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SALE OF FURNITURE AND ART OBJECTS

SALE OF FURNITURE AND ART OBJECTS

Wednesday, 29 June 2022 at 13:30

Salle 13 - Hôtel Drouot, 9, rue Drouot, 75009 Paris

360° virtual tour

Lots 1 to 50 of 334

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1 - BOOK HANDLE

2 - BOOK HANDLE

GUADELOUPE - "General view of the Port and the City of POINTE A PITRE, Prise du Morne-à-Caille". 19th century. Lithographed by Emile VERNIER (1829-1887), after Armand BUDAN. Wove paper. Printed by Lemercier. Good margins. 50,5 x 86 cm. Condition B/C (traces of two vertical median folds consolidated on the reverse, some traces of old folds, small worm hole in the foliage, rare tears or small lacks restored in the margins).

3 - GUADELOUPE - "General view of the Port and the City of POINTE A PITRE, Prise du Morne-à-Caille". 19th century. Lithographed by Emile VERNIER (1829-1887), after Armand BUDAN. Wove paper. Printed by Lemercier. Good margins. 50,5 x 86 cm. Condition B/C (traces of two vertical median folds consolidated on the reverse, some traces of old folds, small worm hole in the foliage, rare tears or small lacks restored in the margins).

600 € - 800 €

NEW ZEALAND - TATTOO - "NATAI, one of the Chiefs of Bream Bay (New Zealand)". c.1833. Lithographed by A. Maurin (1793-1860), after de SAINSON. Early coloring. Vellum paper. Printed by Lemercier and edited by J. Tastu. Plate n°63 of the "Voyage de l'ASTROLABE". Margins. Rare. 53 x 36 cm. Condition A (very rare light foxing on the edges of the sheet, good condition).

4 - NEW ZEALAND - TATTOO - "NATAI, one of the Chiefs of Bream Bay (New Zealand)". c.1833. Lithographed by A. Maurin (1793-1860), after de SAINSON. Early coloring. Vellum paper. Printed by Lemercier and edited by J. Tastu. Plate n°63 of the "Voyage de l'ASTROLABE". Margins. Rare. 53 x 36 cm. Condition A (very rare light foxing on the edges of the sheet, good condition).

300 € - 400 €

CHINA - OPTICAL VIEW - "View of the superb Snake Temple in the city of Juida in China". 18th century. Engraving in old colors. Layered paper. Copper margins for two sides. 32,5 x 46,2 cm. Condition B (formerly pasted on cardboard, a small stain in the subject otherwise good condition).

5 - CHINA - OPTICAL VIEW - "View of the superb Snake Temple in the city of Juida in China". 18th century. Engraving in old colors. Layered paper. Copper margins for two sides. 32,5 x 46,2 cm. Condition B (formerly pasted on cardboard, a small stain in the subject otherwise good condition).

200 € - 300 €

CHINESE / CHINOISERIE. BEAUTIFUL CHROMOLITHOGRAPHY AROUND 1830. Printed and published by Engelmann & Graf, rue de l'Abbaye 12, in Paris. Margins. Very nice impression. Rare. 60,5 x 44,5 cm. Condition A (good condition).

6 - CHINESE / CHINOISERIE. BEAUTIFUL CHROMOLITHOGRAPHY AROUND 1830. Printed and published by Engelmann & Graf, rue de l'Abbaye 12, in Paris. Margins. Very nice impression. Rare. 60,5 x 44,5 cm. Condition A (good condition).

800 € - 1 000 €

ROME - EXCEPTIONAL PANORAMIC VIEW OF ROME by Giuseppe VASI (1710-1782) - "Prospetto del 'Alma Cittá di Roma visto dal Monte Gianicolo e sotto gli auspici della sac. Maestà catto. di Carlo III re delle Spagne". Rome, 1765. Magnificent panoramic view in 12 plates engraved with etching and burin by G. Vasi. Proofs on laid paper, planed. Title cartouche on the lower left with a dedication to Charles III of Spain and a directory of about 390 monuments or sites in the tablet. RARE COPY WITH ITS ENGR

7 - ROME - EXCEPTIONAL PANORAMIC VIEW OF ROME by Giuseppe VASI (1710-1782) - "Prospetto del 'Alma Cittá di Roma visto dal Monte Gianicolo e sotto gli auspici della sac. Maestà catto. di Carlo III re delle Spagne". Rome, 1765. Magnificent panoramic view in 12 plates engraved with etching and burin by G. Vasi. Proofs on laid paper, planed. Title cartouche on the lower left with a dedication to Charles III of Spain and a directory of about 390 monuments or sites in the tablet. RARE COPY WITH ITS ENGR

7 000 € - 10 000 €

RARE VIEW OF PARIS AS A BIRD FLIES - TESTARD J.A. - "General aspect of Paris, A bird's eye view of the entrance to the Champs Elysées". c.1850. Large and beautiful original engraving by Jacques Alphonse TESTARD (1810 - 18??), in colors. Vellum paper. In Paris, at Fatout publisher. Margins. Framed. Spectacular aerial view of Paris from the Concorde, towards the East. 70,5 x 97,3 cm with the frame. Condition A (not examined outside its frame, some marginal foxing).

8 - RARE VIEW OF PARIS AS A BIRD FLIES - TESTARD J.A. - "General aspect of Paris, A bird's eye view of the entrance to the Champs Elysées". c.1850. Large and beautiful original engraving by Jacques Alphonse TESTARD (1810 - 18??), in colors. Vellum paper. In Paris, at Fatout publisher. Margins. Framed. Spectacular aerial view of Paris from the Concorde, towards the East. 70,5 x 97,3 cm with the frame. Condition A (not examined outside its frame, some marginal foxing).

