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VENTE DE GRAVURES ANCIENNES & MODERNES EN LIVE - PAR TÉLÉPHONE ET ORDRES D' ACHATS

VENTE DE GRAVURES ANCIENNES & MODERNES EN LIVE - PAR TÉLÉPHONE ET ORDRES D' ACHATS

Tuesday, 6 December 2022 at 14:00

9 rue de Provence, 75009 Paris

Lots 101 to 150 of 374

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AUDRAN Gérard (1640 - 1703) - "The Plague of Aegina". Etching and burin after Pierre Mignard (1612 - 1695). Reference: Robert-Dumesnil, n°53. I.F.F XVIIth, n°61. Proof on watermarked laid paper (large eagle and letters). With the address "A Paris rüe St Jacques au 2 pilliers d'or". Margins for three sides. 55 x 78 cm. Condition B (cut at the copper mark at the foot, trace of median vertical fold, some stains in the dusty shelf).

101 - AUDRAN Gérard (1640 - 1703) - "The Plague of Aegina". Etching and burin after Pierre Mignard (1612 - 1695). Reference: Robert-Dumesnil, n°53. I.F.F XVIIth, n°61. Proof on watermarked laid paper (large eagle and letters). With the address "A Paris rüe St Jacques au 2 pilliers d'or". Margins for three sides. 55 x 78 cm. Condition B (cut at the copper mark at the foot, trace of median vertical fold, some stains in the dusty shelf).

100 € - 200 €

BEATRIZET Nicolas (c.1515 - 1577?) - "The Massacre of the Innocents". Burin after Marco da Ravenna and Baccio Bandinelli. Proof on wove paper, with the addresses of Lafrery and Rossi, from a 19th century print (dry stamp of a Chalcography in the lower right corner). Ref: Hollstein, n°14. Margins. 42 x 58 cm. Condition A/B (trace of an old vertical fold in the middle, otherwise good condition).

102 - BEATRIZET Nicolas (c.1515 - 1577?) - "The Massacre of the Innocents". Burin after Marco da Ravenna and Baccio Bandinelli. Proof on wove paper, with the addresses of Lafrery and Rossi, from a 19th century print (dry stamp of a Chalcography in the lower right corner). Ref: Hollstein, n°14. Margins. 42 x 58 cm. Condition A/B (trace of an old vertical fold in the middle, otherwise good condition).

200 € - 300 €

BERNARD Samuel (1615 - 1687) - "The ridiculous Parnassus of the Place Maubert". c.1650. Etching and burin. Proof on laid paper, edited by P. Ferdinand. 30,8 x 40,7 cm. Condition B (very slight trace of an old median vertical fold, cut inside the copperplate mark, edge of the sheet slightly weakened, otherwise good general condition).

103 - BERNARD Samuel (1615 - 1687) - "The ridiculous Parnassus of the Place Maubert". c.1650. Etching and burin. Proof on laid paper, edited by P. Ferdinand. 30,8 x 40,7 cm. Condition B (very slight trace of an old median vertical fold, cut inside the copperplate mark, edge of the sheet slightly weakened, otherwise good general condition).

150 € - 200 €

BOUZONNET-STELLA Claudia (1636 - 1697) - "Saint Peter and Saint John healing the lame man at the entrance of the Temple in Jerusalem". 1679. Etching and burin after Nicolas POUSSIN (1594 - 1665). Reference : I.F.F XVIIth, n°39. Proof of a print around 1703, on laid paper, with the address "A Paris chez P. Drevet rue S. Jacque à l'Annonciation". Small margins of the copper. 51,8 x 69 cm. Condition B (cut inside or at the limit of the copperplate mark, trace of vertical median folds, short tears

104 - BOUZONNET-STELLA Claudia (1636 - 1697) - "Saint Peter and Saint John healing the lame man at the entrance of the Temple in Jerusalem". 1679. Etching and burin after Nicolas POUSSIN (1594 - 1665). Reference : I.F.F XVIIth, n°39. Proof of a print around 1703, on laid paper, with the address "A Paris chez P. Drevet rue S. Jacque à l'Annonciation". Small margins of the copper. 51,8 x 69 cm. Condition B (cut inside or at the limit of the copperplate mark, trace of vertical median folds, short tears

100 € - 200 €

CALLOT Jacques (1592-1635) - "Miracles of Our Lady of the Annunciation". Reunion of 33 etching plates out of 42. Ref: L.80 to 119, missing L.78, 79, 84, 89, 90, 110, 113, 118 & 119. Proofs on laid paper. Text on the back. All with margins. 16 x 11 cm approximately each plate. Condition A/B (2 plates slightly sunned otherwise good condition overall). Set of 33 plates.

