PRINTS FROM A BEAUTIFUL PARISIAN GALLERY

Monday, 25 May 2020 at 14:00

Salle 12 - Hôtel Drouot, 9, rue Drouot, 75009 Paris

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Lots 1 to 50 of 230

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BRITAIN - MORBIHAN (56) - early 19th century. CARISTIE Auguste (1783-1862) (AFTER). Monument to honour the victims of Quiberon. 1824. Large folio composed of a suite of 6 subjects lithographed by Godefroy ENGELMANN (1788-1839), under the direction of Alexandre-Évariste FRAGONARD (1780-1850). Proofs on china applied on vellum. 49.5 x 31 cm (leaves). Title to the Royal Arms, on blue-grey laid paper soft cover. Condition C (partly loose binding; cover with a peeled cover; introductory pages with t

1 - BRITAIN - MORBIHAN (56) - early 19th century. CARISTIE Auguste (1783-1862) (AFTER). Monument to honour the victims of Quiberon. 1824. Large folio composed of a suite of 6 subjects lithographed by Godefroy ENGELMANN (1788-1839), under the direction of Alexandre-Évariste FRAGONARD (1780-1850). Proofs on china applied on vellum. 49.5 x 31 cm (leaves). Title to the Royal Arms, on blue-grey laid paper soft cover. Condition C (partly loose binding; cover with a peeled cover; introductory pages with t

Result

512 €

PARIS (75) - PLAN - XIXth. BAUERKELLER Georg Michael (Wertheim 1805 - Paris 1886). New relief map of Paris, by the Bauerkeller Geomontography process. Paris, at the author's home, 5th edition, 1844. Typographic printing and embossing in colour. Proof on vellum. 55 x 69 cm (sheet). Condition B/C (very fresh colours; several tears at the edges of the sheet, reinforced on the back with adhesive; framing net irregularly trimmed at the head). Rare.

2 - PARIS (75) - PLAN - XIXth. BAUERKELLER Georg Michael (Wertheim 1805 - Paris 1886). New relief map of Paris, by the Bauerkeller Geomontography process. Paris, at the author's home, 5th edition, 1844. Typographic printing and embossing in colour. Proof on vellum. 55 x 69 cm (sheet). Condition B/C (very fresh colours; several tears at the edges of the sheet, reinforced on the back with adhesive; framing net irregularly trimmed at the head). Rare.

Result

1 024 €

PARIS (75) - NOTRE-DAME, early 20th century. BOGGS Frank (Springfield 1855 - Meudon 1926). Notre-Dame de Paris. Around 1910. Etching. Proof on heavy vellum, signed and numbered 45/70. Reference : I.F.F n° 17. All margins. 65,5 x 50 cm. Condition B (marginal light freckles, no damage to the subject). One joint of the same artist : [Marine]. Etching. Verge proof, countersigned and numbered 41. 41. I.F.F. not described. All margins. 65.5 x 50.5 cm. Condition A (some marginal staining). Set of 2 pl

3 - PARIS (75) - NOTRE-DAME, early 20th century. BOGGS Frank (Springfield 1855 - Meudon 1926). Notre-Dame de Paris. Around 1910. Etching. Proof on heavy vellum, signed and numbered 45/70. Reference : I.F.F n° 17. All margins. 65,5 x 50 cm. Condition B (marginal light freckles, no damage to the subject). One joint of the same artist : [Marine]. Etching. Verge proof, countersigned and numbered 41. 41. I.F.F. not described. All margins. 65.5 x 50.5 cm. Condition A (some marginal staining). Set of 2 pl

Result

640 €

PARIS (75) - SAINT SÉVERIN CHURCH, early 20th century. DUPRÉ Michel (1886-1971) and LAURENTIN Maurice (1885-1959). Around St-Séverin, or On the Roofs of St-Séverin. Paris, printed by A. Vernant at Porcabeuf, 1911. Album in sheets under brought back flexible cover (titled " St Séverin " in gilded letters written in stencil). Complete collection, composed of 10 etchings (two of which are printed on the title page). Beautiful proofs on strong vellum, with all margins, countersigned in pencil.

4 - PARIS (75) - SAINT SÉVERIN CHURCH, early 20th century. DUPRÉ Michel (1886-1971) and LAURENTIN Maurice (1885-1959). Around St-Séverin, or On the Roofs of St-Séverin. Paris, printed by A. Vernant at Porcabeuf, 1911. Album in sheets under brought back flexible cover (titled " St Séverin " in gilded letters written in stencil). Complete collection, composed of 10 etchings (two of which are printed on the title page). Beautiful proofs on strong vellum, with all margins, countersigned in pencil.