800 € - 1 000 €

SALATHE Friedrich (after) (Switzerland 1793 - 1858) - "GENERAL ASPECT OF PARIS - A VIEW TAKEN FROM THE GARDEN OF PLANTS". c.1850. Large and beautiful engraving by A. Appert. Older colors. Nice proof on wove paper. In Paris, at Fatout publisher. Margins. Framed. 70,5 x 97,3 cm with the frame. Condition A (not examined outside its frame).

9 - SALATHE Friedrich (after) (Switzerland 1793 - 1858) - "GENERAL ASPECT OF PARIS - A VIEW TAKEN FROM THE GARDEN OF PLANTS". c.1850. Large and beautiful engraving by A. Appert. Older colors. Nice proof on wove paper. In Paris, at Fatout publisher. Margins. Framed. 70,5 x 97,3 cm with the frame. Condition A (not examined outside its frame).

800 € - 1 000 €

RIGAUD - YVELINES - "Vüe du Vieux Château de ST GERMAIN-EN-LAYE. This house is in the shape of an irregular Pentagon with an Antique Architecture reigning all around". circa 1720-1730. Original etching engraved by Jacques RIGAUD (1681-1753). Proof on watermarked laid paper (letters), covered on the reverse with the collection mark of L. BONGARD (Lugt not described). With the address "se vend chez l'auteur rue St Jacques". With privilege of the King. Good margins. 37,5 x 54 cm. Condition A (sli

10 - RIGAUD - YVELINES - "Vüe du Vieux Château de ST GERMAIN-EN-LAYE. This house is in the shape of an irregular Pentagon with an Antique Architecture reigning all around". circa 1720-1730. Original etching engraved by Jacques RIGAUD (1681-1753). Proof on watermarked laid paper (letters), covered on the reverse with the collection mark of L. BONGARD (Lugt not described). With the address "se vend chez l'auteur rue St Jacques". With privilege of the King. Good margins. 37,5 x 54 cm. Condition A (sli

100 € - 200 €

RIGAUD - SEINE-SAINT-DENIS - "Vüe du Château de BAGNOLET, appartenant à S.A.S Monseigneur le DUC D'ORLEANS du côté du jardin, prise du bord du Bassin". circa 1720-1730. original etching engraved by Jacques RIGAUD (1681-1753). Proof on watermarked laid paper (letters), covered on the reverse with the collection mark of L. BONGARD (Lugt not described). With the address "A Paris, chez Rigaud rue St Jacques près les Mathurins". Good margins. 37,8 x 54 cm. Condition A/B (light foxing in the goo

11 - RIGAUD - SEINE-SAINT-DENIS - "Vüe du Château de BAGNOLET, appartenant à S.A.S Monseigneur le DUC D'ORLEANS du côté du jardin, prise du bord du Bassin". circa 1720-1730. original etching engraved by Jacques RIGAUD (1681-1753). Proof on watermarked laid paper (letters), covered on the reverse with the collection mark of L. BONGARD (Lugt not described). With the address "A Paris, chez Rigaud rue St Jacques près les Mathurins". Good margins. 37,8 x 54 cm. Condition A/B (light foxing in the goo

100 € - 200 €

RIGAUD - SEINE-SAINT-DENIS - "Vüe du Château de BAGNOLET, appartenant à S.A.S Monseigneur le DUC D'ORLEANS prise de la grille en face du château". circa 1720-1730. original etching engraved by Jacques RIGAUD (1681-1753). Proof on watermarked laid paper (letters), covered on the reverse with the collection mark of L. BONGARD (Lugt not described). With the address "A Paris, chez Rigaud rue St Jacques près les Mathurins". Good margins. 37,5 x 54 cm. Condition A/B (some light foxing in the good

12 - RIGAUD - SEINE-SAINT-DENIS - "Vüe du Château de BAGNOLET, appartenant à S.A.S Monseigneur le DUC D'ORLEANS prise de la grille en face du château". circa 1720-1730. original etching engraved by Jacques RIGAUD (1681-1753). Proof on watermarked laid paper (letters), covered on the reverse with the collection mark of L. BONGARD (Lugt not described). With the address "A Paris, chez Rigaud rue St Jacques près les Mathurins". Good margins. 37,5 x 54 cm. Condition A/B (some light foxing in the good

100 € - 200 €

RIGAUD - SEINE-SAINT-DENIS - "Vüe du Château de SAINT-OUEN, du côté de la Cour". circa 1720-1730. original etching engraved by Jacques RIGAUD (1681-1753). Proof on watermarked laid paper (cross in a large rosary), covered on the reverse with the collection mark of L. BONGARD (Lugt not described). With the address "Rigaud rue St Jacques a little above the Mathurins". Good margins. 37,5 x 54 cm. Condition B (margins slightly sunned).

13 - RIGAUD - SEINE-SAINT-DENIS - "Vüe du Château de SAINT-OUEN, du côté de la Cour". circa 1720-1730. original etching engraved by Jacques RIGAUD (1681-1753). Proof on watermarked laid paper (cross in a large rosary), covered on the reverse with the collection mark of L. BONGARD (Lugt not described). With the address "Rigaud rue St Jacques a little above the Mathurins". Good margins. 37,5 x 54 cm. Condition B (margins slightly sunned).

100 € - 200 €

RIGAUD - VAL DE MARNE - "Vüe de la MAISON ROYALLE DE CHOISY du côté du jardin". circa 1720-1730. original etching engraved by Jacques RIGAUD (1681-1753). Proof on watermarked laid paper (letters), covered on the reverse with the collection mark of L. BONGARD (Lugt not described). With the address "chez l'auteur rue St Jacques à Paris". Good margins. 37,5 x 54 cm. Condition A (some light marginal foxing).

