FR | Free valuation

ENGRAVINGS & PRINTS

ENGRAVINGS & PRINTS

Wednesday, 23 March 2022 at 14:00

9 rue de Provence, 75009 Paris

Lots 251 to 300 of 400

Page 6 / 8

LOT of about 30 Engravings & various Illustrations of the 19 & 20 th. Various subjects including AUTOMOBILE, DILIGENCE, ANIMALS Various formats. Condition A/B.

251 - LOT of about 30 Engravings & various Illustrations of the 19 & 20 th. Various subjects including AUTOMOBILE, DILIGENCE, ANIMALS Various formats. Condition A/B.

50 € - 70 €

LOT of about 50 Engravings & various Illustrations of the 19 & 20 th. Various subjects including AUTOMOBILE, IMAGERIES, ARCHITECTURE boards, DECORATIONS Various formats. Condition A/B.

252 - LOT of about 50 Engravings & various Illustrations of the 19 & 20 th. Various subjects including AUTOMOBILE, IMAGERIES, ARCHITECTURE boards, DECORATIONS Various formats. Condition A/B.

50 € - 70 €

LOT of about 28 various ENGRAVINGS from the 18 & 19 th centuries. Various subjects including IMAGERIES, LANDSCAPE, FLORA, and also "L'accordée de Village" after GREUZE, 2 etchings after RUBENS Various formats. Condition A/C.

253 - LOT of about 28 various ENGRAVINGS from the 18 & 19 th centuries. Various subjects including IMAGERIES, LANDSCAPE, FLORA, and also "L'accordée de Village" after GREUZE, 2 etchings after RUBENS Various formats. Condition A/C.

50 € - 70 €

LOT of about 50 ENGRAVINGS & illustrations. Various subjects and periods: AUTOMOBILE, DECORATION, Churches of France (CAUDEBEC, REIMS), ANIMALS, "The awakening of the children" by B. TILLIARD after J.B LE PRINCE, a Sebastien BOURDON... Various formats. Condition A/C.

254 - LOT of about 50 ENGRAVINGS & illustrations. Various subjects and periods: AUTOMOBILE, DECORATION, Churches of France (CAUDEBEC, REIMS), ANIMALS, "The awakening of the children" by B. TILLIARD after J.B LE PRINCE, a Sebastien BOURDON... Various formats. Condition A/C.

50 € - 70 €

IMPERIAL MUSEUM OF THE LOUVRE, REUNION of about 40 PLATES after the great masters in painting and sculpture of various schools, Daulos Elder, 1869 including: "Mars and Venus", "The wedding of St. Catherine", "The rest in Egypt", "Dido" after Guerin, "The Pythoness of Endor" after Salvatore Rosa, "The wedding of the Carpenters" after Rembrandt, "Chaste Susanna" after Andre del Sarto... 65 x 50 approximately each plate. Condition D (numerous stains and freckles, trace of wetness). About 10 issues

255 - IMPERIAL MUSEUM OF THE LOUVRE, REUNION of about 40 PLATES after the great masters in painting and sculpture of various schools, Daulos Elder, 1869 including: "Mars and Venus", "The wedding of St. Catherine", "The rest in Egypt", "Dido" after Guerin, "The Pythoness of Endor" after Salvatore Rosa, "The wedding of the Carpenters" after Rembrandt, "Chaste Susanna" after Andre del Sarto... 65 x 50 approximately each plate. Condition D (numerous stains and freckles, trace of wetness). About 10 issues

200 € - 300 €

VARIA 19th century. Various plates after : Eugène DELACROIX ("Young tiger playing with his mother"); Frans HALS (portrait of "Willem van Heythuysen") Marie LEBRUN ("The three ages"); David TENIERS ("The minstrelsy"); Jurisan VAN TREEK ("The Taste"); Adolph MENXEL ("The forced contribution"); REMBRANDT ("Faust"). Some plates by TAVERNIER, Edward SLOCOMBE, Lucien PENET. Lithographs, drypoints, etchings. Various formats. Condition B/C. Set of 16 plates.

256 - VARIA 19th century. Various plates after : Eugène DELACROIX ("Young tiger playing with his mother"); Frans HALS (portrait of "Willem van Heythuysen") Marie LEBRUN ("The three ages"); David TENIERS ("The minstrelsy"); Jurisan VAN TREEK ("The Taste"); Adolph MENXEL ("The forced contribution"); REMBRANDT ("Faust"). Some plates by TAVERNIER, Edward SLOCOMBE, Lucien PENET. Lithographs, drypoints, etchings. Various formats. Condition B/C. Set of 16 plates.

80 € - 100 €

"FOURBERIES DE FEMME". c.1840 - GAVARNI - Meeting of about 35 lithographs in colors. Proofs on wove paper, printed by Aubert & Cie. Watercolor prints on white and gummed at the time. All with margins. 34 x 26 cm approximately each plate. Condition A (some plates sunned otherwise good condition). Set of about 35 plates.

257 - "FOURBERIES DE FEMME". c.1840 - GAVARNI - Meeting of about 35 lithographs in colors. Proofs on wove paper, printed by Aubert & Cie. Watercolor prints on white and gummed at the time. All with margins. 34 x 26 cm approximately each plate. Condition A (some plates sunned otherwise good condition). Set of about 35 plates.

