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RUSSIAN ART AND HISTORY

RUSSIAN ART AND HISTORY

Friday, 31 March 2023 at 14:00

Salle 2 - Hôtel Drouot, 9, rue Drouot, 75009 Paris

360° virtual tour

Lots 1 to 50 of 334

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Icon. Christ blessing. Moscow, 1882.
Tempera on wood. 31,5 x 27 cm.
Oklad in silver embossed and chased.
◊ В.А (Vasily Andreev)
◊ 84
◊ Moscow, 1882, А-К (Andrei Kovalski)Икона Господь Вседержитель. Москва, ок. 1882.
Дерево, темпера. 31.5 х 27 см.
Оклад: серебро.
Клейма: серебра 84, города, года, мастера В.А (Василий Андреев), пробирного мастера А-К (Андрей

1 - Icon. Christ blessing. Moscow, 1882. Tempera on wood. 31,5 x 27 cm. Oklad in silver embossed and chased. ◊ В.А (Vasily Andreev) ◊ 84 ◊ Moscow, 1882, А-К (Andrei Kovalski)Икона Господь Вседержитель. Москва, ок. 1882. Дерево, темпера. 31.5 х 27 см. Оклад: серебро. Клейма: серебра 84, города, года, мастера В.А (Василий Андреев), пробирного мастера А-К (Андрей

1 500 € - 2 000 €

Icon. Our Lady of Vladimir. Moscow, 1876.

Tempera on wood.
Oklad in vermeil. 31 x 26 cm.
◊ СК (Semion Kazakov)
◊ 84
◊ Moscow, 1876Икона Владимирская Божия Матерь. Москва, 1876.
Дерево, темпера. 31 х 26 см.
Оклад: серебро, позолота. Клейма: серебра 84, Москвы, года 1876, мастера СК (Семен Казаков).

2 - Icon. Our Lady of Vladimir. Moscow, 1876. Tempera on wood. Oklad in vermeil. 31 x 26 cm. ◊ СК (Semion Kazakov) ◊ 84 ◊ Moscow, 1876Икона Владимирская Божия Матерь. Москва, 1876. Дерево, темпера. 31 х 26 см. Оклад: серебро, позолота. Клейма: серебра 84, Москвы, года 1876, мастера СК (Семен Казаков).

400 € - 600 €

Icon. Christ blessing. Russia, 19th c.

Tempera on wood. 32 x 27 cm.
Brass oklad.Икона Господь Вседержитель. Россия, XIX в.
Дерево, темпера. 32 х 27 см. Оклад из латуни.

3 - Icon. Christ blessing. Russia, 19th c. Tempera on wood. 32 x 27 cm. Brass oklad.Икона Господь Вседержитель. Россия, XIX в. Дерево, темпера. 32 х 27 см. Оклад из латуни.

200 € - 400 €

Russian school of the 18th century. He bore our sins on the wood of the Cross.

Oil on copper alloy. 20,4 x 15,5 cm.
At the bottom, inscription in Russian (Gospel according to Matthew, XVI 24) : "If anyone wants to come after me, let him renounce himself, take up his cross and follow me."
Composition inspired by the "Christ of the thousand crosses" by Lelio Orsi (1510 ca - 1587). Each cross is named after a sin, in Russian.Русская школа XVIII века. Он вознес наши г�

4 - Russian school of the 18th century. He bore our sins on the wood of the Cross. Oil on copper alloy. 20,4 x 15,5 cm. At the bottom, inscription in Russian (Gospel according to Matthew, XVI 24) : "If anyone wants to come after me, let him renounce himself, take up his cross and follow me." Composition inspired by the "Christ of the thousand crosses" by Lelio Orsi (1510 ca - 1587). Each cross is named after a sin, in Russian.Русская школа XVIII века. Он вознес наши г�

1 200 € - 1 500 €

Icon. Gubkin. The Mother of God kaplunovskaya. Moscow, 1863.

Tempera on wood. 27 x 22 cm.
Oklad in silver embossed and chased; halo in silver and enamels in four colors.
Oklad: ◊ AC / 1863 / 84 / Moscow ◊ ГУБКИНЪ ◊ imperial eagle
Aureole: ◊ 1863 / 84 ◊ CT
The faces were restored in the late 20th century.Икона Каплуновская Божия Матерь. Москва. 1863.
Дерево, темпера. 27 х 22 см.
Серебряный оклад. Клейма: "

5 - Icon. Gubkin. The Mother of God kaplunovskaya. Moscow, 1863. Tempera on wood. 27 x 22 cm. Oklad in silver embossed and chased; halo in silver and enamels in four colors. Oklad: ◊ AC / 1863 / 84 / Moscow ◊ ГУБКИНЪ ◊ imperial eagle Aureole: ◊ 1863 / 84 ◊ CT The faces were restored in the late 20th century.Икона Каплуновская Божия Матерь. Москва. 1863. Дерево, темпера. 27 х 22 см. Серебряный оклад. Клейма: "

300 € - 500 €

Icon. Saint Nicholas, surrounded by Christ and his Mother. Russia, middle of the 19th century.

Tempera on wood. 26 x 23 cm.Икона Святой Николай Чудотворец. Россия, XIX в.
Дерево, темпера. 26 х 23 см.

6 - Icon. Saint Nicholas, surrounded by Christ and his Mother. Russia, middle of the 19th century. Tempera on wood. 26 x 23 cm.Икона Святой Николай Чудотворец. Россия, XIX в. Дерево, темпера. 26 х 23 см.

500 € - 800 €

Icon. Diptych: the angel Gabriel and Saint John the Baptist. Russia, 19th c.

Tempera. Wooden diptych, articulated on metal hinges.
Each panel: 112 x 50 cm.
Accidents and detachments.Архангел Гавриил и Святой Иоанн Креститель. Россия XIX в.
Дерево, темпера. Две створки диптиха. Каждая створка 112 х 50 см.
Повреждения красочного слоя.