14 - RIGAUD - VAL DE MARNE - "Vüe de la MAISON ROYALLE DE CHOISY du côté du jardin". circa 1720-1730. original etching engraved by Jacques RIGAUD (1681-1753). Proof on watermarked laid paper (letters), covered on the reverse with the collection mark of L. BONGARD (Lugt not described). With the address "chez l'auteur rue St Jacques à Paris". Good margins. 37,5 x 54 cm. Condition A (some light marginal foxing).

100 € - 200 €

OPTICS - RARE CURIOSITY - "Ambigu magique ou tableaux changeans à l'usage de ceux qui n'ont pas la Berluë" (FINGERS-BOOK). In Paris, at Jacques Chereau, rue St Jacques au Grand St Rémy, 1776. Vol. in-8. 165 engraved plates colored by hand (incomplete). Book causing an optical effect by the graduated cuts of the leaves. One makes see at first blank pages, then characters of theater, soldiers, nuns... so successively without opening the book, but by leafing through it with speed and lowering ea

15 - OPTICS - RARE CURIOSITY - "Ambigu magique ou tableaux changeans à l'usage de ceux qui n'ont pas la Berluë" (FINGERS-BOOK). In Paris, at Jacques Chereau, rue St Jacques au Grand St Rémy, 1776. Vol. in-8. 165 engraved plates colored by hand (incomplete). Book causing an optical effect by the graduated cuts of the leaves. One makes see at first blank pages, then characters of theater, soldiers, nuns... so successively without opening the book, but by leafing through it with speed and lowering ea

5 000 € - 8 000 €

GAME OF THE GOOSE - IMAGERY OF GHENT from 18th - "Het nieuw en vermaekelyck GANSEN-SPEL, in wat manière en hoe men het zelve spelen moet". Engraved wood. Watermarked laid paper. Published by Charles de GOESIN-DISBECQ. Margins. 34,3 x 43 cxm. Condition B (a few light freckles mostly in the margins and on the reverse, a tiny wormhole and a slight trace of a median vertical fold).

16 - GAME OF THE GOOSE - IMAGERY OF GHENT from 18th - "Het nieuw en vermaekelyck GANSEN-SPEL, in wat manière en hoe men het zelve spelen moet". Engraved wood. Watermarked laid paper. Published by Charles de GOESIN-DISBECQ. Margins. 34,3 x 43 cxm. Condition B (a few light freckles mostly in the margins and on the reverse, a tiny wormhole and a slight trace of a median vertical fold).

200 € - 300 €

GAME OF THE GOOSE - "The Game of the Magic Flute". 1986. Etching (engraved on 4 plates) by Odette Kaan (?). Nice proof on Arches wove paper, numbered 6/60, titled, dated and signed in pencil by the artist. All margins. 76 x 56,5 cm. Condition A (good condition).

17 - GAME OF THE GOOSE - "The Game of the Magic Flute". 1986. Etching (engraved on 4 plates) by Odette Kaan (?). Nice proof on Arches wove paper, numbered 6/60, titled, dated and signed in pencil by the artist. All margins. 76 x 56,5 cm. Condition A (good condition).

300 € - 400 €

ARAB HORSE - VERNET Horace (after) (1792 - 1863) - "La Smala (Bedouin with his Arab horse during the battle of Smala)". c.1845. Lithographed by Julien. Nice proof on wove paper. Rare print illustrating the Capture of the Smalah of Abd-el-Kader in 1843 during the French conquest of Algeria. Plate n°6 of the series "Etude aux deux crayons". Printed by Lemercier in Paris. Good margins. 80 x 58 cm. Condition A (rare short tears and a few light foxing on the margins, otherwise good condition).

18 - ARAB HORSE - VERNET Horace (after) (1792 - 1863) - "La Smala (Bedouin with his Arab horse during the battle of Smala)". c.1845. Lithographed by Julien. Nice proof on wove paper. Rare print illustrating the Capture of the Smalah of Abd-el-Kader in 1843 during the French conquest of Algeria. Plate n°6 of the series "Etude aux deux crayons". Printed by Lemercier in Paris. Good margins. 80 x 58 cm. Condition A (rare short tears and a few light foxing on the margins, otherwise good condition).

400 € - 500 €

ARAB HORSE - JAZET Jean-Pierre Marie (1788-1871) - "Arab family surprised by a lion". ca. 1860. Large aquatint after the painting by Frédéric-Henri Schopin (1804-1880). Proof with the letter, without the title, on wove paper. Printed and published by Goupil & Vibert. Large margins. Beautiful orientalist composition. 45 x 58 cm for the subject. 68 x 93 cm the sheet. Condition C (traces of wetness in the upper margin reaching the sky, large margins slightly dusted).

19 - ARAB HORSE - JAZET Jean-Pierre Marie (1788-1871) - "Arab family surprised by a lion". ca. 1860. Large aquatint after the painting by Frédéric-Henri Schopin (1804-1880). Proof with the letter, without the title, on wove paper. Printed and published by Goupil & Vibert. Large margins. Beautiful orientalist composition. 45 x 58 cm for the subject. 68 x 93 cm the sheet. Condition C (traces of wetness in the upper margin reaching the sky, large margins slightly dusted).

400 € - 500 €

JOST Charles A. (active around 1900) - "On the waves". c.1900. Original decorative composition in watercolor on wash line, with gouache highlights. Titled in wash under the composition and signed "Ch. A Jost inv. Drawing." by the artist lower right. Framed. 52,5 x 72 cm. Condition B/C (some tears and missing edges sometimes reaching the subject and traces of handling, not examined outside its frame).

20 - JOST Charles A. (active around 1900) - "On the waves". c.1900. Original decorative composition in watercolor on wash line, with gouache highlights. Titled in wash under the composition and signed "Ch. A Jost inv. Drawing." by the artist lower right. Framed. 52,5 x 72 cm. Condition B/C (some tears and missing edges sometimes reaching the subject and traces of handling, not examined outside its frame).

