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LIVE SALES: POSTERS, ENGRAVINGS, PRINTS, CARDS...

LIVE SALES: POSTERS, ENGRAVINGS, PRINTS, CARDS...

Friday, 24 November 2023 at 14:00

9, rue de Provence, 75009 Paris

Lots 51 to 100 of 347

Page 2 / 7

MONACO - OLD PHOTO - "Monaco, The Moorish room of the CASINO de MONTE-CARLO". 19th century. 14 x 28 cm for the photo. 26 x 40.5 cm overall. Condition A.

51 - MONACO - OLD PHOTO - "Monaco, The Moorish room of the CASINO de MONTE-CARLO". 19th century. 14 x 28 cm for the photo. 26 x 40.5 cm overall. Condition A.

100 € - 200 €

MONACO - Joanny DREVET - [View of the Palace of Monaco]. 1932. Original etching. Signed, located and dated in the plate. Fine proof on wove paper. Good margins. 37.5 x 28 cm. Condition A (well preserved).

52 - MONACO - Joanny DREVET - [View of the Palace of Monaco]. 1932. Original etching. Signed, located and dated in the plate. Fine proof on wove paper. Good margins. 37.5 x 28 cm. Condition A (well preserved).

100 € - 200 €

ALPES-MARITIMES (06) - NICE - "Projet de la ville et forteresse de NICE" (plan de masse). 17th century. Plan engraved by N. DE FER. laid paper. Good margins. 21.5 x 31 cm. Condition A (slightly darkened).

53 - ALPES-MARITIMES (06) - NICE - "Projet de la ville et forteresse de NICE" (plan de masse). 17th century. Plan engraved by N. DE FER. laid paper. Good margins. 21.5 x 31 cm. Condition A (slightly darkened).

100 € - 150 €

ALPES-MARITIMES (06) - NICE - Plan of "NICE, capital of the County of the same name...". 17th century. Plan engraved by N. DE FER. Watermarked laid paper. Margins. 26 x 32.5 cm. Condition A (good).

54 - ALPES-MARITIMES (06) - NICE - Plan of "NICE, capital of the County of the same name...". 17th century. Plan engraved by N. DE FER. Watermarked laid paper. Margins. 26 x 32.5 cm. Condition A (good).

100 € - 150 €

BOUCHES-DU-RHÔNE (13) - DRAWING - "VUE de TARASCON". 1929. Original pencil drawing on heavy wove paper by Jacques TRAVERSIER (1875 - 1935). Signed, dated and located in brown ink by the artist. 32.5 x 50 cm. Condition A (well preserved).

55 - BOUCHES-DU-RHÔNE (13) - DRAWING - "VUE de TARASCON". 1929. Original pencil drawing on heavy wove paper by Jacques TRAVERSIER (1875 - 1935). Signed, dated and located in brown ink by the artist. 32.5 x 50 cm. Condition A (well preserved).

120 € - 150 €

CALVADOS (14) - View of "La rue de l'Arche à FALAISE". DRAWING in black stone by Louis ALLEAUME (1874 - 1949), titled. Original etching included. Proof on cream laid paper. The drawing and etching are stamped on the verso by the artist's studio. 39 x 28.5 cm for the drawing. 45.3 x 32.5 cm. for the engraving. Condition A (good overall condition).

56 - CALVADOS (14) - View of "La rue de l'Arche à FALAISE". DRAWING in black stone by Louis ALLEAUME (1874 - 1949), titled. Original etching included. Proof on cream laid paper. The drawing and etching are stamped on the verso by the artist's studio. 39 x 28.5 cm for the drawing. 45.3 x 32.5 cm. for the engraving. Condition A (good overall condition).

150 € - 200 €

CHARENTE-MARITIME (17) - "PLAN de BROUAGE en 1698". Early 20th century. Sketch in ink and gray pencil on tracing paper. Cross-references to the right of the plan. 32.5 x 49.5 cm. Condition B (traces of folding and handling).

57 - CHARENTE-MARITIME (17) - "PLAN de BROUAGE en 1698". Early 20th century. Sketch in ink and gray pencil on tracing paper. Cross-references to the right of the plan. 32.5 x 49.5 cm. Condition B (traces of folding and handling).