Result

448 €

NORMANDY - SEINE-MARITIME (76) - early 19th century. ISABEY Jean-Baptiste (1767-1865). Ruins of the Abbey of Saint Wandrille ; Interior of the church of Graville (near Le Havre). 1821. Lithographs printed by Engelmann, with tint stone. Proofs on china applied on vellum. Two of the six plates produced for the monumental work published by Baron Taylor, Picturesque and Romantic Travels in Old France (Normandy, Volume 1, 1821, plates no. 22 and 52). References: I.F.F n° 16.1 and 16.3; Hédiard n°

5 - NORMANDY - SEINE-MARITIME (76) - early 19th century. ISABEY Jean-Baptiste (1767-1865). Ruins of the Abbey of Saint Wandrille ; Interior of the church of Graville (near Le Havre). 1821. Lithographs printed by Engelmann, with tint stone. Proofs on china applied on vellum. Two of the six plates produced for the monumental work published by Baron Taylor, Picturesque and Romantic Travels in Old France (Normandy, Volume 1, 1821, plates no. 22 and 52). References: I.F.F n° 16.1 and 16.3; Hédiard n°

Estimate

120 € - 150 €

PACA - VAR (83) - SAINT-TROPEZ - XXe. GUASTALLA Pierre (1891-1968). Arrival in Saint-Tropez. 1931. Dry point. Proof on Rives wove paper, signed, titled and numbered 5/45. Reference : I.F.F. n° 36. All margins. 45 x 55.5 cm (sheet). Dry stamp from the publisher : Marcel Guiot, Paris. Condition A.

6 - PACA - VAR (83) - SAINT-TROPEZ - XXe. GUASTALLA Pierre (1891-1968). Arrival in Saint-Tropez. 1931. Dry point. Proof on Rives wove paper, signed, titled and numbered 5/45. Reference : I.F.F. n° 36. All margins. 45 x 55.5 cm (sheet). Dry stamp from the publisher : Marcel Guiot, Paris. Condition A.

Estimate

150 € - 200 €

SWITZERLAND - ALPES - XIXth. HOGARD Henri Charles (1808-1880) (AFTER). Aletsch glacier. 1849. Colour lithographic print by J. BÜRCK. Proof on vellum, printed in 1850 at E. Simon in Strasbourg, signed, titled and dated in stone. Large margins. 54 x 70.8 cm (sheet). Condition A (very slight sunburst mark).

7 - SWITZERLAND - ALPES - XIXth. HOGARD Henri Charles (1808-1880) (AFTER). Aletsch glacier. 1849. Colour lithographic print by J. BÜRCK. Proof on vellum, printed in 1850 at E. Simon in Strasbourg, signed, titled and dated in stone. Large margins. 54 x 70.8 cm (sheet). Condition A (very slight sunburst mark).

Result

230 €

SWITZERLAND - 19th century. HOGARD Henri Charles (1808-1880) (AFTER). The Abschwung of the Aare Glacier. 1848. Colour lithographic print by J. BÜRCK. Proof on vellum, printed in 1851 at E. Simon in Strasbourg, signed, titled and dated in stone, left. Large margins. 52 x 70.8 cm (sheet). Condition B (some brown pitting, leaf slightly oxidized).

8 - SWITZERLAND - 19th century. HOGARD Henri Charles (1808-1880) (AFTER). The Abschwung of the Aare Glacier. 1848. Colour lithographic print by J. BÜRCK. Proof on vellum, printed in 1851 at E. Simon in Strasbourg, signed, titled and dated in stone, left. Large margins. 52 x 70.8 cm (sheet). Condition B (some brown pitting, leaf slightly oxidized).

Result

269 €

SWITZERLAND - 19th century. HOGARD Henri Charles (1808-1880) (AFTER). Glacier of the Obert Aare. 1848. Colour lithographic print by J. BÜRCK. Proof on vellum, printed in 1850 at E. Simon in Strasbourg, signed, titled and dated in stone. All margins. 55 x 78 cm (sheet). Condition B (marginal freckles; oxidation band around the edge of the sheet; one very short tear at the head).

9 - SWITZERLAND - 19th century. HOGARD Henri Charles (1808-1880) (AFTER). Glacier of the Obert Aare. 1848. Colour lithographic print by J. BÜRCK. Proof on vellum, printed in 1850 at E. Simon in Strasbourg, signed, titled and dated in stone. All margins. 55 x 78 cm (sheet). Condition B (marginal freckles; oxidation band around the edge of the sheet; one very short tear at the head).

Result

256 €

SWITZERLAND - GSTAAD - XXth. GUASTALLA Pierre (1891-1968). [Skiers in Gstaad]. 1931. Original drawing in graphite on cream wove paper Schoellershammer, signed, dated and located. 37 x 25 cm. Condition B (dirt, rubbing marks).

10 - SWITZERLAND - GSTAAD - XXth. GUASTALLA Pierre (1891-1968). [Skiers in Gstaad]. 1931. Original drawing in graphite on cream wove paper Schoellershammer, signed, dated and located. 37 x 25 cm. Condition B (dirt, rubbing marks).

Estimate

200 € - 300 €

ITALY - SIENNE - XXth. GUASTALLA Pierre (1891-1968). View from Siena]. Original drawing in graphite on cream wove paper, signed and dated. 32,5 x 50 cm. Condition B (stains, handling folds, broken folds at the upper corners).

11 - ITALY - SIENNE - XXth. GUASTALLA Pierre (1891-1968). View from Siena]. Original drawing in graphite on cream wove paper, signed and dated. 32,5 x 50 cm. Condition B (stains, handling folds, broken folds at the upper corners).

Estimate

200 € - 300 €

NETHERLANDS - MIDDELBURG - XXth. GUASTALLA Pierre (1891-1968). [Mill in Middelburg]. Original drawing in graphite on ice cream wove paper, signed and dated. Condition B (slightly insolated sheet; a 3 cm tear on the right edge, reinforced on the back).

