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ENGRAVINGS & PRINTS

ENGRAVINGS & PRINTS

Wednesday, 23 March 2022 at 14:00

9 rue de Provence, 75009 Paris

Lots 301 to 350 of 400

Page 7 / 8

DELLA BELLA Stefano (1610-1664) - "The Virgin and the Child Jesus". 1641. Original etching. Ref: De Vesme, n°45.4. Proof with the address of Mariette (15961657), on laid paper. 8,5 x 8,8 cm. Condition A (cut at the edge of the copperplate mark and filleted margins).

301 - DELLA BELLA Stefano (1610-1664) - "The Virgin and the Child Jesus". 1641. Original etching. Ref: De Vesme, n°45.4. Proof with the address of Mariette (15961657), on laid paper. 8,5 x 8,8 cm. Condition A (cut at the edge of the copperplate mark and filleted margins).

150 € - 200 €

DENTE DA RAVENNA Marco (c.1486 - 1527) - "The Triumph of Galathe". c.1520. Burin. Monogram of the artist at the foot of the composition. Proof of a late print on watermarked laid paper (fleur-de-lys in a double circle). Margin line. This engraving was made after the famous fresco painted by Raphael in 1512 in the suburban villa of Agostino Chigi. 39,8 x 29,2 cm. Condition A (a short tear on the right reaching a little bit the subject).

302 - DENTE DA RAVENNA Marco (c.1486 - 1527) - "The Triumph of Galathe". c.1520. Burin. Monogram of the artist at the foot of the composition. Proof of a late print on watermarked laid paper (fleur-de-lys in a double circle). Margin line. This engraving was made after the famous fresco painted by Raphael in 1512 in the suburban villa of Agostino Chigi. 39,8 x 29,2 cm. Condition A (a short tear on the right reaching a little bit the subject).

200 € - 300 €

RAIMONDI (after) & RAPHAËL (after) (1483-1520) - "Le Massacre des Innocents". 1793. Etching engraved by Pierre LELU (Paris 1741-1810). Ref: Bartsch, n°18. Signed and dated in the lower right corner of the composition. Proof on laid paper. Small margins. 29,3 x 42,8 cm. Condition A (a short tear at the upper right corner reaching a little the subject).

303 - RAIMONDI (after) & RAPHAËL (after) (1483-1520) - "Le Massacre des Innocents". 1793. Etching engraved by Pierre LELU (Paris 1741-1810). Ref: Bartsch, n°18. Signed and dated in the lower right corner of the composition. Proof on laid paper. Small margins. 29,3 x 42,8 cm. Condition A (a short tear at the upper right corner reaching a little the subject).

150 € - 300 €

AVRIL Jean-Jacques (1744-1831) - "Pénélope et Ulysse, ou la Pudeur" (Ulysse leaving Sparta with Pénélope to return to Ithaca). 1791. Etching and burin after the painting made in 1789 by Jean-Jacques-François LE BARBIER (1738 1826). Ref: I.F.F 18th, n°139. Framed. 73 x 88 cm with the frame. Condition B/C (some scratches and partially insolated, not examined outside its frame).

304 - AVRIL Jean-Jacques (1744-1831) - "Pénélope et Ulysse, ou la Pudeur" (Ulysse leaving Sparta with Pénélope to return to Ithaca). 1791. Etching and burin after the painting made in 1789 by Jean-Jacques-François LE BARBIER (1738 1826). Ref: I.F.F 18th, n°139. Framed. 73 x 88 cm with the frame. Condition B/C (some scratches and partially insolated, not examined outside its frame).

300 € - 500 €

AVRIL Jean-Jacques, Fils (1771-1835) - ALLEGORY - "Peace reviving the Genius of Arts, and bringing back Abundance". Etching and burin after the painting by Jean-Jacques-François LE BARBIER (1738 1826). Ref: Hennin, 13874. Proof with the letter, on laid paper. In Paris, at the Author's, rue Cassette n°24. Margins. 58 x 43 cm. Condition A (very slight trace of horizontal fold in the middle).

305 - AVRIL Jean-Jacques, Fils (1771-1835) - ALLEGORY - "Peace reviving the Genius of Arts, and bringing back Abundance". Etching and burin after the painting by Jean-Jacques-François LE BARBIER (1738 1826). Ref: Hennin, 13874. Proof with the letter, on laid paper. In Paris, at the Author's, rue Cassette n°24. Margins. 58 x 43 cm. Condition A (very slight trace of horizontal fold in the middle).

150 € - 300 €

BOUCHER François (after) (Paris 1703 1770) - "Sancho is pursued by the Duke's waiters, who are trying to make his beard with the washing of the dishes". Etching and burin by Pierre Alexandre Aveline (1702-1760). Nice proof with the letter, on laid paper. Ref: I.F.F XVIIIè, Tome I, n°26. In Paris, at Dupuis. Margins. 41 x 40,5 cm. Condition A (rare small marginal stains).