150 € - 200 €

CHARENTE-MARITIME (17) - MASSE PLAN of the citadel of "BROUAGE ainsi qu'il avait été résolu..." c.1910. Ink and gray pencil drawing on tracing paper. Annotated lower right "Copié le vendredi 7 octobre 1910 à 11 1/2". c.49 x 64 cm. Condition B/C (tears on the edges sometimes reaching the subject, traces of folds).

58 - CHARENTE-MARITIME (17) - MASSE PLAN of the citadel of "BROUAGE ainsi qu'il avait été résolu..." c.1910. Ink and gray pencil drawing on tracing paper. Annotated lower right "Copié le vendredi 7 octobre 1910 à 11 1/2". c.49 x 64 cm. Condition B/C (tears on the edges sometimes reaching the subject, traces of folds).

150 € - 200 €

CHARENTE-MARITIME (17) - "PLAN de BROUAGE en 1680 d'après MASSE". Plan drawn in ink on wove paper. 54 x 71 cm. A/B condition (a few short tears and creases at the edges of the sheet).

59 - CHARENTE-MARITIME (17) - "PLAN de BROUAGE en 1680 d'après MASSE". Plan drawn in ink on wove paper. 54 x 71 cm. A/B condition (a few short tears and creases at the edges of the sheet).

150 € - 200 €

DRÔME (26) - DRAWING OF VALENCE. 1930. Original brown ink drawing by Jacques TRAVERSIER (1875-1935). Signed, dated and located in ink by the artist. 32.5 x 48.3 cm. Condition A (good condition).

60 - DRÔME (26) - DRAWING OF VALENCE. 1930. Original brown ink drawing by Jacques TRAVERSIER (1875-1935). Signed, dated and located in ink by the artist. 32.5 x 48.3 cm. Condition A (good condition).

100 € - 150 €

DRÔME (26) - VALENCE - DRAWING - "Route de la Roche de Glun à Valence, Lieu-dit Saint de la chèvre". Original pencil and brown ink drawing on heavy paper. Situated in pencil and signed. 25 x 32.5 cm. Condition A (small trace of glue lower right, otherwise good condition).

61 - DRÔME (26) - VALENCE - DRAWING - "Route de la Roche de Glun à Valence, Lieu-dit Saint de la chèvre". Original pencil and brown ink drawing on heavy paper. Situated in pencil and signed. 25 x 32.5 cm. Condition A (small trace of glue lower right, otherwise good condition).

100 € - 150 €

62 - Lot withdrawn

ILLE-ET-VILAINE (35) - BRITTANY - "Environs de SAINT MALO", probably depicting the Bombardment of 1693. Early 20th century. Drawing in ink on glossy paper. 22.5 x 35 cm. Condition A (trace of median vertical fold).

63 - ILLE-ET-VILAINE (35) - BRITTANY - "Environs de SAINT MALO", probably depicting the Bombardment of 1693. Early 20th century. Drawing in ink on glossy paper. 22.5 x 35 cm. Condition A (trace of median vertical fold).

150 € - 200 €

ILLE-ET-VILAINE (35) - BRITTANY - "Château de ST MALO". Early 20th century. Sketch in gray pencil and ink on tracing paper. 12 x 19. Condition A (good).

64 - ILLE-ET-VILAINE (35) - BRITTANY - "Château de ST MALO". Early 20th century. Sketch in gray pencil and ink on tracing paper. 12 x 19. Condition A (good).

100 € - 150 €

ILLE-ET-VILAINE (35) - BRITTANY - SAINT MALO - [PLAN de masse de la Citadelle de ST MALO]. early 20th century. Pencil drawing on glazed wove paper (two sheets together). Folded. Approx. 43 x 50 cm. Condition C (tear at horizontal center fold and a few other short tears, remnants of glue at edges and traces of handling).

65 - ILLE-ET-VILAINE (35) - BRITTANY - SAINT MALO - [PLAN de masse de la Citadelle de ST MALO]. early 20th century. Pencil drawing on glazed wove paper (two sheets together). Folded. Approx. 43 x 50 cm. Condition C (tear at horizontal center fold and a few other short tears, remnants of glue at edges and traces of handling).