12 - NETHERLANDS - MIDDELBURG - XXth. GUASTALLA Pierre (1891-1968). [Mill in Middelburg]. Original drawing in graphite on ice cream wove paper, signed and dated. Condition B (slightly insolated sheet; a 3 cm tear on the right edge, reinforced on the back).

Estimate

200 € - 300 €

NETHERLANDS - PEOPLE'S PAINTING - Late 19th century. ANONYMOUS. [Flood in Holland]. Around 1890. Oil on canvas, without frame. 103,5 x 102 cm. Condition C (several lacks and accidents in the pictorial layer; painting re-shaded).

13 - NETHERLANDS - PEOPLE'S PAINTING - Late 19th century. ANONYMOUS. [Flood in Holland]. Around 1890. Oil on canvas, without frame. 103,5 x 102 cm. Condition C (several lacks and accidents in the pictorial layer; painting re-shaded).

Estimate

600 € - 800 €

PRAGUE - ŠIMON Tavík František (Železnice 1877- Prague 1942). View of Prague. Charles VII Bridge]. Engraved wood. Printing in 3 colours. Proof on thin vellum, countersigned in pencil, and numbered 70, next to the red stamped mark of the artist (Lugt no. 1050). All margins. 56.9 x 44.4 cm (sheet). Condition A.

14 - PRAGUE - ŠIMON Tavík František (Železnice 1877- Prague 1942). View of Prague. Charles VII Bridge]. Engraved wood. Printing in 3 colours. Proof on thin vellum, countersigned in pencil, and numbered 70, next to the red stamped mark of the artist (Lugt no. 1050). All margins. 56.9 x 44.4 cm (sheet). Condition A.

Result

256 €

TURKEY - CONSTANTINOPLE - Early 18th century. Veüe of the Dardanelles of Constantinople and Veüe of the City and Port of Constantinople. Meeting of 2 etchings. Proofs on filigree laid paper. 23.5 x 34.5 cm (leaves). Condition B (one trimmed with a square line, the other with a net of margins; small accidents and traces of rubbing on the edges of the leaves).

15 - TURKEY - CONSTANTINOPLE - Early 18th century. Veüe of the Dardanelles of Constantinople and Veüe of the City and Port of Constantinople. Meeting of 2 etchings. Proofs on filigree laid paper. 23.5 x 34.5 cm (leaves). Condition B (one trimmed with a square line, the other with a net of margins; small accidents and traces of rubbing on the edges of the leaves).

Result

192 €

MEXICO - TEPECHPAN - Late 19th century. Map of Tepechpan (synchronic and seigniorial history of Tepechpan and Mexico City). Folding chronological frieze, mounted under a cardboard cover and covered with kraft paper. Colour lithograph by J. DEPORTES. Reference: Ernest Boban, Documents pour servir à l'histoire du Mexique : catalogue raisonné de la collection de E.-Eugène Goupil (ancienne collection J.-M.-A. Aubin), Vol. 1, Paris, Ernest Leroux éditeur, 1892, plate n°3, pp. 113-124. 48.1 x 337

16 - MEXICO - TEPECHPAN - Late 19th century. Map of Tepechpan (synchronic and seigniorial history of Tepechpan and Mexico City). Folding chronological frieze, mounted under a cardboard cover and covered with kraft paper. Colour lithograph by J. DEPORTES. Reference: Ernest Boban, Documents pour servir à l'histoire du Mexique : catalogue raisonné de la collection de E.-Eugène Goupil (ancienne collection J.-M.-A. Aubin), Vol. 1, Paris, Ernest Leroux éditeur, 1892, plate n°3, pp. 113-124. 48.1 x 337

Estimate

350 € - 450 €

RUSSIAN IMAGERY. Life and Passion of St. Pantaleon of Nicomedia; [Episodes from the life of St. Nicholas]. 1878-1880. Reunion of 3 color lithographs. Proofs on vellum. Small margins. 53 x 41 cm (sheets). Condition B (freckles and marginal smudges, handling folds and two short tears on one of the two proofs). Set of 3 pl.

17 - RUSSIAN IMAGERY. Life and Passion of St. Pantaleon of Nicomedia; [Episodes from the life of St. Nicholas]. 1878-1880. Reunion of 3 color lithographs. Proofs on vellum. Small margins. 53 x 41 cm (sheets). Condition B (freckles and marginal smudges, handling folds and two short tears on one of the two proofs). Set of 3 pl.

Result

320 €

RUSSIAN IMAGERY. Anecdotes from the life of PIERRE LE GRAND]; [Illustration for La Roussalka ["the Mermaid"] by Alexandre POUCHKINE]. Moscow, 1895 and 1892. Reunion of 2 colour lithographs. Beautiful proofs on vellum, in gummed colours. 32 x 42 cm (sheets, medium format). Condition B/C (first proof mounted on cardboard; small brown spots; some epiderminations in the second subject). Set of 2 pl.

18 - RUSSIAN IMAGERY. Anecdotes from the life of PIERRE LE GRAND]; [Illustration for La Roussalka ["the Mermaid"] by Alexandre POUCHKINE]. Moscow, 1895 and 1892. Reunion of 2 colour lithographs. Beautiful proofs on vellum, in gummed colours. 32 x 42 cm (sheets, medium format). Condition B/C (first proof mounted on cardboard; small brown spots; some epiderminations in the second subject). Set of 2 pl.