350 € - 450 €

FASHION - Meeting of 9 plates "Société Philanthropique des MAÎTRES TAILLEURS DE PARIS", circa 1910-1913. 49 x 66 cm approximately each plate. Condition A/B. Set of 9 plates.

258 - FASHION - Meeting of 9 plates "Société Philanthropique des MAÎTRES TAILLEURS DE PARIS", circa 1910-1913. 49 x 66 cm approximately each plate. Condition A/B. Set of 9 plates.

100 € - 150 €

ALBUM OF PICTURES OF EPINAL, from the Imagerie PELLERIN (Album 7). In-4°. c.1890. Album in-folio, not paginated, gathering approximately 98 imageries of various topics (manners, tales, history). Hard cover illustrated in colors. First plate illustrated with a beautiful figurative composition composed of several characters of fables (the cat in boots - Bluebeard - the little thumb), second plate illustrated in colors. Published by the Depot of the Imagerie d'Epinal, A. Capendu, Paris. 40 x 30 cm

259 - ALBUM OF PICTURES OF EPINAL, from the Imagerie PELLERIN (Album 7). In-4°. c.1890. Album in-folio, not paginated, gathering approximately 98 imageries of various topics (manners, tales, history). Hard cover illustrated in colors. First plate illustrated with a beautiful figurative composition composed of several characters of fables (the cat in boots - Bluebeard - the little thumb), second plate illustrated in colors. Published by the Depot of the Imagerie d'Epinal, A. Capendu, Paris. 40 x 30 cm

100 € - 150 €

PARISIAN RELIGIOUS IMAGERIES XIXth - Meeting of 16 PLATES: 8 plates in colors by LEDOYEN; 1 published by BESSET; 1 by CLEMAREC, 1 by Ch. LETAILLE and 5 various (by Bes & Dubreuil, Baumard). Proofs on laid paper or vellum. Between 41 x 25 cm & 48 x 32 cm. Condition A/B (the plates by Ledoyen & Besset in good condition; some stains or foxing for the rest). Set of 16 plates.

260 - PARISIAN RELIGIOUS IMAGERIES XIXth - Meeting of 16 PLATES: 8 plates in colors by LEDOYEN; 1 published by BESSET; 1 by CLEMAREC, 1 by Ch. LETAILLE and 5 various (by Bes & Dubreuil, Baumard). Proofs on laid paper or vellum. Between 41 x 25 cm & 48 x 32 cm. Condition A/B (the plates by Ledoyen & Besset in good condition; some stains or foxing for the rest). Set of 16 plates.

200 € - 300 €

IMAGERIES OF METZ & EPINAL - XIXth. Reunion of 13 engraved PLATES (Subjects of piety, Saints & Saints): 8 imageries of METZ, from the DEMBOUR and GANGEL factory & 5 imageries of Epinal from the Pellerin factory. Woodcuts in old colors. Nice set. 41 x 29 cm approximately each plate. Condition A/B (good general condition, rare short tears or small spots for some). Set of 13 plates.

261 - IMAGERIES OF METZ & EPINAL - XIXth. Reunion of 13 engraved PLATES (Subjects of piety, Saints & Saints): 8 imageries of METZ, from the DEMBOUR and GANGEL factory & 5 imageries of Epinal from the Pellerin factory. Woodcuts in old colors. Nice set. 41 x 29 cm approximately each plate. Condition A/B (good general condition, rare short tears or small spots for some). Set of 13 plates.

200 € - 300 €

MISCELLANEOUS IMAGERIES XIXth- Meeting of 11 engraved PLATES - Subjects of piety. 8 plates in black and 3 in colors. Proofs on laid paper or vellum. Various sizes. Condition A/B. Set of 11 plates.

262 - MISCELLANEOUS IMAGERIES XIXth- Meeting of 11 engraved PLATES - Subjects of piety. 8 plates in black and 3 in colors. Proofs on laid paper or vellum. Various sizes. Condition A/B. Set of 11 plates.

100 € - 150 €

"Fireworks show in Vienna, December 7, 1666, for the wedding of Leopold I and Margaret Theresa". 17th century. Etching and burin. Nice proof on watermarked laid paper (tree ?). Margins. 31,5 x 39,3 cm. Condition A (Some light stains on the reverse, good condition).

263 - "Fireworks show in Vienna, December 7, 1666, for the wedding of Leopold I and Margaret Theresa". 17th century. Etching and burin. Nice proof on watermarked laid paper (tree ?). Margins. 31,5 x 39,3 cm. Condition A (Some light stains on the reverse, good condition).

300 € - 400 €

GERMAN ANONYMOUS (16th century) - "Portrait of Albrecht Dürer". Woodcut. Proof of a late print, on laid paper. Monogram of the artist and date "1527" in the upper left corner of the composition. Good margins. The engraving is inspired by the medal made by Matthes Gebel (ca. 1500-1574) shortly after Durer's death. 44,5 x 31,5 cm. Condition B (some stains mainly on the margins).

