) diligently translates the Bible while seated in his comfortable study. He is accompanied by a lion who became his faithful companion when Jerome removed a thor

Estimate
15 000 € - 18 000 €
REMBRANDT H. van Rijn (1606 - 1669) - "Abraham Francen". C.1657. Original etching and drypoint. Ref: Bartsch, no. 273. Hollstein, no. 291. Fine proof of a late edition, on laid paper. Margins. Abraham Francen (1612 - after 1678) was a pharmacist, a major collector in Amsterdam and a close friend of Rembrandt. He had helped him on several occasions when Rembrandt was in financial difficulties. 16 x 20.8 cm for the subject. 17.5 x 22.5 cm for the sheet. Condition A (rare light foxing on verso, goo

17 - REMBRANDT H. van Rijn (1606 - 1669) - "Abraham Francen". C.1657. Original etching and drypoint. Ref: Bartsch, no. 273. Hollstein, no. 291. Fine proof of a late edition, on laid paper. Margins. Abraham Francen (1612 - after 1678) was a pharmacist, a major collector in Amsterdam and a close friend of Rembrandt. He had helped him on several occasions when Rembrandt was in financial difficulties. 16 x 20.8 cm for the subject. 17.5 x 22.5 cm for the sheet. Condition A (rare light foxing on verso, goo

Estimate
1 500 € - 2 000 €
WIERIX Johann (1553 - 1619) - "Adam and Eve". 1566. Burin after Albrecht DÜRER Albrecht (1471 - 1528). Dated in the upper right-hand corner of the plate. Proof on watermarked laid paper. 23.9 x 18.8 cm. Condition C (cut at the subject and sometimes very slightly inside the subject, traces of old folds visible on verso, gap filled (with foot glued back) and redrawn at lower left corner, tiny little tear on Eve's hair, old restorations).

18 - WIERIX Johann (1553 - 1619) - "Adam and Eve". 1566. Burin after Albrecht DÜRER Albrecht (1471 - 1528). Dated in the upper right-hand corner of the plate. Proof on watermarked laid paper. 23.9 x 18.8 cm. Condition C (cut at the subject and sometimes very slightly inside the subject, traces of old folds visible on verso, gap filled (with foot glued back) and redrawn at lower left corner, tiny little tear on Eve's hair, old restorations).

Estimate
1 000 € - 1 500 €
BOSSE Abraham (1602 - 1676) - "The Sculptor in his workshop". 1642. Original etching. Ref: Blum, n°204. Lambert & Préaud, n°199. Proof of the unique state, on watermarked laid paper (coat of arms). Beautiful impression. 25.4 x 32.5 cm. Condition A/B (cut at the copperplate mark on three sides and at the square line at the bottom, a previously restored tear at the bottom right and a tear at the top reaching the subject, skinned paper at the corners of the tablet).

19 - BOSSE Abraham (1602 - 1676) - "The Sculptor in his workshop". 1642. Original etching. Ref: Blum, n°204. Lambert & Préaud, n°199. Proof of the unique state, on watermarked laid paper (coat of arms). Beautiful impression. 25.4 x 32.5 cm. Condition A/B (cut at the copperplate mark on three sides and at the square line at the bottom, a previously restored tear at the bottom right and a tear at the top reaching the subject, skinned paper at the corners of the tablet).

Estimate
800 € - 1 000 €
MAÎTRE ND (Active in Fontainebleau circa 1544) - "Le Massacre des Innocents". [Line plate]. 1544. Woodcut after Raffaello SANTI, known as RAPHAËL, and/or his workshop, and after Luca PENNI [?]. Ref: Bartsch no. 7. 28.3 x 39 cm. Condition D (cut inside the subject on the left and right, quite significant lack on the right, formerly restored and doubled, lack filled and redrawn on the top left...)

20 - MAÎTRE ND (Active in Fontainebleau circa 1544) - "Le Massacre des Innocents". [Line plate]. 1544. Woodcut after Raffaello SANTI, known as RAPHAËL, and/or his workshop, and after Luca PENNI [?]. Ref: Bartsch no. 7. 28.3 x 39 cm. Condition D (cut inside the subject on the left and right, quite significant lack on the right, formerly restored and doubled, lack filled and redrawn on the top left...)