Result

320 €

RUSSIAN PICTURE - [The Slaughter of the Innocent]; [St. George Slaying the Dragon]; [Allegory of Greed]. Moscow, 1887, 1892 and undated. A collection of 3 colour lithographs. Small margins. 42 x 32 cm (sheets, medium format). Proofs on thin vellum. Condition C (slight oxidation and small smudges; an important lack in the lower right corner of the second proof). Set of 3 pl.

19 - RUSSIAN PICTURE - [The Slaughter of the Innocent]; [St. George Slaying the Dragon]; [Allegory of Greed]. Moscow, 1887, 1892 and undated. A collection of 3 colour lithographs. Small margins. 42 x 32 cm (sheets, medium format). Proofs on thin vellum. Condition C (slight oxidation and small smudges; an important lack in the lower right corner of the second proof). Set of 3 pl.

Result

256 €

RUSSIAN PICTURE - [Illustrations of traditional Russian songs, including: "Going Down the Volga"; "The Muzhik Kamarinsky"; "The Free Boy"]. 1891-1892. Reunion of 4 colour lithographs. Proofs on thin vellum, in gummed colours. 33 x 44 cm (average sheet size). Condition B (small accidents, pinholes in the corners of a print). Set of 4 pl.

20 - RUSSIAN PICTURE - [Illustrations of traditional Russian songs, including: "Going Down the Volga"; "The Muzhik Kamarinsky"; "The Free Boy"]. 1891-1892. Reunion of 4 colour lithographs. Proofs on thin vellum, in gummed colours. 33 x 44 cm (average sheet size). Condition B (small accidents, pinholes in the corners of a print). Set of 4 pl.

Result

384 €

RUSSIAN IMAGERY - [Knights and heroes of Russian folklore: Eruslan Lazarevich; Ilia Mouromets; Bova Korolevitch; Ivan Tsarévitch]. Moscow, 1890-1892. Meeting of 5 colour lithographs. Proofs on thin vellum. 33 x 44 cm (average sheet size). Condition B (a few slightly oxidized proofs; small marginal accidents). Set of 5 pl.

21 - RUSSIAN IMAGERY - [Knights and heroes of Russian folklore: Eruslan Lazarevich; Ilia Mouromets; Bova Korolevitch; Ivan Tsarévitch]. Moscow, 1890-1892. Meeting of 5 colour lithographs. Proofs on thin vellum. 33 x 44 cm (average sheet size). Condition B (a few slightly oxidized proofs; small marginal accidents). Set of 5 pl.

Result

512 €

22 - RUSSIAN IMAGERY - [Costumed characters]. Meeting of 5 identical subjects. Small formats. State A. €

Estimate

150 € - 200 €

FRENCH ANONYMS (1st half of the 18th century). [Mode Figure]. Etching. Circa 1730: Proof on old vergé, trimmed with a square line and glued by the edges on vergé. 14.1 x 24 cm (subject); 26.5 x 35.5 cm (support). Condition B.

23 - FRENCH ANONYMS (1st half of the 18th century). [Mode Figure]. Etching. Circa 1730: Proof on old vergé, trimmed with a square line and glued by the edges on vergé. 14.1 x 24 cm (subject); 26.5 x 35.5 cm (support). Condition B.

Estimate

100 € - 150 €

BEHAM Hans Sebald (Nuremberg 1500 - Frankfurt 1550). Jared. 1530. Engraved wood. One of the 10 plates of the series of the Patriarchs of the Old Testament with their wives and children. Proof of the 5th state out of 5, without the text, on old filigree laid paper (two-headed eagle surmounted by a crown, close to Lighters n° 281 to 288). Posthumous print from the end of the 16th century. Reference : Bartsch n° 79. Provenance: red stamped mark from the collection of Henri Ledoux (20th century).

24 - BEHAM Hans Sebald (Nuremberg 1500 - Frankfurt 1550). Jared. 1530. Engraved wood. One of the 10 plates of the series of the Patriarchs of the Old Testament with their wives and children. Proof of the 5th state out of 5, without the text, on old filigree laid paper (two-headed eagle surmounted by a crown, close to Lighters n° 281 to 288). Posthumous print from the end of the 16th century. Reference : Bartsch n° 79. Provenance: red stamped mark from the collection of Henri Ledoux (20th century).

Result

256 €

BOUCHER François (1703 - 1770) (AFTER). [Meals] 1792. Etching by Jean-Baptiste HUET (1745-1811). Proof on old laid paper. Small margins. 23.3 x 33.5 cm (sheet). Provenance: on the front, red stamped mark from the collection of Henri Ledoux (XXth century) (Lugt n°4042). Verso, in pen, monogram of the painter Victor Amédée Faure (1808-1878) (Lugt n°115). Condition B (small stains, short broken folds in the upper corners).

25 - BOUCHER François (1703 - 1770) (AFTER). [Meals] 1792. Etching by Jean-Baptiste HUET (1745-1811). Proof on old laid paper. Small margins. 23.3 x 33.5 cm (sheet). Provenance: on the front, red stamped mark from the collection of Henri Ledoux (XXth century) (Lugt n°4042). Verso, in pen, monogram of the painter Victor Amédée Faure (1808-1878) (Lugt n°115). Condition B (small stains, short broken folds in the upper corners).