105 - CALLOT Jacques (1592-1635) - "Miracles of Our Lady of the Annunciation". Reunion of 33 etching plates out of 42. Ref: L.80 to 119, missing L.78, 79, 84, 89, 90, 110, 113, 118 & 119. Proofs on laid paper. Text on the back. All with margins. 16 x 11 cm approximately each plate. Condition A/B (2 plates slightly sunned otherwise good condition overall). Set of 33 plates.

150 € - 200 €

CALLOT Jacques (1592-1635) - "The Peasant who greets" & "The Man rolled up in his coat". Reunion of 2 etchings from the 1st series of "Caprices". Ref: Lieure 227 and 228. Framed pieces. 5,3 x 7,8 cm approximately each plate. 29,5 x 23 cm with the frame. Condition B (sunned proofs, not examined outside their frame).

106 - CALLOT Jacques (1592-1635) - "The Peasant who greets" & "The Man rolled up in his coat". Reunion of 2 etchings from the 1st series of "Caprices". Ref: Lieure 227 and 228. Framed pieces. 5,3 x 7,8 cm approximately each plate. 29,5 x 23 cm with the frame. Condition B (sunned proofs, not examined outside their frame).

80 € - 100 €

CALLOT Jacques (1592-1635) - Frontispiece of the series "The Gobbi". 1616. Original etching. Reference: Lieure, n°279. Proof of the 1st state of 2, before the address of Silvestre, on laid paper. Margins. 9 x 13 cm. Condition A (rare small stains or small foxing in the margins).

107 - CALLOT Jacques (1592-1635) - Frontispiece of the series "The Gobbi". 1616. Original etching. Reference: Lieure, n°279. Proof of the 1st state of 2, before the address of Silvestre, on laid paper. Margins. 9 x 13 cm. Condition A (rare small stains or small foxing in the margins).

50 € - 100 €

CALLOT Jacques (1592-1635) - "The washing of the feet". Original etching. Reference: Lieure, n°281. Proof of the 2nd state out of 4 (before the recovery of the funds), on laid paper. Plate from the series "La Grande Passion". Fine margins of the copper. 11,2 x 21,4 cm. Condition A (cut inside the copperplate mark, good condition).

108 - CALLOT Jacques (1592-1635) - "The washing of the feet". Original etching. Reference: Lieure, n°281. Proof of the 2nd state out of 4 (before the recovery of the funds), on laid paper. Plate from the series "La Grande Passion". Fine margins of the copper. 11,2 x 21,4 cm. Condition A (cut inside the copperplate mark, good condition).

50 € - 100 €

CALLOT Jacques (1592-1635) - "The death sentence". Original etching. Reference: Lieure, n°283. Proof of the 1st state on 3 (before the change of letter), on laid paper watermarked with double C. Plate from the series "La Grande Passion". 11,5 x 22 cm. Condition A (fillet of margins, good condition).

109 - CALLOT Jacques (1592-1635) - "The death sentence". Original etching. Reference: Lieure, n°283. Proof of the 1st state on 3 (before the change of letter), on laid paper watermarked with double C. Plate from the series "La Grande Passion". 11,5 x 22 cm. Condition A (fillet of margins, good condition).

50 € - 100 €

CALLOT Jacques (1592-1635) - "The visit to Saint Elizabeth". 1633. Original etching. Reference: Lieure, n°1362. Proof of the 2nd state of 3, on laid paper, with the address of Israel. 6,5 x 4,4 cm. Condition A (cut at the copperplate mark and formerly laminated).

110 - CALLOT Jacques (1592-1635) - "The visit to Saint Elizabeth". 1633. Original etching. Reference: Lieure, n°1362. Proof of the 2nd state of 3, on laid paper, with the address of Israel. 6,5 x 4,4 cm. Condition A (cut at the copperplate mark and formerly laminated).

50 € - 100 €

CALLOT Jacques (1592-1635) - "The Siege of La Rochelle, under the Reign of Louis XIII and under the Ministry of Cardinal de Richelieu". Etching. Engraving in 6 leaves + the title. Proofs on cream wove paper. Late edition. Margins for each plate. 76 x 56,5 cm approximately each plate. Condition A (good condition).

111 - CALLOT Jacques (1592-1635) - "The Siege of La Rochelle, under the Reign of Louis XIII and under the Ministry of Cardinal de Richelieu". Etching. Engraving in 6 leaves + the title. Proofs on cream wove paper. Late edition. Margins for each plate. 76 x 56,5 cm approximately each plate. Condition A (good condition).

400 € - 600 €

GELLEE Claude, called the LORRAIN (after) (1600-1682) - [Plates for the Fireworks]. Meeting of 11 heliogravures around 1848, by Charles Amand-Durand (1831-1904). Proofs on laid paper. Some of the plates with the red stamp of Amand-Durand (Lugt 2934). Ref: Manocci, n°22,23,25 to 33. 21,5 x 15 cm approximately each plate. Condition A (good condition overall). Set of 11 plates.