Estimate
800 € - 1 000 €
TIEPOLO Gian Domenico (1727 - 1804) - "The Holy Family in the moving boat". Plate 17 from the series of "The Holy Family in Egypt". Etching. Ref: De Vesme, n°17. Proof on laid paper (truncated watermark: crowned shield), covered on verso with the collector's mark of GIOVANNI LOCARNO (active 1826-1840), painter in Milan (Lugt 1691). Fine margins. 18.1 x 24.3 cm. Condition B (a few stains, two printing folds on the Virgin and the boat, slightly yellowed).

21 - TIEPOLO Gian Domenico (1727 - 1804) - "The Holy Family in the moving boat". Plate 17 from the series of "The Holy Family in Egypt". Etching. Ref: De Vesme, n°17. Proof on laid paper (truncated watermark: crowned shield), covered on verso with the collector's mark of GIOVANNI LOCARNO (active 1826-1840), painter in Milan (Lugt 1691). Fine margins. 18.1 x 24.3 cm. Condition B (a few stains, two printing folds on the Virgin and the boat, slightly yellowed).

Estimate
600 € - 800 €
DORÉ Gustave (Strasbourg 1832 † Paris 1883) - "La guerre" (War/Krieg). 1867. Engraved by Paul GIRARDET (Suisse 1821 † Paris 1893). Signed "G.ve Doré 1866" lower right in the plate. Proof on wove paper. Ref: I.F.F After 1800 (Girardet), not described. Printed and published by Goupil & Cie on April 1, 1867, in Paris, London & The Hague. Margins. 84.5 x 62.5 cm. Condition B (Few short tears and some foxing in partially dusted margins).

22 - DORÉ Gustave (Strasbourg 1832 † Paris 1883) - "La guerre" (War/Krieg). 1867. Engraved by Paul GIRARDET (Suisse 1821 † Paris 1893). Signed "G.ve Doré 1866" lower right in the plate. Proof on wove paper. Ref: I.F.F After 1800 (Girardet), not described. Printed and published by Goupil & Cie on April 1, 1867, in Paris, London & The Hague. Margins. 84.5 x 62.5 cm. Condition B (Few short tears and some foxing in partially dusted margins).

Estimate
100 € - 200 €
ICART Louis (1888 - 1951) - "Fair dancer or Ballerina". 1939. Original etching, drypoint and aquatint, enhanced with colors. Proof on wove paper, signed in pencil by the artist and stamped with a dry mill stamp. Margins. 60 x 68.8 cm. Condition B/C (a few foxes and slightly darkened).

23 - ICART Louis (1888 - 1951) - "Fair dancer or Ballerina". 1939. Original etching, drypoint and aquatint, enhanced with colors. Proof on wove paper, signed in pencil by the artist and stamped with a dry mill stamp. Margins. 60 x 68.8 cm. Condition B/C (a few foxes and slightly darkened).

Estimate
150 € - 200 €
LEPIC Ludovic Napoléon (1839 - 1889) - "Carte d'invitation pour une fête costumée donnée à l'hôtel de Mme Andrée, 11 rue de Calais". 1875. Original etching and drypoint. Ref: I.F.F Après 1800, no. 103. Signed in the plate. Proof on laid paper. Good margins. 41 x 30 cm. Condition A (margins slightly dusted, good condition).

24 - LEPIC Ludovic Napoléon (1839 - 1889) - "Carte d'invitation pour une fête costumée donnée à l'hôtel de Mme Andrée, 11 rue de Calais". 1875. Original etching and drypoint. Ref: I.F.F Après 1800, no. 103. Signed in the plate. Proof on laid paper. Good margins. 41 x 30 cm. Condition A (margins slightly dusted, good condition).