7 - Icon. Diptych: the angel Gabriel and Saint John the Baptist. Russia, 19th c. Tempera. Wooden diptych, articulated on metal hinges. Each panel: 112 x 50 cm. Accidents and detachments.Архангел Гавриил и Святой Иоанн Креститель. Россия XIX в. Дерево, темпера. Две створки диптиха. Каждая створка 112 х 50 см. Повреждения красочного слоя.

1 000 € - 1 500 €

Icon. The Virgin of Tenderness. Greek Orthodox world, 19th c.

Tempera on wood. 40 x 31.5 cm.
Resumption of the iconography, traditional in the Greek world, which served as a model for the Virgin of Vladimir.Православная Икона Богоматерь Умиление. XIX в.
Дерево, темпера. 40 х 31.5 см.

8 - Icon. The Virgin of Tenderness. Greek Orthodox world, 19th c. Tempera on wood. 40 x 31.5 cm. Resumption of the iconography, traditional in the Greek world, which served as a model for the Virgin of Vladimir.Православная Икона Богоматерь Умиление. XIX в. Дерево, темпера. 40 х 31.5 см.

300 € - 400 €

Icon. House of Ovchinnikov. Intercession of the Mother of God. Moscow, around 1899.

Tempera on wood. Silver oklad. 31.5 x 26.5 cm.
◊ И.А.А. (Ivan Alexeevich Alexeev)
◊ 84
◊ ИЛ (Ivan Lebedkin)
◊ K to the left
◊ firm ОВЧИННИКОВЪ
◊ imperial eagleФирма ОВЧИННИКОВЪ. Икона Покров Пресвятой Богородицы. Россия, Москва, 1899.
Дерево, темпера. 31.5 х 26.5 см.
Оклад: серебро. Клейма: с�

9 - Icon. House of Ovchinnikov. Intercession of the Mother of God. Moscow, around 1899. Tempera on wood. Silver oklad. 31.5 x 26.5 cm. ◊ И.А.А. (Ivan Alexeevich Alexeev) ◊ 84 ◊ ИЛ (Ivan Lebedkin) ◊ K to the left ◊ firm ОВЧИННИКОВЪ ◊ imperial eagleФирма ОВЧИННИКОВЪ. Икона Покров Пресвятой Богородицы. Россия, Москва, 1899. Дерево, темпера. 31.5 х 26.5 см. Оклад: серебро. Клейма: с�

800 € - 1 200 €

Icon of the Exaltation of the Holy Cross. Russia, Palekh (?), 19th century.

Tempera and gold leaf on oval wood. 42,5 x 31 cm.
The Holy Cross, erected under an archway, is held by two saints, including St. Alexis; liturgists surround it, including a thurifer; at the sides, standing before hangings, St. Constantine and St. Helen.Икона Воздвижение Честнаго Креста Господня. Россия, Палех(?), XIX в.
Дерево, темпера. 42.5 х 31 см.
В �

10 - Icon of the Exaltation of the Holy Cross. Russia, Palekh (?), 19th century. Tempera and gold leaf on oval wood. 42,5 x 31 cm. The Holy Cross, erected under an archway, is held by two saints, including St. Alexis; liturgists surround it, including a thurifer; at the sides, standing before hangings, St. Constantine and St. Helen.Икона Воздвижение Честнаго Креста Господня. Россия, Палех(?), XIX в. Дерево, темпера. 42.5 х 31 см. В �

1 500 € - 2 000 €

Our Lady of Vladimir Mother of God. Russia, Moscow, 1892.

Tempera on wood. 31 x 26,5 cm.
Riza-oklad in chased silver; spandrels and halos in silver and cloisonné enamel.
◊ MO: НЗ (Nikolai Zverev).
◊ 84
◊ tester: A-A / 1892
◊ ∆ Kg 84 (affixed in the years 1908-1917).Икона Владимирская Божия Матерь. Россия, 1892.
Дерево, темпера. 31 х 26.5 см.
Оклад: мастер Николай Зверев. Серебро, эмаль; клейм

11 - Our Lady of Vladimir Mother of God. Russia, Moscow, 1892. Tempera on wood. 31 x 26,5 cm. Riza-oklad in chased silver; spandrels and halos in silver and cloisonné enamel. ◊ MO: НЗ (Nikolai Zverev). ◊ 84 ◊ tester: A-A / 1892 ◊ ∆ Kg 84 (affixed in the years 1908-1917).Икона Владимирская Божия Матерь. Россия, 1892. Дерево, темпера. 31 х 26.5 см. Оклад: мастер Николай Зверев. Серебро, эмаль; клейм

5 000 € - 8 000 €

Icon. Saint John the Baptist. Russia, Palekh, 18th or 19th c.

Tempera on wood. 31 x 26 cm.
Depicted in large size, St. John the Baptist is surrounded by scenes from his life and martyrdom; this kind of representation is typical of the workshops of Palekh icon painters.Икона Образ Святого Пророка Крестителя Господня Иоанна Предтечи. Палехские письма. XVIII-XIX вв.
Дерево, темпера. 31 х 26 см.

12 - Icon. Saint John the Baptist. Russia, Palekh, 18th or 19th c. Tempera on wood. 31 x 26 cm. Depicted in large size, St. John the Baptist is surrounded by scenes from his life and martyrdom; this kind of representation is typical of the workshops of Palekh icon painters.Икона Образ Святого Пророка Крестителя Господня Иоанна Предтечи. Палехские письма. XVIII-XIX вв. Дерево, темпера. 31 х 26 см.

800 € - 1 000 €

Icon. Saint Nicholas. Russia, 19th c.

Tempera on wood. Metal oklad. 36 x 31 cm.Икона Святой Николай Чудотворец. Россия, XIX в.
Дерево, темпера. Оклад из металла. 36 х 31 см.