112 - GELLEE Claude, called the LORRAIN (after) (1600-1682) - [Plates for the Fireworks]. Meeting of 11 heliogravures around 1848, by Charles Amand-Durand (1831-1904). Proofs on laid paper. Some of the plates with the red stamp of Amand-Durand (Lugt 2934). Ref: Manocci, n°22,23,25 to 33. 21,5 x 15 cm approximately each plate. Condition A (good condition overall). Set of 11 plates.

80 € - 100 €

GELLEE Claude, called the LORRAIN (1600-1682) - "The Storm". 1630. etching. Ref: Robert-Dumesnil, n°5. Mannocci, n°6. Printed in the 19th century, on wove paper. Small margins of the copper. 13 x 17,7 cm. Condition A (trimmed on the plate cut, trace of sticker on the reverse and some brown spots).

113 - GELLEE Claude, called the LORRAIN (1600-1682) - "The Storm". 1630. etching. Ref: Robert-Dumesnil, n°5. Mannocci, n°6. Printed in the 19th century, on wove paper. Small margins of the copper. 13 x 17,7 cm. Condition A (trimmed on the plate cut, trace of sticker on the reverse and some brown spots).

100 € - 200 €

SILVESTRE Israël (1621-1691) - "Veüe du Chasteau de Marimont, du costé du jardin" (commune of Morlanwelz in the province of Hainaut in Belgium). 1673. Etching. Proof on laid paper (watermark hardly legible), with the collection mark of L. Bongard on the reverse (Lugt not described). Margins. 42 x 55 cm. Condition A (trace of original median vertical fold otherwise good condition).

114 - SILVESTRE Israël (1621-1691) - "Veüe du Chasteau de Marimont, du costé du jardin" (commune of Morlanwelz in the province of Hainaut in Belgium). 1673. Etching. Proof on laid paper (watermark hardly legible), with the collection mark of L. Bongard on the reverse (Lugt not described). Margins. 42 x 55 cm. Condition A (trace of original median vertical fold otherwise good condition).

200 € - 300 €

115 - SILVESTRE Israël (1621-1691) - "Profile of the city and Citadel of Stenay (Meuse)". 1670. etching. Printed in two sheets. Proof on watermarked laid paper (letters). Each sheet covered on the back with the collection mark of L. Bongard (Lugt not described). Small margins. 38 x 50,5 cm approximately each plate. Condition B (trace of old median vertical fold, rare brown stains, cut at the copper mark at the foot for the 1st sheet, rare small folds or short tears on the edges).

400 € - 600 €

SILVESTRE Israël (1621-1691) - "Veuee du Chasteau Neuf de St Germain en Laye, du costé de la rivière". Etching. Late print on wove paper. 37,5 x 50,5 cm approximately. Condition C (some foxing and insolate).

116 - SILVESTRE Israël (1621-1691) - "Veuee du Chasteau Neuf de St Germain en Laye, du costé de la rivière". Etching. Late print on wove paper. 37,5 x 50,5 cm approximately. Condition C (some foxing and insolate).

50 € - 100 €

CESIO Carlo (1622 - 1682) - "Perseus and Andromeda". 1656. Etching and burin after Annibale Carracci. Proof of a late print on laid paper. Ref: Bartsch, n°31. Small margins. 28,5 x 54,8 cm. Condition B (short tears and small lacks in the left margin, trace of an old vertical median fold and a printing fold).

117 - CESIO Carlo (1622 - 1682) - "Perseus and Andromeda". 1656. Etching and burin after Annibale Carracci. Proof of a late print on laid paper. Ref: Bartsch, n°31. Small margins. 28,5 x 54,8 cm. Condition B (short tears and small lacks in the left margin, trace of an old vertical median fold and a printing fold).

100 € - 200 €

DELLA BELLA Stefano (1610 - 1664) - "The perspective of the Pont Neuf in Paris". 1646. Etching and burin. Proof on a late print, on watermarked laid paper (dovecote & letters). Margins. 42 x 74,5 cm. Condition C (marginal tears and on the right in the subject formerly restored, slightly sunburned).

118 - DELLA BELLA Stefano (1610 - 1664) - "The perspective of the Pont Neuf in Paris". 1646. Etching and burin. Proof on a late print, on watermarked laid paper (dovecote & letters). Margins. 42 x 74,5 cm. Condition C (marginal tears and on the right in the subject formerly restored, slightly sunburned).

300 € - 400 €

LAFRERI Antonio (after) (c.1512 - 1577) - "Ecce Homo". Copy engraved with a burin by an anonymous person, with a decorative allegorical band at the foot. Proof on watermarked laid paper, edited by the Venetian Luca Bertelli (active between 1564-89 in Padua). Composition originally after Titian. 33,7 x 24,7 cm. Condition B (cut on or at the edge of the copperplate mark, printing fold).