306 - BOUCHER François (after) (Paris 1703 1770) - "Sancho is pursued by the Duke's waiters, who are trying to make his beard with the washing of the dishes". Etching and burin by Pierre Alexandre Aveline (1702-1760). Nice proof with the letter, on laid paper. Ref: I.F.F XVIIIè, Tome I, n°26. In Paris, at Dupuis. Margins. 41 x 40,5 cm. Condition A (rare small marginal stains).

150 € - 300 €

DEBUCOURT Louis Philibert (1755-1832) - "The unexpected return". Aquatint after the painter David WILKIE (UK 1785-Malta 1841). Ref: Fenaille, n°558. Proof of the 2nd state (of 2) with the letter, on wove paper. Published at Jazet, rue de Lancry n°7, and at Aumont, Md d'estampes, rue J.J. Rousseau n°10, in Paris. Margins of the copper. 47,5 x 34,3 cm. Condition A (cut at the copperplate mark on three sides and foot margin, a short tear in the right margin).

307 - DEBUCOURT Louis Philibert (1755-1832) - "The unexpected return". Aquatint after the painter David WILKIE (UK 1785-Malta 1841). Ref: Fenaille, n°558. Proof of the 2nd state (of 2) with the letter, on wove paper. Published at Jazet, rue de Lancry n°7, and at Aumont, Md d'estampes, rue J.J. Rousseau n°10, in Paris. Margins of the copper. 47,5 x 34,3 cm. Condition A (cut at the copperplate mark on three sides and foot margin, a short tear in the right margin).

150 € - 300 €

DEBUCOURT Louis Philibert (1755-1832) - "The Public Promenade". 1792. Etching and aquatint, printed in colors in the register. Ref: I.F.F XVIIIth, n°26. Fenaille, n°33 (3rd state on 3, with the letter, printed by Blin le jeune). Signed with the initials and dated "92" in the plate at the bottom right. Margins of the copper. Master plate by Debucourt which is a faithful reproduction of the Société Parisienne in 1792. 46,5 x 65 cm. Condition B (formerly laminated, margins slightly insolated, o

308 - DEBUCOURT Louis Philibert (1755-1832) - "The Public Promenade". 1792. Etching and aquatint, printed in colors in the register. Ref: I.F.F XVIIIth, n°26. Fenaille, n°33 (3rd state on 3, with the letter, printed by Blin le jeune). Signed with the initials and dated "92" in the plate at the bottom right. Margins of the copper. Master plate by Debucourt which is a faithful reproduction of the Société Parisienne in 1792. 46,5 x 65 cm. Condition B (formerly laminated, margins slightly insolated, o

1 000 € - 1 500 €

DEMARTEAU Gilles (1722 - 1776) - [Portrait of a woman]. Engraving in the pencil manner after François Boucher (1703-1770), printed in red chalk on watermarked laid paper (Jesus). Small margins. 37,2 x 28,7 cm. Condition B (rare scattered light foxing).

309 - DEMARTEAU Gilles (1722 - 1776) - [Portrait of a woman]. Engraving in the pencil manner after François Boucher (1703-1770), printed in red chalk on watermarked laid paper (Jesus). Small margins. 37,2 x 28,7 cm. Condition B (rare scattered light foxing).

100 € - 200 €

FRAGONARD Jean-Honoré (after) (17321806) - The Happy Fecundity". 1777. Engraved with etching and burin by Nicolas de LAUNAY (1739-1792). Reference: Portalis, n°104. I.F.F, n°159. State proof before the dedication, on laid paper. Small margins. 29,5 x 33,3 cm. A/B condition (rare small stains in the tablet, trace of old mounting and light foxing on the reverse, otherwise good condition).

310 - FRAGONARD Jean-Honoré (after) (17321806) - The Happy Fecundity". 1777. Engraved with etching and burin by Nicolas de LAUNAY (1739-1792). Reference: Portalis, n°104. I.F.F, n°159. State proof before the dedication, on laid paper. Small margins. 29,5 x 33,3 cm. A/B condition (rare small stains in the tablet, trace of old mounting and light foxing on the reverse, otherwise good condition).

150 € - 300 €

FRAGONARD Jean-Honoré (after) (17321806) - Education is everything". 1777. Engraved with etching and burin by Nicolas de LAUNAY (1739-1792). Reference: Le Blanc, n°24. Portalis, n°77. State proof before the dedication, on laid paper. Margins. 33,5 x 39 cm. Condition A/B (a few marginal stains, a tear formerly restored at the left margin, otherwise good condition).

311 - FRAGONARD Jean-Honoré (after) (17321806) - Education is everything". 1777. Engraved with etching and burin by Nicolas de LAUNAY (1739-1792). Reference: Le Blanc, n°24. Portalis, n°77. State proof before the dedication, on laid paper. Margins. 33,5 x 39 cm. Condition A/B (a few marginal stains, a tear formerly restored at the left margin, otherwise good condition).

150 € - 300 €

GILLRAY James (Chelseau 1757 1815) - "The Apotheosis of Hoche". (The Apotheosis of Hoche). 1798. Etching and soft varnish engraving, colored with watercolor. Proof on wove paper with the address "Publ. 11th, 1798, H. Humphrey, 27 St James's Street, London". Printed around 1850. Margins. 55.5 x 43 cm. Condition A (Good condition).