300 € - 400 €

ILLE-ET-VILAINE (35) - BRITTANY - SAINT MALO (Carte marine des côtes de St Malo). DRAWING in black and red ink, on wove paper. 32 x 45 cm. Condition A (good condition).

66 - ILLE-ET-VILAINE (35) - BRITTANY - SAINT MALO (Carte marine des côtes de St Malo). DRAWING in black and red ink, on wove paper. 32 x 45 cm. Condition A (good condition).

300 € - 400 €

LOIRE-ATLANTIQUE (44) - PREFAILLES - "Anse du Châtelet - Préfailles". 19th century. Pencil drawing by A. GERUZEZ dit Crafty, on wove paper. Signed with the initials "A.G" in the subject. 13 x 21 cm. Condition B (light foxing).

67 - LOIRE-ATLANTIQUE (44) - PREFAILLES - "Anse du Châtelet - Préfailles". 19th century. Pencil drawing by A. GERUZEZ dit Crafty, on wove paper. Signed with the initials "A.G" in the subject. 13 x 21 cm. Condition B (light foxing).

150 € - 200 €

LOIRE-ATLANTIQUE (44) - PREFAILLES - "Rocher de la Vierge à Préfailles". 19th century. Pencil drawing by A. GERUZEZ dit Crafty, on wove paper. Signed with the initials "A.G" in the subject. 13 x 21 cm. Condition B (light foxing).

68 - LOIRE-ATLANTIQUE (44) - PREFAILLES - "Rocher de la Vierge à Préfailles". 19th century. Pencil drawing by A. GERUZEZ dit Crafty, on wove paper. Signed with the initials "A.G" in the subject. 13 x 21 cm. Condition B (light foxing).

150 € - 200 €

PYRENEES-ORIENTALES (66) - "PERPIGNAN ville forte Capitale du Comté de ROUSSILLON...". Ground plan engraved by N. DE FER. laid paper. Margins. 25.5 x 30 cm. Condition B (unstained).

69 - PYRENEES-ORIENTALES (66) - "PERPIGNAN ville forte Capitale du Comté de ROUSSILLON...". Ground plan engraved by N. DE FER. laid paper. Margins. 25.5 x 30 cm. Condition B (unstained).

100 € - 120 €

RHÔNE (69) - "Eglise et Château d'ALBIGNY - Rhône, Vue prise de l'entrée du Village du côté sud". 1909. Sketch in ink by Amédée CATELAND (1879-1938), on tracing paper. Titled, dated and signed by the artist. 34 x 25.5 cm. Condition A (well preserved).

70 - RHÔNE (69) - "Eglise et Château d'ALBIGNY - Rhône, Vue prise de l'entrée du Village du côté sud". 1909. Sketch in ink by Amédée CATELAND (1879-1938), on tracing paper. Titled, dated and signed by the artist. 34 x 25.5 cm. Condition A (well preserved).

150 € - 200 €

RHÔNE (69) - "Château de SAIN-BEL (Rhône)". 1921. Original ink drawing by Amédée CATELAND (1879-1938), on tracing paper. Titled, dated and signed by the artist. 27.5 x 39 cm. Condition A (some traces of handling, otherwise good condition).

71 - RHÔNE (69) - "Château de SAIN-BEL (Rhône)". 1921. Original ink drawing by Amédée CATELAND (1879-1938), on tracing paper. Titled, dated and signed by the artist. 27.5 x 39 cm. Condition A (some traces of handling, otherwise good condition).

150 € - 200 €

RHÔNE (69) - "Ancienne Eglise et Chateau d'ALBIGNY (Rhône), Côté Est". c.1920. Original ink drawing by Amédée CATELAND (1879-1938), on tracing paper. Titled and signed by the artist. 36.5 x 27.3 cm. Condition A (good).

72 - RHÔNE (69) - "Ancienne Eglise et Chateau d'ALBIGNY (Rhône), Côté Est". c.1920. Original ink drawing by Amédée CATELAND (1879-1938), on tracing paper. Titled and signed by the artist. 36.5 x 27.3 cm. Condition A (good).