119 - LAFRERI Antonio (after) (c.1512 - 1577) - "Ecce Homo". Copy engraved with a burin by an anonymous person, with a decorative allegorical band at the foot. Proof on watermarked laid paper, edited by the Venetian Luca Bertelli (active between 1564-89 in Padua). Composition originally after Titian. 33,7 x 24,7 cm. Condition B (cut on or at the edge of the copperplate mark, printing fold).

80 € - 100 €

RAIMONDI Marcantonio (Born in Bologna around 1480 and died between 1527 and 1534.) - "The Plague of Phrygia or Il Morbetto". Burin after Raffaello Sanzio da Urbino, called Raphael (1483-1520). Ref : Bartsch, n°417. Passavant, n°127. Innis H. Shoemaker, The engravings of Marcantonio Raimondi, 1981, n°31. Delaborde, n°189. Proof of a late print on laid paper, with the address of Rossi. Margins. Among Marcantonio Raimondi's engravings, "La Peste", "one of the most beautiful and sought-after of

120 - RAIMONDI Marcantonio (Born in Bologna around 1480 and died between 1527 and 1534.) - "The Plague of Phrygia or Il Morbetto". Burin after Raffaello Sanzio da Urbino, called Raphael (1483-1520). Ref : Bartsch, n°417. Passavant, n°127. Innis H. Shoemaker, The engravings of Marcantonio Raimondi, 1981, n°31. Delaborde, n°189. Proof of a late print on laid paper, with the address of Rossi. Margins. Among Marcantonio Raimondi's engravings, "La Peste", "one of the most beautiful and sought-after of

300 € - 400 €

"The MORTAL TO THE RATS". 18th century. Engraving. Proof on laid paper. 46 x 32 cm. Condition A (rare foxing on the reverse and good margins slightly dusted).

121 - "The MORTAL TO THE RATS". 18th century. Engraving. Proof on laid paper. 46 x 32 cm. Condition A (rare foxing on the reverse and good margins slightly dusted).

200 € - 250 €

[Venus and the Lovers]. 18th century. Engraving printed in colors, on laid paper. Oval subject: 17,5 x 23 cm. Condition B (cut at the subject).

122 - [Venus and the Lovers]. 18th century. Engraving printed in colors, on laid paper. Oval subject: 17,5 x 23 cm. Condition B (cut at the subject).

100 € - 200 €

AUDRAN Gérard (1640 - 1703) - "Painting". Etching and burin. Proof with the letter, on laid paper. In Paris, at Jacques Chereau's, rue St Jacques au grand St Remi. Small uneven margins. 18 x 27,2 cm. Condition A/B (a few light marginal foxing).

123 - AUDRAN Gérard (1640 - 1703) - "Painting". Etching and burin. Proof with the letter, on laid paper. In Paris, at Jacques Chereau's, rue St Jacques au grand St Remi. Small uneven margins. 18 x 27,2 cm. Condition A/B (a few light marginal foxing).

100 € - 200 €

BONNET Louis Marin (1736 - 1793) - [Study of a nude woman, lying down]. 18th century. Engraving in the manner of the pencil, printed in sanguine on watermarked laid paper (letters). From the Cabinet of Mr Lagrenée, Painter to the King. 33 x 45,6 cm for the subject. 35,8 x 51,7 cm the whole. Condition B (cut to the subject and formerly rewrapped, some stains on the edges of the subject and slight traces of handling).

124 - BONNET Louis Marin (1736 - 1793) - [Study of a nude woman, lying down]. 18th century. Engraving in the manner of the pencil, printed in sanguine on watermarked laid paper (letters). From the Cabinet of Mr Lagrenée, Painter to the King. 33 x 45,6 cm for the subject. 35,8 x 51,7 cm the whole. Condition B (cut to the subject and formerly rewrapped, some stains on the edges of the subject and slight traces of handling).

150 € - 200 €

BOUCHER François (after) (1703 - 1770) - "The young shepherdess". Etching and burin by Nicolas Joseph VOYEZ (1742 - 1806). Nice proof with the letter, on watermarked laid paper (letters). In Paris, at Beauvarlet Graveur du Roy rue St Jacques vis à vis celle des Mathurins. Margins. 52 x 37,5 cm. Condition A (good state of conservation).

125 - BOUCHER François (after) (1703 - 1770) - "The young shepherdess". Etching and burin by Nicolas Joseph VOYEZ (1742 - 1806). Nice proof with the letter, on watermarked laid paper (letters). In Paris, at Beauvarlet Graveur du Roy rue St Jacques vis à vis celle des Mathurins. Margins. 52 x 37,5 cm. Condition A (good state of conservation).

200 € - 300 €

BOUCHER François (after) (1703 - 1770) - "La belle Villageoise". Etching and burin by Pierre Soubeyran (1709-1775). Proof with the letter, on watermarked laid paper. In Paris, by Huquier, with the King's privilege. Small margins. 48,8 x 37 cm. Condition B/C (traces of old mounting and rare stains on the reverse side, a short tear in the upper margin, proof soiled).

