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Prints and drawings ONLINE

Prints and drawings ONLINE

Thursday, 20 February 2025 at 11:00
9 rue de Provence, 75009 Paris

Lots 51 to 100 of 315

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MONTGOLFIERE - BALLON - "Entrée de LOUIS XVIII à Paris, le 3 mai 1814". c.1815. Etching engraved by Frédéric Dubois, after Courvoisier, in antique colors. Proof on laid paper. 28.5 x 42 cm. 24.5 x 40 cm the subject. Condition B (cut at the subject and formerly laminated, rare small stains and handling marks).

51 - MONTGOLFIERE - BALLON - "Entrée de LOUIS XVIII à Paris, le 3 mai 1814". c.1815. Etching engraved by Frédéric Dubois, after Courvoisier, in antique colors. Proof on laid paper. 28.5 x 42 cm. 24.5 x 40 cm the subject. Condition B (cut at the subject and formerly laminated, rare small stains and handling marks).

Estimate
300 € - 500 €
MONTGOLFIERE - BALLON - "Hydrostatics". c.1820. Etching, on fine wove paper. Under the subject "Engraved for Pinnock & Maunders Elements of Nat. & Ex. Phil. By S. Hall". Copper margins. 13.5 x 7.8 cm. Condition B (some scattered foxing).

52 - MONTGOLFIERE - BALLON - "Hydrostatics". c.1820. Etching, on fine wove paper. Under the subject "Engraved for Pinnock & Maunders Elements of Nat. & Ex. Phil. By S. Hall". Copper margins. 13.5 x 7.8 cm. Condition B (some scattered foxing).

Estimate
40 € - 60 €
MONTGOLFIERE - BALLON - "Grande ascension en Ballon. A visit to the Eternal Father". Lithographed by Ch. NANTEUIL. Antique colors. Signed in the plate lower right. Proof with the letter, on wove paper. Printed by Lemercier, Paris. Published by Hatecoeur Martinet, rue du Coq St Honoré, 15. Margins. 25.2 x 33.5 cm. Condition B (scattered foxing mostly on margins and verso).

53 - MONTGOLFIERE - BALLON - "Grande ascension en Ballon. A visit to the Eternal Father". Lithographed by Ch. NANTEUIL. Antique colors. Signed in the plate lower right. Proof with the letter, on wove paper. Printed by Lemercier, Paris. Published by Hatecoeur Martinet, rue du Coq St Honoré, 15. Margins. 25.2 x 33.5 cm. Condition B (scattered foxing mostly on margins and verso).

Estimate
90 € - 150 €
Hans BOL (1534 - 1593) (after) - "Landscape with a hunter pointing his bow at a bird". C.1599. Etching and burin engraved by Jan SADELER (1550 - 1600), proof of the only state, on watermarked laid paper. Ref: Hollstein (Sadeler), no. 563. Le Blanc, n°185. 21.6 x 26.2 cm. Condition A/B (slight trace of an old median vertical fold, tiny ink stains near the hunter, cut to the copper or to the subject).

54 - Hans BOL (1534 - 1593) (after) - "Landscape with a hunter pointing his bow at a bird". C.1599. Etching and burin engraved by Jan SADELER (1550 - 1600), proof of the only state, on watermarked laid paper. Ref: Hollstein (Sadeler), no. 563. Le Blanc, n°185. 21.6 x 26.2 cm. Condition A/B (slight trace of an old median vertical fold, tiny ink stains near the hunter, cut to the copper or to the subject).

Estimate
100 € - 150 €
Wenzel HOLLAR (1607 - 1677) - "Landscape with a man and his dog" (Cottages on a Hill). 1651. Etching after Jacques d'Arthois (1613 - 1686). Ref: New Hollstein, no. 1108. Proof with faded date, on laid paper, published by Cornelis Galle (1615-1678). Small margins. 15.3 x 23 cm. Condition A/B (a few restored tears, including one to the left in the subject, traces of old mounting on verso).

55 - Wenzel HOLLAR (1607 - 1677) - "Landscape with a man and his dog" (Cottages on a Hill). 1651. Etching after Jacques d'Arthois (1613 - 1686). Ref: New Hollstein, no. 1108. Proof with faded date, on laid paper, published by Cornelis Galle (1615-1678). Small margins. 15.3 x 23 cm. Condition A/B (a few restored tears, including one to the left in the subject, traces of old mounting on verso).