150 € - 200 €

RHÔNE (69) - "Church of LOZANNE (Rhône)". 1904. Original ink drawing by Amédée CATELAND (1879-1938), on tracing paper. Titled, dated and signed by the artist. 20.5 x 30.5 cm. Condition A (good).

73 - RHÔNE (69) - "Church of LOZANNE (Rhône)". 1904. Original ink drawing by Amédée CATELAND (1879-1938), on tracing paper. Titled, dated and signed by the artist. 20.5 x 30.5 cm. Condition A (good).

150 € - 200 €

RHÔNE (69) - "Le Château de La Guerrière à COUZON - Rhône". 1906. Original ink drawing by Amédée CATELAND (1879-1938), on tracing paper. Titled, dated and signed by the artist. 41.5 x 30 cm. A/B condition (rare wormholes at the bottom of the subject, otherwise good condition).

74 - RHÔNE (69) - "Le Château de La Guerrière à COUZON - Rhône". 1906. Original ink drawing by Amédée CATELAND (1879-1938), on tracing paper. Titled, dated and signed by the artist. 41.5 x 30 cm. A/B condition (rare wormholes at the bottom of the subject, otherwise good condition).

150 € - 200 €

MONT-BLANC - HAUTE SAVOIE (74) - CAP PHOTOGRAPHY of the "Mont Blanc TRAMWAY - GLACIER et AIGUILLE DE BIONNASSAY (4050m)". Silver print, 2008. 29 x 22.5 cm. Condition B (a few handling creases on the edges).

75 - MONT-BLANC - HAUTE SAVOIE (74) - CAP PHOTOGRAPHY of the "Mont Blanc TRAMWAY - GLACIER et AIGUILLE DE BIONNASSAY (4050m)". Silver print, 2008. 29 x 22.5 cm. Condition B (a few handling creases on the edges).

80 € - 100 €

SEINE-MARITIME (76) - VIEW of the "PORT OF ROUEN". 19th century. Original lithograph by Ludovic ALLEAUME, printed in colors on wove paper. Signed in the plate. Small margins. Good condition. 15 x 24.5 cm. Condition A.

76 - SEINE-MARITIME (76) - VIEW of the "PORT OF ROUEN". 19th century. Original lithograph by Ludovic ALLEAUME, printed in colors on wove paper. Signed in the plate. Small margins. Good condition. 15 x 24.5 cm. Condition A.

100 € - 120 €

VERSAILLES (78) - [GARDEN PLANS]. 17th century. Reunion of 6 etched plates published by MARIETTE. Proofs on laid paper. All with margins. Approximately 28 x 39.5 cm per sheet. Condition A (brown spots on the last leaf, otherwise good condition).

77 - VERSAILLES (78) - [GARDEN PLANS]. 17th century. Reunion of 6 etched plates published by MARIETTE. Proofs on laid paper. All with margins. Approximately 28 x 39.5 cm per sheet. Condition A (brown spots on the last leaf, otherwise good condition).

300 € - 400 €

NIORT (79- DEUX-SEVRES) - BERNARD, C. - [ Niort à travers les rues ], c. 1850. Set of 10 prints by Charles Bernard, published in "Niort à travers les rues". Text by P. PLOCK. Printed by Gravat-Echillet & Lemercier in Niort. Accompanied by a booklet. List of prints: La Regratterie / Le Donjon / Les vieux Ponts / La Rue Saint-Jean / Allées hautes de la Brèche / L'Eglise Notre-Dame / La Rue du Pont / La Rue Saint-Gelais / Le Bon Cru / Temple protestant, Place St-Jean, Hotel-de-Ville, Allée

78 - NIORT (79- DEUX-SEVRES) - BERNARD, C. - [ Niort à travers les rues ], c. 1850. Set of 10 prints by Charles Bernard, published in "Niort à travers les rues". Text by P. PLOCK. Printed by Gravat-Echillet & Lemercier in Niort. Accompanied by a booklet. List of prints: La Regratterie / Le Donjon / Les vieux Ponts / La Rue Saint-Jean / Allées hautes de la Brèche / L'Eglise Notre-Dame / La Rue du Pont / La Rue Saint-Gelais / Le Bon Cru / Temple protestant, Place St-Jean, Hotel-de-Ville, Allée

300 € - 400 €

VAR (83) - HYERES - "Eglise St Paul à Hyères". Etching. Proof on wove paper, justified "1er tirage d'essai", titled and signed by the artist. Good margins. 34.5 x 40 cm. Condition A (some foxing in upper margin).