126 - BOUCHER François (after) (1703 - 1770) - "La belle Villageoise". Etching and burin by Pierre Soubeyran (1709-1775). Proof with the letter, on watermarked laid paper. In Paris, by Huquier, with the King's privilege. Small margins. 48,8 x 37 cm. Condition B/C (traces of old mounting and rare stains on the reverse side, a short tear in the upper margin, proof soiled).

200 € - 300 €

BOUCHER François (after) (1703 - 1770) - "The beautiful cook". Etching and burin by Pierre AVELINE (1653-1722). Proof with the letter on laid paper, doubled. In Paris, by Basan engraver, with privilege of the King. Small margins. 48,5 x 37 cm. Condition B/C (traces of old mounting on the back and insolate).

127 - BOUCHER François (after) (1703 - 1770) - "The beautiful cook". Etching and burin by Pierre AVELINE (1653-1722). Proof with the letter on laid paper, doubled. In Paris, by Basan engraver, with privilege of the King. Small margins. 48,5 x 37 cm. Condition B/C (traces of old mounting on the back and insolate).

200 € - 300 €

BOUCHER François (after) (1703 - 1770) - [Study of a man]. Engraving in the pencil manner by Louis Marin Bonnet (Paris 1736 - St Mandé 1793). Printed in red chalk, on laid paper. In Paris, at Bonnet, rue St Jacques. Margins. 34,5 x 26 cm. Condition B (some stains and rare freckles on the margins and on the reverse).

128 - BOUCHER François (after) (1703 - 1770) - [Study of a man]. Engraving in the pencil manner by Louis Marin Bonnet (Paris 1736 - St Mandé 1793). Printed in red chalk, on laid paper. In Paris, at Bonnet, rue St Jacques. Margins. 34,5 x 26 cm. Condition B (some stains and rare freckles on the margins and on the reverse).

200 € - 300 €

DANZEL J. (1737 - 1809) - "To the health of the King". 1766. Etching and burin after the painting by Gilles van Tilborgh. Proof of a 19th century print, on wove paper. Margins. 48,7 x 55 cm. Condition C (cut of the plate consolidated on the reverse, stains, foxing mainly in the margins, slightly sunned).

129 - DANZEL J. (1737 - 1809) - "To the health of the King". 1766. Etching and burin after the painting by Gilles van Tilborgh. Proof of a 19th century print, on wove paper. Margins. 48,7 x 55 cm. Condition C (cut of the plate consolidated on the reverse, stains, foxing mainly in the margins, slightly sunned).

100 € - 200 €

DE BOISSIEU Jean-Jacques (Lyon 1736 - 1804) - "The Tower of Metellus". Etching, drypoint and roulette. Initials of the artist and date (1797) engraved under the subject on the right. Ref: Marie-Félicie Perez, L'oeuvre gravé de Jean-Jacques de Boissieu, n°106. I.F.F 18ème, n°106. Proof on wove paper. Good margins. 42,5 x 59 cm. Condition B (some stains and foxing in the good margins and on the reverse, two short tears in the right margin).

130 - DE BOISSIEU Jean-Jacques (Lyon 1736 - 1804) - "The Tower of Metellus". Etching, drypoint and roulette. Initials of the artist and date (1797) engraved under the subject on the right. Ref: Marie-Félicie Perez, L'oeuvre gravé de Jean-Jacques de Boissieu, n°106. I.F.F 18ème, n°106. Proof on wove paper. Good margins. 42,5 x 59 cm. Condition B (some stains and foxing in the good margins and on the reverse, two short tears in the right margin).

100 € - 150 €

DE BOISSIEU Jean-Jacques (Lyon 1736 - 1804) - "Landscape with herd of goats". 1804. Etching and drypoint after a painting by Claude le Lorrain. Ref: Marie-Félicie Perez, L'oeuvre gravé de Jean-Jacques de Boissieu, n°126. Proof on China paper. Good margins. 42 x 57,5 cm. Condition C (stains and foxing mainly on the margins, slightly dusty).

131 - DE BOISSIEU Jean-Jacques (Lyon 1736 - 1804) - "Landscape with herd of goats". 1804. Etching and drypoint after a painting by Claude le Lorrain. Ref: Marie-Félicie Perez, L'oeuvre gravé de Jean-Jacques de Boissieu, n°126. Proof on China paper. Good margins. 42 x 57,5 cm. Condition C (stains and foxing mainly on the margins, slightly dusty).

100 € - 150 €

DEBUCOURT Philibert Louis (1755 - 1832) - Reunion of 2 pl. : "Les visites" & "L'Orange ou Le moderne Jugement de Pâris". c.1800. Two etchings and aquatints. Proofs with the letter, on wove paper. Two collector's marks on the verso of the "Visits" (Lugt 1702, unidentified mark & Lugt 1731, of L. LÉPINGLE († circa 1903), merchant in Brussels).A Paris, chez les Marchands de Nouveautés. Small margins. 30,5 x 42 cm approximately each plate. Condition B/C (sunned proofs).