264 - GERMAN ANONYMOUS (16th century) - "Portrait of Albrecht Dürer". Woodcut. Proof of a late print, on laid paper. Monogram of the artist and date "1527" in the upper left corner of the composition. Good margins. The engraving is inspired by the medal made by Matthes Gebel (ca. 1500-1574) shortly after Durer's death. 44,5 x 31,5 cm. Condition B (some stains mainly on the margins).

300 € - 400 €

BAÜR Johann Wilhelm (1607-1642) - "Jason puts the dragon to sleep before seizing the Golden Fleece". c.1641. Original etching. Artist's initials engraved below the subject on the left. Ref: Hollstein, n°12. Nice proof of the 1st state out of 2 (before the worms), on laid paper. Small margins. 13,5 x 21,5 cm. Condition A (good condition).

265 - BAÜR Johann Wilhelm (1607-1642) - "Jason puts the dragon to sleep before seizing the Golden Fleece". c.1641. Original etching. Artist's initials engraved below the subject on the left. Ref: Hollstein, n°12. Nice proof of the 1st state out of 2 (before the worms), on laid paper. Small margins. 13,5 x 21,5 cm. Condition A (good condition).

100 € - 200 €

BAÜR Johann Wilhelm (1607 1640) - [Battles]. Collection of 23 etching plates by or after J.W. Baür. laid paper. 10,5 x 13,5 approximately each plate. C condition. Set of 23 plates.

266 - BAÜR Johann Wilhelm (1607 1640) - [Battles]. Collection of 23 etching plates by or after J.W. Baür. laid paper. 10,5 x 13,5 approximately each plate. C condition. Set of 23 plates.

150 € - 200 €

BRUEGHEL Jan the elder (after) (c.1568 1525) - "The Good Samaritan finds the man". Burin. Ref: Hollstein, n°218. Proof on watermarked laid paper (vase), published by Ahasuerus van Londerseel (15721635). Margins. 23,5 x 30 cm. Condition B (a short restored tear at the foot, a short tear at the top left slightly reaching the subject, otherwise good condition).

267 - BRUEGHEL Jan the elder (after) (c.1568 1525) - "The Good Samaritan finds the man". Burin. Ref: Hollstein, n°218. Proof on watermarked laid paper (vase), published by Ahasuerus van Londerseel (15721635). Margins. 23,5 x 30 cm. Condition B (a short restored tear at the foot, a short tear at the top left slightly reaching the subject, otherwise good condition).

150 € - 300 €

DÜRER Albrecht (after) (Nüremberg 1471 1528) - "The Virgin and the Child Jesus". Engraving by Aegidius SADELER II (Antwerp 1570 Prague 1629), on laid paper. Proof of a late print on laid paper. Ref: Hollstein, n°72. At the bottom left in the composition "Cum privil S.C.Mtis". Margins. 44,5 x 29,5 cm. Condition A (rare small stains in the margins slightly dusted).

268 - DÜRER Albrecht (after) (Nüremberg 1471 1528) - "The Virgin and the Child Jesus". Engraving by Aegidius SADELER II (Antwerp 1570 Prague 1629), on laid paper. Proof of a late print on laid paper. Ref: Hollstein, n°72. At the bottom left in the composition "Cum privil S.C.Mtis". Margins. 44,5 x 29,5 cm. Condition A (rare small stains in the margins slightly dusted).

200 € - 300 €

DÜRER Albrecht (1471 1528) - "The martyrdom of the ten thousand Christians". 1496-1497. Original wood engraving. Proof on laid paper. Reference: Meder, n°218. Bartsch, n°117. Signed with the artist's monogram at the bottom of the composition. Late print. Condition A.

269 - DÜRER Albrecht (1471 1528) - "The martyrdom of the ten thousand Christians". 1496-1497. Original wood engraving. Proof on laid paper. Reference: Meder, n°218. Bartsch, n°117. Signed with the artist's monogram at the bottom of the composition. Late print. Condition A.

1 500 € - 2 000 €

DÜRER Albrecht (1471 1528) - "Hercules conquering Cacus". c.1496. Original wood engraving. Proof on laid paper. References: Bartsch, n°127. Hollstein, n°238. Meder, n°238. Late print. Signed with the artist's monogram at the bottom of the composition. Good margins. 47 x 32,5 cm. Condition A (some light stains in the margins).

270 - DÜRER Albrecht (1471 1528) - "Hercules conquering Cacus". c.1496. Original wood engraving. Proof on laid paper. References: Bartsch, n°127. Hollstein, n°238. Meder, n°238. Late print. Signed with the artist's monogram at the bottom of the composition. Good margins. 47 x 32,5 cm. Condition A (some light stains in the margins).

1 500 € - 2 000 €

GOLTZIUS Hendrik (after) (1558-1617) - "Neptune tracing the destruction of Man". 1589. Burin. Ref: Hollstein, n°508-599. Proof on watermarked laid paper (lion & letters). Plate 10 of the series "Les Métamorphoses d'Ovide". Printed by Visscher around 1650. Margins. 22 x 28,7 cm. Condition A (slight trace of vertical fold).