312 - GILLRAY James (Chelseau 1757 1815) - "The Apotheosis of Hoche". (The Apotheosis of Hoche). 1798. Etching and soft varnish engraving, colored with watercolor. Proof on wove paper with the address "Publ. 11th, 1798, H. Humphrey, 27 St James's Street, London". Printed around 1850. Margins. 55.5 x 43 cm. Condition A (Good condition).

300 € - 400 €

JACKSON John Baptist (1701 1773) - "The Descent of the Holy Spirit". 1739-1743. Woodcut in chiaroscuro, after TITIAN. Proof printed in 4 tones on laid paper, signed and dedicated in the plate. Ref : J. Kainen, "J. B. Jackson, 18th century master of the color woodcut", Washington, U.S. Government printing office, 1962, n°27. Good margins. 63.5 x 47.5 cm (sheet). Condition B (one median horizontal fold, drying folds).

313 - JACKSON John Baptist (1701 1773) - "The Descent of the Holy Spirit". 1739-1743. Woodcut in chiaroscuro, after TITIAN. Proof printed in 4 tones on laid paper, signed and dedicated in the plate. Ref : J. Kainen, "J. B. Jackson, 18th century master of the color woodcut", Washington, U.S. Government printing office, 1962, n°27. Good margins. 63.5 x 47.5 cm (sheet). Condition B (one median horizontal fold, drying folds).

200 € - 300 €

KIRKALL Elisha (Sheffield ca. 1682 1742 London) - "Christ in the Temple with the Adulteress". 1722. Woodcut, etching and black manner after Giulio ROMANO. Proof printed in bistre on laid paper, signed and dated in the plate. Reference : Le Blanc n°11. Nagler n°13. Small margins. 63,5 x 48 cm (sheet). Condition B/C (a broken oblique fold in the lower left corner, a weakened plate cut at the left edge, a trace of moisture at the foot, small accident and soiling along the left edge).

314 - KIRKALL Elisha (Sheffield ca. 1682 1742 London) - "Christ in the Temple with the Adulteress". 1722. Woodcut, etching and black manner after Giulio ROMANO. Proof printed in bistre on laid paper, signed and dated in the plate. Reference : Le Blanc n°11. Nagler n°13. Small margins. 63,5 x 48 cm (sheet). Condition B/C (a broken oblique fold in the lower left corner, a weakened plate cut at the left edge, a trace of moisture at the foot, small accident and soiling along the left edge).

200 € - 300 €

LE BAS / PARIS - Meeting of 2 engravings: "La belle après dîné". 1781. Engraved with etching and burin by LE BAS Jacques-Philippe (Paris 1707-1783), after Karl DUJARDIN (Amsterdam 1626-Venice 1678). Ref: I.F.F, n°151. Proof with the letter and the Arms. In Paris, at the author's, rue de la Harpe. Margins. 34 x 27,5 cm at sight. 42 x 36 cm with the frame. Attached is a "VUE de l'Entrée des CHAMPS-ÉLYSÉES et de la PLACE DE LA CONCORDE." Early 19th century. Engraved with etching, the charact

315 - LE BAS / PARIS - Meeting of 2 engravings: "La belle après dîné". 1781. Engraved with etching and burin by LE BAS Jacques-Philippe (Paris 1707-1783), after Karl DUJARDIN (Amsterdam 1626-Venice 1678). Ref: I.F.F, n°151. Proof with the letter and the Arms. In Paris, at the author's, rue de la Harpe. Margins. 34 x 27,5 cm at sight. 42 x 36 cm with the frame. Attached is a "VUE de l'Entrée des CHAMPS-ÉLYSÉES et de la PLACE DE LA CONCORDE." Early 19th century. Engraved with etching, the charact

100 € - 150 €

RIDINGER Johann Elias (1698-1767) - [Adam and Eve]. c.1730-1760. Incomplete suite of 6 (of 12) etching and burin plates. Ref: Thienemann, n°181. From the series "Das Paradies oder die Schöpfung und der Sündenfall des ersten Menschenpaares" (Paradise or The Creation and Fall of the First Human Couple). Published in Augsburg by the artist. Each subject approx. 35,5 x 52 cm. Between 40 x 55 & 47 x 60 cm each sheet. 50 x 65 cm each mount. Condition A/B (3 plates formerly glued on a rigid support

316 - RIDINGER Johann Elias (1698-1767) - [Adam and Eve]. c.1730-1760. Incomplete suite of 6 (of 12) etching and burin plates. Ref: Thienemann, n°181. From the series "Das Paradies oder die Schöpfung und der Sündenfall des ersten Menschenpaares" (Paradise or The Creation and Fall of the First Human Couple). Published in Augsburg by the artist. Each subject approx. 35,5 x 52 cm. Between 40 x 55 & 47 x 60 cm each sheet. 50 x 65 cm each mount. Condition A/B (3 plates formerly glued on a rigid support

200 € - 300 €

VERNET Joseph (1714-1789) - "The port of Cette (SÈTE) in Languedoc, seen from the sea side behind the isolated pier". 1762. Etching and burin after the original painting of Joseph VERNET by Charles Nicolas COCHIN and Jacques-Philippe LE BAS. Layered paper. Watermark: Crowned two-headed bird and countermark: Letters. Proof before the letter. Plate n°8 of the collection " Les ports de France ". 53 x 73,4 cm. Condition B (Cut to the subject, finely lined on japanese paper. Some marginal stains).