Estimate
100 € - 150 €
Herman van SWANEVELT (1603 - 1655) - [Suite of four landscapes: 1-A fire in a cave; The two satyrs leading a flock; The satyr gathering fruit & The dancing satyr]. Complete suite of four original etchings. Ref: Bartsch, nos. 49 to 52. Proofs formerly cut to square line and pasted on strong paper. Approx. 11.5 x 16.5 cm for each subject. A/B condition (occasionally a few small stains, good condition). Set of 4 pl.

56 - Herman van SWANEVELT (1603 - 1655) - [Suite of four landscapes: 1-A fire in a cave; The two satyrs leading a flock; The satyr gathering fruit & The dancing satyr]. Complete suite of four original etchings. Ref: Bartsch, nos. 49 to 52. Proofs formerly cut to square line and pasted on strong paper. Approx. 11.5 x 16.5 cm for each subject. A/B condition (occasionally a few small stains, good condition). Set of 4 pl.

Estimate
300 € - 400 €
Antoine WATERLOO (1609 - 1690) - "Two men in a sunken lane". Etching. Proof numbered 6 lower left, on laid paper. Ref: Hollstein & Barstch, no. 112. Plate from a suite of 12 pieces "Les grands paysages". Copper margins. 22.7 x 29.2 cm. Condition A (cut at copperplate mark, small crease lower right, good condition).

57 - Antoine WATERLOO (1609 - 1690) - "Two men in a sunken lane". Etching. Proof numbered 6 lower left, on laid paper. Ref: Hollstein & Barstch, no. 112. Plate from a suite of 12 pieces "Les grands paysages". Copper margins. 22.7 x 29.2 cm. Condition A (cut at copperplate mark, small crease lower right, good condition).

Result
100 €
Claude MELLAN (1598 - 1688) - "Portrait of Raphael MENICUCIUS (Raffaello Menicucci)". 17th century. Original burin. Proof on laid paper. Ref: Préaud, n°173. Good margins. 24 x 18.5 cm. Condition A (good).

58 - Claude MELLAN (1598 - 1688) - "Portrait of Raphael MENICUCIUS (Raffaello Menicucci)". 17th century. Original burin. Proof on laid paper. Ref: Préaud, n°173. Good margins. 24 x 18.5 cm. Condition A (good).

Estimate
100 € - 200 €
Claude MELLAN (1598 - 1688) - "Portrait of Agatha Marolles (Agathe de Chatillon)". 1630. Original burin. Signed with the artist's initials in the plate. Fine proof on laid paper. Margins. 24.5 x 15.5 cm. Condition A (good).

59 - Claude MELLAN (1598 - 1688) - "Portrait of Agatha Marolles (Agathe de Chatillon)". 1630. Original burin. Signed with the artist's initials in the plate. Fine proof on laid paper. Margins. 24.5 x 15.5 cm. Condition A (good).

Estimate
80 € - 120 €
Claude MELLAN (1598 - 1688) - "Portrait of Victor LE BOUTILLIER, Archbishop of Tours". 1658. Original burin. Proof on watermarked laid paper (letters). Ref: Le Blanc 224. Good margins. 27 x 20.8 cm. Condition A (good).

60 - Claude MELLAN (1598 - 1688) - "Portrait of Victor LE BOUTILLIER, Archbishop of Tours". 1658. Original burin. Proof on watermarked laid paper (letters). Ref: Le Blanc 224. Good margins. 27 x 20.8 cm. Condition A (good).

Estimate
80 € - 120 €
Claude MELLAN (1598 - 1688) - "Portrait of Cardinal Guido Bentivoglio". 1633. Original burin. Ref: I.F.F, n°316. Proof on watermarked laid paper (3 small mounts in a shield). Fine copper margins. 21.8 x 15.1 cm. Condition A (cut at copperplate mark, good overall condition).

61 - Claude MELLAN (1598 - 1688) - "Portrait of Cardinal Guido Bentivoglio". 1633. Original burin. Ref: I.F.F, n°316. Proof on watermarked laid paper (3 small mounts in a shield). Fine copper margins. 21.8 x 15.1 cm. Condition A (cut at copperplate mark, good overall condition).

Estimate
100 € - 200 €
Claude MELLAN (1598 - 1688) - "Father Yves". Original burin. Proof of a late print, on laid paper. Good margins. 26.5 x 21 cm. Condition A (good condition).

62 - Claude MELLAN (1598 - 1688) - "Father Yves". Original burin. Proof of a late print, on laid paper. Good margins. 26.5 x 21 cm. Condition A (good condition).