800 € - 1 000 €

DRAWING by LOURDEY Maurice (1860-1934) - [Elegant Picture]. Drawing in black ink and blue pencil. Signed by the artist. 35 x 46 cm. Condition A/B (tears on the edges of the sheet, some of them reaching a little the subject on the left).

21 - DRAWING by LOURDEY Maurice (1860-1934) - [Elegant Picture]. Drawing in black ink and blue pencil. Signed by the artist. 35 x 46 cm. Condition A/B (tears on the edges of the sheet, some of them reaching a little the subject on the left).

200 € - 300 €

DA CAMARA Leal Panaji (Panaji (India) 1876 Rinchoa (Portugal) 1948) - Reunion of 3 PREPARATORY DRAWINGS FOR "LES SOUVERAINS" (special issue for "L'Assiette au beurre") by Leal da Camara accompanied by 13 illustrations in the form of a booklet in-folio of which the cover of the copy n°19 of August 8, 1901 (Portrait of GUILLAUME II on the cover). The 3 original PREPARATORY DRAWINGS which were used to illustrate this magazine: "Oscar II, king of Sweden and Norway", "Charles I, king of Romania" & "

22 - DA CAMARA Leal Panaji (Panaji (India) 1876 Rinchoa (Portugal) 1948) - Reunion of 3 PREPARATORY DRAWINGS FOR "LES SOUVERAINS" (special issue for "L'Assiette au beurre") by Leal da Camara accompanied by 13 illustrations in the form of a booklet in-folio of which the cover of the copy n°19 of August 8, 1901 (Portrait of GUILLAUME II on the cover). The 3 original PREPARATORY DRAWINGS which were used to illustrate this magazine: "Oscar II, king of Sweden and Norway", "Charles I, king of Romania" & "

1 500 € - 2 000 €

PORTRAIT - SIMON Pierre (1640-1710) - RARE PORTRAIT of Cardinal Ranus "Cardinal Ranutius". 1686. Original burin. Ref: Le Blanc, n°34. Proof on watermarked laid paper (two letters in a circle surmounted by 3 small circles). Margins. 57,5 x 46,5 cm. Condition B/C (slight traces of folds, two small scratched spots and a tiny little stain in the background, freckles and a few stains mostly in the margins, slightly dusty, trace of wetness in the upper margin reaching very little the top of the subje

23 - PORTRAIT - SIMON Pierre (1640-1710) - RARE PORTRAIT of Cardinal Ranus "Cardinal Ranutius". 1686. Original burin. Ref: Le Blanc, n°34. Proof on watermarked laid paper (two letters in a circle surmounted by 3 small circles). Margins. 57,5 x 46,5 cm. Condition B/C (slight traces of folds, two small scratched spots and a tiny little stain in the background, freckles and a few stains mostly in the margins, slightly dusty, trace of wetness in the upper margin reaching very little the top of the subje

600 € - 800 €

PORTRAIT - WILL Johann Georges (1715-1808) - "PORTRAIT of Charles Louis Auguste FOUCQUET de BELLE-ISLE, Duke of GISORS []". 1743. Burin after the painting by Hyacinthe RIGAUD (1659-1743). Ref: Le Blanc, n°120, Firmin-Didot, Les Graveurs de Portraits en France, catalog raisonné de la collection des portraits de l'École Française, n°2426. Proof on watermarked laid paper (letters). Duke of Belle-Isle, duke of Gisors, peer of France (1748), knight of the King's Orders and of the Golden Fleece,

24 - PORTRAIT - WILL Johann Georges (1715-1808) - "PORTRAIT of Charles Louis Auguste FOUCQUET de BELLE-ISLE, Duke of GISORS []". 1743. Burin after the painting by Hyacinthe RIGAUD (1659-1743). Ref: Le Blanc, n°120, Firmin-Didot, Les Graveurs de Portraits en France, catalog raisonné de la collection des portraits de l'École Française, n°2426. Proof on watermarked laid paper (letters). Duke of Belle-Isle, duke of Gisors, peer of France (1748), knight of the King's Orders and of the Golden Fleece,

300 € - 400 €

NAPOLEON - "Feast given to Bonaparte at the National Palace of the Directory, after the treaty of Campo Formio, on 20 Frimaire Year 6e of the Republic (10 December 1797)". c.1802. Engraved by Pierre-Gabriel Berthault (1737-1831), after Abraham GIRADET (1764-1823). Nice proof before all letters, on wove paper. At the top left annotated in pencil "Tableaux historiques de la Révolution 1791-1805 - Luxembourg". Former collection: L. BONGARD (purple stamp on reverse, Lugt not described). Party of "c

25 - NAPOLEON - "Feast given to Bonaparte at the National Palace of the Directory, after the treaty of Campo Formio, on 20 Frimaire Year 6e of the Republic (10 December 1797)". c.1802. Engraved by Pierre-Gabriel Berthault (1737-1831), after Abraham GIRADET (1764-1823). Nice proof before all letters, on wove paper. At the top left annotated in pencil "Tableaux historiques de la Révolution 1791-1805 - Luxembourg". Former collection: L. BONGARD (purple stamp on reverse, Lugt not described). Party of "c

300 € - 400 €

NAPOLEON - "Mr BONAPARTE of CORSICA", John Kendrick BANGS. Harper & Brother publishers, New York, 1895. In-12. 265 pp. Text in English and illustrated by H. W. McVickar. 17 x 12 cm. Condition B (slight traces of wear). Mr. Bound in color cloth.

26 - NAPOLEON - "Mr BONAPARTE of CORSICA", John Kendrick BANGS. Harper & Brother publishers, New York, 1895. In-12. 265 pp. Text in English and illustrated by H. W. McVickar. 17 x 12 cm. Condition B (slight traces of wear). Mr. Bound in color cloth.