317 - VERNET Joseph (1714-1789) - "The port of Cette (SÈTE) in Languedoc, seen from the sea side behind the isolated pier". 1762. Etching and burin after the original painting of Joseph VERNET by Charles Nicolas COCHIN and Jacques-Philippe LE BAS. Layered paper. Watermark: Crowned two-headed bird and countermark: Letters. Proof before the letter. Plate n°8 of the collection " Les ports de France ". 53 x 73,4 cm. Condition B (Cut to the subject, finely lined on japanese paper. Some marginal stains).

500 € - 800 €

VERNET Joseph (1714-1789) - "View of the city and the Port of BAYONNE". 1764. Etching and burin after the original painting of Joseph VERNET by Charles Nicolas COCHIN and Jacques-Philippe LE BAS. Layered paper. Watermark: Double-headed eagle. 54,5 x 75,2 cm. Condition B (Proof tired at the edge, multiple restorations, corrections of gaps in the letter in pencil. Median fold).

318 - VERNET Joseph (1714-1789) - "View of the city and the Port of BAYONNE". 1764. Etching and burin after the original painting of Joseph VERNET by Charles Nicolas COCHIN and Jacques-Philippe LE BAS. Layered paper. Watermark: Double-headed eagle. 54,5 x 75,2 cm. Condition B (Proof tired at the edge, multiple restorations, corrections of gaps in the letter in pencil. Median fold).

400 € - 800 €

WATTEAU Antoine (after) (1684-1721) - "Under a Mezetin's habit". Engraved with etching and burin by THOMASSIN Fils. Ref: Le Blanc, n°51. Proof on laid paper, with the address "A Paris, chez F. Chereau rue St Jacques aux deux pilliers d'Or, A.P.R". 30,5 x 19,6 cm. Condition B (cut to the subject and rare light foxing in the tablet).

319 - WATTEAU Antoine (after) (1684-1721) - "Under a Mezetin's habit". Engraved with etching and burin by THOMASSIN Fils. Ref: Le Blanc, n°51. Proof on laid paper, with the address "A Paris, chez F. Chereau rue St Jacques aux deux pilliers d'Or, A.P.R". 30,5 x 19,6 cm. Condition B (cut to the subject and rare light foxing in the tablet).

100 € - 300 €

BEJOT Eugène (Paris 1867 1932) - "The Quai des Orfèvres and the Pont-Neuf, Paris". 1920. Original etching. Signed, dated and located in the subject. Nice proof on bluish laid paper, countersigned in grey pencil by the artist and stamped on the reverse side with the artist's studio stamp, Lugt 225c ("This stamp L.225c has been affixed on the works bequeathed by Béjot to the National Library and sold by this same institution"). Good margins. 28,7 x 34,2 cm. Condition A (good state of conservati

320 - BEJOT Eugène (Paris 1867 1932) - "The Quai des Orfèvres and the Pont-Neuf, Paris". 1920. Original etching. Signed, dated and located in the subject. Nice proof on bluish laid paper, countersigned in grey pencil by the artist and stamped on the reverse side with the artist's studio stamp, Lugt 225c ("This stamp L.225c has been affixed on the works bequeathed by Béjot to the National Library and sold by this same institution"). Good margins. 28,7 x 34,2 cm. Condition A (good state of conservati

200 € - 300 €

BEJOT Eugène (1867-1931) - "Squares and Gardens", Paris, 1896 - Suite "Squares and Gardens" of 8 original lithographic sketches by Eugène Béjot, from n°422 bis to 429: n°422 bis : Pavillon de Marsan / n°423 : La baraque de jouets des tuileries / n°424 : The guardhouse of the Luxembourg / n°425 : The lion of the terrace of the Luxembourg / n°426 : The entrance of the Castiglione street / n°427 : The pantheon and the school of mines / n°428 : The statue of Hercules in the Tuileries / n�

321 - BEJOT Eugène (1867-1931) - "Squares and Gardens", Paris, 1896 - Suite "Squares and Gardens" of 8 original lithographic sketches by Eugène Béjot, from n°422 bis to 429: n°422 bis : Pavillon de Marsan / n°423 : La baraque de jouets des tuileries / n°424 : The guardhouse of the Luxembourg / n°425 : The lion of the terrace of the Luxembourg / n°426 : The entrance of the Castiglione street / n°427 : The pantheon and the school of mines / n°428 : The statue of Hercules in the Tuileries / n�

1 200 € - 1 500 €

BERGER René (End of XIXè-beginning XXè) - "Sarah Bernhardt in the role of Tosca". Lithograph in colors. Signed lower left in the composition. Nice proof on glazed vellum, countersigned in pencil by the artist. Margins. 50,5 x 32,5 cm. Condition A (good condition).