Estimate
80 € - 120 €
Claudine Bouzonnet STELLA (1636 - 1697) - "Le jeu de quilles et de l'escarlopette". 1667. Etching and burin after Jacques Stella (1596 - 1657). Ref: I.F.F XVIIème, n°100-116. Proof with the number 9 lower right, on laid paper. 24.2 x 31 cm. Condition B (cut at the edge of the subject and very slight loss at the lower right corner).

63 - Claudine Bouzonnet STELLA (1636 - 1697) - "Le jeu de quilles et de l'escarlopette". 1667. Etching and burin after Jacques Stella (1596 - 1657). Ref: I.F.F XVIIème, n°100-116. Proof with the number 9 lower right, on laid paper. 24.2 x 31 cm. Condition B (cut at the edge of the subject and very slight loss at the lower right corner).

Estimate
150 € - 200 €
Giogio GHISI (1520 or 1524 - 1582) - "The Last Judgment" (plate D, detail of Michelangelo's "Last Judgment" fresco in the Sistine Chapel). c.1549. Burin after Michelangelo. Ref: Michal & Lewis, no. 9 (of a suite of 10 plates). Proof of a late edition, on wove paper. Margins. 43.5 x 57.5 cm. Condition A (a short tear consolidated in the lower margin, slight traces of handling, good condition).

64 - Giogio GHISI (1520 or 1524 - 1582) - "The Last Judgment" (plate D, detail of Michelangelo's "Last Judgment" fresco in the Sistine Chapel). c.1549. Burin after Michelangelo. Ref: Michal & Lewis, no. 9 (of a suite of 10 plates). Proof of a late edition, on wove paper. Margins. 43.5 x 57.5 cm. Condition A (a short tear consolidated in the lower margin, slight traces of handling, good condition).

Result
200 €
Giuseppe Maria MITELLI (1634 - 1718) - "L'onorata vita del poltrone, agli studiosi del ozio dedicata et al merito" (The honored life of the lazy man). 1683. Original etching. Signed in point in the plate lower right. Proof on watermarked laid paper (letter P? in a circle surmounted by a cross). Part of a series of 6 plates dedicated to sloths. Ref: Bertarelli, Les Incisions de Giuseppe Maria Mitelli, catalog critique, n°475-480. small margins. 28 x 20.5 cm. A condition (small lack at upper righ

65 - Giuseppe Maria MITELLI (1634 - 1718) - "L'onorata vita del poltrone, agli studiosi del ozio dedicata et al merito" (The honored life of the lazy man). 1683. Original etching. Signed in point in the plate lower right. Proof on watermarked laid paper (letter P? in a circle surmounted by a cross). Part of a series of 6 plates dedicated to sloths. Ref: Bertarelli, Les Incisions de Giuseppe Maria Mitelli, catalog critique, n°475-480. small margins. 28 x 20.5 cm. A condition (small lack at upper righ

Result
150 €
Agostino VENEZIANO (Agostino di MUSI) (c.1490 - c.1540) - "Sacrifice to Priape". Burin. Proof of a late print, on laid paper, with the address of Jacomo de Rossi. Good margins. 28.5 x 41.5 cm. A/B condition (few small marginal stains and slightly dusty, subject in good condition).

66 - Agostino VENEZIANO (Agostino di MUSI) (c.1490 - c.1540) - "Sacrifice to Priape". Burin. Proof of a late print, on laid paper, with the address of Jacomo de Rossi. Good margins. 28.5 x 41.5 cm. A/B condition (few small marginal stains and slightly dusty, subject in good condition).

Estimate
150 € - 200 €
BONNET Louis Marin (1736 - 1793) - [Etude de femme nue, assise]. c.1771. Pencil engraving after Louis-Jean-François Lagrenée (1725-1805), printed in red chalk. Ref: Hérold, no. 44. I.F.F 19th, not described. Proof on watermarked laid paper (house), with the address "à Paris, chez Bonnet rue St Jacques". Margins. 53.7 x 41.5 cm. Condition A (two short marginal tears, slightly dusty, good condition).

67 - BONNET Louis Marin (1736 - 1793) - [Etude de femme nue, assise]. c.1771. Pencil engraving after Louis-Jean-François Lagrenée (1725-1805), printed in red chalk. Ref: Hérold, no. 44. I.F.F 19th, not described. Proof on watermarked laid paper (house), with the address "à Paris, chez Bonnet rue St Jacques". Margins. 53.7 x 41.5 cm. Condition A (two short marginal tears, slightly dusty, good condition).