13 - Icon. Saint Nicholas. Russia, 19th c. Tempera on wood. Metal oklad. 36 x 31 cm.Икона Святой Николай Чудотворец. Россия, XIX в. Дерево, темпера. Оклад из металла. 36 х 31 см.

600 € - 900 €

Icon. Saint Luke. Russia, 19th century.

Enamel on metal. In an openwork metal frame. 9 x 8 cm (with frame).Икона Святой Лука. Россия, XIX в.
Эмаль, метал. В ажурной металлической раме. 9 х 8 см (с рамой).

14 - Icon. Saint Luke. Russia, 19th century. Enamel on metal. In an openwork metal frame. 9 x 8 cm (with frame).Икона Святой Лука. Россия, XIX в. Эмаль, метал. В ажурной металлической раме. 9 х 8 см (с рамой).

100 € - 120 €

Icon. The Virgin of Kazan. Russia, Moscow, ca. 1896-1908.

Tempera on wood. In its silver oklad; cloisonné enamel halos. 22 x 17,5.
In its doe-bellied velvet case; silk back with the name of the Morozov store in Saint Petersburg; in its wooden display case with pivoting flaps. 28,5 x 24 cm.
On the back, brass plate with the monogram MV and the date June 24, 1906.
◊ СГ (Semion Galkin).
◊ 84, kokochnik to the left.
Missing part of the small upper side of the wooden display.Икона Каз

15 - Icon. The Virgin of Kazan. Russia, Moscow, ca. 1896-1908. Tempera on wood. In its silver oklad; cloisonné enamel halos. 22 x 17,5. In its doe-bellied velvet case; silk back with the name of the Morozov store in Saint Petersburg; in its wooden display case with pivoting flaps. 28,5 x 24 cm. On the back, brass plate with the monogram MV and the date June 24, 1906. ◊ СГ (Semion Galkin). ◊ 84, kokochnik to the left. Missing part of the small upper side of the wooden display.Икона Каз

3 000 € - 5 000 €

Mug with a hinged lid, carved in a mammoth tusk, and illustrating the heroic sacrifice of Ivan Susanin. Russia. 1st half of the XIXth century (partly the end of the XVIIIth century (?)

Mammoth ivory (Schreger stripes at about 70°).

23,5 x 12 x 21 cm.

The body of the mug represents a famous episode in the history of the Russian nation, namely the heroic feat of the peasant Ivan Soussanin, who sacrificed his life to save the Tsar Mikhail Feodorovitch during the war against the Poles (1609-1618

16 - Mug with a hinged lid, carved in a mammoth tusk, and illustrating the heroic sacrifice of Ivan Susanin. Russia. 1st half of the XIXth century (partly the end of the XVIIIth century (?) Mammoth ivory (Schreger stripes at about 70°). 23,5 x 12 x 21 cm. The body of the mug represents a famous episode in the history of the Russian nation, namely the heroic feat of the peasant Ivan Soussanin, who sacrificed his life to save the Tsar Mikhail Feodorovitch during the war against the Poles (1609-1618

15 000 € - 25 000 €

Evgraf Chemesov, after Jean-Marc Nattier. Peter the Great, Emperor of all the Russias. Saint Petersburg. 1759.

Burin engraving, 18 x 11 cm on a sheet 35 x 22 cm.
Provenance: Pavel Krivolai, Imperial Navy officer, collector.Евграф Чемесов, с оригинала Ж.М. Натье. Петр Великий, Император Всероссийский. Санкт-Петербург. 1759.
Гравюра резцом, 18 х 11 см на листе 35 х 22 см.
Происхожден�

17 - Evgraf Chemesov, after Jean-Marc Nattier. Peter the Great, Emperor of all the Russias. Saint Petersburg. 1759. Burin engraving, 18 x 11 cm on a sheet 35 x 22 cm. Provenance: Pavel Krivolai, Imperial Navy officer, collector.Евграф Чемесов, с оригинала Ж.М. Натье. Петр Великий, Император Всероссийский. Санкт-Петербург. 1759. Гравюра резцом, 18 х 11 см на листе 35 х 22 см. Происхожден�

300 € - 400 €

Jacob Houbraken, after K. de Moor. Portrait of Peter I. Amsterdam, 1752.

Burin engraving. 33 x 21 cm.Якоб Хоубракен. Портрет Петра I, по оригиналу К. де Моора. Амстердам, 1752.
Гравюра резцом. 33 х 21 см.

18 - Jacob Houbraken, after K. de Moor. Portrait of Peter I. Amsterdam, 1752. Burin engraving. 33 x 21 cm.Якоб Хоубракен. Портрет Петра I, по оригиналу К. де Моора. Амстердам, 1752. Гравюра резцом. 33 х 21 см.

100 € - 200 €

Collection of portraits of Russian rulers. XVIII-XIX centuries.

Forty-two engravings. Portraits of Tsars Alexei Mikhailovich, Peter I, Catherine I, Anna Ioannovna, Ivan III, Peter III, Catherine the Great, Paul I, Grand Duchess Maria Feodorovna, Alexander I, Alexander II, Marina Mnishek.
Provenance: Pavel Krivolai, Imperial Navy officer, collector.Собрание гравюр c портретами русских самодержцев. XVIII-XIX вв.
Сорок две гравюры. Пор�

19 - Collection of portraits of Russian rulers. XVIII-XIX centuries. Forty-two engravings. Portraits of Tsars Alexei Mikhailovich, Peter I, Catherine I, Anna Ioannovna, Ivan III, Peter III, Catherine the Great, Paul I, Grand Duchess Maria Feodorovna, Alexander I, Alexander II, Marina Mnishek. Provenance: Pavel Krivolai, Imperial Navy officer, collector.Собрание гравюр c портретами русских самодержцев. XVIII-XIX вв. Сорок две гравюры. Пор�

300 € - 500 €

Illumination and fireworks, which was presented on April 28, 1736, the great day of the coronation of His Imperial Majesty the Autocrat of all the Russias in St. Petersburg. About 1736.