Estimate
300 € - 400 €
MATISSE Henri Emile (1869 - 1954) - "Nude with Rocking Chair". 1913. Lithograph. Ref: Duthuit no. 410, plate no. 17. Proof on simili-japan, signed, monogrammed and numbered in pencil 34/50. Framed work. Throughout his career, images of women, clothed or unclothed, are omnipresent in Matisse's prints, drawings, sculptures and paintings. These harmonious figures are depicted in a variety of positions: reclining, from the back, lying down, reading or asleep. Women were thus used as objects to creat

25 - MATISSE Henri Emile (1869 - 1954) - "Nude with Rocking Chair". 1913. Lithograph. Ref: Duthuit no. 410, plate no. 17. Proof on simili-japan, signed, monogrammed and numbered in pencil 34/50. Framed work. Throughout his career, images of women, clothed or unclothed, are omnipresent in Matisse's prints, drawings, sculptures and paintings. These harmonious figures are depicted in a variety of positions: reclining, from the back, lying down, reading or asleep. Women were thus used as objects to creat

Estimate
5 000 € - 6 000 €
ALONSO Angel (1923 - 1994) - [Mineral composition]. 1968. Mixed media, on paper. Dated "mai 68" lower right. From 1960 onwards and for more than twenty years, Alonso was to remain virtually aloof from the art market. He devoted himself to painting as a spiritual imperative, always in contact with the earth and nature. These were intense years marked by a gradual return to the essential, expressed above all in color and materials. He began a series of large-scale black paintings using powdered ch

26 - ALONSO Angel (1923 - 1994) - [Mineral composition]. 1968. Mixed media, on paper. Dated "mai 68" lower right. From 1960 onwards and for more than twenty years, Alonso was to remain virtually aloof from the art market. He devoted himself to painting as a spiritual imperative, always in contact with the earth and nature. These were intense years marked by a gradual return to the essential, expressed above all in color and materials. He began a series of large-scale black paintings using powdered ch

Estimate
2 500 € - 3 000 €
MIRO Joan (1893 - 1986) - "Grand Duc I". 1965. Original etching and aquatint, printed in colors. Ref: Dupin, n°394. Fine proof on Arches wove paper, signed and dedicated "à Marguerite Benhoura, affectueusement 7/XI/68" in pencil by the artist. Printed and published by Maeght in Paris. Total edition of 75 copies (numbered and signed) and a few signed copies hors commerce. All margins. From 1959 to 1966, Miro worked mainly with Robert Dutrou in the Galerie Maeght studio in Levallois, then with t

27 - MIRO Joan (1893 - 1986) - "Grand Duc I". 1965. Original etching and aquatint, printed in colors. Ref: Dupin, n°394. Fine proof on Arches wove paper, signed and dedicated "à Marguerite Benhoura, affectueusement 7/XI/68" in pencil by the artist. Printed and published by Maeght in Paris. Total edition of 75 copies (numbered and signed) and a few signed copies hors commerce. All margins. From 1959 to 1966, Miro worked mainly with Robert Dutrou in the Galerie Maeght studio in Levallois, then with t

Estimate
6 000 € - 8 000 €
MIRO Joan (1893 - 1986) - "The grandmother of 10,000 ages". 1976. Lithograph printed in color. Ref: Miro lithographe, n°1084. Proof on Arches wove paper, numbered 19/50 and signed in pencil. Condition A.

28 - MIRO Joan (1893 - 1986) - "The grandmother of 10,000 ages". 1976. Lithograph printed in color. Ref: Miro lithographe, n°1084. Proof on Arches wove paper, numbered 19/50 and signed in pencil. Condition A.

Estimate
2 000 € - 3 000 €
PICASSO Pablo (1881 - 1973) (after) - "Clown (Carnaval)". 1961. Color lithograph. Ref: Miguel Orozco, n°363. Fine proof on Arches vellum, printed by Mourlot. Signed and dated "20.1.61" in the plate. Numbered 91/200 and countersigned in pencil by the artist. All margins. Ever since the Spanish Civil War, Picasso's artistic practice has been constantly linked to his political commitment against fascism. While his painting Guernica is the most notorious manifestation of this, other, more modest wo

29 - PICASSO Pablo (1881 - 1973) (after) - "Clown (Carnaval)". 1961. Color lithograph. Ref: Miguel Orozco, n°363. Fine proof on Arches vellum, printed by Mourlot. Signed and dated "20.1.61" in the plate. Numbered 91/200 and countersigned in pencil by the artist. All margins. Ever since the Spanish Civil War, Picasso's artistic practice has been constantly linked to his political commitment against fascism. While his painting Guernica is the most notorious manifestation of this, other, more modest wo