132 - DEBUCOURT Philibert Louis (1755 - 1832) - Reunion of 2 pl. : "Les visites" & "L'Orange ou Le moderne Jugement de Pâris". c.1800. Two etchings and aquatints. Proofs with the letter, on wove paper. Two collector's marks on the verso of the "Visits" (Lugt 1702, unidentified mark & Lugt 1731, of L. LÉPINGLE († circa 1903), merchant in Brussels).A Paris, chez les Marchands de Nouveautés. Small margins. 30,5 x 42 cm approximately each plate. Condition B/C (sunned proofs).

200 € - 300 €

NETHER Heinrich (1760 - 1819) - [Soldier]. 1778/81. Etching after Jean-Pierre Norblin de la Gourdaine. Proof on fine laid paper. Margins. 7,4 x 6,3 cm. Condition A (good condition).

133 - NETHER Heinrich (1760 - 1819) - [Soldier]. 1778/81. Etching after Jean-Pierre Norblin de la Gourdaine. Proof on fine laid paper. Margins. 7,4 x 6,3 cm. Condition A (good condition).

100 € - 200 €

NORBLIN DE LA GOURDAINE Jean-Pierre (1745-1830) - "Portrait of a man wearing a moustache and a Cossack cap". Etching. Signed in the upper left corner of the plate. Proof on thin laid paper. 7 x 6 cm. Condition A (cut at the copper mark on three sides, margin at the foot, otherwise good condition).

134 - NORBLIN DE LA GOURDAINE Jean-Pierre (1745-1830) - "Portrait of a man wearing a moustache and a Cossack cap". Etching. Signed in the upper left corner of the plate. Proof on thin laid paper. 7 x 6 cm. Condition A (cut at the copper mark on three sides, margin at the foot, otherwise good condition).

100 € - 200 €

NORBLIN DE LA GOURDAINE Jean-Pierre (1745-1830) - [Bust of an old woman with a large bonnet]. 1787. Etching. Signed and dated in the plate. Proof on china paper. Margins. 7 x 5,5 cm. Condition A (good general condition).

135 - NORBLIN DE LA GOURDAINE Jean-Pierre (1745-1830) - [Bust of an old woman with a large bonnet]. 1787. Etching. Signed and dated in the plate. Proof on china paper. Margins. 7 x 5,5 cm. Condition A (good general condition).

100 € - 200 €

NORBLIN DE LA GOURDAINE Jean-Pierre (1745-1830) - "Dark interior with a man kneeling before a woman in mourning; on the right, statue of Diana". Etching. Reference: Hillemacher, n°16. Proof on china paper. Margins. 14,5 x 11,4 cm. Condition A (slight marks of handling in the margins, good condition).

136 - NORBLIN DE LA GOURDAINE Jean-Pierre (1745-1830) - "Dark interior with a man kneeling before a woman in mourning; on the right, statue of Diana". Etching. Reference: Hillemacher, n°16. Proof on china paper. Margins. 14,5 x 11,4 cm. Condition A (slight marks of handling in the margins, good condition).

100 € - 200 €

NORBLIN DE LA GOURDAINE Jean-Pierre (1745-1830) - "Old bearded man, half-body, turned to the right, in a contemplative mood". Etching. Ref: Hillemacher, n°22. Proof on thin laid paper. Margins. 7 x 5,7 cm. Condition B (short tear restored at the upper right corner).

137 - NORBLIN DE LA GOURDAINE Jean-Pierre (1745-1830) - "Old bearded man, half-body, turned to the right, in a contemplative mood". Etching. Ref: Hillemacher, n°22. Proof on thin laid paper. Margins. 7 x 5,7 cm. Condition B (short tear restored at the upper right corner).

100 € - 200 €

NORBLIN DE LA GOURDAINE Jean-Pierre (1745-1830) - "Group of men presenting a crown to a peasant drawing water from a well". 1776. Etching. Ref: Hillemacher, n°13. Proof on thin laid paper. Margins. 10 x 8,2 cm. Condition A (Good condition).

138 - NORBLIN DE LA GOURDAINE Jean-Pierre (1745-1830) - "Group of men presenting a crown to a peasant drawing water from a well". 1776. Etching. Ref: Hillemacher, n°13. Proof on thin laid paper. Margins. 10 x 8,2 cm. Condition A (Good condition).