79 - VAR (83) - HYERES - "Eglise St Paul à Hyères". Etching. Proof on wove paper, justified "1er tirage d'essai", titled and signed by the artist. Good margins. 34.5 x 40 cm. Condition A (some foxing in upper margin).

120 € - 150 €

VAR (83) - TOULON - J. VERNET - "La ville et la Rade de TOULON". 1762. Etching and burin engraving by C.N Cochin fils & J. Ph LE BAS, after the painting by Joseph VERNET. Proof of a late edition, on watermarked laid paper. Small margins. 55.5 x 77 cm. Condition B (lightly sun-blinded proof with scattered foxing).

80 - VAR (83) - TOULON - J. VERNET - "La ville et la Rade de TOULON". 1762. Etching and burin engraving by C.N Cochin fils & J. Ph LE BAS, after the painting by Joseph VERNET. Proof of a late edition, on watermarked laid paper. Small margins. 55.5 x 77 cm. Condition B (lightly sun-blinded proof with scattered foxing).

150 € - 200 €

VAR (83) - TOULON - J. VERNET - "The old PORT of TOULON, seen from the Magasins aux Vivres side". 1762. Etching and burin engraving by C.N Cochin fils & J. Ph LE BAS, after the painting by Joseph VERNET. Proof of a 19th century print, on wove paper. Copper margins. 53.5 x 74 cm. Condition C (a short tear in the left shelf and foxing).

81 - VAR (83) - TOULON - J. VERNET - "The old PORT of TOULON, seen from the Magasins aux Vivres side". 1762. Etching and burin engraving by C.N Cochin fils & J. Ph LE BAS, after the painting by Joseph VERNET. Proof of a 19th century print, on wove paper. Copper margins. 53.5 x 74 cm. Condition C (a short tear in the left shelf and foxing).

150 € - 200 €

VAN DYCK (after) (1599 - 1641) - PORTRAIT of Frederick van MARSELAR (1583-1670)". Burin engraving by Cornelis GALLE. Proof on watermarked laid paper (coat of arms). Copper margins. 32.2 x 21.2 cm. Condition B (cut on or inside the copper mark and minor restorations).

82 - VAN DYCK (after) (1599 - 1641) - PORTRAIT of Frederick van MARSELAR (1583-1670)". Burin engraving by Cornelis GALLE. Proof on watermarked laid paper (coat of arms). Copper margins. 32.2 x 21.2 cm. Condition B (cut on or inside the copper mark and minor restorations).

80 € - 120 €

EDELINCK Gérard (1640 - 1707) - PORTRAIT of "Abraham BLOMAERT". Burin. Proof with Drevet's address, on watermarked laid paper (letters). Margins. 34.5 x 23 cm. Condition B (a formerly consolidated tear in the lower right-hand corner and rare foxing in the lower part of the subject).

83 - EDELINCK Gérard (1640 - 1707) - PORTRAIT of "Abraham BLOMAERT". Burin. Proof with Drevet's address, on watermarked laid paper (letters). Margins. 34.5 x 23 cm. Condition B (a formerly consolidated tear in the lower right-hand corner and rare foxing in the lower part of the subject).