271 - GOLTZIUS Hendrik (after) (1558-1617) - "Neptune tracing the destruction of Man". 1589. Burin. Ref: Hollstein, n°508-599. Proof on watermarked laid paper (lion & letters). Plate 10 of the series "Les Métamorphoses d'Ovide". Printed by Visscher around 1650. Margins. 22 x 28,7 cm. Condition A (slight trace of vertical fold).

100 € - 200 €

HEEMSKERCK Maarten van (after) (1494 or 1498 1574) - "Reuben, seated on a pig, with his arm outstretched towards Venus and Cupid" & "Levi, seated astride a bear and brandishing a flaming sword". 1550. Two burin engravings by Dirk Volkertsz COORNHERT (1522-1590). Ref: Hollstein, n°46-57. Proofs of the 2nd state 2, on watermarked laid paper. Plates 4 and 5 of the series "The twelve Patriarchs". 21 x 27,5 cm approximately each plate. Condition A (fillet of margins or small margins). Set of 2 plate

272 - HEEMSKERCK Maarten van (after) (1494 or 1498 1574) - "Reuben, seated on a pig, with his arm outstretched towards Venus and Cupid" & "Levi, seated astride a bear and brandishing a flaming sword". 1550. Two burin engravings by Dirk Volkertsz COORNHERT (1522-1590). Ref: Hollstein, n°46-57. Proofs of the 2nd state 2, on watermarked laid paper. Plates 4 and 5 of the series "The twelve Patriarchs". 21 x 27,5 cm approximately each plate. Condition A (fillet of margins or small margins). Set of 2 plate

300 € - 400 €

HEEMSKERCK Maarten van (after) (1494 or 1498 1574) - "The triumph of humility. 7th plate of the Human Vicissitudes". 1564. Burin engraved by Cornelis CORT (Hoorn 1533 - Rome 1578). Ref: New Hollstein (Heemskerck), n°482-490) New Hollstein (Cornelis Cort), n°223-227. Bottom left "Mheemskerck inv. / H. cock excu.". Proof on laid paper, published by Hieronymus COCK (Antwerp 1518 Antwerp 1570). This plate is part of a series of nine numbered pieces showing allegorical figures in procession. Small

273 - HEEMSKERCK Maarten van (after) (1494 or 1498 1574) - "The triumph of humility. 7th plate of the Human Vicissitudes". 1564. Burin engraved by Cornelis CORT (Hoorn 1533 - Rome 1578). Ref: New Hollstein (Heemskerck), n°482-490) New Hollstein (Cornelis Cort), n°223-227. Bottom left "Mheemskerck inv. / H. cock excu.". Proof on laid paper, published by Hieronymus COCK (Antwerp 1518 Antwerp 1570). This plate is part of a series of nine numbered pieces showing allegorical figures in procession. Small

600 € - 800 €

REMBRANDT Harmenszoon van Rijn (1606 1669) - "Beggar and Wench". c. 1630. Original etching. Signed and dated in the lower left corner of the composition. Ref: Bartsch, n°164. Proof on fine laid paper. 7,8 x 6,1 cm. Condition C (copper-cut, formerly pasted by the edges on a bluish paper, a small tear of 1cm on the gueux, small tear at the upper right corner in the margin).

274 - REMBRANDT Harmenszoon van Rijn (1606 1669) - "Beggar and Wench". c. 1630. Original etching. Signed and dated in the lower left corner of the composition. Ref: Bartsch, n°164. Proof on fine laid paper. 7,8 x 6,1 cm. Condition C (copper-cut, formerly pasted by the edges on a bluish paper, a small tear of 1cm on the gueux, small tear at the upper right corner in the margin).

1 000 € - 1 500 €

REMBRANDT Harmenszoon van Rijn (1606 1669) - "The Raising of Lazarus", large plate. (The Raising of Lazarus). c. 1632. Original etching. Signed in point in the center of the composition. Ref: Hind, no. 96. Bartsch, no. 73. Proof of a late print on laid paper. Small margins. 37,6 x 26,3 cm the sheet. Condition B (two tears in the lower margin, one of them reaching a little bit the subject on 1cm, trace of wetness on the reverse side visible in the margin on the front side, slight handling marks).

275 - REMBRANDT Harmenszoon van Rijn (1606 1669) - "The Raising of Lazarus", large plate. (The Raising of Lazarus). c. 1632. Original etching. Signed in point in the center of the composition. Ref: Hind, no. 96. Bartsch, no. 73. Proof of a late print on laid paper. Small margins. 37,6 x 26,3 cm the sheet. Condition B (two tears in the lower margin, one of them reaching a little bit the subject on 1cm, trace of wetness on the reverse side visible in the margin on the front side, slight handling marks).