Copper engraving. 39 x 40 cm. Inscriptions under the image in Russian and German.
Provenance: Pavel Krivolai, officer of the Imperial Navy, collector.План иллюминации и фейерверка, которые апреля 28 дня 1736 года в высокий день коронования ЕЕ

20 - Illumination and fireworks, which was presented on April 28, 1736, the great day of the coronation of His Imperial Majesty the Autocrat of all the Russias in St. Petersburg. About 1736. Copper engraving. 39 x 40 cm. Inscriptions under the image in Russian and German. Provenance: Pavel Krivolai, officer of the Imperial Navy, collector.План иллюминации и фейерверка, которые апреля 28 дня 1736 года в высокий день коронования ЕЕ

800 € - 1 000 €

Vasily Nikitin. Covered silver & gilt cup, with effigy, figure & arms of the empress Elisabeth Petrovna. Moscow, around 1741-1761.

Silver. Total weight (tumbler, lid & socket) : 634,53 g.
Total height : 28,7 cm. Height of the tumbler : 14 cm. Height of the socket : 11 cm.
Diameter of the bowl : 11 cm. Diameter of the foot: 8.5 cm.
◊◊ master goldsmith : BH (in a heart).
Deeply engraved inscription under the bottom : N°54.1ф 53 з
Engraved inscription, ibidem: 134 z
Engraved ins

21 - Vasily Nikitin. Covered silver & gilt cup, with effigy, figure & arms of the empress Elisabeth Petrovna. Moscow, around 1741-1761. Silver. Total weight (tumbler, lid & socket) : 634,53 g. Total height : 28,7 cm. Height of the tumbler : 14 cm. Height of the socket : 11 cm. Diameter of the bowl : 11 cm. Diameter of the foot: 8.5 cm. ◊◊ master goldsmith : BH (in a heart). Deeply engraved inscription under the bottom : N°54.1ф 53 з Engraved inscription, ibidem: 134 z Engraved ins

6 000 € - 8 000 €

P. Ricaud de Tiregale. Medals on the main events of the Russian Empire from the reign of Peter the Great to that of Catherine II. With historical explanations.

Potsdam, chés Sommer, printer of the Court, 1772.
One volume in-folio, half basane, spine with ornate faux-nerves. Binding of the period.
In the frontispiece, a portrait engraved by Berger, after Rotari; allegorical headband, with the figure, engraved by Daniel Bergé after Michel Gerin; 111 plates.
Some foxing, otherwise a good copy.П

22 - P. Ricaud de Tiregale. Medals on the main events of the Russian Empire from the reign of Peter the Great to that of Catherine II. With historical explanations. Potsdam, chés Sommer, printer of the Court, 1772. One volume in-folio, half basane, spine with ornate faux-nerves. Binding of the period. In the frontispiece, a portrait engraved by Berger, after Rotari; allegorical headband, with the figure, engraved by Daniel Bergé after Michel Gerin; 111 plates. Some foxing, otherwise a good copy.П

2 500 € - 3 000 €

The Farmer. Fables and Tales, dedicated to His Imperial Highness the Grand Duke of all the Russias, &c. &c. Paris, Lacombe, 1775.

One volume, small in-8°, full basane, smooth spine decorated. Binding of the time.
In frontispiece, portrait of the Grand Duke Paul Petrovitch: painted by Voille, engraved by Le Beau engraver of H.S.H. Mgr the Duke of Chartres.
Author: François Armand (Franz Hermann) La Fermière, born in Strasbourg in 1737 and graduated in law, became secretary of the impe

23 - The Farmer. Fables and Tales, dedicated to His Imperial Highness the Grand Duke of all the Russias, &c. &c. Paris, Lacombe, 1775. One volume, small in-8°, full basane, smooth spine decorated. Binding of the time. In frontispiece, portrait of the Grand Duke Paul Petrovitch: painted by Voille, engraved by Le Beau engraver of H.S.H. Mgr the Duke of Chartres. Author: François Armand (Franz Hermann) La Fermière, born in Strasbourg in 1737 and graduated in law, became secretary of the impe

400 € - 600 €

Royal Manufacture of Sevres. Square pot in porcelain, with big polychrome floral decoration (semis of roses and mosaic). 1779.

Hard porcelain. 23,5 cm.
Marks : double L embraced and crowned ; letter-date BB (for 1779) ; mark of the painter Jean-François Henrion l'Aîné.
Provenance : marquis de Juigné (1779) ; probably, grand-duc Paul Petrovitch, future emperor Paul I.

A single service with small roses and mosaic was made in hard porcelain by the Royal Manufacture of Sevres; it was delivered

24 - Royal Manufacture of Sevres. Square pot in porcelain, with big polychrome floral decoration (semis of roses and mosaic). 1779. Hard porcelain. 23,5 cm. Marks : double L embraced and crowned ; letter-date BB (for 1779) ; mark of the painter Jean-François Henrion l'Aîné. Provenance : marquis de Juigné (1779) ; probably, grand-duc Paul Petrovitch, future emperor Paul I. A single service with small roses and mosaic was made in hard porcelain by the Royal Manufacture of Sevres; it was delivered

2 000 € - 3 000 €

Johann Sebastian Klauber, after the original by Jean-Louis Voile. Portrait of Emperor Paul I. St. Petersburg, 1797.

Burin engraving. Under glass, in a modern frame.Иоганн Себастьян Клаубер, по оригиналу Жан-Луи Вуаля. Портрет Императора Павла I. Санкт-Петербург, 1797.
Гравюра резцом. Под стеклом, в современной раме.