100 € - 200 €

PARIZEAU Philippe-Louis (Paris 1740 - 1801) - "Sculpture (represented by a group of children)". Original etching in the wash style, printed in bistre on laid paper. Reference: Le Blanc, n°130. signed and dated in the composition. In Paris, at Parizeau's, Rue de Savoie, the 4th door on the right when entering the Rue des Grands Augustins. Margins. Good condition. 15,7 x 22,3 cm - Condition A (good state of conservation)

139 - PARIZEAU Philippe-Louis (Paris 1740 - 1801) - "Sculpture (represented by a group of children)". Original etching in the wash style, printed in bistre on laid paper. Reference: Le Blanc, n°130. signed and dated in the composition. In Paris, at Parizeau's, Rue de Savoie, the 4th door on the right when entering the Rue des Grands Augustins. Margins. Good condition. 15,7 x 22,3 cm - Condition A (good state of conservation)

50 € - 80 €

PARIZEAU Philippe-Louis (Paris 1740 - 1801) - "Psiché refusing the divine honors". Etching after François Boucher (1703 - 1770). Reference: Le Blanc, n°6. Proof with the letter, on watermarked laid paper, bearing the collection mark of A. P. F. ROBERT-DUMESNIL (Lugt 2200) and with the address "A Paris, chez Parizeau rue Mazarine attenant l'Hôtel Montmorency". 43,7 x 41 cm. Condition C (cut at the edge of the square line and mounted by the corners on a paper support, some small foxing in the

140 - PARIZEAU Philippe-Louis (Paris 1740 - 1801) - "Psiché refusing the divine honors". Etching after François Boucher (1703 - 1770). Reference: Le Blanc, n°6. Proof with the letter, on watermarked laid paper, bearing the collection mark of A. P. F. ROBERT-DUMESNIL (Lugt 2200) and with the address "A Paris, chez Parizeau rue Mazarine attenant l'Hôtel Montmorency". 43,7 x 41 cm. Condition C (cut at the edge of the square line and mounted by the corners on a paper support, some small foxing in the

200 € - 300 €

PILLEMENT Jean (after) (1728 1808) - "Frontispiece of the Collection of Chinese Tents invented and drawn by jean Pillement, first Painter of the King of Poland". XVIIIth century. Etching printed in colors on laid paper. Margins. 34,5 x 24 cm. Condition B (some stains and handling marks, two small pinholes in the left margin).

141 - PILLEMENT Jean (after) (1728 1808) - "Frontispiece of the Collection of Chinese Tents invented and drawn by jean Pillement, first Painter of the King of Poland". XVIIIth century. Etching printed in colors on laid paper. Margins. 34,5 x 24 cm. Condition B (some stains and handling marks, two small pinholes in the left margin).

200 € - 300 €

PILLEMENT Jean (after) (1728 1808) - [Chinoiseries, Personnages]. Two etchings printed on the same sheet (laid paper). Margins. 25,3 x 36,5 cm for the sheet. Condition B (rare scattered foxing and slightly dusty).

142 - PILLEMENT Jean (after) (1728 1808) - [Chinoiseries, Personnages]. Two etchings printed on the same sheet (laid paper). Margins. 25,3 x 36,5 cm for the sheet. Condition B (rare scattered foxing and slightly dusty).

100 € - 200 €

SUBLEYRAS Pierre (1699 - 1749) - "Mary Madelaine wiping the feet of Christ at Simon the Pharisee's." Etching. Printed in bistre on laid paper. Ref: Portalis and Beraldi, p. 374. Proof with the date erased and the observation in the left margin, bearing the collection mark of François Heugel (Paris 1922-2010), music publisher in France (Lugt 3373). Bearing a handwritten signature in the lower right margin "Galland". Margins. 43,5 x 72,5 cm. Condition A (a short restored tear in the right margin

143 - SUBLEYRAS Pierre (1699 - 1749) - "Mary Madelaine wiping the feet of Christ at Simon the Pharisee's." Etching. Printed in bistre on laid paper. Ref: Portalis and Beraldi, p. 374. Proof with the date erased and the observation in the left margin, bearing the collection mark of François Heugel (Paris 1922-2010), music publisher in France (Lugt 3373). Bearing a handwritten signature in the lower right margin "Galland". Margins. 43,5 x 72,5 cm. Condition A (a short restored tear in the right margin

200 € - 300 €

VERNET Joseph (after) (1714 - 1789) - "Fishing at night". Etching and burin engraved by Yves-Marie le Gouaz (1742 - 1816). Proof of a 19th century print, on wove paper. Good margins. 45 x 62 cm. Condition B (rare short tears and traces of handling in the good margins).

144 - VERNET Joseph (after) (1714 - 1789) - "Fishing at night". Etching and burin engraved by Yves-Marie le Gouaz (1742 - 1816). Proof of a 19th century print, on wove paper. Good margins. 45 x 62 cm. Condition B (rare short tears and traces of handling in the good margins).

100 € - 200 €

WOLFGANG Gustav Andreas (1692-1775) - "Vista de la Iluminacion del exc. Sr Conde del Montijo, Embajador [...]". 1743. Etching and burin. Nice title cartouche at lower right. With the letter in spanish and latin. Proof on laid paper. Margins. 51,5 x 74,7 cm. Condition A/B (slight trace of an old vertical median fold, some tears and losses restored in the margins).