Estimate

100 € - 120 €

CALLOT Jacques (1592-1635). The walk on the water. Proof on old yard of the 2nd state out of 2, with the excudit of Israel and privilege. Reference : Lieuré n°268. Small margins. 14.6 x 27 cm (sheet). State B (numerous small pits).

26 - CALLOT Jacques (1592-1635). The walk on the water. Proof on old yard of the 2nd state out of 2, with the excudit of Israel and privilege. Reference : Lieuré n°268. Small margins. 14.6 x 27 cm (sheet). State B (numerous small pits).

Estimate

150 € - 200 €

LE BRUN Charles (1619-1690). Vesper (In the evening). 1640. One of the 4 plates of the Four Hours of the Day series. Etching. Proof on old filigree laid paper (cut filigree), of the 2nd state out of 2 with the excudit of Mariette. Dumesnil no. 6, I.F.F. no. 5-1. Small margins. 20.7 x 25.6 cm (sheet). Condition A.

27 - LE BRUN Charles (1619-1690). Vesper (In the evening). 1640. One of the 4 plates of the Four Hours of the Day series. Etching. Proof on old filigree laid paper (cut filigree), of the 2nd state out of 2 with the excudit of Mariette. Dumesnil no. 6, I.F.F. no. 5-1. Small margins. 20.7 x 25.6 cm (sheet). Condition A.

Result

269 €

THE GENTIL Jean-Philipe-Guy (1750-1824), Count of PAROY. [Untitled]. circa 1787. Etching. Proof on old yardage. "Paroy imagined to bring together, in a circle as big as the top of a box, 25 to 30 Fables of La Fontaine in as many small extremely fine subjects (1787). ...] He even engraved buttons and tops of candy boxes. "Reference: Portalis and Béraldi, volume V, pp. 276-277. Margin fillet around the square line. 7 cm (leaf diam.). Condition B.

28 - THE GENTIL Jean-Philipe-Guy (1750-1824), Count of PAROY. [Untitled]. circa 1787. Etching. Proof on old yardage. "Paroy imagined to bring together, in a circle as big as the top of a box, 25 to 30 Fables of La Fontaine in as many small extremely fine subjects (1787). ...] He even engraved buttons and tops of candy boxes. "Reference: Portalis and Béraldi, volume V, pp. 276-277. Margin fillet around the square line. 7 cm (leaf diam.). Condition B.

Estimate

300 € - 400 €

REMBRANDT Harmenszoon van Rijn (Leiden 1606 - Amsterdam 1669). The Flight into Egypt - Water passage. (The Flight into Egypt: crossing a brook). 1654. Original etching. Proof of the 1st or 2nd state out of 3 on old vergé, signed and dated in the plate. Reference: Bartsch no. 55 (I or II/III). Fillet of margins. 9,6 x 14,4 cm (subject). Condition B (upper right corner cut).

29 - REMBRANDT Harmenszoon van Rijn (Leiden 1606 - Amsterdam 1669). The Flight into Egypt - Water passage. (The Flight into Egypt: crossing a brook). 1654. Original etching. Proof of the 1st or 2nd state out of 3 on old vergé, signed and dated in the plate. Reference: Bartsch no. 55 (I or II/III). Fillet of margins. 9,6 x 14,4 cm (subject). Condition B (upper right corner cut).

Estimate

4 000 € - 5 000 €

30 - REMBRANDT Harmenszoon van Rijn (Leiden 1606 - Amsterdam 1669). The Flight into Egypt - Water passage. (The Flight into Egypt: crossing a brook). 1654. Original etching. Antique laid proof of the 2nd state out of 3, signed and dated in the plate. Basan print. Reference : Bartsch n°55 (II/III). Small margins. 9,6 x 14,4 cm (subject).

Result

1 920 €

REMBRANDT Harmenszoon van Rijn (Leiden 1606 - Amsterdam 1669). The Rest on the Flight, a night piece (The Rest on the Flight, a night piece). Circa 1644. Original etching. Proof on old vergé of the final state. Reference: Bartsch no. 57 (V/V). Margin fillet. 9.2 x 5.9 cm (subject). Condition B (head skin).

31 - REMBRANDT Harmenszoon van Rijn (Leiden 1606 - Amsterdam 1669). The Rest on the Flight, a night piece (The Rest on the Flight, a night piece). Circa 1644. Original etching. Proof on old vergé of the final state. Reference: Bartsch no. 57 (V/V). Margin fillet. 9.2 x 5.9 cm (subject). Condition B (head skin).

Result

1 920 €

REMBRANDT Harmenszoon van Rijn (Leiden 1606 - Amsterdam 1669). The Raising of Lazarus (The Raising of Lazarus - The larger plate). Around 1632. Original etching. Proof on old filigree laid paper (circle), from the 8th state out of 10, signed in the plate. Fillet of margins. 36,4 x 25,8 cm (subject). Reference : Bartsch n°73 (VIII/X). Condition B.