25 - Johann Sebastian Klauber, after the original by Jean-Louis Voile. Portrait of Emperor Paul I. St. Petersburg, 1797. Burin engraving. Under glass, in a modern frame.Иоганн Себастьян Клаубер, по оригиналу Жан-Луи Вуаля. Портрет Императора Павла I. Санкт-Петербург, 1797. Гравюра резцом. Под стеклом, в современной раме.

1 000 € - 1 500 €

Paul I, Emperor and Autocrat of all the Russias. Letters given to Feodor Eltchaninov to appoint him as a State Counselor. Saint Petersburg. April 30, 1800.

Printed on parchment, plated seal. Signed by the Emperor Paul I.
Big frame engraved with the figure of Paul I and the imperial eagle.
45 x 50 cm. Under glass, framed.Павел I, Император и Самодержец Всероссийский. Грамота о возведении Федора Ельчанинова в статски

26 - Paul I, Emperor and Autocrat of all the Russias. Letters given to Feodor Eltchaninov to appoint him as a State Counselor. Saint Petersburg. April 30, 1800. Printed on parchment, plated seal. Signed by the Emperor Paul I. Big frame engraved with the figure of Paul I and the imperial eagle. 45 x 50 cm. Under glass, framed.Павел I, Император и Самодержец Всероссийский. Грамота о возведении Федора Ельчанинова в статски

1 000 € - 1 500 €

N.A. Elenev. Grand Duchess Elena Pavlovna in Bohemia. Prague, 1936.

One volume in-8°, paperback. Illustrated cover by Nikolai Zaretsky.Н.А. Еленев. Великая Княгиня Елена Павловна в Богемии. Прага, 1936.
Том in-8°, в мягком переплете. Обложка работы Николая Зарецкого.

27 - N.A. Elenev. Grand Duchess Elena Pavlovna in Bohemia. Prague, 1936. One volume in-8°, paperback. Illustrated cover by Nikolai Zaretsky.Н.А. Еленев. Великая Княгиня Елена Павловна в Богемии. Прага, 1936. Том in-8°, в мягком переплете. Обложка работы Николая Зарецкого.

100 € - 200 €

Auvrest. Equestrian portrait of the Emperor Alexander: "Alexander I Emperor of all the Russias".

Pen and ink wash, on sheet. 42 x 32 cm at the sight. Under glass.
Captioned and signed "Auvrest fecit".
Auvrest, a former soldier in the wars of the Empire, calligrapher artist whose biography we are preparing.Оврест. Александр I Император Всея Руси. Париж, нач. XIX в.
Бумага, перо и размывка тушью. 42 х 32 см. Внизу справ

28 - Auvrest. Equestrian portrait of the Emperor Alexander: "Alexander I Emperor of all the Russias". Pen and ink wash, on sheet. 42 x 32 cm at the sight. Under glass. Captioned and signed "Auvrest fecit". Auvrest, a former soldier in the wars of the Empire, calligrapher artist whose biography we are preparing.Оврест. Александр I Император Всея Руси. Париж, нач. XIX в. Бумага, перо и размывка тушью. 42 х 32 см. Внизу справ

500 € - 800 €

Delpech, lithographer, after Bazin young. Alexander I, Autocrat Emperor of all the Russias.
Lithograph. 50 x 32 cm at the sight. Black wood frame
Some foxing.
Joint: lithograph of two letters from Alexander, one to Napoleon (1810), the other to His Royal Highness (1816).Делпеш, по оригиналу Базена младшего. Александр I, Император Самодержец Всероссийский.
Литография. 50 х 32 см. В черной деревянн�

29 - Delpech, lithographer, after Bazin young. Alexander I, Autocrat Emperor of all the Russias. Lithograph. 50 x 32 cm at the sight. Black wood frame Some foxing. Joint: lithograph of two letters from Alexander, one to Napoleon (1810), the other to His Royal Highness (1816).Делпеш, по оригиналу Базена младшего. Александр I, Император Самодержец Всероссийский. Литография. 50 х 32 см. В черной деревянн�

50 € - 100 €

Nicolas Bach. My first Composition dedicated to my Sovereign His Imperial Majesty The Emperor of all the Russias Alexander I. by His faithful and submissive subject Nicolas Bach. five years old. Moscow. 1818.

One leaf (24,5 x 18 cm), under glass.
First folio alone of this composition due to the child prodigy Nicholas Bach, born in Moscow on May 5, 1803, first prize for piano in 1819.Николай Бах. Мое первое сочинение, посвященное моему Государю

30 - Nicolas Bach. My first Composition dedicated to my Sovereign His Imperial Majesty The Emperor of all the Russias Alexander I. by His faithful and submissive subject Nicolas Bach. five years old. Moscow. 1818. One leaf (24,5 x 18 cm), under glass. First folio alone of this composition due to the child prodigy Nicholas Bach, born in Moscow on May 5, 1803, first prize for piano in 1819.Николай Бах. Мое первое сочинение, посвященное моему Государю

100 € - 200 €

Alexander Barmine (glass) and Peter Ernst Rockstuhl (portrait). Crystal glass, bearing the portrait of Emperor Alexander I in a laurel wreath. Saint Petersburg, Imperial Glass Factory, circa 1810.
Crystal, opaline. 18.2 х 7 х 7 cm.
Signed in Russian under the portrait.
Inscription in French: " Vive Alexandre I ".
Small chip on the base.
Only one other example of a similar glass is listed in the collections of the Hermitage Museum.Александр Бармин, Петр Эрнст Рокшт�

31 - Alexander Barmine (glass) and Peter Ernst Rockstuhl (portrait). Crystal glass, bearing the portrait of Emperor Alexander I in a laurel wreath. Saint Petersburg, Imperial Glass Factory, circa 1810. Crystal, opaline. 18.2 х 7 х 7 cm. Signed in Russian under the portrait. Inscription in French: " Vive Alexandre I ". Small chip on the base. Only one other example of a similar glass is listed in the collections of the Hermitage Museum.Александр Бармин, Петр Эрнст Рокшт�

3 000 € - 4 000 €

Jean Godefroy, after Jean-Baptiste Isabey. The Congress of Vienna. Paris, 1819.
Lithograph. 68 x 89 cm Under glass and period frame.
/****describe the characters present***
The Congress of Vienna took place from September 1814 to July 1815; it brought together representatives of all the European states; the congress marked the end of the era of revolutionary upheavals and Napoleonic wars, the restoration of peace and tranquility, and outlined a new order on the European continent. The congress

32 - Jean Godefroy, after Jean-Baptiste Isabey. The Congress of Vienna. Paris, 1819. Lithograph. 68 x 89 cm Under glass and period frame. /**describe the characters present* The Congress of Vienna took place from September 1814 to July 1815; it brought together representatives of all the European states; the congress marked the end of the era of revolutionary upheavals and Napoleonic wars, the restoration of peace and tranquility, and outlined a new order on the European continent. The congress

600 € - 700 €

Jean-Laurent Monnier (?). Portrait of the Empress Elisabeth Alexeevna. Two sketches for the same portrait. About 1810.
Watercolor on paper, 21 x 32 cm.
Bears a pencil inscription attributing the sketches to Varnek.Жан-Лоран Монье (?) Портрет Императрицы Елизаветы Алексеевны. Два наброска к портрету. Ок. 1810.
Бумага, акварель, 21 х 32 см.
Внизу надпись карандашом, относящая э�

33 - Jean-Laurent Monnier (?). Portrait of the Empress Elisabeth Alexeevna. Two sketches for the same portrait. About 1810. Watercolor on paper, 21 x 32 cm. Bears a pencil inscription attributing the sketches to Varnek.Жан-Лоран Монье (?) Портрет Императрицы Елизаветы Алексеевны. Два наброска к портрету. Ок. 1810. Бумага, акварель, 21 х 32 см. Внизу надпись карандашом, относящая э�

800 € - 1 000 €

Jean-Baptiste Mége. Alliance d'Hygie et de la Beauté, ou l'Art d'embellir, d'après les principes de la physiologie. Paris, Crochard & Delaunay, 1818.
One volume in-12, full red long-grained morocco, gilt frieze framing the boards, arms in the center, smooth spine decorated, gilt fillet running along the edges, all edges gilt, turquoise blue paper endpapers.
With the arms of the Emperor Alexander I.
Missing the title page [Александр I].
Жан-Батист Меж. Согласие

34 - Jean-Baptiste Mége. Alliance d'Hygie et de la Beauté, ou l'Art d'embellir, d'après les principes de la physiologie. Paris, Crochard & Delaunay, 1818. One volume in-12, full red long-grained morocco, gilt frieze framing the boards, arms in the center, smooth spine decorated, gilt fillet running along the edges, all edges gilt, turquoise blue paper endpapers. With the arms of the Emperor Alexander I. Missing the title page [Александр I]. Жан-Батист Меж. Согласие

1 500 € - 2 000 €

[Tapuscript]. Pierre Dupilier. An opponent of Napoleon I - Alexander I. His life. His end. The legend. Unpublished documents. 1922.
One volume in-8°, blue-night percaline. Typescript.Пьер Дюпилье. Противник Наполеона I - Александр I, его жизнь, его конец, его легенда. Неизданные документы. 1922.
Том in-8°, в коленкоровом переплете. Машинопись.

35 - [Tapuscript]. Pierre Dupilier. An opponent of Napoleon I - Alexander I. His life. His end. The legend. Unpublished documents. 1922. One volume in-8°, blue-night percaline. Typescript.Пьер Дюпилье. Противник Наполеона I - Александр I, его жизнь, его конец, его легенда. Неизданные документы. 1922. Том in-8°, в коленкоровом переплете. Машинопись.

150 € - 200 €

Collection of lithographs:
- Portrait of Nicholas I. Saint Petersburg, 1855. 38 x 28 cm.
- Portrait of Nicholas I. Years 1840. 48 x 33 cm.
- Office of Nicholas I in the Winter Palace. Drawn from life and lithographed by the academician A. Kolb. Saint Petersburg, lithograph by A. Munster. About 1855. 35 x 43 cm.
- Alexander II. 38 x 30 cm.
- Nicholas II. Berlin, around 1900. 50 x 36 cm.
Provenance: Pavel Krivolai, Imperial Navy officer, collector.Собрание литографий:
- Порт

36 - Collection of lithographs: - Portrait of Nicholas I. Saint Petersburg, 1855. 38 x 28 cm. - Portrait of Nicholas I. Years 1840. 48 x 33 cm. - Office of Nicholas I in the Winter Palace. Drawn from life and lithographed by the academician A. Kolb. Saint Petersburg, lithograph by A. Munster. About 1855. 35 x 43 cm. - Alexander II. 38 x 30 cm. - Nicholas II. Berlin, around 1900. 50 x 36 cm. Provenance: Pavel Krivolai, Imperial Navy officer, collector.Собрание литографий: - Порт

200 € - 300 €

Pavel Brusnitsin (Brusnitsin). Commemorative medal for the monument of Nicholas I erected in Saint Petersburg. Saint Petersburg, 1859.
Bronze. Diameter 8,7 cm. In a brass frame; in a black wooden frame.
Inscriptions in Russian: on the obverse: "Nicholas I, emperor and autocrat of all the Russias. Born June 25, 1796. Died February 18, 1855." and on the reverse: "By the will of Emperor Alexander II, autocrat of all the Russias" and the date 1859.Павел Брусницын. Памятная ме

37 - Pavel Brusnitsin (Brusnitsin). Commemorative medal for the monument of Nicholas I erected in Saint Petersburg. Saint Petersburg, 1859. Bronze. Diameter 8,7 cm. In a brass frame; in a black wooden frame. Inscriptions in Russian: on the obverse: "Nicholas I, emperor and autocrat of all the Russias. Born June 25, 1796. Died February 18, 1855." and on the reverse: "By the will of Emperor Alexander II, autocrat of all the Russias" and the date 1859.Павел Брусницын. Памятная ме

300 € - 400 €

Nikanor Grigorievich Chernetsov (1805-1879). Sketch of a room in the Winter Palace. [1837].
Pencil on paper. 13,5 x 11,5 cm.
An inscription on the mounting board: from the album of Countess Tolstoy.Никанор Григорьевич Чернецов (1805-1879). Эскиз интерьера в Зимнем дворце. [1837].
Бумага, карандаш. 13.5 х 11.5 см.
На картоне надпись: из альбома гр. Толстой.

