ANGOLA - PORTUGAL - FRANCE - SENEGAL - MARTINIQUE - GUADELOUPE - SANTA ISLANDS - ITALY - MALTA - ALGERIA - EGYPT - GREECE - TURKEY - JERUSALEM - JOSÉ AUGUSTO DA CUNHA MORAES (1855-1933) - JOÃO FRANCISCO CAMACHO (1833-1898) - HENRI CUNGE (act.1860-1880) - GASTON EMERIGON FABRE (1827-1899) - GIORGIO SOMMER (1834-1914) - ENRICO VAN LINT (1808-1884) - ALEXANDRE LEROUX (1836-1912) - FÉLIX BONFILS (1831-1885) - ALPHONSE RUBELLIN (act. 1870-1890) - F. QUARELLI (act.1880) - LUIGI FIORELLO (1847-1898) - ÉMILE BÉCHARD (1844-1905) - EMIL BRUGSCH (1842-1930) - PROSPER-ERNEST FATOU (1832-1891). Album by Prosper Ernest Fatou (1832-1891), naval officer, including his personal photographs and prints purchased in the countries he visited, ca.1865-1885. Angola, Caconda: scarified women, portrait of man; France: ships including the Bougainville in Saint-Malo harbor, vessel Le Souverain, school ships in Brest harbor, Iphigénie in Marseille; Portugal: Bélem tower, Cartagena, convent of the Hieronymites in Lisbon, Madeira: Funchall: Notre-Dame de Monté; Senegal: Dakar: market, baobab tree, portraits of men and women; Martinique: Fort-de-France harbor (oval format), statue of Empress Josephine in the Savannah, Madame river and Hospital chapel, Saint-Pierre: harbor, street crossed by a torrent, botanical garden, men in front of the waterfall, Didier baths, breadfruit tree; Guadeloupe: Pointe-à-Pitre: sugar factory, harbor; Îles des Saintes: islet at Cabris; Martinique: portrait of a Martinique woman (mulatresse), Rock of Gibraltar, Palma prison in the Balearics; Italy: Ischia castle, Naples: public garden on the Chiaia, San Severo chapel, Pisa: leaning tower, cathedral chandelier, Campo-Santo cloister, Posillipo grotto; Malta: Valletta harbor, St. John basilica, Maltese woman in traditional dress; Algeria: portrait of Jewish woman, Bou-Saada wadi, government square, Kabyle woman with drum, rue Annibal, children's costume, Moorish women in interior and street costumes; Egypt: Alexandria harbor: frigate La Vénus decked out for Ramadan, Le Hussard, La Victorieuse; Greece: panorama of Athens, Piraeus, view of the Acropolis, Erechteion, Parthenon, Temple of Victory, caryatids, Socrates prison, Temple of Theseus; Rhodes: rue des chevaliers, Syra; Turkey: Smyrna: panorama, caravan bridge, Turkish cemetery, Green Mosque; Lebanon: view of Beirut, Heneine palace, ancient Egyptian port at Sidon; Jerusalem: Caiffa: Mount Carmel convent, ancient Tyre, Nablus valley, Mount of Olives, Wailing Wall, monks in front of the Church of the Holy Sepulchre, Dome of the Rock, Way of the Cross, Olive Garden, Fountain of the Virgin Mary, Valley of Josaphat, Bethlehem, portrait of Archimandrite, Lebanese woman, Turkish woman, Maronite women, Turkish barber, khavas, palace of the viceroy of Alexandria, Alexandria after the occupation, Suez Canal, Le Bayard in Port-Saïd, Cairo : citadel and mosque, Arab cemetery, tombs of the caliphs, fellah quarter street, mosque of Sultan Hassan, Pyramid Road, Great Pyramid of Giza and the Sphinx, flooding of the Nile, opening of the tunnel and ascent of the Great Pyramid, sphinx before excavation, colossi of Memnon, temple of Khonsu in Luxor, island of Philae, fishing with a stuffed crocodile, water carrier, barber in Cairo, woman at a fountain carrying her child, mummy of Ramses II, statues in the Boulaq museum. Photographs. Album with 186 albumen prints, including 3 panoramas, captioned in ink below the images. Album in brown leather and gilt frieze, spine ribbed and decorated with metal appliques on the 4th plate. Images: 5 x 4 cm to 16.2 x 106.5 cm; album: 31.5 x 42 cm. In addition to a few personal views by Prosper-Ernest Fatou, this album includes a large number of prints by Bonfils. There are also a few views of Madeira from the mid-1860s by Camacho. Camacho experimented with photography in Paris with Eugène Disdéri. There's also a fine set of views of Martinique by Henri Cunge, who was more accustomed to portraits, and whose large formats are unusual, a fine portrait of a Martiniquaise woman by Fabre and views of Pisa by Van Lint. The journey continues with a panorama of Athens from 1867, comprising 3 prints, and views of Greece in fine condition. This is followed by views of Smyrna circa 1870 by Alphonse Rubellin, in particular a fine panorama comprising three prints and a large panorama of Constantinople comprising 4 prints (106 cm). Views of Jerusalem follow, before 3 pages of the album containing 16 portraits of Turks or Lebanese religious and civilians. Several photographs also feature Alexandria during the Anglo-Egyptian war, in particular the view of a cannon after the 1882 bombardment and the hanging of a