2 000 € - 3 000 €

REMBRANDT Harmenszoon van Rijn (1606 1669) - "The Raising of Lazarus", large plate. (The Raising of Lazarus). c. 1632. Original etching. Signed in point in the center of the composition. Ref: Hind, no. 96. Bartsch, no. 73. A fine proof of a late print on cream wove paper, annotated "Taken from the original copper / belonging to Alvin Beaumont" in grey pencil. Margins. 42,5 x 31,3 cm. Condition A (a trace of old mounting on the verso slightly visible on the recto in the margin, otherwise fine con

276 - REMBRANDT Harmenszoon van Rijn (1606 1669) - "The Raising of Lazarus", large plate. (The Raising of Lazarus). c. 1632. Original etching. Signed in point in the center of the composition. Ref: Hind, no. 96. Bartsch, no. 73. A fine proof of a late print on cream wove paper, annotated "Taken from the original copper / belonging to Alvin Beaumont" in grey pencil. Margins. 42,5 x 31,3 cm. Condition A (a trace of old mounting on the verso slightly visible on the recto in the margin, otherwise fine con

2 000 € - 3 000 €

REMBRANDT H. van Rijn (1606 1669) - "Jesus Christ on the Cross". 1635. Etching. Signed "Rembrandt f." in point in the composition. Ref: Bartsch, no. 80. Hind, n°123. Proof on laid paper. Late edition. Good margins. 9,5 x 6,7 cm for the subject. 20,7 x 16,5 cm for the sheet. Condition A (two traces of sticker on the back).

277 - REMBRANDT H. van Rijn (1606 1669) - "Jesus Christ on the Cross". 1635. Etching. Signed "Rembrandt f." in point in the composition. Ref: Bartsch, no. 80. Hind, n°123. Proof on laid paper. Late edition. Good margins. 9,5 x 6,7 cm for the subject. 20,7 x 16,5 cm for the sheet. Condition A (two traces of sticker on the back).

400 € - 500 €

REMBRANDT H. van Rijn (1606 1669) - "The Synagogue of the Jews". 1648. Etching. Signed "Rembrandt f. 1648" in point at the top left of the composition. Ref: Bartsch, no. 126. Hind, n°234. Proof on laid paper. Late print. Margins. 7,1 x 12,9 cm for the subject. 8,4 x 14,3 cm for the sheet. Condition A (good condition).

278 - REMBRANDT H. van Rijn (1606 1669) - "The Synagogue of the Jews". 1648. Etching. Signed "Rembrandt f. 1648" in point at the top left of the composition. Ref: Bartsch, no. 126. Hind, n°234. Proof on laid paper. Late print. Margins. 7,1 x 12,9 cm for the subject. 8,4 x 14,3 cm for the sheet. Condition A (good condition).

400 € - 500 €

REMBRANDT Harmenszoon van Rijn (1606 1669) - "David at Prayer". 1652. Etching. Signed and dated "Rembrandt f. 1652" in the lower left corner of the composition. Ref: Bartsch, n°41. Hind, n°258. Proof on watermarked laid paper (fragment of entwined letters). Late print. Margins. 16,5 x 12,3 cm. Condition B/C (two tiny needle holes in the subject, otherwise good condition).

279 - REMBRANDT Harmenszoon van Rijn (1606 1669) - "David at Prayer". 1652. Etching. Signed and dated "Rembrandt f. 1652" in the lower left corner of the composition. Ref: Bartsch, n°41. Hind, n°258. Proof on watermarked laid paper (fragment of entwined letters). Late print. Margins. 16,5 x 12,3 cm. Condition B/C (two tiny needle holes in the subject, otherwise good condition).

400 € - 500 €

REMBRANDT H. van Rijn (1606 1669) - "The Little Goldsmith". 1655. Etching. Signed "Rembrandt f." in point in the composition. Ref: Bartsch, n°123. Hind, n°285. Proof on laid paper. Late edition. Margins. Nice condition. 7,8 x 5,5 cm for the subject. 9,2 x 6,5 cm for the sheet. Condition A (good condition).

280 - REMBRANDT H. van Rijn (1606 1669) - "The Little Goldsmith". 1655. Etching. Signed "Rembrandt f." in point in the composition. Ref: Bartsch, n°123. Hind, n°285. Proof on laid paper. Late edition. Margins. Nice condition. 7,8 x 5,5 cm for the subject. 9,2 x 6,5 cm for the sheet. Condition A (good condition).

400 € - 500 €

REMBRANDT H. van Rijn (1606 1669) - "The Little Gypsy Girl". 1636. Etching. Signed "Rembrandt f. 1648" in the upper left corner of the composition. Reference: White and Boon, no. 120, Hind, no. 184. Proof on laid paper. Late print. Margins. 14,5 x 12,8 cm. Condition B (formerly pasted by the right angles on a wove paper, lower right angle slightly scratched).

281 - REMBRANDT H. van Rijn (1606 1669) - "The Little Gypsy Girl". 1636. Etching. Signed "Rembrandt f. 1648" in the upper left corner of the composition. Reference: White and Boon, no. 120, Hind, no. 184. Proof on laid paper. Late print. Margins. 14,5 x 12,8 cm. Condition B (formerly pasted by the right angles on a wove paper, lower right angle slightly scratched).

400 € - 500 €

REMBRANDT H. van Rijn (1606 1669) - Collection of 8 etchings by or after the artist & others: 1-"Rembrandt and his wife" (Bartsch 18); 2-"Janus Lutma" (B.276); 3-"The Bridge of Six" (B.208); 4-"The Landscape with Palisades" (B.247); 5-(Portrait of an old man); 6-"Reclining Love & two portraits (on the same sheet)". Various sizes. Condition A/B.