80 € - 120 €

EDELINCK Gérard (1640 - 1707) - Portrait of "Hyacinthe Rigaud, peintre". 1698. Etching and burin after the self-portrait painted by H. Rigaud (1659-1743). Ref: Robert-Dumesnil, n°303. 2nd state of 2 proofs, with the letters C.P.R. following the words "Edelinck sculp. A Paris, chez Bligny, Doreur et Vitrier et Md d'Estampes Cour du Manège aux Thuilleries. Margins. 53 x 39 cm. Condition B (trace of wetness at lower right, a consolidated tear at lower left in the margin, rare short marginal tear

84 - EDELINCK Gérard (1640 - 1707) - Portrait of "Hyacinthe Rigaud, peintre". 1698. Etching and burin after the self-portrait painted by H. Rigaud (1659-1743). Ref: Robert-Dumesnil, n°303. 2nd state of 2 proofs, with the letters C.P.R. following the words "Edelinck sculp. A Paris, chez Bligny, Doreur et Vitrier et Md d'Estampes Cour du Manège aux Thuilleries. Margins. 53 x 39 cm. Condition B (trace of wetness at lower right, a consolidated tear at lower left in the margin, rare short marginal tear

200 € - 300 €

EQUESTRIAN PORTRAIT OF NAPOLEON BONAPARTE. "Napoleon at MONT SAINT BERNARD". Early 19th century. Lithograph after Jacques-Louis David. Proof on wove paper. 48.5 x 38.5 cm. Condition B/C (cut at the edge of the square line, some traces of folding and handling. Rare wormholes).

85 - EQUESTRIAN PORTRAIT OF NAPOLEON BONAPARTE. "Napoleon at MONT SAINT BERNARD". Early 19th century. Lithograph after Jacques-Louis David. Proof on wove paper. 48.5 x 38.5 cm. Condition B/C (cut at the edge of the square line, some traces of folding and handling. Rare wormholes).

200 € - 300 €

NAPOLEON I - Full-length PORTRAIT of Napoleon I. 1807. Aquatint in colors engraved by Louis Philibert DEBUCOURT (1765-1832). Reference: Fenaille, no. 199. Proof of a slightly late edition, on Van Gelder Zonen laid paper. Margins. 51 x 38.5 cm. Condition B (two short tears in the margins and slightly darkened).

86 - NAPOLEON I - Full-length PORTRAIT of Napoleon I. 1807. Aquatint in colors engraved by Louis Philibert DEBUCOURT (1765-1832). Reference: Fenaille, no. 199. Proof of a slightly late edition, on Van Gelder Zonen laid paper. Margins. 51 x 38.5 cm. Condition B (two short tears in the margins and slightly darkened).

100 € - 150 €

RUSSIA - PORTRAIT - REBMEISTER. - [ S.M. Nicolas II ], 1896. Lithograph of the portrait of Tsar Nicholas II, by Rebmeister. Printed by Ed. Bry. Small remark in lower right-hand corner. Signature in plate. 64.5 x 49.5 cm. Condition B (soiling, folds and short tears at edges. Mouillure).

87 - RUSSIA - PORTRAIT - REBMEISTER. - [ S.M. Nicolas II ], 1896. Lithograph of the portrait of Tsar Nicholas II, by Rebmeister. Printed by Ed. Bry. Small remark in lower right-hand corner. Signature in plate. 64.5 x 49.5 cm. Condition B (soiling, folds and short tears at edges. Mouillure).

100 € - 200 €

NAPOLEON BONAPARTE - "PLAN CHOROGRAPHIQUE GENERAL; servant de Guide à l'Itinéraire de la dernière Campagne de Napoléon Bonaparte en Juin 1815, dressé sur les lieux par E. Rush Ingénieur". 19th century. Plan engraved and printed on laid paper. Top left tablet with explanation of signs and bottom left cross-references to the plan (text in English and French). Margins. Folded in two. Rare. 79 x 60 cm. Condition A (slight marks and creases from handling, otherwise good condition).

88 - NAPOLEON BONAPARTE - "PLAN CHOROGRAPHIQUE GENERAL; servant de Guide à l'Itinéraire de la dernière Campagne de Napoléon Bonaparte en Juin 1815, dressé sur les lieux par E. Rush Ingénieur". 19th century. Plan engraved and printed on laid paper. Top left tablet with explanation of signs and bottom left cross-references to the plan (text in English and French). Margins. Folded in two. Rare. 79 x 60 cm. Condition A (slight marks and creases from handling, otherwise good condition).