38 - Nikanor Grigorievich Chernetsov (1805-1879). Sketch of a room in the Winter Palace. [1837]. Pencil on paper. 13,5 x 11,5 cm. An inscription on the mounting board: from the album of Countess Tolstoy.Никанор Григорьевич Чернецов (1805-1879). Эскиз интерьера в Зимнем дворце. [1837]. Бумага, карандаш. 13.5 х 11.5 см. На картоне надпись: из альбома гр. Толстой.

600 € - 900 €

Portrait of the emperor Alexander II. About 1880.
Photograph enhanced with watercolor. In a velvet frame. Frame from the Julius Osberg workshop in Moscow.
Joint: a reproduction of the portrait of Nicholas II by Serov.Портрет Александра II. Ок. 1880.
Фотография, подкрашенная акварелью. В раме, обтянутой бархатом. Рама ателье Жюля Осберга в Москве.
А также: репродукция портре�

39 - Portrait of the emperor Alexander II. About 1880. Photograph enhanced with watercolor. In a velvet frame. Frame from the Julius Osberg workshop in Moscow. Joint: a reproduction of the portrait of Nicholas II by Serov.Портрет Александра II. Ок. 1880. Фотография, подкрашенная акварелью. В раме, обтянутой бархатом. Рама ателье Жюля Осберга в Москве. А также: репродукция портре�

100 € - 150 €

[Alexander II]. Letters given to Serguei Eltchaninov for his nomination to the rank of lieutenant-colonel. Saint Petersburg. September 1856.
Printed on paper. Signed by the Minister of War N.O. Sukhosanete, General of the Staff, Adjutant General A.A. Katenin and Deputy Director of the Department.
Large frame engraved with the imperial eagle and trophies.
35 x 42 cm. Under glass, framed [Александр II]. Грамота о возведении Сергея Ельчанинова в зван

40 - [Alexander II]. Letters given to Serguei Eltchaninov for his nomination to the rank of lieutenant-colonel. Saint Petersburg. September 1856. Printed on paper. Signed by the Minister of War N.O. Sukhosanete, General of the Staff, Adjutant General A.A. Katenin and Deputy Director of the Department. Large frame engraved with the imperial eagle and trophies. 35 x 42 cm. Under glass, framed [Александр II]. Грамота о возведении Сергея Ельчанинова в зван

500 € - 800 €

Empire is peace. Paris, Lebigre-Duquesne, 1867.
Lithograph published on the occasion of the 1867 Universal Exhibition of Art and Industry in Paris, which was visited by the Russian Emperor Alexander II. 41 x 53 cm.
Provenance: Pavel Krivolai, Imperial Navy officer, collector.Империя - это Мир. Париж, Лебигре-Дюкен. 1867.
Литография, выпущенная к Всемирной выставке искусств и промышленных работ 1867 го

41 - Empire is peace. Paris, Lebigre-Duquesne, 1867. Lithograph published on the occasion of the 1867 Universal Exhibition of Art and Industry in Paris, which was visited by the Russian Emperor Alexander II. 41 x 53 cm. Provenance: Pavel Krivolai, Imperial Navy officer, collector.Империя - это Мир. Париж, Лебигре-Дюкен. 1867. Литография, выпущенная к Всемирной выставке искусств и промышленных работ 1867 го

100 € - 200 €

Portrait of Tsesarevich Nikolai Alexandrovich. St. Petersburg, Münster edition, 1855-1865.
Lithograph. 43 x 31 cm.Государь Наследник Цесаревич Николай Александрович. Санкт-Петербург, издание Мюнстера. 1855-1865.
Литография. 43 х 31 см.

42 - Portrait of Tsesarevich Nikolai Alexandrovich. St. Petersburg, Münster edition, 1855-1865. Lithograph. 43 x 31 cm.Государь Наследник Цесаревич Николай Александрович. Санкт-Петербург, издание Мюнстера. 1855-1865. Литография. 43 х 31 см.

100 € - 200 €

43 - Cameo with a male portrait in profile. XIXth c. Carved in agate with three layers. 4,5 x 3,5 cm. On the back: monogram, painted in red, of Alexander II under the imperial crown, indicating that this cameo could have been part of the collection of the Emperor of Russia. One can recognize in this cameo a typical profile of the imperial family.Камея с мужским портретом в профиль. Агат трехслойный, резьба. 4.5 х 3.5 см. На обороте: мо�

2 000 € - 3 000 €

Large painted porcelain vase, with a large Russian double-headed eagle on both sides; cover with Pho dog. China, 19th c.
51 x 18,5 cm.
Vase commissioned and made in China, to decorate an imperial palace in or near St. Petersburg.Декоративная ваза с изображением российского двуглавого орла с двух сторон тулова и крышкой, увенчанной собакой Фо. Китай, XIX в.
Фарфор, роспись. 51 х 1

44 - Large painted porcelain vase, with a large Russian double-headed eagle on both sides; cover with Pho dog. China, 19th c. 51 x 18,5 cm. Vase commissioned and made in China, to decorate an imperial palace in or near St. Petersburg.Декоративная ваза с изображением российского двуглавого орла с двух сторон тулова и крышкой, увенчанной собакой Фо. Китай, XIX в. Фарфор, роспись. 51 х 1

800 € - 1 200 €

Pocket watch with the portrait of Alexander II in great uniform. G. Morel, 19th century.
Silver. Diam. 5 cm. N° 65305. In a wooden box.
"Anchor escape", "Tobias", "Jewels".Карманные часы с портретом Александра II в технике эгломизе. Фирма Морель, XIX в.
Серебро (?) Диам. 5 см. N° 65305. В деревянном футляре.