145 - WOLFGANG Gustav Andreas (1692-1775) - "Vista de la Iluminacion del exc. Sr Conde del Montijo, Embajador [...]". 1743. Etching and burin. Nice title cartouche at lower right. With the letter in spanish and latin. Proof on laid paper. Margins. 51,5 x 74,7 cm. Condition A/B (slight trace of an old vertical median fold, some tears and losses restored in the margins).

200 € - 300 €

APPIAN Adolphe (1818 - 1898) - "The Bridge of Hauteville". 1870. Original etching. Signed and dated in the upper right corner of the plate. Ref: Curtis et Prouté 30. Nice proof on cream laid paper. Margins. 43 x 57,5 cm. Condition A (good condition).

146 - APPIAN Adolphe (1818 - 1898) - "The Bridge of Hauteville". 1870. Original etching. Signed and dated in the upper right corner of the plate. Ref: Curtis et Prouté 30. Nice proof on cream laid paper. Margins. 43 x 57,5 cm. Condition A (good condition).

150 € - 200 €

BARYE Antoine-Louis (1796 - 1875) - Meeting of 3 lithographs: 1-"Lion of Persia" (Delteil 4). Print for Souvenirs d'artites, 28,5 x 40 cm, 2-"A deer and a lynx" (Delteil 1), Print for the Museum, 22 x 29,5 cm & 3-"Study of a tiger" (Delteil 2), print for the Artist, 25 x 32,3 cm. Margins for all. Condition B/C (some light foxing). Set of 3 plates.

147 - BARYE Antoine-Louis (1796 - 1875) - Meeting of 3 lithographs: 1-"Lion of Persia" (Delteil 4). Print for Souvenirs d'artites, 28,5 x 40 cm, 2-"A deer and a lynx" (Delteil 1), Print for the Museum, 22 x 29,5 cm & 3-"Study of a tiger" (Delteil 2), print for the Artist, 25 x 32,3 cm. Margins for all. Condition B/C (some light foxing). Set of 3 plates.

50 € - 100 €

BEAUFRERE Adolphe (1876 - 1960) - Reunion of 3 etchings: 1-"Repos pendant la Fuite en Egypte" (Morane 12-32), proof on fine japan, titled, numbered and countersigned in pencil, 18,5 x 23,5 cm (a few freckles); 2-"Bois dominant le ravin" (Morane 12-14), proof on laid paper, numbered and signed in pencil by the artist. Coated with the dry stamp of the publisher Sagot. 25,5 x 17,5 cm (nice condition) & 3-"Bois sacré, Aïn Taya" (Morane 11-17), proof on strong vellum, numbered and countersigned in

148 - BEAUFRERE Adolphe (1876 - 1960) - Reunion of 3 etchings: 1-"Repos pendant la Fuite en Egypte" (Morane 12-32), proof on fine japan, titled, numbered and countersigned in pencil, 18,5 x 23,5 cm (a few freckles); 2-"Bois dominant le ravin" (Morane 12-14), proof on laid paper, numbered and signed in pencil by the artist. Coated with the dry stamp of the publisher Sagot. 25,5 x 17,5 cm (nice condition) & 3-"Bois sacré, Aïn Taya" (Morane 11-17), proof on strong vellum, numbered and countersigned in

60 € - 100 €

BEAUFRERE Adolphe (1876 - 1960) - "Essay of bite". Etching. Nice proof on japanese paper, signed in grey pencil and stamped by the publisher Sagot. Edition at 20 proofs. Reference: Morane 10-16. Margins. Condition A (good condition).

149 - BEAUFRERE Adolphe (1876 - 1960) - "Essay of bite". Etching. Nice proof on japanese paper, signed in grey pencil and stamped by the publisher Sagot. Edition at 20 proofs. Reference: Morane 10-16. Margins. Condition A (good condition).

50 € - 80 €

BEAUFRERE Adolphe (1876 - 1960) - Reunion of 2 etchings: 1-"La ferme de Cotonard" (Morane 10-03), proof on japon, numbered 20/30 and signed in pencil by the artist. All margins. 26,5 x 40 cm. 2-"The hay barn". 1910 (Morane 10-01). Proof on laid paper numbered 6/40 and signed in pencil by the artist. Margins. 22,5 x 28,5 cm. Condition A (good condition for the two plates). Set of 2 plates.

150 - BEAUFRERE Adolphe (1876 - 1960) - Reunion of 2 etchings: 1-"La ferme de Cotonard" (Morane 10-03), proof on japon, numbered 20/30 and signed in pencil by the artist. All margins. 26,5 x 40 cm. 2-"The hay barn". 1910 (Morane 10-01). Proof on laid paper numbered 6/40 and signed in pencil by the artist. Margins. 22,5 x 28,5 cm. Condition A (good condition for the two plates). Set of 2 plates.

60 € - 80 €

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