322 - BERGER René (End of XIXè-beginning XXè) - "Sarah Bernhardt in the role of Tosca". Lithograph in colors. Signed lower left in the composition. Nice proof on glazed vellum, countersigned in pencil by the artist. Margins. 50,5 x 32,5 cm. Condition A (good condition).

150 € - 300 €

BERGER René (End of XIXè-beginning XXè) - "Sarah Bernhardt in Hamlet". Lithograph in colors. Signed lower left in the composition. Nice proof on glazed vellum, countersigned in pencil by the artist. Margins. 50,5 x 32,5 cm. Condition B (slight traces of handling, traces of wetness on the reverse and some short marginal tears).

323 - BERGER René (End of XIXè-beginning XXè) - "Sarah Bernhardt in Hamlet". Lithograph in colors. Signed lower left in the composition. Nice proof on glazed vellum, countersigned in pencil by the artist. Margins. 50,5 x 32,5 cm. Condition B (slight traces of handling, traces of wetness on the reverse and some short marginal tears).

150 € - 300 €

BERTON Armand (Paris 1854 1917) - "The laughing girl". 1897. Original lithograph. Signed lower right in the plate. Nice proof on vellum with the dry stamp of Estampe Moderne (Lugt 2790). Margins. 40,5 x 30,5 cm. Condition A (good condition).

324 - BERTON Armand (Paris 1854 1917) - "The laughing girl". 1897. Original lithograph. Signed lower right in the plate. Nice proof on vellum with the dry stamp of Estampe Moderne (Lugt 2790). Margins. 40,5 x 30,5 cm. Condition A (good condition).

100 € - 200 €

BLACHE Charles Philippe - "Crépuscule", Paris, 1894. Original lithograph "Crépuscule", 1894, from L'Estampe Originale, printed in two colors, on Japon vergé paper. Signed and dated in the plate in the lower left corner. Fine proof from an edition at 100, with margins, bearing the dry stamp of "L'Estampe Originale" (Lugt 819) in the lower right margin, numbered 42 and countersigned in blue pencil by the artist. 36,5 x 26,5 cm (subject) / 58 x 42,5 cm (leaf). Condition A (In excellent condition

325 - BLACHE Charles Philippe - "Crépuscule", Paris, 1894. Original lithograph "Crépuscule", 1894, from L'Estampe Originale, printed in two colors, on Japon vergé paper. Signed and dated in the plate in the lower left corner. Fine proof from an edition at 100, with margins, bearing the dry stamp of "L'Estampe Originale" (Lugt 819) in the lower right margin, numbered 42 and countersigned in blue pencil by the artist. 36,5 x 26,5 cm (subject) / 58 x 42,5 cm (leaf). Condition A (In excellent condition

400 € - 600 €

BOILLY Louis Léopold (after) (1761 1845) - "La douce Résistance". Dotted engraving by Salvatore Tresca (1750-1815), printed in colors on laid paper. 57 x 44 cm. Condition B/C (cut at the copperplate mark on the left and at the foot, tear formerly consolidated in the left margin and reaching the subject, short tears and some light marginal foxing).

326 - BOILLY Louis Léopold (after) (1761 1845) - "La douce Résistance". Dotted engraving by Salvatore Tresca (1750-1815), printed in colors on laid paper. 57 x 44 cm. Condition B/C (cut at the copperplate mark on the left and at the foot, tear formerly consolidated in the left margin and reaching the subject, short tears and some light marginal foxing).

150 € - 300 €

BOYS Thomas Shotter (1803-1874) - "Pavillon de Flore, Tuileries (Paris)". c.1840. Lithograph in colors. Titled lower right in the composition. Margins. 45 x 33,5 cm. Condition A (slight trace of insolation in the margins, otherwise good condition).

327 - BOYS Thomas Shotter (1803-1874) - "Pavillon de Flore, Tuileries (Paris)". c.1840. Lithograph in colors. Titled lower right in the composition. Margins. 45 x 33,5 cm. Condition A (slight trace of insolation in the margins, otherwise good condition).

150 € - 300 €

BRESDIN Rodolphe (1825 - 1885) - "Le Repos en Egypte". Etching, on wove paper. Numbered 53/273 in grey pencil. Printed in 1975. Good margins. 42,5 x 33 cm - Condition A (Good condition).

328 - BRESDIN Rodolphe (1825 - 1885) - "Le Repos en Egypte". Etching, on wove paper. Numbered 53/273 in grey pencil. Printed in 1975. Good margins. 42,5 x 33 cm - Condition A (Good condition).

200 € - 300 €

BUCCI Anselmo (1887-1955) - "Les Poilus". c.1915. Original drypoint. Nice proof numbered 69 from an edition at 100 and signed in grey pencil by the artist. Eug. Delâtre laid paper. From the suite "Croquis du Front italien". All margins. 27,5 x 36 cm. Condition A (good condition).