45 - Pocket watch with the portrait of Alexander II in great uniform. G. Morel, 19th century. Silver. Diam. 5 cm. N° 65305. In a wooden box. "Anchor escape", "Tobias", "Jewels".Карманные часы с портретом Александра II в технике эгломизе. Фирма Морель, XIX в. Серебро (?) Диам. 5 см. N° 65305. В деревянном футляре.

100 € - 150 €

The friends of France: the Emperor Alexander III and the Empress; their children the Tsarevich Nicholas (future Nicholas II), the grand dukes George and Michael Alexandrovich and the grand duchesses Xenia and Olga Alexandrovna; the grand dukes Vladimir and Alexis Alexandrovich. About 1890-1892.
Color lithograph. 42 x 31 cm
In its wooden frame.
Beautiful symbol of the friendship between France and Russia, which will be realized by the Franco-Russian alliance of 1892.Друзья Франции: �

46 - The friends of France: the Emperor Alexander III and the Empress; their children the Tsarevich Nicholas (future Nicholas II), the grand dukes George and Michael Alexandrovich and the grand duchesses Xenia and Olga Alexandrovna; the grand dukes Vladimir and Alexis Alexandrovich. About 1890-1892. Color lithograph. 42 x 31 cm In its wooden frame. Beautiful symbol of the friendship between France and Russia, which will be realized by the Franco-Russian alliance of 1892.Друзья Франции: �

200 € - 300 €

Photograph. Large official portrait of Emperor Nicholas II, in the uniform of the Imperial Guard. About 1905.
Silver print from a glass plate negative.
50,5 x 37 cm (69 x 55 cm with the frame).
In a wooden frame, topped by an imperial crown.
This magnificent large portrait was intended to be placed in a place of honor in an imperial yacht or at the Headquarters of the Guard in St. Petersburg.
Provenance: Imperial yacht. Then Nicholas Dmitrievich Semionoff Tian-Chansky (1887-1974), naval officer

47 - Photograph. Large official portrait of Emperor Nicholas II, in the uniform of the Imperial Guard. About 1905. Silver print from a glass plate negative. 50,5 x 37 cm (69 x 55 cm with the frame). In a wooden frame, topped by an imperial crown. This magnificent large portrait was intended to be placed in a place of honor in an imperial yacht or at the Headquarters of the Guard in St. Petersburg. Provenance: Imperial yacht. Then Nicholas Dmitrievich Semionoff Tian-Chansky (1887-1974), naval officer

500 € - 800 €

Photograph of the dish made on the occasion of the coronation of Nicholas II, and offered to the governor of Saratov. Moscow, 1896.
Silver print (52 x 40 cm), mounted on cardboard.
Label of the Fabergé house, affixed to the photograph.Фотография блюда, изготовленного фирмой Фаберже по заказу Саратовского Губернского земства по случаю коронации императора Николая II императр�

48 - Photograph of the dish made on the occasion of the coronation of Nicholas II, and offered to the governor of Saratov. Moscow, 1896. Silver print (52 x 40 cm), mounted on cardboard. Label of the Fabergé house, affixed to the photograph.Фотография блюда, изготовленного фирмой Фаберже по заказу Саратовского Губернского земства по случаю коронации императора Николая II императр�

80 € - 100 €

Sèvres. Leopold Bernstamm. Bust of the empress Alexandra Feodorovna.
Cookie. 49 cm
Signed in the paste, in Cyrillic.
Dated in the paste : 1897.
Mark SEVRES in a cartouche.
Defects: a few beads are missing from the necklace; firing cracks.Леопольд Бернштам. Портрет Императрицы Александры Федоровны. Севр, фарфоровая мануфактура. 1897.
Бисквит. 47 х 26 х 16 см. Подпись Л. Бернштамъ, мест�

49 - Sèvres. Leopold Bernstamm. Bust of the empress Alexandra Feodorovna. Cookie. 49 cm Signed in the paste, in Cyrillic. Dated in the paste : 1897. Mark SEVRES in a cartouche. Defects: a few beads are missing from the necklace; firing cracks.Леопольд Бернштам. Портрет Императрицы Александры Федоровны. Севр, фарфоровая мануфактура. 1897. Бисквит. 47 х 26 х 16 см. Подпись Л. Бернштамъ, мест�

5 000 € - 8 000 €

Empress Alexandra Feodorovna. Autograph letter signed to Signora Ginevra del Lungo. Tsarskoe Selo, February 1, 1915.
Bi-foil in-12. In the upper left corner, golden embossed figure of the Empress.
The Empress sends her congratulations and wishes for the New Year 1915. In Italian.
Attached:
- an envelope signed by the Empress with the address of the Signora del Lungo in Florence, a postage stamp.
- photographic portrait card of the Empress.Императрица Александра Федоро�

50 - Empress Alexandra Feodorovna. Autograph letter signed to Signora Ginevra del Lungo. Tsarskoe Selo, February 1, 1915. Bi-foil in-12. In the upper left corner, golden embossed figure of the Empress. The Empress sends her congratulations and wishes for the New Year 1915. In Italian. Attached: - an envelope signed by the Empress with the address of the Signora del Lungo in Florence, a postage stamp. - photographic portrait card of the Empress.Императрица Александра Федоро�

2 000 € - 4 000 €

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