50 € - 100 €

BORCHT Peeter van, the elder (ca. 1535-1608) - "Peasant Fair". 1559. Etching and burin after Pieter BRUEGHEL (c.1525-1569). laid paper. Published by Bartholomeus de Momper in Antwerp. Ref: New Hollstein, no. 170, Hollstein, no. 467. 28.7 x 47.5 cm. Condition C (cut to the subject and formerly laminated on strong paper, some tears reaching the edges of the subject, some spotting and rare foxing, second line of verse missing)

27 - BORCHT Peeter van, the elder (ca. 1535-1608) - "Peasant Fair". 1559. Etching and burin after Pieter BRUEGHEL (c.1525-1569). laid paper. Published by Bartholomeus de Momper in Antwerp. Ref: New Hollstein, no. 170, Hollstein, no. 467. 28.7 x 47.5 cm. Condition C (cut to the subject and formerly laminated on strong paper, some tears reaching the edges of the subject, some spotting and rare foxing, second line of verse missing)

5 000 € - 6 000 €

DÜRER Albrecht (1471 1528) - "Hercules conquering Cacus". c.1496. Original woodcut. Signed with the artist's monogram at the bottom of the composition. Proof of a late print, on laid paper. References: Bartsch, n°127. Hollstein, n°238. Meder, n°238. Small margins. 39,2 x 28,4 cm. Condition B/C (some traces of wetness).

28 - DÜRER Albrecht (1471 1528) - "Hercules conquering Cacus". c.1496. Original woodcut. Signed with the artist's monogram at the bottom of the composition. Proof of a late print, on laid paper. References: Bartsch, n°127. Hollstein, n°238. Meder, n°238. Small margins. 39,2 x 28,4 cm. Condition B/C (some traces of wetness).

1 500 € - 2 000 €

DÜRER Albrecht (1471 1528) - "Hercules conquering Cacus". c.1496. Original woodcut. Signed with the artist's monogram at the bottom of the composition. Proof of a late edition, on watermarked laid paper (letters in a crowned shield). References: Bartsch, n°127. Hollstein, n°238. Meder, n°238. Good margins. 54,5 x 42,5 cm. Condition A (rare small folds and short tears in the good margins, faint impression).

29 - DÜRER Albrecht (1471 1528) - "Hercules conquering Cacus". c.1496. Original woodcut. Signed with the artist's monogram at the bottom of the composition. Proof of a late edition, on watermarked laid paper (letters in a crowned shield). References: Bartsch, n°127. Hollstein, n°238. Meder, n°238. Good margins. 54,5 x 42,5 cm. Condition A (rare small folds and short tears in the good margins, faint impression).

1 500 € - 2 000 €

DÜRER Albrecht (1471 1528) - "The Martyrdom of the Ten Thousand Christians". c.1496-1497. Original woodcut. Signed with the artist's monogram at the foot of the composition. Ref: Bartsch, n°117. Meder, n°218. Proof on laid paper. Late edition. Margins. 46,3 x 33,7 cm for the sheet. Condition A (rare tiny needle holes in the lower right corner, otherwise good general condition).

30 - DÜRER Albrecht (1471 1528) - "The Martyrdom of the Ten Thousand Christians". c.1496-1497. Original woodcut. Signed with the artist's monogram at the foot of the composition. Ref: Bartsch, n°117. Meder, n°218. Proof on laid paper. Late edition. Margins. 46,3 x 33,7 cm for the sheet. Condition A (rare tiny needle holes in the lower right corner, otherwise good general condition).

1 500 € - 2 000 €

JODE Pieter of old (1570-1634) - "The Last Judgment". 2 plates (of 12) of the large composition ""Pourtraict du Iugement Universel Iudici Universalis Paradigma". Burins after the painting by Jean Cousin the Younger (c.1522-1595) realized in 1585 and preserved in the Louvre. Ref: Hollstein, n°83. 47,5 x 42 & 48 x 41 cm. Condition C (damaged engravings formerly laminated). Set of 2 pl.

31 - JODE Pieter of old (1570-1634) - "The Last Judgment". 2 plates (of 12) of the large composition ""Pourtraict du Iugement Universel Iudici Universalis Paradigma". Burins after the painting by Jean Cousin the Younger (c.1522-1595) realized in 1585 and preserved in the Louvre. Ref: Hollstein, n°83. 47,5 x 42 & 48 x 41 cm. Condition C (damaged engravings formerly laminated). Set of 2 pl.

200 € - 300 €

REMBRANDT H. van Rijn (1606 1669) - "Portrait of Rembrandt and his wife". 1636. Original etching, on laid paper. Reference: Bartsch, n°19. Signed and dated in the upper left corner of the composition. Small margins. 10,5 x 9,5 cm for the subject. 11 x 10 cm with the margins. Condition A (very slight trace of fold visible on the reverse, small spotting of the paper on the reverse, otherwise good condition).

32 - REMBRANDT H. van Rijn (1606 1669) - "Portrait of Rembrandt and his wife". 1636. Original etching, on laid paper. Reference: Bartsch, n°19. Signed and dated in the upper left corner of the composition. Small margins. 10,5 x 9,5 cm for the subject. 11 x 10 cm with the margins. Condition A (very slight trace of fold visible on the reverse, small spotting of the paper on the reverse, otherwise good condition).