329 - BUCCI Anselmo (1887-1955) - "Les Poilus". c.1915. Original drypoint. Nice proof numbered 69 from an edition at 100 and signed in grey pencil by the artist. Eug. Delâtre laid paper. From the suite "Croquis du Front italien". All margins. 27,5 x 36 cm. Condition A (good condition).

100 € - 200 €

BUCCI Anselmo (1887-1955) - "The pay". c.1915. Original drypoint. Nice proof numbered 69 from an edition at 100 and signed in grey pencil by the artist. Eug. Delâtre laid paper. From the suite "Croquis du Front italien". All margins. 27,5 x 36 cm. Condition A (good condition).

330 - BUCCI Anselmo (1887-1955) - "The pay". c.1915. Original drypoint. Nice proof numbered 69 from an edition at 100 and signed in grey pencil by the artist. Eug. Delâtre laid paper. From the suite "Croquis du Front italien". All margins. 27,5 x 36 cm. Condition A (good condition).

100 € - 200 €

COROT J.B Camille (Paris 1796 Ville d'Avray 1875) - "The Florentine Duomo". Etching. Printed by the National Library in 1976, on cream wove paper. Good margins. 50 x 32 cm. Condition A (very slightly insulated otherwise good condition).

331 - COROT J.B Camille (Paris 1796 Ville d'Avray 1875) - "The Florentine Duomo". Etching. Printed by the National Library in 1976, on cream wove paper. Good margins. 50 x 32 cm. Condition A (very slightly insulated otherwise good condition).

200 € - 300 €

DAUMIER Honoré (after) (1808 1879) - "Three amateurs in front of the Revue Nocturne de Raffet". Lithograph in colors by Alfred BROQUELET (1861-1957). Proof on China paper, signed in grey pencil by the lithographer and stamped by the Société Normande de gravure (1891-1938 Rouen). All margins. 37,5 x 49 cm. Condition A (slight traces of handling in the margins).

332 - DAUMIER Honoré (after) (1808 1879) - "Three amateurs in front of the Revue Nocturne de Raffet". Lithograph in colors by Alfred BROQUELET (1861-1957). Proof on China paper, signed in grey pencil by the lithographer and stamped by the Société Normande de gravure (1891-1938 Rouen). All margins. 37,5 x 49 cm. Condition A (slight traces of handling in the margins).

150 € - 300 €

DECARIS Albert (1901 1988) - "The shipwreck, The Apocalypse". Original burin. Nice proof justified 6/100 and signed in pencil by the artist. Margins. 65 x 50 cm. Condition A (good condition).

333 - DECARIS Albert (1901 1988) - "The shipwreck, The Apocalypse". Original burin. Nice proof justified 6/100 and signed in pencil by the artist. Margins. 65 x 50 cm. Condition A (good condition).

200 € - 300 €

DECARIS Albert (1901 1988) - "The Black Eagle, The Apocalypse". Original burin. Nice proof justified 6/100 and signed in pencil by the artist. Margins. 65 x 50 cm. Condition A (some foxing in the margins).

334 - DECARIS Albert (1901 1988) - "The Black Eagle, The Apocalypse". Original burin. Nice proof justified 6/100 and signed in pencil by the artist. Margins. 65 x 50 cm. Condition A (some foxing in the margins).

200 € - 300 €

DELACROIX Eugène (1798-1863) - "Women of Algiers". 1833. Original lithograph, printed in bistre. Ref: Delteil, n°97. Signed lower left in the plate. Proof on wove paper, printed by Bertauts and published in the Gazette des Beaux-Arts. Small margins. 19,5 x 24,3 cm. Condition A (margins a little cut, rare light foxing in the margins and more numerous on the reverse).

335 - DELACROIX Eugène (1798-1863) - "Women of Algiers". 1833. Original lithograph, printed in bistre. Ref: Delteil, n°97. Signed lower left in the plate. Proof on wove paper, printed by Bertauts and published in the Gazette des Beaux-Arts. Small margins. 19,5 x 24,3 cm. Condition A (margins a little cut, rare light foxing in the margins and more numerous on the reverse).

100 € - 150 €

DELACROIX Eugène (after) (1798-1863) - "A Shipwreck". 1841. Lithographed by Français. Proof with the letter, on Chine appliqué, bearing the collection marks of Emmanuel Alfred BEURDELEY (Paris 1847-id. 1919), Lugt 421 & of Ph. BURTY (1830-1890), literary and art critic, Paris, Lugt 413. Printed by Petit et Bertauts. Dry stamp of the publisher "Souvenirs d'artistes". Margins. 21,5 x 28 cm. Condition A (rare marginal foxing, otherwise good condition).

336 - DELACROIX Eugène (after) (1798-1863) - "A Shipwreck". 1841. Lithographed by Français. Proof with the letter, on Chine appliqué, bearing the collection marks of Emmanuel Alfred BEURDELEY (Paris 1847-id. 1919), Lugt 421 & of Ph. BURTY (1830-1890), literary and art critic, Paris, Lugt 413. Printed by Petit et Bertauts. Dry stamp of the publisher "Souvenirs d'artistes". Margins. 21,5 x 28 cm. Condition A (rare marginal foxing, otherwise good condition).