200 € - 300 €

"OUVERTURE des Etats Généraux à VERSAILLES, le 5 mai 1789". Etching and burin engraving by Isidore Stanislas HELMAN (1743-1806), after a drawing by C. Monet. Ref: I.F.F after 1800, no. 142. Proof without cartouche, dedication and verses, on watermarked laid paper. A Paris, chez l'Auteur et chez Ponce. Small margins on three sides. 35.5 x 46.8 cm. Condition A/B (cut inside the copperplate mark at the foot, a short tear at the upper left corner and a second restored tear at the lower right corn

89 - "OUVERTURE des Etats Généraux à VERSAILLES, le 5 mai 1789". Etching and burin engraving by Isidore Stanislas HELMAN (1743-1806), after a drawing by C. Monet. Ref: I.F.F after 1800, no. 142. Proof without cartouche, dedication and verses, on watermarked laid paper. A Paris, chez l'Auteur et chez Ponce. Small margins on three sides. 35.5 x 46.8 cm. Condition A/B (cut inside the copperplate mark at the foot, a short tear at the upper left corner and a second restored tear at the lower right corn

100 € - 150 €

LA MARSEILLAISE. Early 20th century. Photogravure. Period colors. Wove paper. Composition with score, lyrics of La Marseillaise and illsutration after Gustave Doré. All margins. 58 x 37 cm. Condition A (well preserved).

90 - LA MARSEILLAISE. Early 20th century. Photogravure. Period colors. Wove paper. Composition with score, lyrics of La Marseillaise and illsutration after Gustave Doré. All margins. 58 x 37 cm. Condition A (well preserved).

100 € - 200 €

FRANC-MAÇONNERIE - "La Découverte ou la Femme Franc-maçon". Early 19th century. Engraving on laid paper. Margins. 56 x 38.5 cm. Condition A (rare short tears in the good margins, lightly dusted).

91 - FRANC-MAÇONNERIE - "La Découverte ou la Femme Franc-maçon". Early 19th century. Engraving on laid paper. Margins. 56 x 38.5 cm. Condition A (rare short tears in the good margins, lightly dusted).

200 € - 300 €

Kikukawa EIZAN (1787 - 1867) - [Beauty with umbrella]. 1820. Color woodcut. Japanese paper (printed on two joined sheets). Japanese print signed: Kikukawa Eizan hitsu. Vertical diptych, Oban tate-e format (approx. 75.5 x 24.5 cm). Eizan, an ukiyo-e painter and engraver, lived in Edo. His style was influenced by Utamaro and Kiyonaga. Condition B.

92 - Kikukawa EIZAN (1787 - 1867) - [Beauty with umbrella]. 1820. Color woodcut. Japanese paper (printed on two joined sheets). Japanese print signed: Kikukawa Eizan hitsu. Vertical diptych, Oban tate-e format (approx. 75.5 x 24.5 cm). Eizan, an ukiyo-e painter and engraver, lived in Edo. His style was influenced by Utamaro and Kiyonaga. Condition B.

200 € - 350 €

HOKUSAI Katsushika (1760-1849) (after) - "Fuji from Owari Province". Woodcut, printed in colors. Japanese paper. 25.3 x 37 cm. Condition B/C (mounted from the top corners and tears at these corners, trace of oblique fold to the left).

93 - HOKUSAI Katsushika (1760-1849) (after) - "Fuji from Owari Province". Woodcut, printed in colors. Japanese paper. 25.3 x 37 cm. Condition B/C (mounted from the top corners and tears at these corners, trace of oblique fold to the left).

100 € - 200 €

LES CHEVAUX DE POSTE - Anonymous lithograph in antique colors. Fine wove paper. Margins. 35 x 43 cm. A/B condition (a few short tears and handling creases in the margins).

94 - LES CHEVAUX DE POSTE - Anonymous lithograph in antique colors. Fine wove paper. Margins. 35 x 43 cm. A/B condition (a few short tears and handling creases in the margins).