282 - REMBRANDT H. van Rijn (1606 1669) - Collection of 8 etchings by or after the artist & others: 1-"Rembrandt and his wife" (Bartsch 18); 2-"Janus Lutma" (B.276); 3-"The Bridge of Six" (B.208); 4-"The Landscape with Palisades" (B.247); 5-(Portrait of an old man); 6-"Reclining Love & two portraits (on the same sheet)". Various sizes. Condition A/B.

200 € - 300 €

RUBENS P.P (after) (1577-1640) - "The Visitation of the Holy Virgin". 1719. Engraving by E. Jeaurat. Proof on wove paper. 33 x 23 cm on the subject. 39 x 27,5 cm reembossed. Condition B (median horizontal fold, rare foxing on the outlines, a short tear on the left and on the right at the level of the fold reaching the edge of the subject).

283 - RUBENS P.P (after) (1577-1640) - "The Visitation of the Holy Virgin". 1719. Engraving by E. Jeaurat. Proof on wove paper. 33 x 23 cm on the subject. 39 x 27,5 cm reembossed. Condition B (median horizontal fold, rare foxing on the outlines, a short tear on the left and on the right at the level of the fold reaching the edge of the subject).

100 € - 200 €

SADELER J. (1550-1600) (after) - "The Adoration of the Shepherds". Etching and burin after the painting by Jacopo Bassano (1599-1650). Proof on laid paper (watermark not very legible) with the handwritten collection mark of Ernest Devaulx "1860" ((1831-1901), French sculptor, Paris), Lugt 1670. Fine margins of the copper. 22 x 29 cm. Condition B (cut at the copper mark, a short tear at upper left and a small stain at upper right).

284 - SADELER J. (1550-1600) (after) - "The Adoration of the Shepherds". Etching and burin after the painting by Jacopo Bassano (1599-1650). Proof on laid paper (watermark not very legible) with the handwritten collection mark of Ernest Devaulx "1860" ((1831-1901), French sculptor, Paris), Lugt 1670. Fine margins of the copper. 22 x 29 cm. Condition B (cut at the copper mark, a short tear at upper left and a small stain at upper right).

300 € - 400 €

VAN DYCK Anton (after) (1599 1641) - "Portrait of Joannes Van Ravesteyn". Burin engraved by Paul Pontius (Antwerp 1603 1658). Ref. New Hollstein, no. 83. Mauquoy-Hendrickx, n°60. Nice proof on strong laid paper with an unidentified collector's mark on the reverse. Margins. 25,3 x 17,5 cm. Condition A (good condition).

285 - VAN DYCK Anton (after) (1599 1641) - "Portrait of Joannes Van Ravesteyn". Burin engraved by Paul Pontius (Antwerp 1603 1658). Ref. New Hollstein, no. 83. Mauquoy-Hendrickx, n°60. Nice proof on strong laid paper with an unidentified collector's mark on the reverse. Margins. 25,3 x 17,5 cm. Condition A (good condition).

100 € - 200 €

VAN DYCK Anton (after) (1599 1641) - "Portrait of Martin Pepyn". Burin engraved by Schelte Adams Bolswert (c.1586 1659). Ref: New Hollstein, no. 80. Mauquoy-Hendrickx, n°24. Proof with the letter on laid paper covered on the reverse with an unidentified collector's mark on the reverse. Margins. 26 x 17 cm. Condition A (rare small scattered foxing in the lower margin, nice condition).

286 - VAN DYCK Anton (after) (1599 1641) - "Portrait of Martin Pepyn". Burin engraved by Schelte Adams Bolswert (c.1586 1659). Ref: New Hollstein, no. 80. Mauquoy-Hendrickx, n°24. Proof with the letter on laid paper covered on the reverse with an unidentified collector's mark on the reverse. Margins. 26 x 17 cm. Condition A (rare small scattered foxing in the lower margin, nice condition).

100 € - 200 €

WESTERHOUT Arnolde van (1651 - 1725) - "BATTAGLIA E PRESA DI BUDAPEST" & "BATTAGLIA DATA AL GRAN SULTANO DE TURCHI e Vittoria SEgnalata [...]. Two etchings and burin. Proofs on laid paper. With the address "Al negotio Remondini". 47 x 69 cm approximately each plate. Condition B/C (stains, vertical median fold and some short tears on the edges).

287 - WESTERHOUT Arnolde van (1651 - 1725) - "BATTAGLIA E PRESA DI BUDAPEST" & "BATTAGLIA DATA AL GRAN SULTANO DE TURCHI e Vittoria SEgnalata [...]. Two etchings and burin. Proofs on laid paper. With the address "Al negotio Remondini". 47 x 69 cm approximately each plate. Condition B/C (stains, vertical median fold and some short tears on the edges).

100 € - 200 €

"Entry of LOUIS XIV and Marie-Thérèse in Paris, August 26, 1660", around 1680. Etching and burin on laid paper. Text in Italian. 32 x 74 cm. Condition A (Some foxing, small restorations on the back at the level of the central folds. Margins shortened).