2 000 € - 3 000 €

REMBRANDT H. van Rijn (1606 1669) - "The Artist's Mother Seated, in an Oriental Headdress". 1631. Original etching. Signed and dated ""RHL 1631"" in the lower right corner of the composition. Ref: Bartsch, n°348; New Hollstein, n°86. Proof of the 2nd state (the shadow erased behind the head), on laid paper. Faint margins. Good inking. RARE. Rembrandt's mother, Neeltgen Willemsdochter Zuytbrouch, daughter of a baker, had nine children, of whom Rembrandt was the eighth. The artist often depicted

33 - REMBRANDT H. van Rijn (1606 1669) - "The Artist's Mother Seated, in an Oriental Headdress". 1631. Original etching. Signed and dated ""RHL 1631"" in the lower right corner of the composition. Ref: Bartsch, n°348; New Hollstein, n°86. Proof of the 2nd state (the shadow erased behind the head), on laid paper. Faint margins. Good inking. RARE. Rembrandt's mother, Neeltgen Willemsdochter Zuytbrouch, daughter of a baker, had nine children, of whom Rembrandt was the eighth. The artist often depicted

6 000 € - 8 000 €

REMBRANDT H. van Rijn (1606 1669) - "Christ before Pilate, large plate". 1636. Rare original etching and drypoint. Proof on watermarked laid paper (letter B in a large rosary). Ref: Barstch, n°77. Hind, n°143. New Hollstein, n°155. Beautiful impression. Rare. 53 x 43.6 cm approximately. Condition B (cut at the border and inside the subject in places, some printing creases and a few short tears formerly restored). In this composition, Rembrandt added a self-portrait in the upper center behind

34 - REMBRANDT H. van Rijn (1606 1669) - "Christ before Pilate, large plate". 1636. Rare original etching and drypoint. Proof on watermarked laid paper (letter B in a large rosary). Ref: Barstch, n°77. Hind, n°143. New Hollstein, n°155. Beautiful impression. Rare. 53 x 43.6 cm approximately. Condition B (cut at the border and inside the subject in places, some printing creases and a few short tears formerly restored). In this composition, Rembrandt added a self-portrait in the upper center behind

15 000 € - 18 000 €

REMBRANDT H. van Rijn (1606 1669) - "The Ship of Fortune". 1633. RARE original etching. Signed and dated "Rembrandt f. 1633" in point on the boat. Ref: Hind, no. 106 (iii/iii). New Hollstein, no. 123 (ii/ii) ("Early impressions, often those in the book by Herckman, still show the horizontal glitch over the mast and flag of the ship, that was already there in state I"). Proof on watermarked laid paper. Text on the reverse. One of the rare engravings of the artist made for a book. Fillet of margin

35 - REMBRANDT H. van Rijn (1606 1669) - "The Ship of Fortune". 1633. RARE original etching. Signed and dated "Rembrandt f. 1633" in point on the boat. Ref: Hind, no. 106 (iii/iii). New Hollstein, no. 123 (ii/ii) ("Early impressions, often those in the book by Herckman, still show the horizontal glitch over the mast and flag of the ship, that was already there in state I"). Proof on watermarked laid paper. Text on the reverse. One of the rare engravings of the artist made for a book. Fillet of margin

7 000 € - 10 000 €

REMBRANDT H. van Rijn (1606 1669) - "The quack salver". 1635. Etching. Ref: Bartsch, n°129 (unique state). Signed and dated in the composition. Proof on wove paper. Late edition. Fine margins. 8,1 x 4 cm on copper. 8,3 x 4,2 cm the sheet. Condition A (good condition).

36 - REMBRANDT H. van Rijn (1606 1669) - "The quack salver". 1635. Etching. Ref: Bartsch, n°129 (unique state). Signed and dated in the composition. Proof on wove paper. Late edition. Fine margins. 8,1 x 4 cm on copper. 8,3 x 4,2 cm the sheet. Condition A (good condition).

1 500 € - 2 000 €

VAN OSTADE Adriaen (1610 - 1685) - "The barn". 1647. Etching. Signed and dated in the lower left corner of the plate. Ref: Godefroy n°23 (IX/X?). Proof on laid paper, with the collection mark of ZDENKO BRUCK ((Djakovo [Croatia] 1903-1979 in Buenos Aires?), businessman in Bern and Buenos Aires), Lugt 5407 ("We know that Bruck was interested in ancient and modern drawings (of the French masters in particular), and in the prints of Adriaen van Ostade, Goya, Daumier, Rouault and Chagall. He was abl

37 - VAN OSTADE Adriaen (1610 - 1685) - "The barn". 1647. Etching. Signed and dated in the lower left corner of the plate. Ref: Godefroy n°23 (IX/X?). Proof on laid paper, with the collection mark of ZDENKO BRUCK ((Djakovo [Croatia] 1903-1979 in Buenos Aires?), businessman in Bern and Buenos Aires), Lugt 5407 ("We know that Bruck was interested in ancient and modern drawings (of the French masters in particular), and in the prints of Adriaen van Ostade, Goya, Daumier, Rouault and Chagall. He was abl

200 € - 300 €

LECLERC Sébastien I (1637-1714) - "Ceres and Cybele on a chariot, Allegory of the Earth". 1670. etching and burin after Charles LE BRUN (1619-1690). Reference: Préaud, n°1591. Proof with the letter on laid paper. Engraving from a series of four plates reproducing the elements (fire, air, water, earth) for André Félibien's book "Tapisseries du Roi, où sont représentent les quatre élémens et les quatre saisons" (Paris, Imprimerie royale, 1670). The Earth is represented here under the feat

38 - LECLERC Sébastien I (1637-1714) - "Ceres and Cybele on a chariot, Allegory of the Earth". 1670. etching and burin after Charles LE BRUN (1619-1690). Reference: Préaud, n°1591. Proof with the letter on laid paper. Engraving from a series of four plates reproducing the elements (fire, air, water, earth) for André Félibien's book "Tapisseries du Roi, où sont représentent les quatre élémens et les quatre saisons" (Paris, Imprimerie royale, 1670). The Earth is represented here under the feat