Estimate
250 € - 300 €
HOGARTH William (1697 - 1764) (after) - "O the roast beef of Old England &c" (The Gate of Calais). 1797. Etching and burin engraving by T. COOK. Proof with letter, on wove paper. Published by G.G & J. Robinson. Margins. Engraving of William Hogarth's painting The Calais Gate (1748-9, Tate Britain), painted following Hogarth's visit to France in 1748. On his way back, he was arrested in Calais as a suspected spy after trying to draw the town's ancient drawbridge. This scene takes place th

68 - HOGARTH William (1697 - 1764) (after) - "O the roast beef of Old England &c" (The Gate of Calais). 1797. Etching and burin engraving by T. COOK. Proof with letter, on wove paper. Published by G.G & J. Robinson. Margins. Engraving of William Hogarth's painting The Calais Gate (1748-9, Tate Britain), painted following Hogarth's visit to France in 1748. On his way back, he was arrested in Calais as a suspected spy after trying to draw the town's ancient drawbridge. This scene takes place th

Estimate
120 € - 150 €
HOGARTH William (1697 - 1764) - "The industrious Prentice, a favourite and entrusted by his master, plate 4". 1747. Etching and burin. Proof on laid paper. Margins for three sides. 27 x 37 cm. Condition B (small dent in the paper and short tear consolidated in the subject).

69 - HOGARTH William (1697 - 1764) - "The industrious Prentice, a favourite and entrusted by his master, plate 4". 1747. Etching and burin. Proof on laid paper. Margins for three sides. 27 x 37 cm. Condition B (small dent in the paper and short tear consolidated in the subject).

Estimate
80 € - 120 €
PITTERI Marcus (1702-1786) - Reunion of 4 engravings after Joannes Bapt. PIAZZETTA (1682-1754): 1-"S. Jacobus Maior"; 2-"Sanctus Joannes"; 3-"Sanctus Thaddaeus" & 4-"Sanctus Matthias". c.1743. Proofs on laid paper. Copper margins. Approx. 44 x 33.5 cm each. Condition B/C (cut inside the copperplate mark, a few tears sometimes reaching the subject and small losses in the margins, lightly dusted and traces of old mounting on verso, as is).

70 - PITTERI Marcus (1702-1786) - Reunion of 4 engravings after Joannes Bapt. PIAZZETTA (1682-1754): 1-"S. Jacobus Maior"; 2-"Sanctus Joannes"; 3-"Sanctus Thaddaeus" & 4-"Sanctus Matthias". c.1743. Proofs on laid paper. Copper margins. Approx. 44 x 33.5 cm each. Condition B/C (cut inside the copperplate mark, a few tears sometimes reaching the subject and small losses in the margins, lightly dusted and traces of old mounting on verso, as is).

Estimate
200 € - 300 €
Michel PLONSKI (1778/82 - 1812) - "JEW OF AMSTERDAM". c.1802. Original etching. Signed in the plate. Proof on laid paper. Margins. 21.8 x 19 cm. Condition A (rare small marginal stains, otherwise good condition).

71 - Michel PLONSKI (1778/82 - 1812) - "JEW OF AMSTERDAM". c.1802. Original etching. Signed in the plate. Proof on laid paper. Margins. 21.8 x 19 cm. Condition A (rare small marginal stains, otherwise good condition).

Result
310 €
ART NOUVEAU (in the spirit of MUCHA) - "Rêverie" (from the "Médaille" series). Rare color lithograph. Proof before letter, on strong wove paper. Margins. 51.5 x 35.5 cm. Condition B (a few short tears or small misses in the margins, a tear reaching the subject on the left, a few small stains and freckles, slightly sunned).

72 - ART NOUVEAU (in the spirit of MUCHA) - "Rêverie" (from the "Médaille" series). Rare color lithograph. Proof before letter, on strong wove paper. Margins. 51.5 x 35.5 cm. Condition B (a few short tears or small misses in the margins, a tear reaching the subject on the left, a few small stains and freckles, slightly sunned).

Estimate
200 € - 300 €
ART NOUVEAU (in the spirit of MUCHA) - "Lecture" (from the "Médaille" series). Rare color lithograph. Proof before letter, on strong wove paper. Margins. 51.5 x 35.5 cm. Condition B (rare short marginal tears, rare small stains and a few scattered freckles, slightly sunned).

73 - ART NOUVEAU (in the spirit of MUCHA) - "Lecture" (from the "Médaille" series). Rare color lithograph. Proof before letter, on strong wove paper. Margins. 51.5 x 35.5 cm. Condition B (rare short marginal tears, rare small stains and a few scattered freckles, slightly sunned).

Estimate
200 € - 300 €
Cecil ALDIN (1870 - 1935) - "Goblle gobble" (Girl with her dog and two turkeys). Chromolithography. Wove paper. Signed and titled in the plate. With copyright by Lawrence Jellicoe. 28 x 71.5 cm. A/B condition (a very short tear on the left edge, good overall condition).