Estimate
8 000 € - 10 000 €

31 - Porcelain: plates, saucers, sugar bowl, vases

Estimate
20 € - 30 €

32 - Batch of copperware: jug, saucepans

Estimate
20 € - 30 €

33 - Batch of silver-plated metal: trays, sets, ladle, shovels

Estimate
40 € - 60 €

34 - Set of silver-plated metal: pourers, sugar bowl, timbale

Estimate
30 € - 40 €
Batch of ceramic pieces: bowls, vases, terrine

35 - Batch of ceramic pieces: bowls, vases, terrine

Estimate
20 € - 30 €

36 - Lots of old shares from different countries

Estimate
20 € - 30 €
A handwritten score by Jean VADON (1887-1973): "Messalina - valsepour piano", dated December 27, 1925. And sixty-eight other miscellaneous scores, illustrated covers.

37 - A handwritten score by Jean VADON (1887-1973): "Messalina - valsepour piano", dated December 27, 1925. And sixty-eight other miscellaneous scores, illustrated covers.

Estimate
80 € - 100 €
Lot of six framed pieces: two color engravings "Soldat" and "Officier", two lithographs "Vendeuses", an oil on cardboard "Montigny sur Loing" and an engraving "Procession à la sortie de Notre Dame de Paris".

38 - Lot of six framed pieces: two color engravings "Soldat" and "Officier", two lithographs "Vendeuses", an oil on cardboard "Montigny sur Loing" and an engraving "Procession à la sortie de Notre Dame de Paris".

Estimate
40 € - 50 €
BOILLY (after): "Scène de famille". Framed engraving. 50 x 39 cm. REMBRANDT (after): "Christ blessing". Engraving XIXth Century (Traces of humidity). Plate: 43 x 55 cm

39 - BOILLY (after): "Scène de famille". Framed engraving. 50 x 39 cm. REMBRANDT (after): "Christ blessing". Engraving XIXth Century (Traces of humidity). Plate: 43 x 55 cm

Estimate
50 € - 80 €
POUSSIN (after): "Landscape". 19th century print. Size: 40 x 61 cm

40 - POUSSIN (after): "Landscape". 19th century print. Size: 40 x 61 cm

Estimate
50 € - 80 €
WEIROTTER Franz Edmund. Innsbrück 1730 - Vienna 1771. Thatched cottage. Pen, brown ink and brown wash. Glued to sheet. Pen and ink fillet. Marks lower right of the E. Calendo collection. Calendo collection (Lugt. 837) and the A. Beurdeley collection (Lugt. 421). H. 20.3 - L. 26.2 cm. Provenance: 1 -Paris, Sale of the Emile Calendo Collection December 11 & 12, 1899, catalog no. 223; 2 - Paris, Alfred Beurdeley Collection (1817 - 1919), sixth sale, June 2 - 4, 1920 (experts G. Petit & Bra

41 - WEIROTTER Franz Edmund. Innsbrück 1730 - Vienna 1771. Thatched cottage. Pen, brown ink and brown wash. Glued to sheet. Pen and ink fillet. Marks lower right of the E. Calendo collection. Calendo collection (Lugt. 837) and the A. Beurdeley collection (Lugt. 421). H. 20.3 - L. 26.2 cm. Provenance: 1 -Paris, Sale of the Emile Calendo Collection December 11 & 12, 1899, catalog no. 223; 2 - Paris, Alfred Beurdeley Collection (1817 - 1919), sixth sale, June 2 - 4, 1920 (experts G. Petit & Bra

Estimate
500 € - 700 €
HESSE Nicolas Auguste (Suite de). Paris 1795 - id.; 1869. L'Evanouissement de la Vierge, also known as Le Christ au sépulcre. Oil on canvas (Re-tooled; small missing at upper right; old varnish soiled). H. 130 - W. 97 cm. Related to the composition by Hesse exhibited at the Salon of 1838, and its 1845 variant, in the Musée du Louvre (Inv. 20848 & Inv.5343).

42 - HESSE Nicolas Auguste (Suite de). Paris 1795 - id.; 1869. L'Evanouissement de la Vierge, also known as Le Christ au sépulcre. Oil on canvas (Re-tooled; small missing at upper right; old varnish soiled). H. 130 - W. 97 cm. Related to the composition by Hesse exhibited at the Salon of 1838, and its 1845 variant, in the Musée du Louvre (Inv. 20848 & Inv.5343).