32 - REMBRANDT Harmenszoon van Rijn (Leiden 1606 - Amsterdam 1669). The Raising of Lazarus (The Raising of Lazarus - The larger plate). Around 1632. Original etching. Proof on old filigree laid paper (circle), from the 8th state out of 10, signed in the plate. Fillet of margins. 36,4 x 25,8 cm (subject). Reference : Bartsch n°73 (VIII/X). Condition B.

Result

6 400 €

REMBRANDT Harmenszoon van Rijn (Leiden 1606 - Amsterdam 1669). The Pancake woman (La Faiseuse de Kouks). 1635. Original etching. Proof on old laid paper, from the 3rd state on 6, signed and dated in the plate. Reference : Bartsch n°124 (III/VI). Fillet of margins. 10,8 x 7,8 cm (subject). Condition B (the two upper corners replaced, a small missing part replaced at the head, and a second one at the foot).

33 - REMBRANDT Harmenszoon van Rijn (Leiden 1606 - Amsterdam 1669). The Pancake woman (La Faiseuse de Kouks). 1635. Original etching. Proof on old laid paper, from the 3rd state on 6, signed and dated in the plate. Reference : Bartsch n°124 (III/VI). Fillet of margins. 10,8 x 7,8 cm (subject). Condition B (the two upper corners replaced, a small missing part replaced at the head, and a second one at the foot).

Result

2 560 €

REMBRANDT Harmenszoon van Rijn (Leiden 1606 - Amsterdam 1669). The Pancake woman (La Faiseuse de Kouks). 1635. Original etching. Proof on cream laid paper, 5th state out of 6, signed and dated in the plate. Edition 19th century. Reference : Bartsch n°124 (V/VI). Good margins. 10,8 x 7,8 cm (subject). Condition B (lightly insolated leaf).

34 - REMBRANDT Harmenszoon van Rijn (Leiden 1606 - Amsterdam 1669). The Pancake woman (La Faiseuse de Kouks). 1635. Original etching. Proof on cream laid paper, 5th state out of 6, signed and dated in the plate. Edition 19th century. Reference : Bartsch n°124 (V/VI). Good margins. 10,8 x 7,8 cm (subject). Condition B (lightly insolated leaf).

Result

1 280 €

REMBRANDT Harmenszoon van Rijn (Leiden 1606 - Amsterdam 1669). Landscape with a cow drinking. 1635. Original etching. Proof on old watermarked laid paper (fragment of the watermark with the coat of arms of Strasbourg - Strasbourg Bend watermark; Ash-Fletcher no. 35 d.), of the 2nd state out of 6. Reference : Bartsch n°237 (II/VI). Fillet of margins. 10.4 x 12.9 cm (subject). Condition B (slightly insolated leaf).

35 - REMBRANDT Harmenszoon van Rijn (Leiden 1606 - Amsterdam 1669). Landscape with a cow drinking. 1635. Original etching. Proof on old watermarked laid paper (fragment of the watermark with the coat of arms of Strasbourg - Strasbourg Bend watermark; Ash-Fletcher no. 35 d.), of the 2nd state out of 6. Reference : Bartsch n°237 (II/VI). Fillet of margins. 10.4 x 12.9 cm (subject). Condition B (slightly insolated leaf).

Result

7 424 €

RUBENS Peter Paul (Siegen 1577 - Antwerp 1640) and PONTIUS Paulus (1603-1658). Old woman and boy with candles. Etching and chisel after the painting of Rubens executed around 1616-1617. Old laid proof of the 2nd state out of 2, with the Latin title. References: Hollstein no. 2 (Rubens); Hollstein no. 48 (Pontius); Schneevoogt no. 134. 24.5 x 19.5 cm (leaf). Provenance: red stamped mark from the collection of Henri Ledoux (20th century). Condition B/C (square trimmed and laminated proof on strong

36 - RUBENS Peter Paul (Siegen 1577 - Antwerp 1640) and PONTIUS Paulus (1603-1658). Old woman and boy with candles. Etching and chisel after the painting of Rubens executed around 1616-1617. Old laid proof of the 2nd state out of 2, with the Latin title. References: Hollstein no. 2 (Rubens); Hollstein no. 48 (Pontius); Schneevoogt no. 134. 24.5 x 19.5 cm (leaf). Provenance: red stamped mark from the collection of Henri Ledoux (20th century). Condition B/C (square trimmed and laminated proof on strong

Result

320 €

BARBIÉ DU BOCAGE Jean-Denis (1760-1825). Map of France: Typo-geographic map (not put on the market), patented by FIRMIN-DIDOT. 1823. Colour printing on vellum. 48 x 54 cm (sheet). All margins. Condition B (oxidation bands at the lateral edges, right margin dusty and marked with a pale halo of humidity, without damage to the subject). Rare.

37 - BARBIÉ DU BOCAGE Jean-Denis (1760-1825). Map of France: Typo-geographic map (not put on the market), patented by FIRMIN-DIDOT. 1823. Colour printing on vellum. 48 x 54 cm (sheet). All margins. Condition B (oxidation bands at the lateral edges, right margin dusty and marked with a pale halo of humidity, without damage to the subject). Rare.