74 - Cecil ALDIN (1870 - 1935) - "Goblle gobble" (Girl with her dog and two turkeys). Chromolithography. Wove paper. Signed and titled in the plate. With copyright by Lawrence Jellicoe. 28 x 71.5 cm. A/B condition (a very short tear on the left edge, good overall condition).

Result
340 €
Cecil ALDIN (1870 - 1935) - "Snowed up on Christmas Eve". Color print. Wove paper. Signed in the plate lower left. Margins. 41.5 x 56 cm. Condition A (rare stains in the margins and minor spotting of the paper at the top slightly affecting the subject).

75 - Cecil ALDIN (1870 - 1935) - "Snowed up on Christmas Eve". Color print. Wove paper. Signed in the plate lower left. Margins. 41.5 x 56 cm. Condition A (rare stains in the margins and minor spotting of the paper at the top slightly affecting the subject).

Result
120 €
Cecil ALDIN (1870 - 1935) - "Good morning Squire Brown". Chromolithograph. Signed in the plate lower left. Wove paper. With the copyright of Lawrence & Jellicoe. Margins. 29.5 x 40 cm. Condition B (reduced margins and traces of old mounting on verso, a little darkened).

76 - Cecil ALDIN (1870 - 1935) - "Good morning Squire Brown". Chromolithograph. Signed in the plate lower left. Wove paper. With the copyright of Lawrence & Jellicoe. Margins. 29.5 x 40 cm. Condition B (reduced margins and traces of old mounting on verso, a little darkened).

Result
100 €
Adolphe APPIAN (1818 - 1878) - "A Noria at Bordiquier (Italy)". 1873. Original etching. Signed and dated in the plate. Ref: Curtis & Prouté, no. 37. Unlettered proof on cream laid paper. Good margins. 34.3 x 44 cm. 23.5 x 31.5 cm in copper. Condition B/C (a few minor scratches to the subject, rare soiling to the margins and verso).

77 - Adolphe APPIAN (1818 - 1878) - "A Noria at Bordiquier (Italy)". 1873. Original etching. Signed and dated in the plate. Ref: Curtis & Prouté, no. 37. Unlettered proof on cream laid paper. Good margins. 34.3 x 44 cm. 23.5 x 31.5 cm in copper. Condition B/C (a few minor scratches to the subject, rare soiling to the margins and verso).

Estimate
100 € - 200 €
Adolphe APPIAN (1818 - 1878) - "Entrance to the Village of Artemare (Ain)". 1880. Original etching. Signed and dated in the plate. Ref: Curtis & Prouté, no. 58. First state proof on cream laid paper, numbered 345 & 10 in the compositor. Good margins. 29.5 x 40 cm. Condition A (rare soiling in the margins, good condition).

78 - Adolphe APPIAN (1818 - 1878) - "Entrance to the Village of Artemare (Ain)". 1880. Original etching. Signed and dated in the plate. Ref: Curtis & Prouté, no. 58. First state proof on cream laid paper, numbered 345 & 10 in the compositor. Good margins. 29.5 x 40 cm. Condition A (rare soiling in the margins, good condition).

Estimate
150 € - 200 €
Adolphe APPIAN (1818 - 1878) - "Un Soir, bords du Rhône, à Rix (Ain)". 1869. Original etching. Signed and dated in the plate. Ref: Curtis & Prouté, n°SP27. Proof on laid japon paper, stamped in red with the words "Epreuve de présentation". Published by Ch. Delorière, Paris. Good margins. 33.5 x 47 cm. Condition A (rare small folds in the margins, good condition).

79 - Adolphe APPIAN (1818 - 1878) - "Un Soir, bords du Rhône, à Rix (Ain)". 1869. Original etching. Signed and dated in the plate. Ref: Curtis & Prouté, n°SP27. Proof on laid japon paper, stamped in red with the words "Epreuve de présentation". Published by Ch. Delorière, Paris. Good margins. 33.5 x 47 cm. Condition A (rare small folds in the margins, good condition).

Estimate
100 € - 200 €
Eugène BEJOT (1867 - 1931) - "Auteuil" (EIFFEL TOWER, Paris). 1904. Original etching. Signed and located in the plate. Proof on Arches laid paper, countersigned in pencil by the artist. Good margins. 39 x 31 cm. Condition B (margins insolated and rare scattered foxing).