288 - "Entry of LOUIS XIV and Marie-Thérèse in Paris, August 26, 1660", around 1680. Etching and burin on laid paper. Text in Italian. 32 x 74 cm. Condition A (Some foxing, small restorations on the back at the level of the central folds. Margins shortened).

800 € - 1 200 €

ALLEGORY THE FIVE SENSES - RARE COMPLETE SET of 5 plates, circa 1657, engraved with burin and printed on laid paper. Published by Balthasar MONCORNET (1600-1668), with privilege. Good margins for each. 16 x 11 cm approximately each subject. 27 x 19 cm approximately each leaf. Condition A (some foxing or stains in the margins, subjects in good condition).

289 - ALLEGORY THE FIVE SENSES - RARE COMPLETE SET of 5 plates, circa 1657, engraved with burin and printed on laid paper. Published by Balthasar MONCORNET (1600-1668), with privilege. Good margins for each. 16 x 11 cm approximately each subject. 27 x 19 cm approximately each leaf. Condition A (some foxing or stains in the margins, subjects in good condition).

300 € - 500 €

BOYVIN René (1525 1598) - "Panel with the figure of Venus". Burin after Leonard Thiry (active in Fontainebleau ca. 15361550). Ref: Robert-Dumesnil, n°128. Proof of a print probably from the 17th century on laid paper. Copper margins. 17 x 10,7 cm. Condition A (cut inside the copperplate mark, a very slight light stain).

290 - BOYVIN René (1525 1598) - "Panel with the figure of Venus". Burin after Leonard Thiry (active in Fontainebleau ca. 15361550). Ref: Robert-Dumesnil, n°128. Proof of a print probably from the 17th century on laid paper. Copper margins. 17 x 10,7 cm. Condition A (cut inside the copperplate mark, a very slight light stain).

150 € - 300 €

CALLOT Jacques (After) (Nancy 1592 1635) - Set of 16 engraved copies after Callot, including the subjects of Les Gueux and Les grandes misères de la guerre Various sizes. Condition B/C. Set of 16 plates.

291 - CALLOT Jacques (After) (Nancy 1592 1635) - Set of 16 engraved copies after Callot, including the subjects of Les Gueux and Les grandes misères de la guerre Various sizes. Condition B/C. Set of 16 plates.

50 € - 80 €

CALLOT Jacques (d'après) (Nancy 1592 1635) - 2 etchings: 1-"La bataille" (Lieure 1341, final state). From the series "Les Grandes misères de la guerre". 21 x 30 cm. Proof damaged and laminated. 2- "The camp", after Callot. 6,5 x 12 cm. C condition. Set of 2 plates.

292 - CALLOT Jacques (d'après) (Nancy 1592 1635) - 2 etchings: 1-"La bataille" (Lieure 1341, final state). From the series "Les Grandes misères de la guerre". 21 x 30 cm. Proof damaged and laminated. 2- "The camp", after Callot. 6,5 x 12 cm. C condition. Set of 2 plates.

80 € - 100 €

CALLOT Jacques (after) (Nancy 1592 1635) - "The great hunt". Etched copy. Proof on laid paper, bearing a blue collection mark (Letter S in a circle), Lugt 3578 (not identified). Small margins of the copper. 20 x 45,8 cm. Condition B (Traces of old mounting on verso, a short tear at lower right reaching the subject for 1.5cm, cut at the copper mark and vertical print crease).

293 - CALLOT Jacques (after) (Nancy 1592 1635) - "The great hunt". Etched copy. Proof on laid paper, bearing a blue collection mark (Letter S in a circle), Lugt 3578 (not identified). Small margins of the copper. 20 x 45,8 cm. Condition B (Traces of old mounting on verso, a short tear at lower right reaching the subject for 1.5cm, cut at the copper mark and vertical print crease).

300 € - 400 €

CALLOT Jacques (Nancy 1592 1635). "The New Testament". 1635. Etchings. Reunion of the first 5 plates (including the frontispiece engraved by Abraham Bosse after the artist's death), out of the 10 that the series comprises. Frontispiece : proof on laid paper of the unique state, 6,6 x 9 cm (sheet). Jesus among the doctors : proof on thin laid paper of the 4th state out of 5, before the letter. 7,2 x 9,2 cm (sheet). Jesus preaches on the seashore; Jesus with the Pharisees; The Sermon on the Mount:

294 - CALLOT Jacques (Nancy 1592 1635). "The New Testament". 1635. Etchings. Reunion of the first 5 plates (including the frontispiece engraved by Abraham Bosse after the artist's death), out of the 10 that the series comprises. Frontispiece : proof on laid paper of the unique state, 6,6 x 9 cm (sheet). Jesus among the doctors : proof on thin laid paper of the 4th state out of 5, before the letter. 7,2 x 9,2 cm (sheet). Jesus preaches on the seashore; Jesus with the Pharisees; The Sermon on the Mount:

300 € - 500 €

CALLOT Jacques (Nancy 1592 1635) - "The Fair of Impruneta (second plate)". 1622. Original etching and burin on two sheets of laid paper. Watermark: Cornet. Reference: I.F.F, n°17. Lieure, n°478. A masterpiece of engraving and one of the artist's masterpieces. 38,7 x 66,8 cm - Condition B/C (formerly restored tears, without the tablet and cut at the edge of the square line).