Result

256 €

BERGERET Pierre-Nolasque (1782-1863). Christ descended from the cross. Around 1803. Pen lithograph after Peter Paul RUBENS. Proof on old fort vergé, printed on the presses of the lithographic printing house, 24 rue Saint-Sébastien, Paris. Reference : I.F.F. n°28. Fillet of margins. 40.9 x 28.8 cm (sheet). Condition B (dusty sheet, margins trimmed to 3 mm from the subject; a tiny tear at the right and left edges; remnants of gummed paper on the spine). One of the first pen lithographs made in

38 - BERGERET Pierre-Nolasque (1782-1863). Christ descended from the cross. Around 1803. Pen lithograph after Peter Paul RUBENS. Proof on old fort vergé, printed on the presses of the lithographic printing house, 24 rue Saint-Sébastien, Paris. Reference : I.F.F. n°28. Fillet of margins. 40.9 x 28.8 cm (sheet). Condition B (dusty sheet, margins trimmed to 3 mm from the subject; a tiny tear at the right and left edges; remnants of gummed paper on the spine). One of the first pen lithographs made in

Result

1 024 €

BRODTMANN Carl Joseph (Überlingen 1787 - Basel 1862). Die Giraffe. Around 1816. Pen lithograph. Proof on vellum in the colours of the time. Plate from the natural history atlas by C. J. Brodtmann, Naturhistorische Bilder-Gallerie aus dem Thierreiche (Lindau, at the author's home, ca. 1816). Reference: R. A. Winkler 4-15 (46). 32.9 x 41.5 cm (sheet). Condition B.

39 - BRODTMANN Carl Joseph (Überlingen 1787 - Basel 1862). Die Giraffe. Around 1816. Pen lithograph. Proof on vellum in the colours of the time. Plate from the natural history atlas by C. J. Brodtmann, Naturhistorische Bilder-Gallerie aus dem Thierreiche (Lindau, at the author's home, ca. 1816). Reference: R. A. Winkler 4-15 (46). 32.9 x 41.5 cm (sheet). Condition B.

Result

128 €

DEBUCOURT Philibert-Louis (1755-1822) (ATTRIBUTED TO). First essay of Lithographic Lavis invented by G. Engelmann on July 25, 1819. Lithographic glaze. Vellum proof. Reference: F. Chappey, De Géricault à Delacroix : Knecht et l'invention de la lithographie, 1800-1830, cat. d'expo, Paris, L'Isle-Adam, Somogy éd. d'art, Musée d'art et d'histoire Louis Senlecq, 2005, n°16, p. 90. Large margins, not trimmed on both sides. 46 x 30.5 cm (sheet). Condition B /C (one transverse broken fold; small b

40 - DEBUCOURT Philibert-Louis (1755-1822) (ATTRIBUTED TO). First essay of Lithographic Lavis invented by G. Engelmann on July 25, 1819. Lithographic glaze. Vellum proof. Reference: F. Chappey, De Géricault à Delacroix : Knecht et l'invention de la lithographie, 1800-1830, cat. d'expo, Paris, L'Isle-Adam, Somogy éd. d'art, Musée d'art et d'histoire Louis Senlecq, 2005, n°16, p. 90. Large margins, not trimmed on both sides. 46 x 30.5 cm (sheet). Condition B /C (one transverse broken fold; small b

Estimate

1 500 € - 2 000 €

ECKERT Heinrich Ambros (Würzburg 1807- Munich 1840). Kleber. [Equestrian portrait of General Kleber, sword in the light]. Calligraphy lithographed in pen. Vellum proof, printed by M. F. Boehm in Strasbourg. Small margins. 48 x 40.5 cm (sheet). Condition B (small smudges, rubbing mark on head).

41 - ECKERT Heinrich Ambros (Würzburg 1807- Munich 1840). Kleber. [Equestrian portrait of General Kleber, sword in the light]. Calligraphy lithographed in pen. Vellum proof, printed by M. F. Boehm in Strasbourg. Small margins. 48 x 40.5 cm (sheet). Condition B (small smudges, rubbing mark on head).

Estimate

200 € - 300 €

GEBHARD THE SENIOR (active at the beginning of the 19th century). The Giraffe. 1827. Lithography. Proof on verge, bearing the certificate of edition, signed and dated in pen by Cheyère. Good margins. 43.5 x 29.5 cm (sheet). Condition B (dusty edges).

42 - GEBHARD THE SENIOR (active at the beginning of the 19th century). The Giraffe. 1827. Lithography. Proof on verge, bearing the certificate of edition, signed and dated in pen by Cheyère. Good margins. 43.5 x 29.5 cm (sheet). Condition B (dusty edges).

Estimate

120 € - 150 €

ANGELVY G. (active at the end of the 19th century). End of a marauder. Aquatint in colors. Proof on laid paper, printed in register. Signed and numbered in pencil 21/50. Dry stamp : E. Sagot Éditeur, Paris (Lugt n° 2254). All margins. 44 x 31 cm (sheet). Condition B (slight dusting along the right edge, slight sunstroke mark).

43 - ANGELVY G. (active at the end of the 19th century). End of a marauder. Aquatint in colors. Proof on laid paper, printed in register. Signed and numbered in pencil 21/50. Dry stamp : E. Sagot Éditeur, Paris (Lugt n° 2254). All margins. 44 x 31 cm (sheet). Condition B (slight dusting along the right edge, slight sunstroke mark).