120 € - 150 €

CHEN CHIN (Born in Fuzhou, China, 1930) - Black Horses. 20th century. Lithograph printed in black. Artist's signature in a red stamp at the foot of the plate. Edition of 50 copies. Chen Chin fled the People's Republic of China and settled in Taiwan in 1948. Between 1968 and 1975, he studied calligraphy and drawing in Li De's studio. For Christophe Comentale, Expert in Chinese Art and Curator of the CHEN CHIN exhibition at Galerie Lise Cormery in 1986, "Chen Chin's horses are in the words of the

95 - CHEN CHIN (Born in Fuzhou, China, 1930) - Black Horses. 20th century. Lithograph printed in black. Artist's signature in a red stamp at the foot of the plate. Edition of 50 copies. Chen Chin fled the People's Republic of China and settled in Taiwan in 1948. Between 1968 and 1975, he studied calligraphy and drawing in Li De's studio. For Christophe Comentale, Expert in Chinese Art and Curator of the CHEN CHIN exhibition at Galerie Lise Cormery in 1986, "Chen Chin's horses are in the words of the

1 800 € - 2 200 €

ARAB HORSE - JAZET Jean-Pierre Marie (1788-1871) - "Arab family surprised by a lion". circa 1860. Large aquatint after the painting by Frédéric-Henri Schopin (1804-1880). Proof with the letter, without the title, on wove paper. Printed and published by Goupil & Vibert. Wide margins. Beautiful orientalist composition. 45 x 58 cm for the subject. 68 x 93 cm per sheet. Condition C (traces of wetness in the upper margin and in the sky on the right, short tears in the large margins, lightly dus

96 - ARAB HORSE - JAZET Jean-Pierre Marie (1788-1871) - "Arab family surprised by a lion". circa 1860. Large aquatint after the painting by Frédéric-Henri Schopin (1804-1880). Proof with the letter, without the title, on wove paper. Printed and published by Goupil & Vibert. Wide margins. Beautiful orientalist composition. 45 x 58 cm for the subject. 68 x 93 cm per sheet. Condition C (traces of wetness in the upper margin and in the sky on the right, short tears in the large margins, lightly dus

150 € - 200 €

CALECHE - XIXe - HENDERSON, C.C. - [ Fores's coaching incidents - The road versus rail ], 1845. Color aquatint engraving by John Harris, after a painting by Charles Cooper Henderson. Published by Messrs Fores 48 x 70.5 cm. Condition A.

97 - CALECHE - XIXe - HENDERSON, C.C. - [ Fores's coaching incidents - The road versus rail ], 1845. Color aquatint engraving by John Harris, after a painting by Charles Cooper Henderson. Published by Messrs Fores 48 x 70.5 cm. Condition A.

400 € - 500 €

[Two greyhounds]. 19th century. Color lithograph in the spirit of Léon DANCHIN. Wove paper. 49.5 x 74 cm. Condition B (short tears and small creases on the edges of the sheet and a few stains, subject in good condition).

98 - [Two greyhounds]. 19th century. Color lithograph in the spirit of Léon DANCHIN. Wove paper. 49.5 x 74 cm. Condition B (short tears and small creases on the edges of the sheet and a few stains, subject in good condition).

150 € - 200 €

HIPPOPOTAMUS - "Hippopotamus Amphibius - The Hippopotamus". 19th century. Color lithograph by W.C. HARRIS. Proof on wove paper. Margins. 36 x 53.5 cm. Condition B/ (scattered foxing, mainly marginal and on verso).

99 - HIPPOPOTAMUS - "Hippopotamus Amphibius - The Hippopotamus". 19th century. Color lithograph by W.C. HARRIS. Proof on wove paper. Margins. 36 x 53.5 cm. Condition B/ (scattered foxing, mainly marginal and on verso).

250 € - 300 €

PUECHMAGRE Frédéric (Active in the late 19th century, died 1914) - "Le départ" (à la CHASSE). c.1900. Lithograph in colors, printed on glazed wove paper. Signed in the plate. Published by Sagot. Margins. Beautiful decorative print. 50 x 98.5 cm. Condition A (good general condition).

100 - PUECHMAGRE Frédéric (Active in the late 19th century, died 1914) - "Le départ" (à la CHASSE). c.1900. Lithograph in colors, printed on glazed wove paper. Signed in the plate. Published by Sagot. Margins. Beautiful decorative print. 50 x 98.5 cm. Condition A (good general condition).

100 € - 200 €

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