200 € - 300 €

LECLERC Sébastien I (1637-1714) - "Reduction of the city of Marsal in Lorraine by King Louis XIV in 1663". 1683. Etching and burin after Charles LE BRUN (1619-1690). Proof before all letters, on watermarked laid paper. Reference: Hennin, n°4143. I.F.F, n°617. From a series of five plates reproducing the compositions invented by Lebrun for a set of tapestries celebrating the victories of Louis XIV. Rare. 39,7 x 56 cm. Condition B/C (rare short tears formerly consolidated on the edges, upper le

39 - LECLERC Sébastien I (1637-1714) - "Reduction of the city of Marsal in Lorraine by King Louis XIV in 1663". 1683. Etching and burin after Charles LE BRUN (1619-1690). Proof before all letters, on watermarked laid paper. Reference: Hennin, n°4143. I.F.F, n°617. From a series of five plates reproducing the compositions invented by Lebrun for a set of tapestries celebrating the victories of Louis XIV. Rare. 39,7 x 56 cm. Condition B/C (rare short tears formerly consolidated on the edges, upper le

200 € - 300 €

MELLAN Claude (1601 1688) - "Adam and Eve at the foot of Christ on the cross". 1647. Original engraving with burin, on laid paper. Printed in two sheets. Ref : I.F.F XVIIth century, Tome XVII, n°22 & 23. Proof of the second state on II for "Christ on the cross", some sizes removed on the face, on the right leg of Christ, more drops of blood on the thighs and on the cheek. Unique state for "Adam and Eve at the foot of the cross". In the lower margin of the upper part "Dedicated to the very Chris

40 - MELLAN Claude (1601 1688) - "Adam and Eve at the foot of Christ on the cross". 1647. Original engraving with burin, on laid paper. Printed in two sheets. Ref : I.F.F XVIIth century, Tome XVII, n°22 & 23. Proof of the second state on II for "Christ on the cross", some sizes removed on the face, on the right leg of Christ, more drops of blood on the thighs and on the cheek. Unique state for "Adam and Eve at the foot of the cross". In the lower margin of the upper part "Dedicated to the very Chris

15 000 € - 18 000 €

TROUVAIN Antoine (published by) (1652-1708) - "The five senses". End of XVIIth. Rare complete suite of 5 etchings and burin engravings. Nice proofs on laid paper, with the address "A Paris, chez A. Trouvain rue Saint Jacques au grand Monarque avec privilège du Roy". All with margins and in good condition. 36,5 x 24,5 cm approximately each plate. Condition A (a tiny little stain for L'Odorat & Le Goust, otherwise fine condition).

41 - TROUVAIN Antoine (published by) (1652-1708) - "The five senses". End of XVIIth. Rare complete suite of 5 etchings and burin engravings. Nice proofs on laid paper, with the address "A Paris, chez A. Trouvain rue Saint Jacques au grand Monarque avec privilège du Roy". All with margins and in good condition. 36,5 x 24,5 cm approximately each plate. Condition A (a tiny little stain for L'Odorat & Le Goust, otherwise fine condition).

1 000 € - 1 500 €

VAN DER MEULEN Adam-Frans (after) (1632-1690) - "Veuë du Chasteau de VINCENNES du costé du Parc". Late 17th century. Large etching and burin engraved by Adriaen Fransz. Boudewijns (1644-1719). Ref: Le Blanc, n°21. Proof on laid paper. Plate from the work "Campagnes de Louis XIV", a magnificent collection of 41 prints illustrating the facts of the conquest of Flanders, Franche-Comté and the Dutch expedition. Adam Frans Van der Meulen, an eyewitness to these events and commissioned by the Sun

42 - VAN DER MEULEN Adam-Frans (after) (1632-1690) - "Veuë du Chasteau de VINCENNES du costé du Parc". Late 17th century. Large etching and burin engraved by Adriaen Fransz. Boudewijns (1644-1719). Ref: Le Blanc, n°21. Proof on laid paper. Plate from the work "Campagnes de Louis XIV", a magnificent collection of 41 prints illustrating the facts of the conquest of Flanders, Franche-Comté and the Dutch expedition. Adam Frans Van der Meulen, an eyewitness to these events and commissioned by the Sun

600 € - 800 €

VAN DER MEULEN Adam-Frans (after) (1632-1690) - "Entry of the Queen into Arras, in the year 1667." 1685. Large etching and burin engraved by Robert BONNART (1652-1733). Proof on watermarked laid paper (large crowned double-headed eagle & large letters). Reference: Hennin, n°4447. I.F.F, n°137. Beautiful impression. Margins for three sides and small margin on the right. Plate from the work "Campagnes de Louis XIV", a magnificent collection of 41 prints illustrating the facts of the conquest of

43 - VAN DER MEULEN Adam-Frans (after) (1632-1690) - "Entry of the Queen into Arras, in the year 1667." 1685. Large etching and burin engraved by Robert BONNART (1652-1733). Proof on watermarked laid paper (large crowned double-headed eagle & large letters). Reference: Hennin, n°4447. I.F.F, n°137. Beautiful impression. Margins for three sides and small margin on the right. Plate from the work "Campagnes de Louis XIV", a magnificent collection of 41 prints illustrating the facts of the conquest of

600 € - 800 €

TRENTO Antonio da (1520-1550) - "The young Saint John the Baptist in the desert". c.1527-1530. Woodcut in chiaroscuro after Parmigianino, printed in two colors. Ref: Bartsch, n°17. Proof on laid paper. 10,6 x 11 cm. Condition A/B (proof formerly pasted by the upper edge on a thick green paper, small thinning of the paper on the reverse).

44 - TRENTO Antonio da (1520-1550) - "The young Saint John the Baptist in the desert". c.1527-1530. Woodcut in chiaroscuro after Parmigianino, printed in two colors. Ref: Bartsch, n°17. Proof on laid paper. 10,6 x 11 cm. Condition A/B (proof formerly pasted by the upper edge on a thick green paper, small thinning of the paper on the reverse).