295 - CALLOT Jacques (Nancy 1592 1635) - "The Fair of Impruneta (second plate)". 1622. Original etching and burin on two sheets of laid paper. Watermark: Cornet. Reference: I.F.F, n°17. Lieure, n°478. A masterpiece of engraving and one of the artist's masterpieces. 38,7 x 66,8 cm - Condition B/C (formerly restored tears, without the tablet and cut at the edge of the square line).

300 € - 400 €

MELLAN Claude (1601 1688) - "The Parentage of the Virgin." 1648. Burin. Signed "CMellan G. in. Et Sc." in the lower left corner of the plate. Ref: Le Blanc, n°11. Proof on laid paper. 39,5 x 31,2 cm. Condition B (cut at the border of the subject at the top and at the copper on two sides, without the text under the subject, small traces of old mounting on the reverse).

296 - MELLAN Claude (1601 1688) - "The Parentage of the Virgin." 1648. Burin. Signed "CMellan G. in. Et Sc." in the lower left corner of the plate. Ref: Le Blanc, n°11. Proof on laid paper. 39,5 x 31,2 cm. Condition B (cut at the border of the subject at the top and at the copper on two sides, without the text under the subject, small traces of old mounting on the reverse).

100 € - 200 €

SIMON Pierre - LOUIS XIV - Large PORTRAIT of LOUIS XIV - "Ludovicus Magnus". 1694. Etching and burin by Pierre SIMON (c. 1640-c.1710). With privilege. Framed. 57 x 42 cm at sight for the subject. 78 x 62 cm with the frame. Condition C (old visible restored tears and some spidering, not examined outside its frame).

297 - SIMON Pierre - LOUIS XIV - Large PORTRAIT of LOUIS XIV - "Ludovicus Magnus". 1694. Etching and burin by Pierre SIMON (c. 1640-c.1710). With privilege. Framed. 57 x 42 cm at sight for the subject. 78 x 62 cm with the frame. Condition C (old visible restored tears and some spidering, not examined outside its frame).

200 € - 300 €

CORIOLANO Bartolomeo (Bologna 1590 - c.1650) - "Herodias and Salome with the head of the Baptist". 1631. Woodcut in chiaroscuro after Guido Reni (Calvenzano 1575 Bologna 1642), printed in ochre, brown and black. Signed "Corio. f." in the lower left corner of the plate. Proof on laid paper. Ref: Bartsch, n°29. 17 x 18,5 cm. Condition C (cut inside the square line at the left and at the border at the top, filled in and redrawn at the right in the subject, old restorations)

298 - CORIOLANO Bartolomeo (Bologna 1590 - c.1650) - "Herodias and Salome with the head of the Baptist". 1631. Woodcut in chiaroscuro after Guido Reni (Calvenzano 1575 Bologna 1642), printed in ochre, brown and black. Signed "Corio. f." in the lower left corner of the plate. Proof on laid paper. Ref: Bartsch, n°29. 17 x 18,5 cm. Condition C (cut inside the square line at the left and at the border at the top, filled in and redrawn at the right in the subject, old restorations)

800 € - 1 000 €

DELLA BELLA Stefano (Florence 1610 1664) - 2 Plates of Riders: "Polish Rider holding a Mace" & "Polish Hussar". Etchings. Ref: De Vesme, n°275 & 276. Proofs from a late edition on cream laid paper. From the suite of 11 pieces "Negro, Hungarian and Polish Cavaliers of round shape". Small margins of the copper. 18 x 18 cm approximately each plate. Condition A/B (cut to the copper and slightly exposed).

299 - DELLA BELLA Stefano (Florence 1610 1664) - 2 Plates of Riders: "Polish Rider holding a Mace" & "Polish Hussar". Etchings. Ref: De Vesme, n°275 & 276. Proofs from a late edition on cream laid paper. From the suite of 11 pieces "Negro, Hungarian and Polish Cavaliers of round shape". Small margins of the copper. 18 x 18 cm approximately each plate. Condition A/B (cut to the copper and slightly exposed).

100 € - 200 €

DELLA BELLA Stefano (1610-1664) - "The Perspective of the Pont Neuf of Paris. ". 1646 - Original etching on laid paper. Ref: De Vesme, n°850. Proof of the 2nd state on II, with the letter. Beautiful and rare representation of the period, of a Parisian scene in the XVIIth century. 36 x 68 cm - Condition B (Restored damages (see photo) and faint wetnesses).

300 - DELLA BELLA Stefano (1610-1664) - "The Perspective of the Pont Neuf of Paris. ". 1646 - Original etching on laid paper. Ref: De Vesme, n°850. Proof of the 2nd state on II, with the letter. Beautiful and rare representation of the period, of a Parisian scene in the XVIIth century. 36 x 68 cm - Condition B (Restored damages (see photo) and faint wetnesses).

800 € - 1 500 €

Go to