Estimate

120 € - 150 €

RUSSIAN FOREIGN GUARD - MEETING OF 4 DOCUMENTS: a) An invitation to a conference organized by Ilia ZDANEVITCH (1894-1975) on November 27, 1921, in Passy, entitled: New Schools in Russian Poetry. Colour typographical printing on laid paper. Imprimerie de l'Union. 20.2 x 15.1 cm. Annotated in pencil "Invitation"; and in pencil "Good for two people"; "From Mr. Larionov". b) Two placards for the Ball of "The Big Dipper" on May 8, 1925, organized by the Union Des Artistes Russes, avenue de l'Observat

44 - RUSSIAN FOREIGN GUARD - MEETING OF 4 DOCUMENTS: a) An invitation to a conference organized by Ilia ZDANEVITCH (1894-1975) on November 27, 1921, in Passy, entitled: New Schools in Russian Poetry. Colour typographical printing on laid paper. Imprimerie de l'Union. 20.2 x 15.1 cm. Annotated in pencil "Invitation"; and in pencil "Good for two people"; "From Mr. Larionov". b) Two placards for the Ball of "The Big Dipper" on May 8, 1925, organized by the Union Des Artistes Russes, avenue de l'Observat

Estimate

800 € - 1 000 €

BEAUFRÈRE Adolphe (1876-1960). The ploughman in Merrien. 1906. Etching. Slim japanese proof of the 2nd state out of 2 (with the signature engraved), countersigned and justified in pencil. Edition of 20 proofs. Small margins. 10.6 x 25 cm (sheet). Reference : Morane n°06-13. Condition A.

45 - BEAUFRÈRE Adolphe (1876-1960). The ploughman in Merrien. 1906. Etching. Slim japanese proof of the 2nd state out of 2 (with the signature engraved), countersigned and justified in pencil. Edition of 20 proofs. Small margins. 10.6 x 25 cm (sheet). Reference : Morane n°06-13. Condition A.

Estimate

120 € - 150 €

BEAUFRÈRE Adolphe (1876-1960). Woman in Maubray. 1909. Etching. Proof on vergé, signed and justified in pencil. Edition of 40 proofs. Small margins. 10.5 x 21 cm (sheet). Reference : Morane n°09-13. Condition A (two dots of glue at the upper corners).

46 - BEAUFRÈRE Adolphe (1876-1960). Woman in Maubray. 1909. Etching. Proof on vergé, signed and justified in pencil. Edition of 40 proofs. Small margins. 10.5 x 21 cm (sheet). Reference : Morane n°09-13. Condition A (two dots of glue at the upper corners).

Estimate

120 € - 150 €

BEAUFRÈRE Adolphe (1876-1960). [Boats on the Seine in Paris]. Etching. Proof on vergé, signed and numbered 2/20. Covered with the red collector's stamp of the artist (Lugt n°3213). Small margins. 9 x 7,5 cm (sheet). Morane undescribed. Condition B/C (4 dots of glue at the corners).

47 - BEAUFRÈRE Adolphe (1876-1960). [Boats on the Seine in Paris]. Etching. Proof on vergé, signed and numbered 2/20. Covered with the red collector's stamp of the artist (Lugt n°3213). Small margins. 9 x 7,5 cm (sheet). Morane undescribed. Condition B/C (4 dots of glue at the corners).

Estimate

120 € - 150 €

BEAUFRÈRE Adolphe (1876-1960). [Views of Quimperlé?]. Etching. Print on strong vellum, signed and justified in pencil. Edition at 40 copies. Morane undescribed. Small margins. 24 x 19 cm (sheet). Condition A.

48 - BEAUFRÈRE Adolphe (1876-1960). [Views of Quimperlé?]. Etching. Print on strong vellum, signed and justified in pencil. Edition at 40 copies. Morane undescribed. Small margins. 24 x 19 cm (sheet). Condition A.

Estimate

200 € - 300 €

BEAUFRÈRE Adolphe (1876-1960). Saint Colomban Cemetery. 1909. Etching. Thin japanese print, signed and justified in pencil. Edition at 40 copies. Reference : Morane n°09-08. Small margins. 21.5 x 22 cm (sheet). Condition B (a dot of glue at the upper right corner, irregular margin).

49 - BEAUFRÈRE Adolphe (1876-1960). Saint Colomban Cemetery. 1909. Etching. Thin japanese print, signed and justified in pencil. Edition at 40 copies. Reference : Morane n°09-08. Small margins. 21.5 x 22 cm (sheet). Condition B (a dot of glue at the upper right corner, irregular margin).

Estimate

200 € - 300 €

BEAUFRÈRE Adolphe (1876-1960). Mill in Flanders. 1909. Etching. Signed and numbered in pencil 2/40 on thin japanese paper. Reference : Morane n°09-18. Small margins. 19 x 27.5 cm (sheet). Condition B (two dots of glue at the upper corners; small soft folds at the top).

50 - BEAUFRÈRE Adolphe (1876-1960). Mill in Flanders. 1909. Etching. Signed and numbered in pencil 2/40 on thin japanese paper. Reference : Morane n°09-18. Small margins. 19 x 27.5 cm (sheet). Condition B (two dots of glue at the upper corners; small soft folds at the top).

Estimate

200 € - 300 €

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