80 - Eugène BEJOT (1867 - 1931) - "Auteuil" (EIFFEL TOWER, Paris). 1904. Original etching. Signed and located in the plate. Proof on Arches laid paper, countersigned in pencil by the artist. Good margins. 39 x 31 cm. Condition B (margins insolated and rare scattered foxing).

Estimate
200 € - 300 €
Jacques BEURDELEY (1874 - 1954) - [Ruelle]. Etching and drypoint. Signed in the plate. Proof on Arches laid paper, numbered 25/50 and countersigned by the artist. Good margins. 29.5 x 40 cm. Condition B (traces of insolation in the margins and on the reverse).

81 - Jacques BEURDELEY (1874 - 1954) - [Ruelle]. Etching and drypoint. Signed in the plate. Proof on Arches laid paper, numbered 25/50 and countersigned by the artist. Good margins. 29.5 x 40 cm. Condition B (traces of insolation in the margins and on the reverse).

Result
155 €
Georges BIGOT (1855 - 1926) - Address card for Clovis Sagot, 46 rue Laffitte. Drypoint printed in bistre. Signed in the plate. Proof with the letter, on cream laid paper. Margins. 22 x 27.3 cm. Condition A (few small light marginal stains, good condition).

82 - Georges BIGOT (1855 - 1926) - Address card for Clovis Sagot, 46 rue Laffitte. Drypoint printed in bistre. Signed in the plate. Proof with the letter, on cream laid paper. Margins. 22 x 27.3 cm. Condition A (few small light marginal stains, good condition).

Result
80 €
Jacques-Emile BLANCHE (1861 - 1942) - "Young girl with a white horse". c.1898. Original lithograph. Ref: I.F.F Après 1800, p.500. Signed with the artist's initials in the plate. Proof on chine paper. Good margins. 27.5 x 37.5 cm. Condition A (rare small marginal foxing, subject in good condition).

83 - Jacques-Emile BLANCHE (1861 - 1942) - "Young girl with a white horse". c.1898. Original lithograph. Ref: I.F.F Après 1800, p.500. Signed with the artist's initials in the plate. Proof on chine paper. Good margins. 27.5 x 37.5 cm. Condition A (rare small marginal foxing, subject in good condition).

Estimate
80 € - 120 €
Jacques-Emile BLANCHE (1861 - 1942) - [Femme dénudée, assise, de dos]. Original etching. Fine proof on wove paper, justified "1er état 1/2" and signed in pencil by the artist. Full margins. 27.5 x 19.5 cm. Condition A (well preserved).

84 - Jacques-Emile BLANCHE (1861 - 1942) - [Femme dénudée, assise, de dos]. Original etching. Fine proof on wove paper, justified "1er état 1/2" and signed in pencil by the artist. Full margins. 27.5 x 19.5 cm. Condition A (well preserved).

Result
100 €
Louis BOILLY (1761 - 1845) - "Anger". 1824. Lithograph in old colors. Signed and dated in the plate. Proof with the letter, on wove paper. Printed by Delpech. Margins. 37 x 27.5 cm. Condition A (rare and slight traces of folds).

85 - Louis BOILLY (1761 - 1845) - "Anger". 1824. Lithograph in old colors. Signed and dated in the plate. Proof with the letter, on wove paper. Printed by Delpech. Margins. 37 x 27.5 cm. Condition A (rare and slight traces of folds).

Estimate
80 € - 120 €
François BONVIN (1817 - 1887) - "Etching Instrument". 1861. Original etching. Proof on cream laid paper. Ref: I.F.F Après 1800, n°6. Good margins. 41.8 x 30.5 cm. A/B condition (a few stains and short tears at the edges of the sheet, subject in good condition).

86 - François BONVIN (1817 - 1887) - "Etching Instrument". 1861. Original etching. Proof on cream laid paper. Ref: I.F.F Après 1800, n°6. Good margins. 41.8 x 30.5 cm. A/B condition (a few stains and short tears at the edges of the sheet, subject in good condition).

Result
150 €
Paul BOREL (1828 - 191) - "The disciples of Emmaus". 1906. Etching. Signed, dated and titled in point under the subject. Proof on cream wove paper. Margins. 32.5 x 50 cm. Condition A (plate cut weakened on a lower section, otherwise in good condition).

87 - Paul BOREL (1828 - 191) - "The disciples of Emmaus". 1906. Etching. Signed, dated and titled in point under the subject. Proof on cream wove paper. Margins. 32.5 x 50 cm. Condition A (plate cut weakened on a lower section, otherwise in good condition).