Estimate
300 € - 500 €
Chromolithograph after Greuze's The Broken Jug

43 - Chromolithograph after Greuze's The Broken Jug

Estimate
20 € - 30 €
After François Boucher (1703-1770): "Les Amours de Neptune et d'Amyone", photomechanical reproduction of a drawing by the Artist in the Musée du Louvre, with white highlights. 25.5 x 34.5 cm

43-1 - After François Boucher (1703-1770): "Les Amours de Neptune et d'Amyone", photomechanical reproduction of a drawing by the Artist in the Musée du Louvre, with white highlights. 25.5 x 34.5 cm

Estimate
20 € - 30 €
French school of the 18th century. Virgin and Child. Oil on canvas. 63 X 47 cm

44 - French school of the 18th century. Virgin and Child. Oil on canvas. 63 X 47 cm

Estimate
400 € - 600 €
FRENCH SCHOOL Second half of the 18th century. The plague of Ashdodt (?) (Bible, Book I of Samuel V. 9 - 12). Pen, black and brown inks, gray wash and white highlights. Glued to sheet (Pitting, stains and accidents). H. 41.7 - L. 54 cm. In a gilded wood frame.

45 - FRENCH SCHOOL Second half of the 18th century. The plague of Ashdodt (?) (Bible, Book I of Samuel V. 9 - 12). Pen, black and brown inks, gray wash and white highlights. Glued to sheet (Pitting, stains and accidents). H. 41.7 - L. 54 cm. In a gilded wood frame.

Estimate
500 € - 600 €
School of the XIXth Century: "The Sacrifice of Isaac by Abraham". Oil on canvas. Cracks and missing parts. 72 x 98 cm. In a beautiful gilded wood frame.

46 - School of the XIXth Century: "The Sacrifice of Isaac by Abraham". Oil on canvas. Cracks and missing parts. 72 x 98 cm. In a beautiful gilded wood frame.

Estimate
200 € - 300 €
19th century FRENCH SCHOOL, in the taste of Antoine Watteau (1684 - 1721). Cupid offering a dove to a young woman seated in a park, a fan in hand. Oil on canvas (small lack towards the middle left). On the reverse of the canvas the printed mark of the canvas dealer: MATHIEU PICOT / A PARIS. H. 24.5 - W. 32.5 cm. Gilded and molded wood and stucco frame in violin form with foliate scrolls. The painter was inspired here by certain models of young elegant women by Watteau, such as the woman with a f

47 - 19th century FRENCH SCHOOL, in the taste of Antoine Watteau (1684 - 1721). Cupid offering a dove to a young woman seated in a park, a fan in hand. Oil on canvas (small lack towards the middle left). On the reverse of the canvas the printed mark of the canvas dealer: MATHIEU PICOT / A PARIS. H. 24.5 - W. 32.5 cm. Gilded and molded wood and stucco frame in violin form with foliate scrolls. The painter was inspired here by certain models of young elegant women by Watteau, such as the woman with a f

Estimate
200 € - 300 €
French Romantic School, Mid-19th Century: "Cavaliers dans un paysage aux ruines au solei couchant" ("Riders in a landscape of ruins at sunset"). Oil on canvas. Cracks, wear and restorations. Unsigned. 39 x 56.5 cm

48 - French Romantic School, Mid-19th Century: "Cavaliers dans un paysage aux ruines au solei couchant" ("Riders in a landscape of ruins at sunset"). Oil on canvas. Cracks, wear and restorations. Unsigned. 39 x 56.5 cm

Estimate
200 € - 300 €
FLEMISH or FRENCH SCHOOL. First third of the 19th century. Cattle grazing and villagers. Oil on canvas. On the reverse, three small pieces of reinforcement. H. 24 - L. 27,5 cm.

49 - FLEMISH or FRENCH SCHOOL. First third of the 19th century. Cattle grazing and villagers. Oil on canvas. On the reverse, three small pieces of reinforcement. H. 24 - L. 27,5 cm.

Estimate
100 € - 150 €
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