600 € - 800 €

CANALETTO / VISENTINI - RARE - "Urbis Venetiarium prospectus celebriores / ex Antonii Canal tabulis XL Aere Expressi ab Antonio VISENTINI, MDCCXLII". Venetiis: Apud Theodorum Viero (c.1750-1819) In Via Mercatoria Vul. Dell'Orologio, [ca. 1800?] [Views of VENICE]. Engraved plates by Antonio VISENTINI (1688-1782), after drawings by Antonio CANALETTO (1697-1768). RARE work complete of the 3 parts, that is 38 plates + the title and the frontispiece (with the portraits of Canaletto and Visentini) si

45 - CANALETTO / VISENTINI - RARE - "Urbis Venetiarium prospectus celebriores / ex Antonii Canal tabulis XL Aere Expressi ab Antonio VISENTINI, MDCCXLII". Venetiis: Apud Theodorum Viero (c.1750-1819) In Via Mercatoria Vul. Dell'Orologio, [ca. 1800?] [Views of VENICE]. Engraved plates by Antonio VISENTINI (1688-1782), after drawings by Antonio CANALETTO (1697-1768). RARE work complete of the 3 parts, that is 38 plates + the title and the frontispiece (with the portraits of Canaletto and Visentini) si

14 000 € - 17 000 €

DE BOISSIEU Jean-Jacques (Lyon 1736 - 1804) - "The soap bubbles". 1799. Etching. Initials of the artist and date engraved under the subject. Ref: Marie-Félicie Perez, L'oeuvre gravé de Jean-Jacques de Boissieu, n°109. Proof on laid paper. Good margins. 44,5 x 61 cm. Condition B (some foxing in the good margins and on the reverse side, three tiny white dots (inking defects) in the subject).

46 - DE BOISSIEU Jean-Jacques (Lyon 1736 - 1804) - "The soap bubbles". 1799. Etching. Initials of the artist and date engraved under the subject. Ref: Marie-Félicie Perez, L'oeuvre gravé de Jean-Jacques de Boissieu, n°109. Proof on laid paper. Good margins. 44,5 x 61 cm. Condition B (some foxing in the good margins and on the reverse side, three tiny white dots (inking defects) in the subject).

600 € - 800 €

PIRANESI Giovanni Battista (1720 - 1778) - "Veduta della basilica di S. Giovanni Laterano" (View of the basilica of St. John Lateran), from the series "Vedute di Roma". Etching. Ref: Hind, n°8. Focillon, n°790. Proof of the 3rd state of 6, on watermarked laid paper (fleur-de-lys in a double circle), with the address and the price: "Presso l'autore a Strada Felice nel Palazzo Tomati vicino alla Trinità de' monti A paoli due e mezzo". Small margins. 42,7 x 57 cm. Condition A (slight trace of ol

47 - PIRANESI Giovanni Battista (1720 - 1778) - "Veduta della basilica di S. Giovanni Laterano" (View of the basilica of St. John Lateran), from the series "Vedute di Roma". Etching. Ref: Hind, n°8. Focillon, n°790. Proof of the 3rd state of 6, on watermarked laid paper (fleur-de-lys in a double circle), with the address and the price: "Presso l'autore a Strada Felice nel Palazzo Tomati vicino alla Trinità de' monti A paoli due e mezzo". Small margins. 42,7 x 57 cm. Condition A (slight trace of ol

400 € - 600 €

PIRANESI Giovanni Battista (1720 - 1778) - "Veduta della Basilica, e Piazza di S. Pietro in Vaticano" (The Basilica and St. Peter's Square), from the series "Vedute di Roma". Etching. Ref: Hind, n°3. Focillon, n°787. Proof of the 3rd state of 7, on laid paper, with the address "Si vendono in Roma dai SS.ri Bouchard e Gravier Mercanti Libraj al Corso presso S.Marcello". Small margins. 44,2 x 54,4 cm. Condition A (rare small accidents in the margins, very slightly dusted).

48 - PIRANESI Giovanni Battista (1720 - 1778) - "Veduta della Basilica, e Piazza di S. Pietro in Vaticano" (The Basilica and St. Peter's Square), from the series "Vedute di Roma". Etching. Ref: Hind, n°3. Focillon, n°787. Proof of the 3rd state of 7, on laid paper, with the address "Si vendono in Roma dai SS.ri Bouchard e Gravier Mercanti Libraj al Corso presso S.Marcello". Small margins. 44,2 x 54,4 cm. Condition A (rare small accidents in the margins, very slightly dusted).

400 € - 600 €

PIRANESI Giovanni Battista (1720 - 1778) - "Veduta della Basilica di S.ta Maria Maggiore con le due Fabbriche laterali di detta Basilica", from the series "Vedute di Roma". Etching. Ref: Hind, n°9. Focillon, n°791. Proof of the 3rd state of 6, on watermarked laid paper (fleur-de-lys in a double circle), with the address and the price "Presso l'Autore a Strada Felice nel Palazzo Tomati vicino alla Trinità de monti. A paoli due e mezzo". Small margins. 43,2 x 57 cm. Condition A (some stains in

49 - PIRANESI Giovanni Battista (1720 - 1778) - "Veduta della Basilica di S.ta Maria Maggiore con le due Fabbriche laterali di detta Basilica", from the series "Vedute di Roma". Etching. Ref: Hind, n°9. Focillon, n°791. Proof of the 3rd state of 6, on watermarked laid paper (fleur-de-lys in a double circle), with the address and the price "Presso l'Autore a Strada Felice nel Palazzo Tomati vicino alla Trinità de monti. A paoli due e mezzo". Small margins. 43,2 x 57 cm. Condition A (some stains in

400 € - 600 €

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