Estimate
80 € - 120 €
Félix BRACQUEMOND (1833 - 1914) - "Margot the critic". Etching. Signed in the plate. Proof of the final state on wove paper, printed by Auguste Delâtre and with the address "Marchant, Edit. Alliance des Arts" (active circa 1830-1880). Ref: I.F.F Après 1800, n°39. Béraldi, n°113. Numbered 801 on the compositor. Margins. 32.8 x 24 cm. Condition A (well preserved).

88 - Félix BRACQUEMOND (1833 - 1914) - "Margot the critic". Etching. Signed in the plate. Proof of the final state on wove paper, printed by Auguste Delâtre and with the address "Marchant, Edit. Alliance des Arts" (active circa 1830-1880). Ref: I.F.F Après 1800, n°39. Béraldi, n°113. Numbered 801 on the compositor. Margins. 32.8 x 24 cm. Condition A (well preserved).

Estimate
100 € - 150 €
Félix BRACQUEMOND (1833 - 1914) - "Labor ou Le Paysan à la houe." Etching after Jean-François Millet (Gruchy (near Gréville) 1814 - Barbizon 1875). Signed in point below the subject. Proof on cream laid paper. Margins. 30 x 34 cm. Condition A/B (two short tears in upper margin, margins and verso unevenly sunned).

89 - Félix BRACQUEMOND (1833 - 1914) - "Labor ou Le Paysan à la houe." Etching after Jean-François Millet (Gruchy (near Gréville) 1814 - Barbizon 1875). Signed in point below the subject. Proof on cream laid paper. Margins. 30 x 34 cm. Condition A/B (two short tears in upper margin, margins and verso unevenly sunned).

Estimate
80 € - 120 €
Albert BRENDEL (1827 - 1895) - "A sheepfold". 1863. Original etching. Signed and dated in the subject. Proof with the letter and number 527 top right, on cream laid paper. Printed and published by Veuve A. Cadart, Paris. Margins. 28.8 x 39 cm. Condition A (good).

90 - Albert BRENDEL (1827 - 1895) - "A sheepfold". 1863. Original etching. Signed and dated in the subject. Proof with the letter and number 527 top right, on cream laid paper. Printed and published by Veuve A. Cadart, Paris. Margins. 28.8 x 39 cm. Condition A (good).

Estimate
80 € - 100 €
Theodore BRENSON (1893 - 1959, Latvian-American abstract artist) - [Landscape]. Etching. Proof on cream wove paper. Good margins. 32.5 x 40.8 cm. Condition A (rare small traces of handling in the margins).

91 - Theodore BRENSON (1893 - 1959, Latvian-American abstract artist) - [Landscape]. Etching. Proof on cream wove paper. Good margins. 32.5 x 40.8 cm. Condition A (rare small traces of handling in the margins).

Estimate
100 € - 150 €
Theodore BRENSON (1893 - 1959, Latvian-American abstract artist) - [Portrait of a man]. Etching. Proof on cream laid paper. All margins. 44 x 28.5 cm. Condition A (well preserved).

92 - Theodore BRENSON (1893 - 1959, Latvian-American abstract artist) - [Portrait of a man]. Etching. Proof on cream laid paper. All margins. 44 x 28.5 cm. Condition A (well preserved).

Estimate
100 € - 150 €
Félix BUHOT (1847 - 1898) - "Au fil de l'eau". Etching and drypoint after G. Jundt. Nice proof with the letter, on laid paper. Ref: Bourcard-Goodfriend 5. printed by the Veuve A. Cadart. Cadart and published by Librairie Bachelin Deflorenne. Good margins. 26.5 x 37 cm. Condition A (well preserved).

93 - Félix BUHOT (1847 - 1898) - "Au fil de l'eau". Etching and drypoint after G. Jundt. Nice proof with the letter, on laid paper. Ref: Bourcard-Goodfriend 5. printed by the Veuve A. Cadart. Cadart and published by Librairie Bachelin Deflorenne. Good margins. 26.5 x 37 cm. Condition A (well preserved).

Estimate
100 € - 200 €
Gustave BUISSET (1879 - 1917) - [Femme à sa toilette?]. c. 1906. Aquatint on Arches laid paper. Signed and dated "06" (?) in pencil under the subject at right. Margins. 37 x 49 cm. Condition B/C (trace of oblique crease lower left, rare small scratches and slight handling marks).

94 - Gustave BUISSET (1879 - 1917) - [Femme à sa toilette?]. c. 1906. Aquatint on Arches laid paper. Signed and dated "06" (?) in pencil under the subject at right. Margins. 37 x 49 cm. Condition B/C (trace of oblique crease lower left, rare small scratches and slight handling marks).