100 € - 200 €

DELACROIX Eugène (d'après) (1798-1863) - "Atelier d'Eugène Delacroix". 1852. Woodcut by Ed. Renard. Typographed text on the reverse. Covered with the collection marks of Emmanuel Alfred BEURDELEY (Paris 1847-id. 1919), Lugt 421 & of Ph. BURTY (1830-1890), literary and art critic, Paris, Lugt 413. 21,5 x 24 cm. Condition A (good condition).

337 - DELACROIX Eugène (d'après) (1798-1863) - "Atelier d'Eugène Delacroix". 1852. Woodcut by Ed. Renard. Typographed text on the reverse. Covered with the collection marks of Emmanuel Alfred BEURDELEY (Paris 1847-id. 1919), Lugt 421 & of Ph. BURTY (1830-1890), literary and art critic, Paris, Lugt 413. 21,5 x 24 cm. Condition A (good condition).

100 € - 200 €

DELÂTRE Eugene (1864 1938) - [Mill, Landscape]. 1887. Original ink and watercolor drawing on paper. Signed and dated in ink in the lower left corner. 11,7 x 16 cm. Condition B (trace of sticker on the upper edge and scratches, traces of old mounting on the reverse).

338 - DELÂTRE Eugene (1864 1938) - [Mill, Landscape]. 1887. Original ink and watercolor drawing on paper. Signed and dated in ink in the lower left corner. 11,7 x 16 cm. Condition B (trace of sticker on the upper edge and scratches, traces of old mounting on the reverse).

200 € - 300 €

DELÂTRE Eugene (1864 1938) - [The Fisherman, Landscape]. c.1880. Original ink and watercolor drawing on paper. Signed and dated in ink lower right. 11.7 x 16.4 cm. Condition B/C (trace of sticker on top edge and some scratches, right edge weakened, some foxing on verso).

339 - DELÂTRE Eugene (1864 1938) - [The Fisherman, Landscape]. c.1880. Original ink and watercolor drawing on paper. Signed and dated in ink lower right. 11.7 x 16.4 cm. Condition B/C (trace of sticker on top edge and some scratches, right edge weakened, some foxing on verso).

200 € - 300 €

FRELAUT Jean (Grenoble 1879 Vannes (Morbihan) 1954) - "The Broken Pine". 1920. Etching and drypoint. Ref: Delteil, n°201 (VI/VII). Signed and dated in the composition in the lower left corner. Very nice proof from an edition at 25 copies, on wove paper, dated, justified and countersigned in pencil by the artist. Small margins. 12,2 x 22 cm. Condition A (good condition).

340 - FRELAUT Jean (Grenoble 1879 Vannes (Morbihan) 1954) - "The Broken Pine". 1920. Etching and drypoint. Ref: Delteil, n°201 (VI/VII). Signed and dated in the composition in the lower left corner. Very nice proof from an edition at 25 copies, on wove paper, dated, justified and countersigned in pencil by the artist. Small margins. 12,2 x 22 cm. Condition A (good condition).

100 € - 300 €

FRELAUT Jean (1879 1954) - [View of the Gulf of Morbihan]. 1951. Etching. Signed and dated in the composition in the lower left corner. Nice proof on Arches wove paper, numbered 11/88 and countersigned in pencil by the artist. All margins. Good condition. 32 x 45 cm. Condition A.

341 - FRELAUT Jean (1879 1954) - [View of the Gulf of Morbihan]. 1951. Etching. Signed and dated in the composition in the lower left corner. Nice proof on Arches wove paper, numbered 11/88 and countersigned in pencil by the artist. All margins. Good condition. 32 x 45 cm. Condition A.

100 € - 300 €

FRELAUT Jean (1879 1954) - "Turn of the road". 1922. Etching and drypoint. Signed and dated in the lower left corner of the composition. Reference: Delteil, n°219 (V/V). Proof on laid paper, numbered 30/30 and countersigned in pencil by the artist. 17,8 x 26,7 cm. Condition B (a tiny little hole in the foliage of the tree on the right and in the left margin, some foxing and faded margins).

342 - FRELAUT Jean (1879 1954) - "Turn of the road". 1922. Etching and drypoint. Signed and dated in the lower left corner of the composition. Reference: Delteil, n°219 (V/V). Proof on laid paper, numbered 30/30 and countersigned in pencil by the artist. 17,8 x 26,7 cm. Condition B (a tiny little hole in the foliage of the tree on the right and in the left margin, some foxing and faded margins).

100 € - 300 €

FRELAUT Jean (1879 1954) - "Droenec Island (MORBIHAN)". 1919. Etching. Signed and dated in the lower right corner of the composition. Reference: Delteil, n°146 (III/III). Nice proof on laid paper, countersigned in pencil by the artist and stamped by the publisher Sagot (Paris, Lugt 2254). Margins. 12 x 28 cm. Condition A (good condition).

343 - FRELAUT Jean (1879 1954) - "Droenec Island (MORBIHAN)". 1919. Etching. Signed and dated in the lower right corner of the composition. Reference: Delteil, n°146 (III/III). Nice proof on laid paper, countersigned in pencil by the artist and stamped by the publisher Sagot (Paris, Lugt 2254). Margins. 12 x 28 cm. Condition A (good condition).

100 € - 300 €

FRELAUT Jean (1879 1954) - "The village of Séné (MORBIHAN)". 1912. Etching and drypoint. Signed and dated in the lower left corner of the composition. Reference: Delteil, n°124 (XI/XI). Nice proof on china paper, numbered 1/30 and countersigned in pencil by the artist. Margins. Nice condition. 16,5 x 28 cm. Condition A.

344 - FRELAUT Jean (1879 1954) - "The village of Séné (MORBIHAN)". 1912. Etching and drypoint. Signed and dated in the lower left corner of the composition. Reference: Delteil, n°124 (XI/XI). Nice proof on china paper, numbered 1/30 and countersigned in pencil by the artist. Margins. Nice condition. 16,5 x 28 cm. Condition A.

100 € - 300 €

GROS Antoine-Jean, Baron (1771-1835) - "Chief of Mamelucks on horseback calling for help". 1817. Original lithograph. Ref: I.F.F., n°1. Proof of the 2nd state out of 2, with the artist's signature in the composition. 35,3 x 25 cm. Condition B (rare freckles and stains, small lack at the bottom left corner of the sheet, cut margins).

345 - GROS Antoine-Jean, Baron (1771-1835) - "Chief of Mamelucks on horseback calling for help". 1817. Original lithograph. Ref: I.F.F., n°1. Proof of the 2nd state out of 2, with the artist's signature in the composition. 35,3 x 25 cm. Condition B (rare freckles and stains, small lack at the bottom left corner of the sheet, cut margins).

800 € - 1 000 €

HASEGAWA Kiyoshi (Born in Yokohama in 1891) - "Flowers of the grassy fields". 1926. Original engraving with burin. Signed in point in the plate. Nice proof numbered 15/50 and countersigned in pencil by the artist. All margins. 49,5 x 32,5 cm. Condition A (Good condition).

346 - HASEGAWA Kiyoshi (Born in Yokohama in 1891) - "Flowers of the grassy fields". 1926. Original engraving with burin. Signed in point in the plate. Nice proof numbered 15/50 and countersigned in pencil by the artist. All margins. 49,5 x 32,5 cm. Condition A (Good condition).

800 € - 1 000 €

IBELS Henri-Gabriel (1867-1936) - [Ploughman and barefoot]. c.1895. Photomechanical process. Printed in brown on glazed cream vellum. Signed in the plate. Nice proof numbered 18/24, countersigned in blue pencil by the artist and stamped by the publisher Edouard Kleinmann (Paris, Lugt 1573). Good margins. 25 x 32,5 cm. Condition A (good condition).

347 - IBELS Henri-Gabriel (1867-1936) - [Ploughman and barefoot]. c.1895. Photomechanical process. Printed in brown on glazed cream vellum. Signed in the plate. Nice proof numbered 18/24, countersigned in blue pencil by the artist and stamped by the publisher Edouard Kleinmann (Paris, Lugt 1573). Good margins. 25 x 32,5 cm. Condition A (good condition).

200 € - 300 €

LAURENCIN Marie (1885-1956) - "Poster, Prints - Most accessible Decoration, Most varied Collection", for the Union Chamber of the publishers & merchants of old & modern prints & drawings. 1937. Published for the "Chambre syndicale des éditeurs & marchands... Small margins. 49,5 x 32,5 cm. Condition A (good condition)

348 - LAURENCIN Marie (1885-1956) - "Poster, Prints - Most accessible Decoration, Most varied Collection", for the Union Chamber of the publishers & merchants of old & modern prints & drawings. 1937. Published for the "Chambre syndicale des éditeurs & marchands... Small margins. 49,5 x 32,5 cm. Condition A (good condition)

200 € - 300 €

LEGROS Alphonse (France 1837 - England 1911) - "In the forest of Conteville (Normandy)". 1904. Etching and drypoint. Signed with the initials "A.L" in the lower right corner of the plate. Bliss reference, n°352. Proof on laid paper, countersigned in pencil by the artist. 29 x 42,5 cm. Condition A (slight trace of insolation in the margins and small traces of sticker on the back).

349 - LEGROS Alphonse (France 1837 - England 1911) - "In the forest of Conteville (Normandy)". 1904. Etching and drypoint. Signed with the initials "A.L" in the lower right corner of the plate. Bliss reference, n°352. Proof on laid paper, countersigned in pencil by the artist. 29 x 42,5 cm. Condition A (slight trace of insolation in the margins and small traces of sticker on the back).

100 € - 200 €

LEGROS Alphonse (1837 - 1911) - "The banks of the Venelle". Etching. Nice proof on cream laid paper. Reference: Bliss, n°308. Good margins. Good condition. 22,5 x 29 cm. Condition A.

350 - LEGROS Alphonse (1837 - 1911) - "The banks of the Venelle". Etching. Nice proof on cream laid paper. Reference: Bliss, n°308. Good margins. Good condition. 22,5 x 29 cm. Condition A.

100 € - 200 €

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