Result
80 €
Jules CHADEL (1870 - 1942) - "Descente de croix". Woodcut. Fine proof on japon paper, numbered 7/40 and signed in pencil by the artist. Margins. 26 x 37 cm. Condition A (well preserved).

95 - Jules CHADEL (1870 - 1942) - "Descente de croix". Woodcut. Fine proof on japon paper, numbered 7/40 and signed in pencil by the artist. Margins. 26 x 37 cm. Condition A (well preserved).

Estimate
200 € - 300 €
François CHIFFLART (1825 - 1901) - "Melancholy" (ALLEGORY). 1877. Original etching. Ref: Béraldi, n°4. Proof with letter, on cream laid paper. Printed by François Liénard, Paris and published by l'Art. Good margins. 42.5 x 29.5 cm. A/B condition (rare light foxing in lightly dusted margins, upper margin edge unstained).

96 - François CHIFFLART (1825 - 1901) - "Melancholy" (ALLEGORY). 1877. Original etching. Ref: Béraldi, n°4. Proof with letter, on cream laid paper. Printed by François Liénard, Paris and published by l'Art. Good margins. 42.5 x 29.5 cm. A/B condition (rare light foxing in lightly dusted margins, upper margin edge unstained).

Result
80 €
Léon DANCHIN (1887 - 1938) - [Tête de chien]. Original lithograph in colors. Signed in the plate. Proof on wove paper, numbered "23.300" in pencil lower right. Margins. 58.5 x 49 cm. Condition B (a few light stains and handling marks, rare short marginal tears, slightly soiled and dusty).

97 - Léon DANCHIN (1887 - 1938) - [Tête de chien]. Original lithograph in colors. Signed in the plate. Proof on wove paper, numbered "23.300" in pencil lower right. Margins. 58.5 x 49 cm. Condition B (a few light stains and handling marks, rare short marginal tears, slightly soiled and dusty).

Estimate
100 € - 200 €
DAUBIGNY Charles François (1817 - 1878) - "Moonlight at Valmondois". 1877. Original etching. Ref: Delteil, n°127. Proof on laid paper, of the IV th state on IV, with the letter, published in the Gazette des Beaux Arts. Small margins. 16.5 x 27.8 cm. Condition A (cut inside the copper mark at the foot and slight trace of old median vertical fold).

98 - DAUBIGNY Charles François (1817 - 1878) - "Moonlight at Valmondois". 1877. Original etching. Ref: Delteil, n°127. Proof on laid paper, of the IV th state on IV, with the letter, published in the Gazette des Beaux Arts. Small margins. 16.5 x 27.8 cm. Condition A (cut inside the copper mark at the foot and slight trace of old median vertical fold).

Result
80 €
Eugène DELACROIX (1798 - 1863) - "Muleteers of Tetuan". 1833. Original lithograph. Ref: Delteil, no. 96 (gives only the three 1864 states, but ignores subsequent ones). Signed and dated upper right in the composition. Proof of the V th state on V (with the address of A. Clot), on cream wove paper, published in the Gazette des Beaux-Arts in July 1914. Margins. 27.8 x 35 cm. Condition B (trace of original median vertical fold, insolation and consolidated tear at this fold on the lower part).

99 - Eugène DELACROIX (1798 - 1863) - "Muleteers of Tetuan". 1833. Original lithograph. Ref: Delteil, no. 96 (gives only the three 1864 states, but ignores subsequent ones). Signed and dated upper right in the composition. Proof of the V th state on V (with the address of A. Clot), on cream wove paper, published in the Gazette des Beaux-Arts in July 1914. Margins. 27.8 x 35 cm. Condition B (trace of original median vertical fold, insolation and consolidated tear at this fold on the lower part).

Estimate
80 € - 120 €
Eugène DELACROIX (1798 - 1863) - "Steenie or Redgauntlet pursued by a luton". 1829. Original lithograph, printed in sanguine. Ref: Delteil, no. 88. Signed in the plate. Proof of the 3rd state of 3 (printed in 1841), on wove paper. Margins. 27.3 x 32.8 cm. Condition B (trace of a vertical fold and a tear in the margin at the fold, slight traces of handling).

100 - Eugène DELACROIX (1798 - 1863) - "Steenie or Redgauntlet pursued by a luton". 1829. Original lithograph, printed in sanguine. Ref: Delteil, no. 88. Signed in the plate. Proof of the 3rd state of 3 (printed in 1841), on wove paper. Margins. 27.3 x 32.8 cm. Condition B (trace of a vertical fold and a tear in the margin at the fold, slight traces of handling).

Result
125 €
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